Dissertations / Theses: 'Filmic media'

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Loots, Lorraine. "A filmic adaptation of the Lorraine Loots's Ek is Suzie." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/11013.

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Includes bibliographical references (leaves 13-15).
The aim of the creative project was to adapt an autobiographical illustrated novel, Ek is Suzie, into a screenplay for a full-length feature film. Using a combination of live action and animation, the two main narratives play out parallel to one another – representing the past and present tense. The explication is intended to offer a reflection on the process of writing the screenplay, on filmic influences that shaped it and on the kinds of theory that illuminate what I was trying to accomplish. Thus, I investigate various creative and technical decisions made during the writing of the screenplay – dropping the novel’s narrator, the mixing of languages, the use of dream and, especially, the play between live action and animation. I note the debate on fidelity in adaptation especially as this debate applies to graphic novels and take special account of Marjane Satrapi’s Persepolis, not only because of its engagement with the process of adaptation, but also because of it seminal use of animation as a serious medium of communication, dealing with trauma and childhood. Other (popular) filmic influences are In America, My Left Foot and Garden State, dealing with the dominant themes in my screenplay – childhood trauma, self-discovery, friendship, family and love.

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Reed, Nannie Natisha. "'TAMING OF THE SHREW':DIALECTICS OF AFRICAN-AMERICAN WOMEN'S RAGE IN DOMINANT AMERICAN FILMIC DISCOURSE." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1145674408.

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Everette, Dennis W. "The Filthiest People Alive: Productions of Urban Spaces and Populations in the Films of John Waters." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1325613384.

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Baker, Kenneth Rex III. "Lights, Camera, Creating Heroes in Action: Claus von Stauffenberg and the July 20th Conspirators in German and American Filmic Representations of the July 20th Plot." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1241204154.

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Olausson, Felicia. "En maskulinitetsstudie av tre Sune-filmer : Familjefilm och hegemonisk maktstruktur." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-64894.

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Studien är en kvalitativ analys av tre Sune-filmer och bidrar till att bredda kunskapen inom fältet maskulint genus i familjefilm. Till analysen används fyra olika teoretikers texter som stöd för att undersöka hur pojkskap/manlighet/maskulinitet skapas och upprätthålls i filmerna. Analysen är genomförd med hjälp av texter skrivna av Raewyn Connell, Maria Nikolajeva, Daniel Ekman och Magnus Öhrn. Resultatet visar att filmerna kanske inte är traditionellt maskulina, men dominerade av maskulina karaktärsdrag. Många av de maskulina karaktärsdragen som representeras i filmen återfinns i den teoretiska referensramen och det är även tydligt vad som är accepterad och inte accepterat för det manliga könet i filmerna.

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Ottosson, Towe, and Matilda Söderström. "Are you lost babygirl? : En semiotisk analys av det manliga våldet i filmen 365 Days." Thesis, Jönköping University, HLK, Medie- och kommunikationsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-51830.

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Hrušovský, Gustav. "Analýza marketingového mixu reklamní agentury FILIP Media." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-112689.

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This dissertation aims at analysis of marketing mix of advertising agency. Besides main 4P (Product, Price, Place, Promotions) contains other 3P (Personnel, Process, Physical evidence), because the product of the agency are services. The dissertations includes also SWOT and BCG analysis, in which provides information about positive and negative aspects of work of the agency. The separate chapter is dedicated to outsourcing, on which the advertising agency FILIP Media concentrates.

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Teles, Paulo César da Silva 1965. "Filmes de media-metragem (1960-1990) : "abandonados no tempo"?" [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285060.

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Orientador : Adilson Jose Ruiz
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-07-28T22:11:14Z (GMT). No. of bitstreams: 1 Teles_PauloCesardaSilva_M.pdf: 7927672 bytes, checksum: 317e795c63cff6829787695485975d0d (MD5) Previous issue date: 2001
Resumo: Este trabalho tem por objetivo resgatar e trazer à luz os chamados "filmes de média-metragem", sobretudo no período de 1960 a 1990. Período este no qual a conformação do cinema brasileiro, de um modo geral, é basicamente autoral. Trata-se de um conjunto de filmes que, em função principalmenteda sua duração, ficou à margem do circuito de exibição comercial e jamais teve sequer uma lei que o amparasse, ao contrário dos filmes de longa e curta-metragem e, no entanto, teve um aumento substancial de sua produção nos anos 70 e 80, mesmo após a promulgação das leis que amparavam apenas os longas e os curtas-metragens.Estes filmes destacam-setambém das produçõesjornalísticas e documentaispara a TV e dos famosos cine-jomais, assumindo uma face autoral, independente e institucional, levando com isso, um cinema diferenciado para um público diferenciado,um espectador mais ativo, consciente e reflexivo dentro de sua realidade conjuntural. Junto às principais cinematecas e acervos do Brasil, conseguimos levantar a quase totalidade das obras produzidas no período citado, onde foram por fim relacionadas e catalogadas desenvolvendo com isso um banco de dados, citando, além de alguns dados técnicos, as fontes de referência e consulta de cada um deles
Abstract: Not informed.
Mestrado
Mestre em Multimeios

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Johansson, Simon, and Simon Karlsson. "O, kunde vi nå åter till vår bas, nu när vi upptäckt vad vår rädsla är: en liten blåsa i Sveriges andes glas - Hur kollektiva rädslor uttrycks i samtida svenska science fiction filmer." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-81051.

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Sundman, Hanna, and Emelie Petrusson. ""Puny human!!! Will you worship me?" : En multimodal analys av den interaktiva filmen Bandersnatch." Thesis, Högskolan i Gävle, Media- och kommunikationsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-29983.

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The purpose of this thesis was to analyse the interactive movie Bandersnatch, which is part of the media critical series Black Mirror. The main questions were focused on what Bandersnatch communicate about the power relationship between media and audience, the function of the interactive aspect, and media criticism. A multimodal method and film analysis were used to investigate this. The analysis and discussion were based on several media and communication theories regarding hegemony, mediatization and media criticism. The result showed that Bandersnatch communicate that the audience, and members of a mediatized society, are controlled by the media and the government and therefore does not have free will. This hegemony is upheld by the media that is used to create a false consciousness amongst the public. The interactive aspect of Bandersnatch reinforces this message. Although this is heavily communicated within the film, Black Mirror is not seeking actual reform of the hegemony which leaves the media criticism questionable.

Mats Hyvönen är examinator för den aktuella uppsatsen medan Per Vesterlund är examinator för hela kursen.

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Ndou, Delta Lau Milayo. "“According to social media…” Examining the influence of social media on political reporting within Zimbabwe’s mainstream media." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31099.

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The Internet’s liberative qualities have been hyped by a number of Zimbabwean scholars who argue, on the basis of the existence of online alternative media that carries political content, that democratisation can be technology-led. Given that the question of source selection is connected to the democratising potential of the Internet (Lecheler and Kruikemeier, 2016) by some scholars – this study interrogated the liberative potential of the Internet by tracing the social media sourcing patterns of four daily newspapers within Zimbabwe’s polarised mainstream media. Using a mixed methods approach which deployed Actor-Network theory as a preliminary methodological tool, this study collected and evaluated empirical data drawn from 146 social media sourced political stories published over a 30-month period and the responses from semi-structured interviews with purposively sampled participants – to account for the human and non-human actors in the news production network. A social constructivist analytical lens was then used to appreciate the contexts in which social media sourcing was being adopted in newsrooms, which revealed how unique circumstances had triggered unprecedented reliance on social media as a political news source. Those unique circumstances involved an escalation of factional fighting within the ruling ZANU PF that morphed into a propaganda war, which was waged through The Herald newspaper by one faction and through social media by the other faction. The public feud, which played out on social media, forced political reporters to gather story ideas from social media and overly rely on a few tech savvy elite sources. In these circumstances, social media’s influence on the political news agenda was overstated as it was conflated with the influence of a news event (ZANU PF factionalism) and the influence of social media users (high-ranking ZANU PF members) who could not be ignored. It is hoped that the findings of this study will contribute towards filling the lacuna in terms of scholarship demonstrating the influence of social media within Zimbabwe’s political narratives.

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Svensson, Johanna, Emma Lindström, and Vasvia Rakipovic. "Karaktäriseringar i filmer inom genrerna War och Crime : En kvantitativ innehållsanalys av US Box Office topplistor med hjälp av nationalism, orientalism och propaganda." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-83591.

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The purpose of this paper is to examine the differences between the genres War and Crime and how they portray the protagonist and the antagonist. Also how concentrated ownership can cause consequences for the content in movies from our chosen genres. This is examined by top 50 movies within the two genres from IMDb's Box Office listing. The theoretical framework used is Edward Saids description of orientalism. For the nationalism segment a book from Steve Grosby and articles from Kathy Warners and Jason Dittmer is used. Olof Peterssons book Opinionsbildning and an article from Matthew Alford is used for the propaganda segment. The paper is written based on a quantitative content analysis where we analyzed the US Box Office top 50 movies in the war and Crime genre. We chose quantitative content analysis because we wanted to work with objective answers and get visual statistics. We have used a convenience sample when sampling our movies. To code the chosen movies we created our own code sheet and codebook. We used the program SPSS to get different charts, which we drew results and statistics from. The results from our analysis with the help from our theoretical framework helped bring answers to our questions of issues. The results show that the market is ownership concentrated with six production companies responsible for the majority. The protagonist for the genre war is mostly an military American man while the antagonist is from Germany or the Middle East and not personified deeper. For Crime the protagonist for the majority is an American man within the police profession or a criminal. The antagonists are criminal American men. A conclusion from the results is that American production companies make movies for Americans with content focusing on Americans. This strengthens the nationalism within the country simultaneously as it clarifies the enemy by creating a strong “us and them”-feeling. Movies can be used as a channel for propaganda and to affect people's views and values. The concentrated ownership can create difficulties for smaller production companies to compete and spread their message.

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XU, Lan. "文人武俠 : 張徹與胡金銓." Digital Commons @ Lingnan University, 2005. https://commons.ln.edu.hk/otd/14.

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武俠電影在中國電影誕生之初便佔有一席之地，二十世紀六十年代，由邵氏電影公司開創的武俠新世紀，給武俠電影注入了新的活力，打開了新的局面。 : 胡金銓追求製作精良、藝術至上的優質電影。而張徹作品中的務實、娛樂大眾、堅韌求生和香港起飛的每一個時代的精神相吻合。後世香港導演繼承他們的優良特質，充滿活力動感的香港電影時至今日方成為對世界影壇的一大特殊貢獻。本文立足 "文人武俠"，分別探討張徹、胡金銓武俠片的個人特色、思想內容、藝術表現手法，特別是中國人文傳統、文學藝術在其作品中的表現，並比較他們之間的異同，以及各自對香港電影發展的貢獻。

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Li, Qinghe. "Light scattering of semitransparent media." Thesis, Atlanta, Ga. : Georgia Institute of Technology, 2008. http://hdl.handle.net/1853/22686.

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Bentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.
Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).

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Hedenström, Elin, and Sabina Ekberg. ""Is, lite ondska och kärlekshandlingar" : -En receptionsstudie utifrån filmen Frost." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-35902.

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Syftet med studien var att utforska hur barn beskriver sin tolkning av filmen Frost, i egenskap av en multimedial text, samt hur barnen ser på filmen utifrån lärandebegreppet. Filmen ses som multimedial då den bland annat kommunicerar med visuella, auditiva, och språkliga intryck. Receptionsteori beskriver att hur åskådare skapar mening av ett medium är beroende av den sociala kontexten och individens tidigare erfarenheter. Detta gjorde studiens problemområde komplext. Studiens ambition var att genom observation, enkäter och intervjuer försöka få en inblick i barns upplevelser av filmen. Studien fokuserade på hur barn tolkar en fiktiv berättelse, hur barn kunde identifiera sig i en sådan samt hur de såg filmen som ett föremål för lärande. Studien utforskade även om det förekom skillnader mellan flickors och pojkars svar. Resultatet åskådliggjorde att barn i hög grad använder sina egna erfarenheter när de skapar mening ur en berättelse. Det visade även att barn identifierar sig med karaktärer utefter olika karaktärsdrag i form av utseende, personlighet och egenskaper. Här förekom det skillnader mellan vad flickor och pojkar fokuserade på i identifikationsprocessen. Studiens resultat pekade även på att barnen hade svårigheter i att se hur denna typ av film kunde bidra till deras eget lärande. Samtidigt tydde deras svar på omedvetet relationellt lärande. Barnens syn på lärande visade på att de ansåg att nya kunskaper kräver ämnesspecifika nyttoaspekter för att räknas som lärande och att lärarens roll är avgörande.

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YIJIA, LI. "Is social media a fortune or misfortune? —The art film’s dilemma and breakthrough." Thesis, Uppsala universitet, Institutionen för informatik och media, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-355199.

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In China, Weibo is a social software that almost everyone uses. Weibo does not only provide an arena for users to share their experiences with friends but also offers a platform for companies to promote their products. From 2014, the distributors of the films began to use Weibo as one of their main marketing tools. Nevertheless, from the same time, Chinese art films have begun to decline, and the most direct manifestation is the downturn in the box office. At the coincidence of the two time points, the decline of art films and the Weibo seems to be linked. However, there are still a handful of art films which achieved great success on Weibo in this 3-year period. In these cases, Weibo seems to be a fortune for these art films. The first part of this study is devoted to exploring what has changed in the ways to Weibo users’ get information and communicate about films, especially art films from 2014 to 2017 by social media logic. The second part analyzes a successful case and tries to find out how the distributors of the art films could use Weibo as an online marketing tool to conduct online marketing activities by combing the social media logic with the marketing strategy for non-mainstream culture products. This study used a combination of qualitative research and quantitative research. After analyzing the collected data, it is indicated that during the three years, Weibo users have changed a lot in obtaining movie information and communicating art movies which might have an impact on Weibo users discussing art films and purchasing tickets. Weibo can also be utilized by art films distributors using idiosyncratic marketing approach than ordinary method to attract audience's attention.

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Noyau, R. H. "Digital magnetic recording in thin film media." Thesis, Manchester Metropolitan University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233573.

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Enbom, Burreau Klara. "Blå dunster och gröna skogar : en multimodal diskursanalys av filmer från Svenska Skogen." Thesis, Uppsala universitet, Medier och kommunikation, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-415062.

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Genom att att beskriva hur ett strategiskt urval av information formar dessa filmer syftar uppsatsen dels undersöka hur skogsbruket porträtteras i Svenska Skogens filmer men även vilka diskurser som inkluderas. Vidare ämnar studien att via en kritisk ansats öka förståelse för de maktförhållanden som materialet signalerar och hur de förhåller sig till de risker som skogsindustrin i skapar. Materialet som studeras är filmer producerade av Svenska Skogen mellan 2017-2019 ovh metoden som används är multimodal kritisk diskursanalys. Studiens visar att filmerna förmedlar en identitet av produktion, miljömedvetenhet och medelklass. De har humor och är lättillgängliga för den urbana människan i Sverige. Den diskurs som präglar dessa filmer är miljöinriktad, men förmedlas på premisserna av produktion. Det är mycket som utelämnas från båda dessa diskursers klassiska utgångspunkter vilket gör att de genom konvergerande begrepp skapar en ny diskurs, här och i tidigare forskning kallad ekologisk modernitet.

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Bodi, Anna E. "Patty Hearst: A Media Heiress Caught in Media Spectacle." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/639.

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In 1974, decades before foreign terrorists became a fixture in the American consciousness, the Symbionese Liberation Army (SLA), an American domestic terrorist group, abducted nineteen-year-old media heiress Patricia (Patty) Hearst. The abduction kicked off a four decade multi-faceted media spectacle. The media and public raptly followed Hearst’s imprisonment as a hostage, apparent conversion to SLA revolutionary and criminal, eventual rescue and arrest, trial and conviction, presidential pardon, marriage to her bodyguard, half-hearted career as an actress, and ultimate withdrawal from the public eye. Along the way, the media portrayal of Hearst twisted and turned. She was the heiress, the hostage, the criminal, the victim, depending on the moment in time. The varying depictions of Hearst reflected evolving events, but also specific images of Hearst that captured the attention of the American public and the media. Resonant images of Hearst from her kidnapping, arrest, trial, and release – spanning the five years from 1974 to 1979 – demonstrate that the heiress’s case became a magnification of American anxieties of the time concerning celebrity, feminism and gender, the radicalization of youth, and terrorism. In a time dominated by print, radio, and television media, Hearst’s portrayal showcased the media spectacle as cultural parable for a controversial time.

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Yang, Fuzi. "Optically excited surface polaritons using strongly absorbing media." Thesis, University of Exeter, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279743.

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Oliveira, Elisabeth Andreoli de. "Medida de espessura de filmes finos com interferômetro de haidinger." [s.n.], 1987. http://repositorio.unicamp.br/jspui/handle/REPOSIP/277996.

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Orientador: Jaime Frejlich
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Fisica Gleb Wataghin
Made available in DSpace on 2018-07-15T01:34:53Z (GMT). No. of bitstreams: 1 Oliveira_ElisabethAndreolide_M.pdf: 6111363 bytes, checksum: fcd91390013c0f242e75178ddb3f0e53 (MD5) Previous issue date: 1987
Resumo: Apresentamos um método não destrutivo para medida de espessura de filmes finos transparentes depositados em substratos transparentes, usando um interferômetro de Haidinger. A partir das frações de interferência, medidas para vários comprimentos de onda, e do índice de refração para um único comprimento de onda, determinamos a espessura do filme e sua dispersão cromática, através de um procedimento analítico-numérico
Abstract: We introduce a non-destructive method for the thickness measurement of thin transparent films coated on transparent substrates, using a Haidinger interferometer. From the interference fractions measured for various wavelengths, and the refraction index for only one wavelength, we determine the film thickness and its chromatic dispersion through an analytic-numeric procedure
Mestrado
Física
Mestre em Física

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Hadland, Adrian. "The South African print media, 1994-2004 : an application and critique of comparative media systems theory." Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/7479.

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Includes bibliographical references (leaves 226-237)
Daniel C Hallin and Paolo Mancini's Comparing Media Systems (2004) has been hailed as an important contribution to understanding the inter-relationship between the media and political systems. The work was, however, based on a study of 18 stable, mature and highly developed democracies either in Europe or in North America. As an emerging democracy that has recently undergone dramatic change in both its political system and its media, South Africa's inclusion poses particular challenges to Hallin and Mancini's Three Models paradigm. This thesis focuses on the South African print media and tests both the paradigm's theoretical underpinnings as well as its four principle dimensions of analysis: political parallelism, state intervention, development of a mass market and journalistic professionalisation. A range of insights and a number of modifications are proposed. This thesis is based on interviews with South Africa's most senior media executives and editors, a comprehensive study of the relevant literature and 15 years of personal experience as a political analyst, columnist and parliamentary correspondent covering South Africa's transition from apartheid to democracy. The thesis sheds new light on the functioning and applicability of the Three Models comparative paradigm as well as on the development and future trajectory of South African print media journalism.

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Pereira, David Bettencourt Oliveira Serras. "O Homem com uma Base de Dados de Filmar." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2012. http://hdl.handle.net/10362/9398.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências da Comunicação, variante de Cultura Contemporânea e Novas Tecnologias
Entender os novos media não é tarefa fácil. Na era da informação e da computação, os media colocam-se em cenários de constantes updates – metamorfoses tecnológicas. Estes novos media (ex. YouTube, Vimeo, filmes de bases de dados, etc.) não são impermeáveis à mutação. Se somarmos a este ponto de partida a digitalização do mundo em dados e a sua distribuição em rede, compreendemos facilmente que se levantam questões sobre a identidade, narrativa e poder. Recorrendo a uma medialogia, mediação tecnológica entre arte e computador, procura-se através da ferramenta Korsakow transgredir o K-filme: experienciar o filme não só como a mera escolha de conteúdos audiovisuais mas também o tipo de interação que se tem com cada conteúdo (i. e, os conteúdos com características de jornal como o I, Público, expresso e outros são apresentados como se fosse o próprio jornal – o jornal é folheado). O objetivo deste trabalho é explorar uma nova arte de ver no império do olhar, uma resistência da resistência de Stéphane Hessel, “uma insurreição pacífica contra os meios de comunicação em massas que só apresentam uma sociedade de consumo”. Para isso, o filme que serve de base ao ensaio como um “transmediador” aborda a atual visão da crise económica de Portugal tanto pela saturação dos media, como pela crise de identidade e de poder: uma Geração à Rasca.

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Kulle, Therese, and Sofie Edlund. "Pirates of Ambivalence : En semiotisk analys av maskuliniteter hos Jack Sparrow i filmen Pirates of the Caribbean – Svarta pärlans förbannelse." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-962.

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Syftet med denna uppsats är att undersöka vilken sorts maskulinitet som Jack Sparrow i filmen Pirates of the Caribbean – Svarta pärlans förbannelse representerar. Uppsatsen bygger på Robert W. Connells maskulinitetsteori med fokus på den hegemoniska maskuliniteten. Vårt urval består av tre scener i filmen Pirates of the Caribbean – Svarta pärlans förbannelse. För att uppnå vårt syfte har vi utgått från semiotisk metod och använt oss av Keith Selby & Ron Cowderys analysmodell för television.

Vi har i vår analys kommit fram till att Jack Sparrow i filmen Pirates of the Caribbean – Svarta pärlans förbannelse framställs som en ambivalent och komplex man. Vi kan se tecken på att han är bärare av den hegemoniska maskuliniteten men också tecken på att han bryter mot den. Sammantaget tycker vi att Jack Sparrow kan ses som ett uttryck för att det Connell benämner som den hegemoniska maskuliniteten är i förändring.

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Wheeler, Christopher J. "Liquid cinema and the re-creation of thought: towards a philosophy of filmind." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13023.

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Includes bibliographical references.
This research is towards the advancement of filmosophy as a progressive new approach to how we think about, and through, film. This explorative research aims to introduce, contextualise, and expand upon the thoughts and writings of Daniel Frampton, as found in his 2006 manifesto: Filmosophy. In order to provide a suitable platform from which to introduce Frampton’s contemporary concepts (i.e. ‘filmind’ and ‘fluid film-thinking’), this paper first outlines and discusses the various ways in which philosophy and film are said to overlap, culminating in a critical discussion of ‘film-as-philosophy’ in terms of the implications it posits for providing innovative philosophical contributions through uniquely cinematic means (the ‘problem of paraphrase’). This literature review concludes by presenting and discussing filmosophy and its major tenets as both an appropriate extension of the current canon, and as a potentially productive new paradigm through which both film and philosophy can be critically considered and advanced.

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Juniku, Majlinda. "När bok blir film… : En jämförande analys av boken och filmen Catch me if you can." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9165.

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Abstract

Title: When book becomes film... – a comparative analysis of the book and film Catch me if you can (När bok blir till film…En jämförande analys av boken och filmen Catch me if you can)

Number of pages: 46

Author: Majlinda Juniku

Tutor: Amelie Hössjer

Course: Media and Communication Studies C

Period: Autumn term 2007

University: Division of Media and Communication, Department of Information Science, Uppsala University.

Purpose/Aim: To study what model of dramaturgy belongs to the film Catch me if you can and to see what has been crossed out, altered and added from the book so the narrative will fit this model.

Material/Method: The film Catch me if you can and the book with the same name has been used to analyze the differences between them. I have divided the differences into three categories: Crossed out, Altered and Added. In the analysis section these have been presented in each section of the film.

Main results: Catch me if you can is definetly a film made with the design of the Anglosaxon model, mostly because of its timestructure and that it portrays an action and not just a condition which is normal in the epic-lyric model. Big parts of the story have been crossed out, altered and added to make the film more acceptabel to the audience. Most of the changeshad been done to make the story shorter to fit the timeframe of a film. Events had been joinedtogether to save time but not miss anything. A character, Hanratty, has been reinforced to create a cat-and-mouse story and add excitement to the film. Other changes have been made to make the main character seem more likeable to the audience.

Keywords: book, film, dramaturgy, Catch me if you can, anglo-saxon, epic-lyric

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Olson, William Mathew. "Effectiveness and cost benefit review of multi-media training." Menomonie, WI : University of Wisconsin--Stout, 2005. http://www.uwstout.edu/lib/thesis/2005/2005olsonw.pdf.

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Buchanan, Tom. "Sources of variance in short term reactions to media violence." Thesis, University of Aberdeen, 1996. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU082166.

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Research on the effects of media violence indicates that, at least under laboratory conditions, observation of violent stimuli leads to increased aggression. Numerous theories have been formulated to account for this effect, and most have received a degree of empirical support. This has led to theoretical fragmentation of the research. It is argued that a basic conceptual framework is required to guide future progress. It has further been shown that a number of factors affect the extent to which reactions are observed. It is argued that any comprehensive theory of the effects of media violence must take account of the role of individual, film and situational factors, and the possible importance of reactions other than aggression. Two similar theories separately advanced by Berkowitz [1984] and Huesmann [1986], based respectively on the priming of an associative network of aggression related responses, and the encoding and retrieval of aggression related scripts, may jointly have the potential to form such a comprehensive conceptual framework. Previous theories may be considered as special extensions of the Berkowitz/Huesmann model. A series of experiments was performed to test the predictions of this theory, examining the influence of multiple individual difference and film factors on groups of conceptually related affective, cognitive and physiological responses. Findings indicated that violent films prime responses associated with both aggression and anxiety. These results are better interpreted within Berkowitz's later [1993] model of the formation of anger, and suggest that Huesmann's model should be expanded to include anxiety related scripts. It was established that both film and individual factors influence the nature and intensity of viewer reactions, but the way in which they do this is not entirely clear. Ways are suggested in which future research may provide information abut how this occurs.

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30

Zhang, Yun. "MR playback characteristics and thermal stability of thin film media in high-density magnetic recording systems /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9917958.

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Garcia, Wagner Jesus da Silva. "Medida da magnetização de filmes finos: desenvolvimento de um magnetômetro kerr." Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/9238.

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The Kerr effect is the rotation of the plane of polarization of a light beam during reflection on a magnetized sample. In this work we built an optical Kerr effect magnetometer Longitudinal (L-MOKE) and measured the magnetization of thin films produced by the technique of "magnetron sputtering". The magnetization measurements were in samples of permalloy (Py), iron (Fe) and a tri-layer Py/IrMn/Ta.
O efeito Kerr consiste na rotação do plano de polarização de um feixe de luz durante a reflexão sobre uma amostra magnetizada. Neste trabalho construímos um magnetômetro ótico de efeito Kerr Longitudinal (L-MOKE) e realizamos medidas de magnetização de filmes finos produzidos pela técnica de magnetron sputtering . Foram realizadas medidas de magnetização com amostras de permalloy (Py), ferro (Fe) e uma tri-camada de Py/IrMn/Ta.

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Hall, Kenneth E. "Commandos on the Frontier: The Professionals, Elite Squads, and the Western Film." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5446.

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Hall, Kenneth E. "Mountain Men on Film." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/5447.

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Sandberg, Lisa, and Elin Utbult. ""Låt oss ranka oss själva" : En kvalitativ innehållsanalys om porträtteringen av unga tjejers femininitet och sexualitet i filmen Snyggingar." Thesis, Jönköping University, HLK, Medie- och kommunikationsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-51988.

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Syftet med studien är att undersöka hur framställningen av femininitet och sexualitet hos unga tjejer porträtteras och hur denna porträttering kan kopplas till myter i samhället gällande femininitet och sexualitet. Detta med utgångspunkt i frågeställningarna: ”Vilka myter om unga tjejers femininitet och sexualitet framträder i filmen Snyggingar utifrån huvudkaraktären Amy?” och ”Hur iscensätts dessa myter i filmen och vilka betydelser får det för hur unga tjejers femininitet och sexualitet porträtteras?”. Studien kommer att använda sig av en kvalitativ innehållsanalys. Studiens teoretiska ramverk består av begrepp inom den feministiska teorin vilka är objektifieringsteorin, Lolita, den manliga blicken och den kvinnliga blicken. Ramverket består dessutom av semiotiska analysverktyg som bland annat denotation, konnotation och myt. Den semiotiska och kvalitativa innehållsanalysen utfördes på totalt fyra scener från filmen Snyggingar från 2020. Resultatet visade att filmens porträttering av karaktärerna, kameravinklarna, mise–en–scéne och hyperboler används som verktyg för att belysa problematiken kring objektifiering och sexualisering av unga tjejer. Filmen åskådliggör utifrån framställningen av karaktärerna även de krav och förväntningar som ställs på unga tjejer utifrån samhällets normer och värderingar. Amy porträtteras med en nästintill konstant strävan efter att nå den kvinnliga femininiteten och sexualiteten men hennes barnsliga beteende återspeglas även till viss del.

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Walker, Hannah Smith. "Moving beyond broadcast and traditional pedagogy making a children's documentary for the new media landscape /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2008/walker/WalkerH1208.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.
Typescript. Chairperson, Graduate Committee: Cindy Stillwell. Why don't we ride zebras is a DVD accompanying the thesis. Includes bibliographical references (leaves 29-34).

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Nilsson, Sara. "Animation : för både vuxna och barn." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18741.

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Som resultat av den stora depressionen och andra världskrigen drabbades filmindustrin hårt och fick därför hitta ett nytt sätt att distribuera filmer än bara på bio eftersom majoriteten av befolkningen inte längre kunde spendera tid och pengar på underhållning. När TV uppstod på 50-talet blev film och animation mer tillgängligt för hela familjen och framförallt för barn. Detta ledde till att många filmstudios barnanpassade sina animerade filmer för att undvika kontroversiella censureringar. Syftet med denna undersökning äratt ta reda på om det finns en koppling mellan olika generationer och hur de ser på animation. Undersökningen genomfördes i form av en online-enkät där deltagarna ficksvara på vad de har för vanor gällande konsumering av animation. Resultatet visade att folk som idag är i 20-30-årsåldern konsumerar mer animation som media än tidigare generationer, och är generellt mer öppna med tanken om animation för vuxna.

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White, Melissa Lee, and melissa white@deakin edu au. "Emotional habituation to filmed violence employing the startle probe response." Deakin University. School of Psychology, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.131711.

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This thesis reports on research examining the habituation of emotional variables to filmed violence. The following subjective emotional variables were assessed: positive feelings, anxiety, disgust, entertainment and anger. In addition, an objective measure of emotional response was recorded physiologically, using the startle eyeblink response. The mediating influence of personality, individual differences and contextual features on an individuals perception of and reaction to filmed violence were also explored. Study one was exploratory in nature served to identify and select the film stimuli to be employed in the subsequent studies. The primary aim of the study was to allow for the identification of violent stimuli considered to be most socially and culturally relevant. The present research builds on existing scientific literature which has began to appreciate that differences in the context of a portrayal holds important implications for its impact on viewers. Thus, a secondary and more specific desire of study one was to obtain an evaluation of the contextual features of the violent film segments. A sample of 30 participants viewed and rated the film stimuli on the variables of realism, fantasy and violence. From this exploratory study four violent film stimuli were subsequently employed. Study 2 used the eyeblink startle response proposed by Vrana, Spence and Lang (1988) to explore the habituation of emotional variables to a realistic depiction of filmed violence. Emotional response was assessed both objectively, using the eyeblink startle response and subjectively through individuals self-reports. In addition the study investigated the significance of individual differences as mediators of emotional response. Questionnaire and physiological data were obtained from 30 participants. Overall, repeated exposure to filmed violence resulted in a decline in both objective and subjective emotional response. Differences were identified in the manner in which men and women responded to the film. Women reacted initially and over time with more intense physiological and psychological reactions to the violent film than males. Specifically, men displayed more curiosity and reported greater entertainment and positive feelings in response to the film, whilst women found the violence more disgusting and reported higher levels of anger and anxiety. It was found that the eyeblink startle magnitude paralleled the subjective emotional processing of the violent film, thus providing further confirmatory evidence of its validity in the investigation of emotional reactions to a stimulus. Personality factors were found to mediate emotional response to filmed violence, with neuroticism most powerfully implicated. High levels of neuroticism were found to be associated with greater anger and anxiety and less positive feelings whilst viewing violent film. A high score on extraversion was correlated with higher levels of anger and lower levels of curiosity and entertainment. Whilst the aims of study 3 were identical to that of study 2, a variation in the contextual feature of the violent film stimuli under investigation was the distinguishing and pertinent feature. Study 2 provided data on the habituation of emotional response to a realistic depiction of filmed violence. Study 3 was concerned with emotional response over repeated exposure to a fantasized violent depiction. Therefore, allowing for a comparison regarding the effects of context on emotional response. The results of study 3, with respect to habituation of emotional response, personality and individual differences, were similar to that obtained in study 2. A comparison of the two studies, however, revealed that individuals responded significantly different to the contextual features of the violent portrayal. Compared to the fantasised portrayal the realistic film stimulus was reported to be more digusting, anxiety provoking and less entertaining. In addition, and not surprisingly respondents reported that the realistic portrayal resulted in the production of more anger and less positive feelings.

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Lange, Shara K. "Teaching Media Ethics via Production." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/3654.

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Nelson, Jodi. "Digital technologies, social media and emerging, alternative documentary production methodologies." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54595/.

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My research is a practice-based project involving documentary production and theoretical analysis of emerging forms of documentary and online co-collaboration, exploring paradigm shifts in digital technology particularly in the web-based feminist activism and feminist social praxis. The practice-led research explores new forms of production practices outside traditional methodologies and dissemination. Specifically, by utilizing cheap digital technology tools and working within online social networking platforms the research theoretically analyses what means were available towards online participatory media practices to create new documentary forms. My research aims are therefore to investigate how the new paradigm shifts in digital technology and the democratization of the filmmaking process, through online, collaborative practice, can allow women documentary filmmakers to connect to a global marketplace outside the traditional filmmaking channels. Further, looking at the history of the documentary form, as well as the feminist movement, I am interested in which of the key themes and debates that have characterized their intersection are still important at this moment of changing and emerging technologies. Can new technologies, access to cheap digital tools and collaborative modes of practice help or hinder the creative process of making a digital documentary? In examining the history of feminist filmmaking and the emerging documentary shifts in production offered the opportunity to position my own practice within these traditions and experiment further with online forms of modality. This experiment allowed me to gather empirical data using new media practices (i.e. creation and curation of online and repurposed content, use of new production tools within online spaces) to create a first person, auto-ethnographic narrative on the subject of feminism and online activism. Additionally, my research looks at the theoretical and historical underpinnings surrounding feminist filmmaking, new documentary practices and its implications within new technologies, and the emerging forms of collaborative online modes of practice. Each of these areas will intersect within the three key areas of debate surrounding documentary filmmaking; those of 1) narrativity, 2) witness and 3) ethics. My practice investigates these interactive, participatory modes created with emerging technologies and online audiences and how this is shifting narratives, audience reception and producing new ethical debates around ‘truth' and ‘authenticity' as these lines are continually blurred. Rethinking documentary in the virtual space brings about new challenges to the old debates around evidence, witness and ethics, as it is the product of a more democratic attitude towards practice, distribution and dissemination of its stories. New participatory audiences are now also helping to create the very product they are witnessing. Therefore, creating media within the public sphere can bring about a wealth of new tools, wider contributions to media making and a more global awareness of its dissemination. But it is not without its controversy and challenges. Further, my research looks at how working within this co-collaborative mode, the position of filmmaker as the ‘sole' creator or ‘auteur' comes into question. It discuses the advantages and/or the disadvantages to this approach and in doing so looks at what contributions and challenges an online audience can provide to support the filmmaker that cannot be gained through historical and traditional production and exhibition forms. What once was a higher barrier to entry into the film business is now a more open and online accessibility where anyone can wield a cheap camera or mobile phone device, make a movie and share it on the internet. These newfound democratic practices could potentially disrupt an already complex system of communication practices. However, it could also supply it with a much-needed collective idea bank for tackling global issues and finding sustainable solutions. Within the scope of participatory practices, a first person filmmaker can experience the greatest of democratic freedom within the confines of this process and delivery. The research is supported and conducted through a practice-led film project, web support platform (including blog and social media sites) and published case study. The final output film project around which these questions are posed is entitled: “Single Girl in a Virtual World: What does a 21st Century Feminist Look Like?”. The film's purpose is therefore to engage an online global audience of participants and contributors to the film's narrative thread by asking for contributions within the production, creation and financing of the documentary film. The practice utilizes social networks, crowd funding initiatives, web blogs, viral video, virtual chat interaction and traditional modes of documentary practice in its methodology in an effort to collect data surrounding activity and attempt to answer my research questions at large. The overall objective is to create an online documentary film that exemplifies feminist activism in a new frame through application of documentary modes and new emerging digital media practices.

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Landay, David A. "Profits, Prestige, and a Little Bit of Sunshine: American Independent Cinema Enters the Mainstream." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/19.

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This thesis investigates the recent developments that have occurred in the independent film market after the major Hollywood studios created their own specialty divisions to produce and distribute independent films. Due to the involvement of the major studios, independent films became more mainstream while their various costs were also driven up due to the increased amount of independent films that were released by the studios. The financial crisis of 2008 forced the major studios to contract their production of independent films and this contraction allowed the prices of independent films to return to more stable levels.

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Helmersson, Markus. "Svenska ungdomars attityd till svensk film : En undersökning av svenska ungdomars medievanor och förhållande till den svenska filmindustrin." Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72557.

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The study researches the media habits and attitude of the Swedish youths toward the Swedish film industry. By using official sources and literature about the Swedish film industry and media statistics it becomes clear that Swedish film attracts a minority of the Swedish cinema attenders, and that the media habits of the Swedish youths favors foreign movies. It becomes clear that youths have a relatively negative attitude towards Swedish movies, which is seen as dull in comparison to foreign movies.

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Lange, Shara K. "Integrating Media Ethics and Production." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3665.

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Excerpt: Ethics has always been part of a Mass Communication core, but I wondered what rethinking production courses. What if instead of teaching ethics separately, we considered an educated media-maker as one who makes ethical decisions at each step of the process--before taking a camera out of the case, before hitting record, before posting a single frame online? What if we taught video production this way in order to emphasize the power, responsibility and risk inherent in each choice.

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Nascimento, Raphael Aparecido Sanches. "Análise dos procedimentos de medida de dispositivos EGFET utilizando filmes de FTO." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/59/59135/tde-12012011-154634/.

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Ao longo dos anos a medicina vem se desenvolvendo rapidamente e junto com ela desenvolvem-se os métodos e processos de diagnósticos. Estes métodos ficam mais rápidos, precisos e cada vez menos invasivos graças ao desenvolvimento de dispositivos diagnósticos a cada dia menores e que produzam respostas confiáveis. Os biossensores são, sem dúvida, os grandes responsáveis pela miniaturização, barateamento e rapidez de diversos métodos diagnósticos e procedimentos clínicos utilizados diariamente. Dentre os diferentes tipos de biossensores existentes, destacamos os biossensores embasados em transistores de efeito de campo (FETs), mais precisamente os biossensores a base de transistor de efeito de campo de porta estendida (EGFET). Analisamos nesse trabalho os procedimentos de medida utilizando filmes finos de óxido de estanho dopados com flúor (FTO) como membrana sensível a íons H+ acoplados à porta de um EGFET, que podem servir de base para a construção de um biossensor no futuro. Já existem artigos na literatura atual que fazem uso de FTO como membrana sensível a íons H+ e OH-. Entretanto, nenhum dos artigos disponíveis faz um bom controle de alguns parâmetros, em alguns casos relativamente simples, ou se fazem não deixam claro de que maneira estão controlando esses parâmetros. Tais parâmetros são de fundamental importância na resposta final dos sensores uma vez que eles interferem significativamente no sinal dos mesmos. Mostramos no presente trabalho que parâmetros como a luz, a sequência em que os pHs são medidos pela amostra, o procedimento de limpeza das amostras e até as características morfológicas das amostras são importantes no processo de adsorção e retirada de íons da superfície da membrana. Mostramos também que cada amostra necessita uma rotina diferente quanto à sequência de medidas e até mesmo procedimentos de limpeza para que seu rendimento seja máximo, e como diferentes amostras evoluem ao longo do tempo. Como solução aos problemas citados, descrevemos o uso correto de duas amostras que apresentaram reprodutibilidade em seus dados e invariância entre os resultados coletados por diferentes sequências de medidas. Por fim, deixamos uma proposta sobre a dinâmica que ocorre durante os processos de adsorção e retirada de íons H+ e OH- na superfície dos filmes. Com base em nossa proposta fizemos cálculos teóricos estimados da quantidade de cargas que são adsorvidas na superfície do filme para as diferentes situações encontradas durante os experimentos.
Over the years the medicine has been developing rapidly and along with it develop methods and diagnostic procedures. These methods become faster, more accurate and less invasive thanks to the development of diagnostic devices each day minors and producing reliable answers. The biosensors are undoubtedly the major responsible for miniaturization, cheaper and rapidity of various diagnostic methods and clinical procedures used every day. Among the different types of existing biosensors, we highlight the biosensors grounded in field effect transistors (FETs), more precisely the biosensor based in extended gate field effect transistor (EGFET). We analyzed on this work measurement procedures using tin oxide thin films doped with fluorine (or fluorine tin oxide FTO) as sensitive the membrane to H+ ions bounded to the gate of an EGFET, which can serve as a basis for building a biosensor in the future. Articles has already been written reporting the use of the FTO as sensitive membrane to ion H+ and OH-. However, none article available makes a good control of some parameters, in some cases relatively simple, or if they do not make it clear the way they are controlling these parameters. These parameters are of crucial importance in the final response of the sensors since they interfere significantly in signal of the sensors. So, we shown in this work, which parameters as light, the sequence in which the pHs are measured by the sample, the cleaning procedure of samples and even the morphological characteristics of the samples are important in the process of adsorption and ion withdrawal of membrane surface. We shown also that each sample requires a different routine on the following measures and even cleaning procedures for your maximum income is, and how different samples evolve over time. As a solution to the problems cited, we describe the correct use of two samples that showed reproducibility in your data and invariance between the results collected by different sequences of measures. Finally, we leave a proposal on the dynamics that occurs during adsorption processes and withdrawal ion H+ and OH- on the surface of the films. Based on our proposal did theoretical calculations estimated quantity of loads that are adsorb on the surface of the film for the different situations encountered during experiments.

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44

Seberino, Christian. "Computational micromagnetic study of particulate media hysteresis and recording /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9974106.

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45

Ljunggren, Caroline. "”Varför är du så konstig, eller alltså jag menar inget dumt, men du är konstig” : En representationsanalys av homosexuella karaktärer i tre svenska filmer." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-55116.

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This essay will analyse how the components settings and costume/make-up from the concept Mise-en-scène show the differences between homosexual characters and heterosexual characters. The representations and stereotypes that made the differences visible together with the theory of semiotic and what signs we interpret in the films help us find the connection between the settings, costume/make-up and stereotypes. Together with the social Mise-en- scène this essay analyses three Swedish films with homosexual main characters and their love lifes. Previous research focuses on the homosexual representation in films so we can see how the homosexual characters earlier has been represented. The analysis uses the components settings and costume/make-up to look into the aspect of stereotypes and representations of homosexual characters compared to heterosexual ones. At the end of the essay in the discussion the previous research and the analysis of the films are discussed and in the last part the research question is answered.

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Escrofani, Dashiel D. "New Media, An Academic Perspective." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/602.

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Gustavsson, Per. "Ska vi se på film idag? : En undersökning av hur AV - media Kronobergs filmer framställer hinduismen." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-11377.

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AbstractFilm är något som använts i skolan under en lång tid. Film är dock något som används relativtokritiskt. Den källa som lärare normalt använder för att visa film är AV-Media. I dennaundersökning har fyra av AV-Media Kronobergs filmer om hinduismen undersökts: Världensreligioner: Hinduismen och tre delar ur serien Kort om Indien.Teorin bygger i huvudsak på tre böcker, Umberto Ecos Den frånvarande Strukturen, Bill NicholsRepresenting Reality, Mattew Bernstein och Gaylyn Studlars Visions of the East, Orientalism inFilm. Samt Edward Saids Orientalism. Eco används för att spåra en struktur i filmerna, strukturenframträder genom att motsatspar identifieras. Bill Nichols används för att se vilken påverkanfilmernas stil har.I undersökningens analys framträder en struktur med motsatspar. I hela filmerna finns ettöverliggande motsatspar som är Indien – västvärlden. Detta motsatspar förstärks av en mängd andramotsatspar som tillskriver Indien och västvärlden olika egenskaper. I analysen blir det tydligt attfilmernas stil leder till att de sänder ut orientalistiska budskap. Det framkommer också att det finnsen latent orientalism hos såväl tittare som filmskapare.

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Bartosiewicz, Eva, and Ulrica Hansson. "Utformning av projektmodell för kreativ dokumentation av industriverksamhet." Thesis, Linköping University, Department of Science and Technology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-11554.

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Den här rapporten är ett resultat av ett examensarbete på 30 högskolepoäng, vid Linköpings Universitet. Rapporten behandlar projektmodeller som kan appliceras på projekt vars syfte är att ta fram informationsmaterial för industriverksamhet. Idén till arbetet väcktes då SSAB beställde en informationsfilm som de skulle kunna använda vid upphandling med nya leverantörer. Filmen skulle belysa hur deras produkter ska hanteras. Filmprojektet var mycket omfattande och för att kunna utföra det med ett tillfredsställande resultat krävdes det att arbetet strukturerades upp ordentligt. Ett antal projektmodeller undersöktes och då ingen var tillfredställande nog, skapades en egen modell, EUF-modellen. Modellen byggdes upp och testades sedan skarpt på filmprojektet på SSAB. Därefter kunde modellen utvärderas och förbättras på de punkter som var svaga.

Resultatet blev en modell som kan användas vid framställning av informationsmaterial, där modellen anpassas efter det specifika projektet. Modellen testades dock bara för filmprojekt, vilket vinklar resultatet. Förhoppningen är detta till trots att EUF-modellen kan användas vid framtagning av alla slags informationsmaterial, såsom film, foldrar, bildspel och informationssidor på Internet.

This report is the result of a master thesis at Linköping´s University. The report deals with project models that can be applied at projects where information materials are developed. The idea to this thesis was developed when SSAB ordered an information film that was going to be used in purchases with new suppliers. The film was going to illustrate how the products of SSAB should be handled. The film project was extensive and to manage creating a film with a satisfactory result, the workflow demanded good structure. Different project models were examined, and when no model that suited this kind of project was found, an own model was created, the EUF-model. The model was developed and tested at the film project at SSAB. Afterward the model could be evaluated and improved were weakness was discovered in the model.

The result was a model that can be used when manufacturing information material, where the model can be adjusted to the specific project. The model was only evaluated on a film project, which biased the result. But the expectations are that the EUF-model can be used on all modes of information materials, such as film, folders and information pages on the Internet.

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49

Kelly, Paul. "The effects of interactions on the magnetic properties of recording media." Thesis, Bangor University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320067.

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50

Jesus, Filho Antenor Lopes de. "A espectrometria de fluorescencia de raios-X de energia dispersiva na medida de espessura de filmes polimericos e filmes metalicos espessos." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/248798.

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Abstract:

Orientador: Maria Izabel Maretti Silveira Bueno
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Quimica
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Dissertations / Theses on the topic 'Filmic media'

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