Relevant bibliographies by topics / Filmes de horror / Dissertations / Theses
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Dissertations / Theses on the topic 'Filmes de horror'

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Published: 4 June 2021
Last updated: 4 February 2022

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1

Rech, Gisele Krodel. "Baseado em uma história real : o jornalismo como referência em Horror em Amityville /." Bauru, 2019. http://hdl.handle.net/11449/181331.

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Orientador: Marcelo Magalhães Bulhões<br>Banca: Ana Sílvia Lopes Davi Médola<br>Banca: José Carlos Marques<br>Banca: Laura Loguercio Cânepa<br>Banca: Valquiria Michela John<br>Resumo: Apesar de recorrente como referência de filmes dos mais variados gêneros, os textos jornalísticos nem sempre ganham a devida atenção no âmbito da pesquisa cinematográfica. Nesta tese, busca-se lançar um olhar ao tema, direcionando o trabalho para as narrativas jornalísticas usadas como referencial para cineastas, que transformam em narrativa audiovisual a representação da realidade de uma história que ganhou as p
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2

Canepa, Laura Loguercio. "Medo de que? : uma historia do horror nos filmes brasileiros." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285159.

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Orientador: Nuno Cesar Pereira de Abreu<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-11T16:44:22Z (GMT). No. of bitstreams: 1 Canepa_LauraLoguercio_D.pdf: 62092455 bytes, checksum: aeaa4fb7ba2110dbe657a81456b35c36 (MD5) Previous issue date: 2008<br>Resumo: Neste trabalho, examinam-se as manifestações do gênero horror nos longas-metragens sonoros brasileiros realizados entre 1937 e 2007, elaborando-se um panorama histórico desses filmes, desde os primeiros registros cinematográficos deste gênero de ficção no cinema nacional
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3

Piedade, Lucio de Franciscis dos Reis. "A cultura do lixo : horror, sexo e exploração no cinema." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284131.

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Orientador : Marcius Cesar Soares Freire<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T01:45:00Z (GMT). No. of bitstreams: 1 Piedade_LuciodeFranciscisdosReis_M.pdf: 11474244 bytes, checksum: 1378d36d591ee788a4b653a3196ea83c (MD5) Previous issue date: 2002<br>Resumo: o presente trabalho é uma investigação das relações entre o cinema de horror e o que se convencionou chamarfilmes exploítatíon- filão vasto e prolífico que se desenvolveu à margemda indústria principal. Através de uma retrospectiva histórica, pretendemo
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4

Gomes, Paula. "Terra dos mortos: o espaço narrativo nos filmes de zumbis." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/5617.

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Made available in DSpace on 2016-06-02T20:23:15Z (GMT). No. of bitstreams: 1 6088.pdf: 4784332 bytes, checksum: de1ab224481cdf1235abbba0a4ce7efb (MD5) Previous issue date: 2014-07-02<br>This study aims to analyze the genre of zombie movies establishing a dialogue between their narrative spaces, the historical contexts in which they are situated, and their connections to other works in different media, in an intermedial perspective. Therefore, this research sought to study three narrative spaces that were widely used in the films of the genre: the Caribbean space, used in 1930-1940 American f
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Fernandes, Caio Aguilar. "David Cronenberg : extremos da visibilidade." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284228.

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Orientador: Lucia Nagib<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T15:40:02Z (GMT). No. of bitstreams: 1 Fernandes_CaioAguilar_M.pdf: 5517469 bytes, checksum: 8e69ad0e2cb08f4054be2c7f1e195212 (MD5) Previous issue date: 2001<br>Resumo: O presente trabalho analisa cinco filmes escritos e dirigidos pelo cineasta canadense David Cronenberg: Calafrios (Shivers, Canadá, 1975); Enraivecida, na fúria do sexo (Rabid, Canadá, 1976); Os filhos do medo (The Brood, Canadá, 1979); Scanners, sua mente pode destruir (Scanners,
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6

Gamba, Janaina dos Santos. "Cara de vilão: aspectos complexos na construção do personagem-tipo do vilão em filmes de horror." Pontifícia Universidade Católica do Rio Grande do Sul, 2014. http://hdl.handle.net/10923/6993.

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Made available in DSpace on 2015-01-16T01:01:02Z (GMT). No. of bitstreams: 1 000464517-Texto+Completo-0.pdf: 1115696 bytes, checksum: 01d0397608922588e23526e058cb971b (MD5) Previous issue date: 2014<br>Our work has as study object the construction of the type-character of the Villain, in Horror Movies. For our analysis, were chosen the following movies: Das Cabinet Des Dr. Caligari (1920), by Robert Wiene; The Phantom of The Opera (1925), by Rupert Julian; Mystery of The Wax Museum (1933), by Michael Curtiz; The House on Haunted Hill (1959), by William Castle. The theorical sustention is mad
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Boer, Raphael Albuquerque de. "Who is going to save the final girl? the politics of representation in the films halloween and the silence of the lambs." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/129422.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014<br>Made available in DSpace on 2015-02-05T21:04:30Z (GMT). No. of bitstreams: 1 329053.pdf: 1341507 bytes, checksum: d00163e78ad924bf591e9c3fd8125b5d (MD5) Previous issue date: 2014<br>Abstract: This dissertation aims at analyzing female representations in two film productions of the North American horror cinema, specifically of its subgenre slasher films, namely Halloween, directed by John Carpenter (1978) a
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Santos, Janaina de Jesus [UNESP]. "Produções discursivas do horror: materialidade fílmica e memória na trilogia de Zé do Caixão." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123253.

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Made available in DSpace on 2015-05-14T16:53:13Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-10-20Bitstream added on 2015-05-14T16:59:12Z : No. of bitstreams: 1 000824329_20161020.pdf: 133250 bytes, checksum: c99800b34070121a8566b2b285926eb1 (MD5) Bitstreams deleted on 2016-10-21T11:52:43Z: 000824329_20161020.pdf,. Added 1 bitstream(s) on 2016-10-21T11:53:22Z : No. of bitstreams: 1 000824329.pdf: 3684847 bytes, checksum: 0d1387853872e4c28a67a0f279aaee50 (MD5)<br>Este estudo tem respaldo teórico-metodológico no campo da Análise do discurso de origem francesa e seus desdobramentos n
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Santos, Janaina de Jesus. "Produções discursivas do horror : materialidade fílmica e memória na trilogia de Zé do Caixão /." Araraquara, 2014. http://hdl.handle.net/11449/123253.

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Orientador: Maria do Rosário F. V. Gregolin<br>Co-orientador: Nilton Milanez<br>Banca: Cleudemar Alves Fernandes<br>Banca: Luzmara Curcino Ferreira<br>Banca: Denise Gabriel Witzel<br>Banca: Mara Rúbia de Souza Rodrigues Morais<br>Resumo: Este estudo tem respaldo teórico-metodológico no campo da Análise do discurso de origem francesa e seus desdobramentos no Brasil, tomando como eixo as noções de memória discursiva, intericonicidade e subjetividade. O corpus base de nossa pesquisa é composto por excertos dos filmes da "trilogia de Zé do Caixão", de José Mojica Marins, a saber: À meia-noite leva
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Gamba, Janaina dos Santos. "Cara de vil?o : aspectos complexos na constru??o do personagem-tipo do vil?o em filmes de horror." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/4600.

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Made available in DSpace on 2015-04-14T14:42:10Z (GMT). No. of bitstreams: 1 464517.pdf: 1115696 bytes, checksum: 01d0397608922588e23526e058cb971b (MD5) Previous issue date: 2014-12-08<br>Our work has as study object the construction of the type-character of the Villain, in Horror Movies. For our analysis, were chosen the following movies: Das Cabinet Des Dr. Caligari (1920), by Robert Wiene; The Phantom of The Opera (1925), by Rupert Julian; Mystery of The Wax Museum (1933), by Michael Curtiz; The House on Haunted Hill (1959), by William Castle. The theorical sustention is made, having as b
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11

Fonseca, Sâmia Lorena Morais da. "Do cotidiano ao artifício : estratégias para produção de emoção em filmes da nova geração do cinema de horror nacional." Universidade Federal de Sergipe, 2017. https://ri.ufs.br/handle/riufs/4019.

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Fundação de Apoio a Pesquisa e à Inovação Tecnológica do Estado de Sergipe - FAPITEC/SE<br>The following dissertation is devoted to the new horror movies produced in Brazil after 2000’s. Special attention will be given to their affective dimension, focusing on the relation between the emotional expression of its characters and the spectators reaction. Among typical strategies programmed in these films, we find a distinct process of artificialization of daily life, through the deliberate use of conventions proper to the horror genre. The films will be approached through a a cognitive pers
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Silva, André Campos. "O processo comunicacional do clichê cinematográfico em filmes de terror slasher." Universidade do Vale do Rio dos Sinos, 2014. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4291.

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Submitted by Maicon Juliano Schmidt (maicons) on 2015-07-07T18:24:03Z No. of bitstreams: 1 André Campos Silva.pdf: 2838135 bytes, checksum: 2872728d2a874e2b7e29377031d7f44d (MD5)<br>Made available in DSpace on 2015-07-07T18:24:03Z (GMT). No. of bitstreams: 1 André Campos Silva.pdf: 2838135 bytes, checksum: 2872728d2a874e2b7e29377031d7f44d (MD5) Previous issue date: 2014-01-31<br>CNPQ – Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>A pesquisa busca problematizar o uso do clichê no cinema, entendendo-o como um processo comunicacional que ajuda contribuir com a compreensã
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Oliveira, André. "O zumbi como personagem midiático: desdobramentos políticos." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4471.

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Made available in DSpace on 2016-04-26T18:12:32Z (GMT). No. of bitstreams: 1 Andre Oliveira.pdf: 62201460 bytes, checksum: 7bd1951f3685c007ed4c8fd33e190d34 (MD5) Previous issue date: 2012-11-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Zombies have been part of people s imagination for many centuries. However, for the last twenty years, a zombie culture has been developed and it has been taking its place throughout different types of media, such as audiovisual and press. Moreover, this culture has also been present in people´s celebrations and manifestations, for ex
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Marques, Rosemeire da Silva. "Filmes de terror e o medo da morte na contemporaneidade : subjetividades em perspectiva cinematográfica." Universidade Federal de Mato Grosso, 2014. http://ri.ufmt.br/handle/1/433.

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Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2017-08-21T21:04:43Z No. of bitstreams: 1 DISS_2014_Rosemeire da Silva Marques.pdf: 1574366 bytes, checksum: fa24e4daab99b6d7d4ca2cd5919e7770 (MD5)<br>Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2017-08-22T16:08:22Z (GMT) No. of bitstreams: 1 DISS_2014_Rosemeire da Silva Marques.pdf: 1574366 bytes, checksum: fa24e4daab99b6d7d4ca2cd5919e7770 (MD5)<br>Made available in DSpace on 2017-08-22T16:08:22Z (GMT). No. of bitstreams: 1 DISS_2014_Rosemeire da Silva Marques.pdf: 1574366 bytes, checksum: fa24e4daab99b6d7d4
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Ponte, Charles 1976. "Indústria cultural, repetição e totalização na trilogia Pânico." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269972.

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Orientador: Fábio Akcelrud Durão<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-19T00:44:26Z (GMT). No. of bitstreams: 1 Ponte_Charles_D.pdf: 5158221 bytes, checksum: 021381a1dcdf598dfa5687c77fa4f959 (MD5) Previous issue date: 2011<br>Resumo: Ao longo do último século, o modus operandi da indústria cultural foi responsável por um movimento de padronização dos artefatos culturais, constituindo um eixo tensional entre repetição e inovação que abarca em todas as artes, mas especialmente no cinema, tendo este uma
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Hauka, David Phillip. "Eschato-horror films." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50296.

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This thesis studies American studio feature films whose narratives are inspired by the Bible’s Book of Revelation. I identify these films as belonging to a subgenre of supernatural horror I have named ‘eschato-horror’. American eschato-horror films reflect Christian eschatology and its violent visions of cosmic war between divine and satanic forces. While supernatural horror films exploit our fear of death and evil, American Eschato-horror ups the cultural stakes through its representations of pseudo Catholic and other Christian ritual, scripture, and iconography in its mission to frighten the
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Yau, Suk-ying Shirley. "Where has all the horror gone? : a study of horror in contemporary cinema /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B42575175.

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Yau, Suk-ying Shirley, and 邱淑瑩. "Where has all the horror gone?: a study of horror in contemporary cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B42575175.

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Hutchings, Peter. "The British horror film : an investigation of British horror production in its national context." Thesis, University of East Anglia, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329537.

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Wessinger, Alyssa L. "A Deconstruction of Horror, Fear and Terror: Using Horror Films as Didactic Tools in Art Education." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/85.

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This arts-based study discusses using the horror film and monsters as a means of exploring the personification of fear in contemporary society. The paper incorporates the viewing and dissection of horror films into an artistic process to explore fears in order to further artistic expression. It additionally shows how this process can be used in an art classroom within the context of contemporary art to empower students and facilitate art criticism discussions.
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Williams, Colby D. "Reading 9/11 in 21st Century Apocalyptic Horror Films." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/116.

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The tragedy and aftermath of the 9/11 terrorist attacks are reflected in American apocalyptic horror films that have been produced since 2001. Because the attacks have occurred only within the past ten years, not much research has been conducted on the effects the attacks have had on the narrative and technological aspects of apocalyptic horror. A survey of American apocalyptic horror will include a brief synopsis of the films, commentary on dominant visual allusions to the 9/11 attacks, and discussion of how the attacks have thematically influenced the genre. The resulting study shows that
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Egers, Wayne. "David Cronenberg's body-horror films and diverse embodied spectators." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82863.

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This dissertation is an interdisciplinary study of David Cronenberg's body-horror films in relation to their embodied spectators. In these films, the horror is not only about the vulnerability of the mortal body, but also about the horrific consequences of organizing culture around the philosophical splitting of the mind from the body. To analyze this relationship, I utilize Merleau-Ponty's phenomenology of the body, object-relations psychoanalysis, especially D. W. Winnicott's theory of the intermeshed psyche-soma, various pro-feminist approaches to horror films, and a concept of ideol
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Ryan, Mark David. "A dark new world : anatomy of Australian horror films." Queensland University of Technology, 2008. http://eprints.qut.edu.au/18351/.

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After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector co
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Zhang, Qian. "Women's Time and Reproductive Anxiety in Contemporary Horror Films." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532349287122159.

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Burn, Andrew Nicholas. "Pleasures of the spectatorium : young people, classrooms and horror films." Thesis, University College London (University of London), 1998. http://discovery.ucl.ac.uk/10020307/.

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This thesis is an ethnographic study of Year 9 school pupils' responses to horror films, and, in particular, The Company of Wolves (Jordan, 1984). It employs social semiotic theory to analyse both film texts and audience engagements with such texts, exploring how such engagements involve transformations of subjectivity, particular kinds of competence in reading visual codes, and certain types of affective response to horror texts. It explores, briefly, histories of elements of the horror genre, especially the figures of the werewolf and the folktale heroine, in the period from the Enlightenmen
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Bentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.<br>Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).
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Tso, Wing-bo, and 曹穎寶. "Representation of female vampires in Bram Stoker's "Dracula" and horror films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29940412.

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Cherry, Brigid S. G. "The female horror film audience : viewing pleasures and fan practices." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/2268.

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What is at stake for female fans and followers of horror cinema? This study explores the pleasures in horror film viewing for female members of the audience. The findings presented here confirm that female viewers of horror do not refuse to look but actively enjoy horror films and read such films in feminine ways. Part 1 of this thesis suggests that questions about the female viewer and her consumption of the horror film cannot be answered solely by a consideration of the text-reader relationship or by theoretical models of spectatorship and identification. A profile of female horror film fans
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Vermaak, Janelle Leigh. "Part one: "Horror versus terror in the body genre" : part two: "Silent planet"." Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/636.

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This article seeks to investigate this balance and to interrogate the difference between horror and terror in an attempt to contribute to the development of a systematic genre typology. A brief history of the genre will be given, after which the focus will fall on contemporary Horror film, paying specific attention to the relationship between violence and horror, the theme of sacrificial violence, and the transgression of ‘natural’ laws. An eclectic approach is followed, drawing from literary theory, theology, psychology, and, of course, film theory.
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Acker, Ana Maria. "O dispositivo do olhar no cinema de horror found footage." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/158681.

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A tese investiga como se estabelece o dispositivo do olhar enquanto experiência estética no cinema de horror found footage a partir da materialidade cinematográfica. Realiza-se uma discussão acerca do modo como esses filmes circulam no gênero horror com o cruzamento de teorias de cinema, tecnologia e da Comunicação. A concepção de dispositivo do olhar é pensada, especialmente, a partir de Jonathan Crary, Michel Foucault, Giorgio Agamben, Laurent Mannoni, Hans Ulrich Gumbrecht, Vilém Flusser e Philippe Dubois. O dispositivo do olhar é, portanto, delineado como o comportamento visual e de uso de
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McDougald, Melanie. "Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-07162009-154006/.

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Thesis (M.A.)--Georgia State University, 2009.<br>Title from file title page. Margaret Mills Harper, committee chair; Calvin Thomas, Mary Hocks, committee members. Description based on contents viewed Oct. 14, 2009. Includes bibliographical references (p. 47-48); filmography (p. 49-51).
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Alley, Timothy D. "Gamers and gorehounds the influence of video games on the contemporary horror film /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180049224.

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Sutandio, Anton. "Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.

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Ng, Hei Tung. "The representation of the mothers in J-horror." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/836.

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Wilson, Alison E. "Hannibal Lecter v. Immanuel Kant : an application of Kantianism to graphic horror film /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/221.pdf.

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Cupp, Lauren. "The Final Girl Grown Up: Representations of Women in Horror Films from 1978-2016." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/958.

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Carol Clover defined a Final Girl as a stereotype of the pure, virginal sole survivor in 1980’s slasher films such as Texas Chainsaw Massacre and Halloween. But does this representation hold up in 2016 films? Because the horror genre is so broad today, it’s almost impossible to nail down a certain stereotype of the genre, if there even is one. Films like the 1996 slasher parody Scream historically subverted the slasher genre, and since then there has been little to no iconic Final Girls. I argue that this trope is one very much set inside the confines of the 1980’s slasher genre, and instead i
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Stull, Gretchen Brinson Susan L. "It's a man's world representations of gender and competing ideologies in ""Shaun of the Dead /." Auburn, Ala., 2008. http://hdl.handle.net/10415/1542.

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Gartside, William Stanley. "Young Love can be Torture: An Autoethnography Exploring the Making of "High School Sweethearts"." [Milwaukee, Wis.] : e-Publications@Marquette, 2009. http://epublications.marquette.edu/theses_open/3.

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Green, Jr Alan Edward. "the post- 9/11 aesthetic: repositioning the zombie film in the horror genre." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4798.

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This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a rich tapestry of interwoven meanings. Furthermore, the author suggests that the zombie trope has, in fact, left the genre altogether, reinserted into a style of films he labels as "non-zombie appropriation." Chapter 1 introduces the zombie genre as both part of the larger horror genre aesthetic and a
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Wagner, Carsten. "Sie kommen! Und ihr seid die Nächsten! politische Feindbilder in Hollywoods Horror- und Science-Fiction-Filmen." Marburg Tectum-Verl, 2009. http://d-nb.info/999258834/04.

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Collard, Jessica Michelle. "Can You Believe She Did THAT?!:Breaking the Codes of "Good" Mothering in 1970s Horror Films." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4301.

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The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars, such as Andrew Tudor, determined that in 1970s horror films the threat has migrated from external forces into the home and the family. Invading aliens and monsters were thrown replaced by psychosis and evil children. This notion of making the familiar unfamiliar and threatening is paralleled in concerns addressed during the second-wave of feminism; women were making the normative and familiar idea of mother unfamiliar as they migrated from
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Bound, Keith. "'Terror & tension' psychophysiological suspense : defining a framework to measure cinematic suspense in 21st century horror films." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/38100/.

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The construction of suspenseful sequences has been a crucial component for filmmakers to engage the viewer, especially within the thriller and horror genres. This thesis takes a new approach to understanding cinematic suspense by creating a psychophysiological model to measure cinematic suspense and subsequently viewer experience. To date, film scholars and media psychologists have defined the process of suspense in terms of specific story case studies, rather than first independently identifying the components of suspense. Such theories become selective and open to subjective interpretation a
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Clayton, George Wickham. "Bearing witness to a whole bunch of murders : the aesthetics of perspective in the 'Friday the 13th' films." Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/bearing-witness-to-a-whole-bunch-of-murders(3b4e4093-9711-49f6-808f-ba55852871bd).html.

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With twelve films released over the last thirty years, the Friday the 13th series has proved a popular mainstay of the slasher sub-genre of horror, in spite of negative critical reception and minimal academic engagement. The academic discourses that do address the series often frame their arguments based on socio-political function, socioeconomic platforms, psychoanalytic traditions, and cultural relevance. While there is some work that attempts to understand the generic positioning and function of the Friday the 13th films, little work has engaged with the film texts in order to understand an
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Camargo, Sandy. "Once more with feeling : film genre and emotional experience /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988650.

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Tyrrell, Kimberley English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "???The monsters next door???: representations of whiteness and monstrosity in contemporary culture." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/35639.

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The focus of this thesis is the examination of whiteness as a dominant identity and subject position. Whiteness has conventionally assumed a normative, monolithic status as the template of humanity. Recent theorising has attempted to specify and denaturalise whiteness. In order to participate in this fracturing of whiteness, I analyse examples in which it functions as a site of contested and ambiguous contradiction. To this end, I use contemporary monstrosity to examine whiteness. Monstrosity is a malleable and culturally specific category of difference that measures alterity, and by disp
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Janes, Jen. "The Texas chainsaw massacre: our collective nightmare." [Denver, Colo.] : Regis University, 2008. http://165.236.235.140/lib/JJanes2008.pdf.

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Döring, Lutz. "Erweckung zum Tod eine kritische Untersuchung zu Funktionsweise, Ideologie und Metaphysik der Horror- und Science-Fiction-Filme Alien 1-4." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2756348&prov=M&dok_var=1&dok_ext=htm.

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Döring, Lutz. "Erweckung zum Tod : eine kritische Untersuchung zu Funktionsweise, Ideologie und Metaphysik der Horror- und Science-Fiction-Filme Alien 1-4 /." Würzburg : Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2756348&prov=M&dok_var=1&dok_ext=htm.

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Kneipp, Sérgio Ribeiro. "A influência da linguagem cinematográfica na moderna prosa de horror : um estudo de caso, O iluminado, de Stephen King." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/17662.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2011.<br>Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2015-01-23T14:25:26Z No. of bitstreams: 1 2011_SergioRibeiroKneipp.pdf: 908123 bytes, checksum: 0e41fa9cea701a8fa46e6a137ba0ec79 (MD5)<br>Approved for entry into archive by Ruthléa Nascimento(ruthleanascimento@bce.unb.br) on 2015-02-12T16:46:33Z (GMT) No. of bitstreams: 1 2011_SergioRibeiroKneipp.pdf: 908123 bytes, checksum: 0e41fa9cea701a8fa46e6a137ba0ec79 (MD5)<br>Made available in DSpace on 2015-
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Willis, Andrew. "Violent exchanges : genre, national cinemas and the politics of popular films : case studies in Spanish horror and American martial arts cinema." Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/13908/.

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This thesis argues that in order to understand the way in which films work one has to place them into a variety of contexts. As well as those of production, these include the historical and culturally specific moments of their creation and consumption. In order to explore how these contexts impact upon the textual construction of individual and groups of films, and our potential understanding of them, this study offers two contrasting case studies of critically neglected areas: Spanish horror cinema since the late-1960s; and US martial arts films since the late 1980s. The first places a range
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