Dissertations / Theses on the topic 'FILMONYM'

В диссертации проводится анализ основных приемов актуализации прагматического потенциала при переводе названий фильмов на примере англоязычных художественных кинолент, вышедших в российский прокат. Описываются основные стратегии перевода, анализируется их целесообразность и прагматическая направленность. Анализ позволяет выявить факты непосредственного воздействия названия киноленты на восприятие зрителя, его эмоции и чувства. Отмечается появление различных прагматических эффектов, в частности эффектов оправданного или обманутого ожидания, в результате взаимодействия фильмонима и текста.
In the dissertation the author analyses the main methods for actualization of the pragmatic potential of film titles by the example of English language feature films, released in Russia. It considers the main translation strategies, and analyzes their advisability and pragmatic orientation. The analysis reveals the fact of the direct impact of the film title on the perception of a viewer, his emotions and feelings. The appearance of various pragmatic effects, in particular the effects of legitimate or defeated expectancies, as a result of the interaction of the film name and the text, is also noted.

The purpose of this paper is to analyze contemporary systems of direct and indirect subsidies of film industry in selected countries. In the first chapter of my paper I focus on different ways of obtaining the subsidies financial support, their application and the potentials of gaining them. EU policy towards the systems of indirect subsidies is the matter of the second chapter. In my third and fourth chapter I describe functioning of two different systems - for my paper I have chosen Hungary and Luxembourg. In search of resume I am introducing the systems of subsidies in chosen European countries. The last chapter describes contemporary status of film industry including institutional and legislative framework in the Czech Republic. Finally, the possible model of direct and indirect subsidies systems in the Czech Republic has been drawn.

If I was in undergraduate theoretical work dealt with the theme functions of color in a feature story, audio post-production at the bachelor movie inspired me to think about the questions posted on the kind of counterpoint: The possibilities of music in a feature story. It is a fact that my bachelor's movie was my first experience of working with film music composer. In FAMU exercises before, I worked more or less just with sound dramatic, I've used music just to forming background, but not as a specific emotional information. On the basis of this my inexperience, I had during interviews with the composer often got into blind spots. How to use music in the movie? At what point in the story? According to what decide to use a specific musical instrument? How to work with music in relation to the main dramatic character? This should be the main topic of theoretical thesis.

The master diploma thesis introduces the Indian film industry and focuses on the differences from the Czech film environment. The thesis starts with a sociodemographic and historical introduction and continues with the financial system and distribution. The aim of the master diloma thesis is to introduce the Indian film making in detail to the Czech servis companies. The thesis was written on the personal experience of the author, a four-months-long study visit in Mumbai and interviews with Indian and Czech professionals.

The purpose of this thesis is to define the term ,,magical realism“ and reveal its main features. Based on that I choose four films that differ both in time and place of origin but share common magickorealistic tendency. The most important aspect of this research is the approach to representation of the nature and natural elements in these movies.

In my diploma thesis I?m attempting to understand light in its various forms. The main goal of this thesis is to explore particular connections, but also differences within the framework of atmospheric lighting construction in film and art images. The first part of the text provides a summary of information about light itself, its perception, dispersion and its influence on the human psyche. It also addresses light and the construction of atmospheric lighting in several historical periods of fine art and cinematography. The following chapters focus on light composition construction as viewed by camera-men. An analysis of a selection of films is used to present specific cinematographic methods, especially those dealing with light. The final part of this thesis explores the work of film artists who were inspired by paintings in which the determining feature was the original artist?s usage of light and atmospheric lighting.

The goal of this MA thesis is to point out the legitimacy and specificity of voice-over narration as an expressive device in film. Although it is generally underestimated a priori, voice-over has peculiar qualities which, when put to good use, contribute to establish the intended tone of the film. I document the distinctiveness of this narrative device on analyses of films by Woody Allen, Terrence Malick, and the Coen brothers, who are well-known for incorporating voice-over in their narrative styles.

Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.

The main theme of my thesis is the art conception of film elaboration Ladislav Klíma´s grotescque romanetto ?Prince Sternenhoch´s suffering.? Part of thesis are color perspektives which show general colourness and film solution without trying to solve all scenes but showing enough the way which the film elaboration would follow. Another part of thesis solves problematics of mental state visualization in the film work through samples on the examples from Czech and World Cinema.

Danas, u raznim analitičkim laboratorijama postoji veći broj analitičkih protokola,zasnovanih bilo na izuzetno sofisticiranim ili jednostavnijim tehnikama, koji služe zaodređivanje različitih ciljnih analita od farmakološkog značaja. Među tim grupama ciljnih analita pripadaju i antibiotici koji predstavljaju veliko otkriće u oblasti medicine i zahvaljujući njima spašeno je više od sedam miliona života, ali pored navedenih koristi, antibiotici mogu da izazovu  veliki broj neželjenih efekata i žučne kiseline zajedno sa svojim derivatima, koji su fiziološki deterdženti, mogu biti citotoksične za organizam ako se njihova koncentracija ne kontroliše. U ovoj doktorskoj disertaciji prikazan je razvoj analitičkih metoda pre svega voltametrijskihmetoda u kombinaciji sa jednostavnim i savremenim elektrodama/senzorima za određivanje  odabranih analita kao što je antraciklični antibiotik doksorubicin (DOX), makrolidni antibioticieritromicin-etilsukcinata (EES), azitromicina (AZI), klaritromicina (CLA) i roksitromicina  (ROX) i 3-dehidro-deoksiholne kiseline.Voltametrijska karakterizacija i određivanje gore navedenih antibiotika primenom obnovljive srebro-amalgam film elektrode (Hg(Ag)FE)rađena je direktnom katodnom  voltametrijom sa pravougaonim talasima (SWV) i visoko osetljivom adsorptivnom voltametrijom sa pravougaonim talasima (SW-AdSV) u Briton-Robinson puferu, kao pomoćnom elektrolitu, obuhvatajući širok opseg pH vrednosti. Odgovor DOX-a primenom  Hg(Ag)FE praćen je u intervalu potencijala od -0,20 do -0,80 V.  Za analizu tragova, optimizacija metode ukazuje da su optimalni parametri za analitički pik na potencijalu (Ep ) -0,57 V u odnosu na zasićenu kalomelovu elektrodu (ZKE): pH 6,0, potencijal  akumulacije -0,20 V i vreme  akumulacije 140 s. U model rastvoru, DOX je određivan u koncentracionom opsegu 4,99-59,64  ng mL^-1. Razvijena SW-AdSV metoda je primenjena za određivanje DOX-a u obogaćenom uzorku humanog urina. Niža koncentracija DOX-a 9,89ng mL^-1 u voltametrijskoj  ćeliji je određivana sa relativnom standardnom devijacijom (RSD) manjom od 6,0%. Što se ispitivanih makrolida tiče oni su pokazali redukcione signale u dalekoj negativnoj oblasti potencijala. Ispitivanja direktnom katodnom SWV rađena su u opsegu potencijala od -0,75 V do -2,00 V u odnosu na ZKE, pri čemu su dobijena jedan ili dva redukciona pika u opsegu potencijala od -1,5 V do -1,9 V. Oblik i intenzitet signala zavisi od primenjene pH vrednosti u širokoj pH oblasti. Za analitičke svrhe, radi razvoja direktne katodne SWV i adsorptivne inverzne/striping SWV metode, pogodnim su se pokazale neutralna i slabo alkalna sredina tj. pH 7,0 sa  E_p na -1,67 V u odnosu na ZKE za ROX i EES i pH 7,2 sa E_p na -1,85 V u odnosu na ZKE za AZI i pH 7,4 sa E_p na -1,64 V u odnosu na ZKE za CLA. Na osnovu snimljenih cikličnih voltamograma na  optimalnim pH vrednostima, može se predložiti adsorptivno-kontrolisan kinetički proces na elektrodi u slučaju sva  četiri ispitivana jedinjenja. Takođe,  ¹H NMR merenja uz potiskivanje  signala vode u pH oblasti između pH 6,0 i 10,5 ukazuju na to da su makrolidni molekuli pri optimalnim analitičkim uslovima predominantno u protonovanoj formi preko tercijerne amino grupe što potpomaže, u sva  četiri slučaja, njihovu adsorpciju na odgovarajuće polarizovanoj Hg(Ag)FE. Optimizovane direktne katodne SWV metode  pokazuju dobru linearnost u koncentracionom opsegu 4,81-23,3  µg mL^-1 , 4,53-29,8  µg mL^-1 , 1,96-28,6  µg mL^-1 i 1,48-25,9 µg mL^-1 za AZI, EES, CLA odnosno ROX. Razvijene SW-AdSV metode rezultiraju u linearnom odgovoru pri nižim koncentracionim intervalima 1,0-2,46 µg mL^-1 ,  0,69-2,44  µg mL^-1, 0,05-0,99 µg mL^-1 i 0,10-0,99  µg mL^-1 , za AZI, EES, CLA i ROX. RSD za sve razvijene metode nije veća od 1,5% izuzev SWV metode u slučaju AZI-a gde je 4,5%. Direktna katodna SWV metoda  je uspešno primenjena za određivanje EES-a u farmaceutskom proizvodu Eritromicin^® dok SW-AdSV metoda je primenjena u slučaju određivanja EES-a u obogaćenom uzorku humanog urina i za određivanje ROX-a u farmaceutskom proizvodu Runac^® . U svim pomenutim slučajevima, primenjena je metoda standardnog dodatka. Pouzdanost i tačnost elaboriranih procedura u slučaju određivanja EES-a u model sistemu i  farmaceutskom proizvodu Eritromicin^® su potvrđena poređenjem sa rezultatima dobijenim primenom HPLC-DAD metode.Nakon preliminarnih studija 3-dehidro-deoksiholne  kiseline/3-dehidro-deoksiholata primenom elektrode od staklastog ugljenika (GCE), gde je uočeno da ne dolazi do formiranja redukcionog signala u Briton-Robinson puferu između pH 5,0 i 11,8 primenom direktne katodne SWV, bizmut-film je izdvojen  ex situ na površini iste elektrode od staklastog ugljenika (BiF-GCE) iz uobičajeno korišćenog rastvora za elektrodepoziciju (0,02 mol L^-1 Bi(NO₃)₃, 1,0 mol L^-1 HCl i 0,5 mol L^-1 KBr) i tako pripremljena elektroda je primenjena za karakterizaciju i određivanje pomenutog jedinjenja u alkalnoj sredini. Redukcioni signal ispitivanog analita od analitičkog značaja je uočen jedino primenom BiF-GCE u Briton-Robinson puferusa pH vrednostima između 9,5 i 11,8 u režimu adsorptivne inverzne/stripingvoltametrije sa pravougaonim talasima, dok u slučaju direktnih katodnih SWV eksperimentalnih uslova uočen je slab redukcioni pik sa niskom strujom maksimuma pika. Optimizovani eksperimentalni uslovi za određivanje 3-dehidro-deoksiholata obuhvataju odgovarajuće kondicioniranje elektrode uključujući kondicioniranje  ex situ pripremljene BiF-GCE u Briton-Robinson pomoćnom elektrolitu pH 11,8 do stabilizacije struje bazne linije elektrohemijskim cikliranjem potencijala radne elektrode u potencijalskom opsegu između -1,00 i -2,00 V u odnosu na ZKE (blizu 15 puta) i primenu dva ključna parametara adsorptivne voltametrije sa pravougaonim talasima: vreme akumulacije od 30 s i potencijal akumulacije  -1,00 V u odnosu na ZKE. Zbog relativne asimetričnosti dobijenih redukcionih signala ispitivanog analita sa  E_p na -1,35 V u odnosu na ZKE, što je takođe prisutno i u slučaju primene SW-AdSV, određivanje ispitivanog analita je zasnovano na linearnoj zavisnosti između površine pika redukcionog signala  spitivanog analita i njegove odgovarajuće koncentracije i postignuta granica detekcije je 1,43 µg mL^-1 sa dva linearna opsega kalibracione krive od 4,76 µg mL^-1 do 13,0 µg mL^-1 i od 13,0 µg mL^-1 do 23,1 µg mL^-1 za razvoj analitičke metode. RSD metode je 3,22%. Dodatni eksperimenti, elektroliza ispitivanog analita na potencijalu -1,55 V (blizu maksimuma pika ciljnog analita) u odnosu na ZKE su rađeni primenom GCE u obliku ploče (površina 33,52 cm 2 ) modifikovane sa  ex situ pripremljenim bizmut-filmom. Rastvor od interesa uzorkovan je na početku eksperimenta, nakon 2,5 h i nakon 4,5 h tretmana. Ovakvi uzorci su analizirani primenom ¹H NMR merenja uz potiskivanje signala vode u puferskom rastvoru pH 11,8. Može se pretpostaviti da tokom elektrolize 3-dehidro-deoksiholata dolazi do redukcije keto grupe prisutne u strukturi ispitivanog analita.Na osnovu literaturnih podataka da neki od ciljnihmakrolidnih antibiotika kao što je npr. azitromicin pokazuju oksidativno ponašanje na elektrodi od ugljenične paste i elektrodi od zlata deteljna karakterizacija i određivanje  četiri makrolidna antibiotika rađena je primenom  asične elektrode od ugljenične paste (CPE) koja se sastoji samo od grafitnog praha i parafinskog ulja sa optimizovanih direktnih anodnih SWV metoda. U slučaju EES-a i AZI-a diferencijalna pulsna voltametrija (DPV) je testirana za iste svrhe. Ključni  parametar u slučaju razvoja analitičkih voltametrijskih metoda je odabir pH vrednosti pomoćnog elektrolita gde je oblik/simetričnost i intenzitet oskidacionog pika glavni kriterijum prilikom odabira. Kao odgovarajuće pH vrednosti za voltametrijsko određivanje EES-a primenom SWV metode odabrana je pH 8,0 sa E_p na 0,83V u odnosu na ZKE, dok u slučaju DPV metode pH 12,0 sa  E_p na 0,55 V u odnosu na ZKE je bila najpogodnija za analitičke svrhe. Za određivanje AZI-a, u slučaju obe SWV i DPV metode pH 7,0 se pokazala najpogodnijom sa E_p analitičkog signala na 0,85 V odnosno 0,80 V u odnosu na ZKE, dok u slučaju CLA i ROX koji su ispitivani samo primenom SWV metode za analitičke svrhe pH 12,0 je bila najpogodnija sredina sa E_p analitičkog signala na 0,65 V odnosno na 0,63 V u odnosu na ZKE. Postignute granice detkcije primenom nemodifikovane CPE i direktne anodne SWV su uglavnom u submikrogramskom koncentracionom opsegu 0,17 µg mL^-1 , 0,32  µg mL^-1 i 0,30  µg mL^-1, u slučaju EES-a, AZI-a i ROX-a i u niskom mikrogramskom koncentracionom opsegu 1,43  µg mL^-1 za CLA. Razvijena SWV metoda sa jednostavnom CPE pokazala se pogodnom za određivanje ROX-a u komercijalnom proizvodu Runac^® tableti. U slučaju optimizovanih DPV metoda postignute granice detekcije za EES i AZI su u niskom mikrogramskom  koncentracionom opsegu 1,03  µg mL^-1 odnosno 1,53  µg  mL^-1 . U želji da se postigne niža granica detekcije za AZI, DPV metoda  je testirana u kombinaciji sa  CPE radnom elektrodom površinski modifikovanom sa zlatnim nanočesticama  prečnika 10 nm (Au-CPE) i  postignuta granica detekcije je 0,95  µg mL^-1 sa  E_p analitičkog signala na 0,80 V u odnosu na  ZKE. RSD metode u slučaju Au-CPE je 3,5%, dok je u slučaju nemodifikovane CPE 6,0%.  Linearnost analitičke metode zasnovane na primeni Au-CPE je dva puta šira nego u slučaju  primene nemodifikovane CPE.Na osnovu dobijenih rezultata može se zaključiti da  odgovarajuće kombinacije  optimizovanih voltametrijskih tehnika sa ekološki prihvatljivim i lako primenljivim radnim  elektrodama, kao što su Hg(Ag)FE, BiF-GCE i CPE zajedno sa Au-CPE, rezultuju razvojem  pouzdanih analitičkih metoda, kako u oksidacionim tako i u redukcionim proučavanjima, koje  često omogućuju  određivanje tragova analita od farmakološkog značaja u jednostavnim, a u nekim slučajevima i u složenim sistemima. 
Nowadays in different analytical laboratories there is the increasing number of analytical protocols, either based on highly sophisticated or simpler measurements techniques, which serving for determination of different target analytes of pharmacological importance. Among such target groups of the analyte belongs the antibiotics which present a great discovery in the field of medicine and thanks to them were saved more than seven million people but beside to the mentioned great benefits, antibiotics can cause a large number of side effects and bile acids together with their derivatives which are physiological detergents but if their concentration is notcontrolled they can be cytotoxic to the body. In the present doctoral dissertation the development of analytical methods, primarily analytical voltammetric methods in combination with simple and contemporary electrodes/sensors, for the determination of selected analytes as antracycline antibiotic doxorubicin (DOX), macrolide antibiotics erythromycin ethylsuccinate (EES), azithromycin (AZI), clarithromycin (CLA) and roxithromycin (ROX) and 3-dehydrodeoxycholic acid were performed.Voltammetric characterization and determination of the above mentioned antibiotics using a renewable silver-amalgam film electrode (Hg(Ag)FE) was performed by direct cathodic square-wave voltammetry (SWV) and by highly sensitive adsorptive square-wave voltammetry (SW-AdSV) in aqueous Britton-Robinson buffer solutions as supporting electrolyte covering the wider pH range. The Hg(Ag)FE response of DOX was monitored in the potential range between -0.20 and -0.80 V. For the trace level analysis the method optimization showed that the optimal conditions for the analytical peak with peak potential (E_p) at -0.57 V vs. SCE were: the pH 6.0, the accumulation potential -0.20 V, and the accumulation time 140 s. In the model solutions, DOX was determined in the concentration range of 4.99-59.64 ng mL^-1. The developed SWAdSV method was applied for the determination of DOX in spiked human urine sample. The lowest concentration of DOX of 9.89 ng mL^-1 in voltammetric vessel was determined with the relative standard deviation (RSD) less than 6%. As for the investigated macrolides, they showed reduction signals in fairly negative potential range. During direct cathodic SWV investigations conducted over the potential range from -0.75 V to -2.00 V vs. SCE, either one or two reduction peaks were obtained in the  potential range from -1.5 to -1.9 V. For analytical purposes concerning the development of direct cathodic SWV and adsorptive stripping SWV methods the neutral  and slightly alkaline media were suitable as pH 7.0 with E_p at -1.67 V vs.  SCE for ROX and EES and pH 7.2 and pH 7.4 with E_p at -1.85 V and -1.64 V vs. SCE for AZI and CLA, respectively. Based on the cyclic voltammograms recorded at these pH values, adsorptioncontrolled electrode kinetics process can be proposed for all four investigated compounds. The water suppressed ¹H NMR measurements in the pH range between 6.0 and 10.5 indicated that the macrolide molecules at the optimal analytical conditions are predominantly in protonated form via their tertiary amino groups which supported in all four cases their adsorption on the appropriately polarized Hg(Ag)FE electrode. The optimized direct cathodic SWV methods showed good linearity in concentration ranges 4.81-23.3 μg mL^-1, 4.53-29.8 μg mL^-1, 1.96-28.6  μg mL^-1, and 1.48-25.9 μg mL^-1 for AZI, EES, CLA and ROX, respectively. The SW-AdSV methods resulted in the linear responses at lower concentration ranges as 1.0-2.46 μg mL^-1, 0.69- 2.44 μg mL^-1, 0.05-0.99 μg mL^-1 and 0.10-0.99 μg mL^-1, for AZI, EES, CLA and ROX, respectively. The RSD for all developed methods was not higher than 1.5% except the SWV method for AZI with 4.7%. The direct cathodic SWV method was successfully applied for the determination of EES in the pharmaceutical preparation Eritromicin^®, while SW-AdSV was tested in the case of the spiked urine sample and for determination of ROX in pharmaceutical preparation Runac^®. In all above cases, the standard addition method was used. The reliability and accuracy of the above procedures in the case of EES determination in model system and pharmaceutical preparation Eritromicin^® were validated by comparing them with those obtained by means of HPLC-DAD measurements.After initial study of 3-dehydro-deoxycholic acid/3-dehydro-deoxycholate by glassy carbon electrode, where the absence of any reduction peak was observed in the Britton-Robinson buffer solutions between pH 5.0 and 11.8 by direct cathodic SWV, a bismuth-film was electrodeposited ex situ on the same glassy carbon electrode surface (BiF-GCE) from the usually used plating solution (0.02 mol L^-1 Bi(NO₃)₃, 1.0 mol L^-1 HCl and 0.5 mol L^-1 KBr) and such prepared film-electrode was applied for the characterization and determination of the the target analyte in alkaline media. The reduction signal of analytical importance was observed only by BiF-GCE in Britton-Robinson buffer solutions with pH values between 9.5 and 11.8 in adsorptive stripping square-wave voltammetry working regime, while in the case of the direct cathodic SWV experimental protocol only a very poor reduction peak was obtained. The optimized experimental conditions for the 3-dehydro-deoxycholate determination consist of the optimized electrode conditioning including the electrochemical cycling of the ex situ prepared BiF-GCE potentials in the potential span between -1.0 and -2.0 V vs. SCE (nearly 15 times) in the Britton-Robinson supporting electrolyte pH 11.8 till the stabilization of the baseline current, and the application of two key parameters of the adsorptive square-wave voltammetric protocol: the accumulation time as 30 s and accumulation potential as -1.0 V vs. SCE. Because of the relative asymmetry of the obtained reduction signals of the target analyte with peak E_p at -1.35 V vs. SCE, which is still present in the case of the SW-AdSV, the quantification of the target analyte was based on the linear correlation between peak area of the reduction signal and its appropriate concentrations, and reached limit of detection is 1.43 μg mL^-1 and with two linear ranges of calibration curve from 4,76 μg mL^-1 to 13.0 μg mL^-1 and from 13,0 μg mL^-1 to 23,1 μg mL^-1 for the development of analytical method. The RSD of the method  was 3.22%. Additional experiments were performed applying GCE with rectangular form (area 35.32 cm²) modified with ex situ prepared bismuth-film for the electrolysis of the target analyte which was performed at the potential -1.55 V (nearly the peak maxima of the target analyte) vs. SCE. The solution of interest was sampled at the beginning of the experiment, after 2.5 h and after 4.5 h of treatment. Such samples were analysed by simply water suppressing ¹H NMR measurements in the buffered solution at pH 11.8. It can be assumed that during electrolysis of 3-dehydrodeoxycholate the reduction of the keto group present in the structure of the target analyte can be occurred.Driven by earlier literature data about the fact that some of the target macrolide antibiotics as e.g. azithromycin showed oxidation behavior at a carbon paste and gold working electrodes detailed characterization and determination of four target macrolide antibiotics were performed on classical carbon paste electrode (CPE) constituted only from graphite powder and paraffin oil with optimized direct anodic SWV methods. In the cases of EES and AZI differential pulse voltammetric (DPV) methods were tested for the same purpose as well. The key parameter in the case of the development of the analytical voltammetric methods is the selection of the pH value of the supporting electrolyte where the shape/simmetry and intensity of the oxidation peak were the criteria. As the appropriate pH value for determination of EES by SWV method the pH 8.0 was selected with E_p at 0.83 V vs. SCE while in the case of the DPV method the pH 12.0 with E_p at 0.55 V vs. SCE was the most suitable for analytical  purpose. As for AZI determination, in the case of both SWV and DPV methods the pH 7.0 was the most appropriate supporting electrolyte with the Ep of analytical signal at 0.85 V and 0.80 V vs. SCE, respectively, while in the case of CLA and ROX which were investigated only with SWV method for the analytical purposes the pH 12.0 was the most suitable with E_p at 0.65 V and at 0.63 V vs. SCE. The obtained detection limits applying the bare CPE and the direct anodic SWV are mainly  in submicrogram concentration range as 0.17 μg mL^-1; 0.32 μg mL^-1 and 0.30 μg mL^-1 for EES, AZI, and ROX and in the low microgram concentration range as 1.43 μg mL^-1 for the CLA, respectively. The developed method succesfully tested for the determination of ROX in the commercial formulation, Runac^® tablet. In the case of the optimized DPV methods the obtained detection limits for EES and AZI are in the low microgram concentration range 1.03 μg mL^-1 and 1.53 μg mL^-1, respectively. For the improvement of the sensitivity for AZI the DPV method was tested in combination with a  CPE working electrode surface modified with gold nanoparticles with diameter of 10 nm (Au-CPE) and reached the limit of detection was 0.95 μg mL^-1 at E_p of 0.80 V vs. SCE. The RSD of the method in the case of the Au-CPE is 3.5% while in the case of the native CPE 6.0%. The linearity of the Au-CPE based analytical method is twice wider then it is case with the bare CPE applying protocol.Based on the obtained results it can be conclude that the appropriate combination of the optimized voltammetric pulse techniques and the environmentally friendly and easy to use working electrodes as Hg(Ag)FE, BiF-GCE and CPE together with Au-CPE resulted in the development of reliable analytical method either in the oxidation or reduction studies, often allowing trace level determination of pharmacological importance target analytes in simpler and in some case complexes systems.

CONTRACTUAL PROCESSES IN MOVIE LAW - ABSTRACT Thesis Contractual Processes in Movie Law revolves around the phenomenon of audiovisual works. Its purpose is to familiarize the reader with the process of creation of an audiovisual work from a legal perspective as well as to describe basic contractual relationships arising during that process. This thesis consists of two parts. The first focuses on basics of Copyright Law and its legal sources. It further contains an analysis of law concerning audiovisual production and Movie Law along with an overview of applicable terminology. The second part elaborates on contractual obligations originating within the process of creation of an audiovisual work. The following types of contracts are described thoroughly: licence agreement, contract of employment, contract of services, contract of work and fixed job contract. KEY WORDS: Audiovisual work, Movie Law, Copyright related contracts

Film press, as well as any other kind of press, depends on advertising. Commercial success of a periodical reflects its ability to attract as many good advertisers as possible. This press is popular with readers as well as the film phenomena itself. The advertisers use its potential for offering their products or services. The purpose of the research is to find out how offered products are connected to the film periodical in which these are advertised; or which persuasive strategies are used so that a consumer can associate a product with some of the film culture aspects. The followed thesis says the Czech "un- film" advertisement being published between years 1918-1938 uses specific communication strategies to enforce, depending on a sort of a periodical itself. The "un-film" advertisement is defined as a commercial content that offers a product or a service with no logical connection to film. Powered by TCPDF (www.tcpdf.org)

The thesis "The Devil as Portrayed in Contemporary Film Art. Focused on American and British Production from the 60s until the Present" discusses the portrayal of the Devil in contemporary American and British film. The work is divided into two main parts. The theoretical part summarizes the concept of the Devil from the perspective of different religions, followed by a chapter on the concept of the Devil in the visual arts. The practical part of the work analyzes films that represent the Devil as a man or a zoomorphic creature, films dealing with exorcism, and finally films that portray the Devil as the Antichrist. The work examines the symbols used in films to capture the Devil in its entirety. It deals primarily with the Devil's appearance, character and power as well as the methods used to demonstrate this power. The analysis of the filmmakers' interpretation is then compared with the Devil as portrayed in traditional religion and art. The goal is to systematically develop an overview of the Devil as a recurring character in contemporary film art and at the same time examine the relationship between film, religious and artistic conceptions of the Devil.

Audiovisual Works with Reference to Film Co-productions - Summary: The audiovisual works are the main theme of this thesis. I have chosen this theme, because these works are very important for our society and we can not ignore them. We have to consider this segment of our society from various and different perspectives. I mean the various branches of law, film theory, history, financing (economics). It is multidisciplinary area and it contains cultural, social, economical, educational and also international points, which help us to improve and simplify international and multicultural structures and relationships. The thesis is divided into six chapters. Chapter One is introductory and provides basic identification with the topic of the thesis. Chapter Two focuses on general definition of the words "audiovisual work". We have to define this type of work in legal terms and also in the other "interdisciplinary" terms. Chapter Three recalls the fact that this issue must be seen from the historical point of view. We have to study historical copyright law, publications from 30s and 40s of the twentieth century dealing with film law and also law journals from this time period (e.g. "Soutěž a tvorba"). These publications and journals significantly contributed to this theme in the discussion about various aspects of...

Cinema seeks to recreate human experiences, expressing the relation we entertain with our reality. A film is not only the mechanical record of facts, but a visual manifestation of an interpretation of the world. But how does the spectator experience this specific form of expression of life itself? We propose an answer to this question through the point of view of the Husserlian philosophy. The focus of Edmund Husserl's phenomenology is not the description of things themselves, but of the structure of the subject's experience of them. His analysis aims at unveiling how reality appears to consciousness, manifesting a sense through this apparition. If we take films to be an expression of experience (of the filmmaker) through experience (of the spectator), then phenomenology becomes a particularly suitable perspective for understanding cinema. It enables the understanding both of how films manifest a sense of life and of how is structured the viewer's experience of this type of manifestation. Consequently, a Husserlian approach allows us to grasp the universality of filmic experiences: it is always a matter of a consciousness engaged in an act of apprehension of an object with the specific form and content. How is this relationship constituted? Keywords Films - Phenomenology - Experience -...

The following thesis chronicles the onset of "normalization" into the centre of Czechoslovak film industry, Barrandov Film Studios. The thesis records the changes, that came in particular areas of film developing and producing between the years 1968 - 1973, and reflects also the part of Communist party in the transformation. All the represented events are setted in the particular all-society context.

The submitted diploma thesis is engaged in working of the film industry in Czechoslovakia in period among two world wars, which is seen through the important actor, scriptwriter, director and film entrepreneur Karel Lamač. The issue is researched especially from the perspective of formation and activity of the film companies which were professional associated with the person of Lamač. It is followed up the family background which he came from, and the milieu where he worked the First World War. It further focuses on Lamač's first steps in the field of cinematography after 1918 and on his working at the time of the First Czechoslovak Republic. It is also reflected Lamač's activity as an inventor and a journalistic author, as well as related financial profit from the subsequent sale of patents or licences to the created movies. The thesis tries to clear up the mechanisms that led to exceptional position of this artist in the Czechoslovak film industry, with regard to his professional outreach to the international sphere. The study also devotes to Lamač's most significant projects and co-workers in the field of cinematography in order to refer the extent to which he contributed to the popularity of contemporary film-stars. The treatise of the most important life divides of creator after his final...

The main target of this work is gender analysis of Czech film posters created in year 1968 with emphasis on identification of main presentation patterns of women and men in this kind of graphic art as well as on interpretation of these works in the frame of a given historical and social context. Within theoretical part of the work, mainly function and expression of film poster is presented as well as conditions of graphic art work in the period of communist totality. In the analytical part, conclusions of some 'Western' theories related to gender in advertisements (Erving Goffman, Judith Williamson, Jean Kilbourn; Libora Oates-Indruchová within domestic context) are compared with femininity and masculinity displays on film posters from year 1968. Beside this, analysis is aimed on identification of specific characteristics of film posters production in a given period and also on ways of presentation (and mutual interaction) of patriarchal discourse on the one hand and communist ideology on the other. Analysis of film posters from 1968 collection detects stereotype images of women (women as passive objects) and presentations of hierarchical arrangement of gender relationships (women as a disadvantageous group). Within the analysed file of posters there were also identified alternative representations of...

Film Reception of the Mount Vesuvius Eruption and the Situation in the 1st Century AD ABSTRACT The main aim of my thesis named Film Reception of the Mount Vesuvius Eruption and the Situation in the 1st Century AD is to explore the historical accuracy of films covering this part of ancient history and their possible use during educational processes. Part of the work also sums up the current level of scientific knowledge on this topic. Text attachment as well as picture attachment can be found at the end of the work.

The 1950s in the United States of America brought about not only political, economic and cultural changes, but also a social change on a massive scale. The way of perceiving men and women, their work, leisure and personal ambition, changed significantly. This change was influenced by further medical, sociological and psychological discoveries, but the crucial influence came from the movies and television. The middle of the 20th century was the time when mass media became a part of everyday family life and took a firm hold in the majority of American households. The entertainment industry became involved in forming the social reflection and became influenced by it in turn. Based on the analysis of selected products from the entertainment industry which represent a sample of differing approaches in film and television, this diploma thesis explores the depiction and reflection of the perception of the family, the depiction of women, childhood, the home, relationships etc. The thesis focuses on the reconstruction of interpersonal relationships in film and television, with the emphasis on the role of women, in the context of social development in the United States of America after the Second World War and in the 1950s.

Using Film Material in Teaching Czech as a Foreign Language to Present Czech Culture Abstract The aim of this thesis is to offer teachers of Czech as a second language information about the use of films to present Czech culture in B2 level. The theoretical part focuses on the definition of Czech culture by different authors, and the explanation of sociocultural and intercultural competence. Also, the approach of Weimann and Hosch towards teaching culture is defined, and the main components of communicative approach are introduced. Further, the use of films in language teaching is explored together with the specification of the reasons why films should be used in language teaching, advantages and disadvantages connected to it, and the methods of the film presentation are introduced. The practical part consists of two main parts. In the first part the available materials containing the use of films in teaching Czech as a second language are analysed, and the second part introduces an educational material based on the information found in the theoretical part of this thesis.

On the Blacklist: Hollywood Reds and Witch Hunting in the American Motion Picture Industry (1947-1960) Abstract At the beginning of the Cold War, the American motion picture industry was struck with a "witch-hunt" that led to establishment of the so-called blacklist. Due to this controversial policy, three hundred "Reds" (actual or perceived members of the U.S. Communist Party) were shut out from work in Hollywood during 1947-1950. The first explanation of this phenomenon can be seen in the bipolarity of the post-war world where the United States took leadership in a crusade against the Soviet Union. One result of this seemingly international crusade was that it also became domestic-followers of the U.S. Communist Party became actual public enemies. A deeper analysis of whole issue, however, requires that other elements must be seriously taken into account. The microcosm of Hollywood, some principles of American thinking and the activities of the Reds themselves provide crucial insights into comprehensively understanding the complexity of blacklisting. Experience with the Hollywood blacklist included many different aspects. First of all, it was a political battle with the "inquisitors" from the House Committee on Un-American Activities who helped establish the anti-Communist policy in American motion...

The key theme of this thesis is the development of the film-industry self-regulation during the years immediately preceding the occupation of the Czech Lands by Nazi Germany and the period of the Protectorate of Bohemia and Moravia. Already in the First Republic (1918- 1939), the association structures were characterized by highly hierarchical relations and encompassed all areas - film production, film distribution and the cinema system. The predominant role was played by film industry associations and the largest unions of film workers. These organizations pressed for the solution of the protracted legislative deficits which complicated the day-to-day operation of the film industry. Starting in the second half of the 1930s, the essential aims of the activities of the film self-regulation included the foundation of a Film Chamber as the central body of Czech cinematography. The guarantor of the future public corporation, and possibly its financier, was to be the government. The views regarding the form of this institution were also influenced by foreign models, including the corporate structures of the Third Reich cinematography. As the authorities were taking their time to act, while the political situation was quickly changing, the film industry associations provisionally centralized their...