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1

Keutzer, Oliver, Sebastian Lauritz, Claudia Mehlinger, and Peter Moormann. Filmanalyse. Wiesbaden: Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-02100-9.

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Hagener, Malte, and Volker Pantenburg, eds. Handbuch Filmanalyse. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-13339-9.

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Hagener, Malte, and Volker Pantenburg, eds. Handbuch Filmanalyse. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-13352-8.

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4

Faulstich, Werner. Einführung in die Filmanalyse. 4th ed. Tübingen: Gunter Narr Verlag, 1994.

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5

Filmanalyse: Theorien, Methoden, Kritik. 2nd ed. Wien: Böhlau, 2005.

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6

Stahlecker, Markus F. Steven Spielbergs "Schindlers Liste": Eine Filmanalyse. Aachen: Shaker Verlag, 1999.

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7

Filme, die Geschichte(n) erzählen: Filmanalyse als Medienkulturanalyse. Würzburg: Königshausen & Neumann, 2011.

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8

honouree, Kanzog Klaus, ed. Strategien der Filmanalyse - reloaded: Festschrift für Klaus Kanzog. München: Verlag Schaudig & Ledig GbR, 2010.

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9

Wuss, Peter. Filmanalyse und Psychologie: Strukturen des Films im Wahrnehmungsprozess. Berlin: Sigma, 1993.

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10

Klaus, Rieser-Wohlfarter, ed. Daughter rite (1978) and Daughters of chaos (1980): Filmanalysen. Trier: Wissenschaftlicher Verlag, 1996.

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11

Die Panorama-Monatsschau 1944/45: Erschliessung und kritische Filmanalyse. Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2010.

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12

Bach, Michaela. Erzählperspektive im Film: Eine erzähltheroetische [sic] Untersuchung mithilfe exemplarischer Filmanalysen. Essen: Item-Verlag, 1997.

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13

El-Nawab-Dina. Alfred Hitchcocks 'Psycho': Exemplarische Filmanalyse unter besonderer Berücksichtigung des Suspense. Alefeld/Leine: Coppi, 1997.

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14

Krisenkino: Filmanalyse als Kulturanalyse : zur Konstruktion von Normalität und Abweichung im Spielfilm. Bielefeld: transcript, 2010.

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15

Baltruschat, Astrid. Die Dekoration der Institution Schule: Filminterpretationen nach der dokumentarischen Methode. Wiesbaden: VS-Verl., 2009.

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16

Hoefer, Georg. Die Geschichte der geschlechsspezifischen [i.e. geschlechtsspezifischen] Sozialisation bis zum Fernsehzeitalter : mit ausführlichen Programm- und Filmanalysen. Coppengrave: Coppi, 1995.

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17

Breitmoser-Bock, Angelika. Bild, Filmbild, Schlüsselbild: Zu einer kunstwissenschaftlichen Methodik der Filmanalyse am Beispiel von Fritz Langs Siegfried (Deutschland, 1924). München: Schaudig, Bauer, Ledig, 1992.

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18

Schudack, Achim. Filmmusik in der Schule: Studien zu Kazan/Bernsteins "On the waterfront" : ein Beispiel interdisziplinärer Filmanalyse und integrativen Musikunterrichts. Augsburg: Wissner, 1995.

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19

Snyder, Mary H. Analyzing literature to film adaptations: A novelist's exploration and guide. New York: Continuum, 2011.

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20

Korte, Helmut. Einführung in die systematische Filmanalyse: Ein Arbeitsbuch : mit Beispielanalysen von Peter Drexler ... zu Zabriskie Point (Antonioni 1969), Misery (Reiner 1990), Schindlers Liste (Spielberg 1993), Romeo und Julia (Luhrmann 1996). Berlin: Erich Schmidt, 2000.

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21

Anatomy of film. 3rd ed. New York: St. Martin's Press, 1998.

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22

Anatomy of film. 2nd ed. New York: St. Martin's Press, 1990.

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23

J, Curley Stephen, ed. Celluloid wars: A guide to film and the American experience of war. New York: Greenwood Press, 1992.

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24

Costanzo, William V. Reading the movies: Twelve great films on video and how to teach them. Urbana, Ill: National Council of Teachers of English, 1992.

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25

Boggs, Joseph M. The art of watching films. 2nd ed. Palo Alto, Calif: Mayfield Pub. Co., 1985.

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26

The art of watching films. 4th ed. Mountain View, Calif: Mayfield Pub. Co., 1996.

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27

Boggs, Joseph M. The art of watching films. 7th ed. Boston, Mass: McGraw-Hill, 2008.

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28

The art of watching films. 3rd ed. Mountain View, Calif: Mayfield Pub. Co., 1991.

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29

The art of watching films. 2nd ed. Palo Alto, Calif: Mayfield Pub. Co., 1985.

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30

W, Petrie Dennis, ed. The art of watching films. 5th ed. Mountain View, Calif: Mayfield Pub., 2000.

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31

Movies about the movies: Hollywood reflected. Lexington, Ky: University Press of Kentucky, 1997.

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32

1950-, Thompson Kristin, ed. Film art: An introduction. 4th ed. New York: McGraw-Hill, 1993.

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33

Bordwell, David. Film art: An introduction. New York: McGraw Hill, 2001.

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34

1950-, Thompson Kristin, and Peng Jixing, eds. Dian ying yi shu: Xing shi yu feng ge. 5th ed. Beijing: Beijing da xue chu ban she, 2003.

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35

Bordwell, David. Film art: An introduction. 7th ed. New York: McGraw-Hill, 2004.

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36

1950-, Thompson Kristin, ed. Film art: An introduction. 3rd ed. New York: McGraw-Hill, 1990.

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37

1950-, Thompson Kristin, ed. Film art: An introduction. New York: McGraw-Hill, 2012.

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38

Bordwell, David. Film art: An introduction. 2nd ed. New York: McGraw-Hill, 1985.

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39

Bordwell, David. Film art: An introduction. 2nd ed. New York: Knopf, 1986.

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40

Bordwell, David. Film art: An introduction. New York: McGraw-Hill Higher Education, 2009.

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41

Bordwell, David. Film art: An introduction. 3rd ed. New York: McGraw-Hill, 1990.

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42

1950-, Thompson Kristin, ed. Film art: An introduction/ seventh edition. 7th ed. Boston: McGraw-Hill, 2004.

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43

1950-, Thompson Kristin, ed. Film art: An introduction. 6th ed. New York: McGraw Hill, 2001.

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44

1950-, Thompson Kristin, ed. Film art: An introduction. New York: McGraw-Hill Higher Education, 2009.

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45

1950-, Thompson Kristin, ed. Film art: An introduction. 5th ed. New York: The McGraw-Hill Companies, 1996.

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46

1950-, Thompson Kristin, ed. Film art: An introduction. 8th ed. Boston: McGraw Hill, 2008.

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47

Grundkurs Filmanalyse. UTB GmbH, 2013.

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48

Hagener, Malte, and Volker Pantenburg. Handbuch Filmanalyse. Springer VS, 2020.

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49

Faulstich, Werner. Grundkurs Filmanalyse. Utb, 2002.

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50

Blågult flimmer: Svenska filmanalyser. [Lund]: Studentlitteratur, 1998.

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