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Dissertations / Theses on the topic 'Filmové žánry'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Waghmare, Sourabh. "The Use and Significance of Slow Motion in Film." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-261632.

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want to write about Slow Motion in film - how it began to be used and how its use has evolved in film, technical considerations for shooting slow-motion and possibly an analysis of scenes that have used slow motion for the impact these scenes made on the viewers

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2

Hakl, Vilém. "Chaos noir." Doctoral thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253671.

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3

Belicová, Klára. "Pojetí přírody ve filmovém magickém realismu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-367414.

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The purpose of this thesis is to define the term ,,magical realism“ and reveal its main features. Based on that I choose four films that differ both in time and place of origin but share common magickorealistic tendency. The most important aspect of this research is the approach to representation of the nature and natural elements in these movies.

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4

Naumovska, Frosina. "The Diversity of the Femme Fatale Character in Film." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202867.

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Tato práce bude zkoumat rozmanitost filmové postavy zvané "femme fatale", od jejího vzniku na počátku filmu noir přes její vývoj v současné kinematografii. Budu sledovat její vyhled napříč časového horizontu osmdesáti let, odhalím rozmanitost jejích fyzických projevů, jakož i různých taktik používaných ve svém nepřetržitém boji proti mužům. Udělám to na základě analýzy jednoho prototypu femme fatale a následně dalších šest ženských postav, z nichž všichni byli kritiky nazváni "femme fatale", nebo "ďáblovy ženy" v rámci různých filmových žánrů. Tyto postavy jsou LOLA-LOLA z roku 1930 z německého filmu Blue Angel jako typická femme fatale; BABY DOLL z roku 1956 z americké černé komedie stejného jména; VARLA z roku 1965 z amerického filmu Faster, Pussycat! Kill! Kill!; ANNIE WILKES z roku 1990 v americkém thrilleru / hororu Misery; LOLITA z roku 1997 z francouzsko-amerického melodramatu stejného jména; VERA z roku 2007 z ruského dramatu Banishment a LISBETH SALANDE-

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5

Klímová, Blanka. "Zrod mýtu o Draculovi a jeho proměna nejen v dějinách filmu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202896.

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The starting point of my work will be a selection of films about Dracula.In this thesis, I would like to address the evolution in the representations of Dracula, from physical appearance to changes in the character, as well as the character development within the story.I want to look into this subject from a broad scope: Not only from the cinematographic context, but also from the cultural, historical and dramaturgical context. I'm interested in the evolution of the archetype of immortality in different cultural manifestations, from body embalming through sculpture, painting, photography to film. Furthermore, the thesis will study the reassessment of its symbolism, the phenomena of film remaking and the meaning behind the necessity for repetition and reinterpretation of the myth.This work should also ascertain when the reality becomes myth and why.My sources of information will not be only the selected films, but specialized literature by authors such as M. Eliade, B. Fořt and E.Fromm.

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6

Pospíšil, Petr. "Výrazové prostředky filmu noir a jejich využití v dalším vývoji světové kinematografie." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371142.

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This thesis describes the origins of film-noir genre, historical context of classic noir era as well as the influence of its film predecessors, emphasising the tradition of german expressionism. Each single aspect creating the characteristic film-noir look is analysed and described in detail, and illustrated using film stills containing such aspect. Following text summarises reasons and circumstances of the end of this classic era. The second part of my thesis is dedicated to the utilization of this noir aspects in later films all the way up to the present times. This part is also supplemented with practical examples of these elemets being used.

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7

Adam, Daniel. "Úloha kameramana v hraném filmu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-367415.

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The main purpose of this thesis is to focus on methods and potentials of a director of photography when working on a feature. It tries to define cinematographer's tools and approaches in the course of making a fiction film from early pre-production to final postproduction. It contemplates the role of movie photography and how it effects the overall movie quality.

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8

Toul, Martin. "Maska a tvář komedie po italsku." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-202877.

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The aim of this work was to try to look at the fertile period of the Italian cinema of the sixties a different perspective - through the genre of comedy Italian style. Focus on those who formed parallel to the greats, and who, often deservedly, disappearing into the shadows. Nevertheless, among the smaller ones can find authors stylish and expressive works. The fact that I finally got to the territory of the greats is nothing surprising genre of comedy Italian style is so broad that it can fit so many things and often handles the same topics as they only told in a lighter vein. Try to purely Italian in context trace its specificity, and create an outline for better orientation in the territory where lions still live.

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9

Lapčík, Radim. "Z doslechu, nebo na vlastní uši?" Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-364440.

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The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity/immersion, sound/image perspective, semiotics). It deals with the basic sound/image and diegetic/extradiegetic relations, compiling the works of various sound theoreticians. Despite being focused on narrative film, it discusses specific features of four most common semi-narrative genres and gives a hint of sound/image relations in non-narrative and interactive audiovisual media. Apart from the sound/image/diegesis relations, this work briefly explains the synchresis phenomenon and the meaning of tight or loose sound/image synchronicity for tampering with the perspective and perception of the filmic time and space. The appendices contain some information concerning related themes – a short combinatorics column, a column explaining the three basic sound planes, the use of sound as a signifier and a longer quotation of Michel Chion’s article on rendered sound.

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10

Švarcová, Johana. "Vztah elektronické hudby s filmem." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-261633.

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In this work the mutual relationship between film and electronic music with particular focus on early sci-fi movies is discussed. This work is coming out from a phenomenal relationship between music and sound effects not often found outside of this genre. This topic is the rich source of an interdisciplinary overlaps and the cultural contexts, however not so much interest has been put yet to this field neither from Film or history of Electronic Music.

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11

Buffa, Gabriele. "A Night´s Portrait." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371122.

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12

Přibylová, Květoslava. "Krabice plná světla." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263235.

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In my thesis A Box Full of Light, Personality and Thoughts of Niels Bohr as an Inspiration for Science Documentaries, I look, as a documentary film director, at the basic principles and visualizations of the characteristic contemporary popular-science documentaries. I consider this form of documentary film for the most part bleak, often flat and lacking in any kind of progress. I am attempting to unravel where these tendencies come from and show, that they strongly relate to the general notion of science, which stands on the foundations of Newton-Carthesian paradigma. Especially in the area of ideals of measurableness, objectivity and mathematization. At the same time I also contemplate the relationship of knowledge and power, of science as a certain ideology and so also the connection between science documentary and ideological film. In the second part of this thesis I look for inspiration for artistically more progressive, richer and more multi-layered documentary films about science. I find this inspiration in the thoughts of the Danish physicist and philosopher Niels Bohr.

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13

Lévyová, Lívia. "Pravdivé legendy Jánošík a Báthory." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-155965.

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The thesis focuses on two contemporary films that were created around the same period of time and both involve legendary topics. They both aspire to become central European epics. It situates them within the context of global cinema but simultaneously tries to analyze each as a unique work of art. They share many similarities as well as differences.

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14

Kukla, Martin. "Výtvarná koncepce filmu dle scénáře "Leopold III. musí zmizet", příklady výtvarného řešení žánru filmové parodie a crazy komedie v českém a světovém filmu." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79466.

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This Diploma Project is focused on the Phenomenon of Czech and French Movie ?Crazy Comedies? from Sixties and Seventies ? In Light of Set Design Treatment. Special Emphasis is put on Those with Parody Character and Those which creates Their Own Fictive World ? Like Nonexistent States and Fancied Locations. The Project includes the Artwork Proposal - Set Design for New Movie with Retro-Style Related to Above-Mentioned Movie Production.

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15

Strnadová, Marie. "Výtvarná koncepce filmu "The Brigands of Rattleborge" podle scénáře S. Craig Zahler, western jako filmový žánr, historie a příklady ve světové kinematografii." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-261531.

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Purpose of the thesis is a visual and theoretical approach to western genre script of movie The Brigands of Rattleborg based on a novel „The Brigands of Rattleborg“ by Craig S. Zahler. Thesis consists of two main parts, theoretical and one's own design of the visual concept. Theoretical part contains a definition of western genre and its issues, historical overview with important milestones and a list of main subgenres. The visual part contains three analysis of creative approach to western movies produced after year 2000. This part of thesis is concluded with one's own visual concept of the movie and its detailed description.

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16

Bouška, Petr. "Výtvarná koncepce filmového zpracování románu Arthura C. Clarka "A Fall Of Moondust", žánr science fiction a jeho výtvarné zpracování na příkladech světové kinematografie." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96939.

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The science fiction genre has been popular in filmmaking since it first appeared. It brings views of the world which do not exist. Film is an ideal medium to materialize these fantasy worlds. However, owing to its popularity, the contours of the genre are fading and the term itself is losing its original meaning. Under the heading of science fiction we can, therefore, come cross films which do bring fantastic views and visions, but which have very little to do with science as such. The aim of the theoretical part of this work has been to sift out those film titles which belong to the science fiction genre in the stricter sense of the term science-fiction, focusing on the narrow segment of sci-fi films either taking place in space, or which are marginally related to space. Since this work deals mainly with the visual aspect of sci-fi films, a number of selected titles have been used to introduce their visual appearance. The films have been selected based on my own preference, within the definition of the term science fiction. The outcome of the theoretical part served as one of the sources for the visuals in the practical part of the work. The practical part provides visual designs for a film adaptation of a novel by A.C. Clarke, A Fall of Moondust. It provides visual designs of scenes and set decorations which aim to stress scientific reliability of depiction and strive to place the film among pieces of high scientific accuracy. This work may serve the needs of filmmakers interested in a realization of this particular piece, or to those creators, whose task is to adapt a different piece of science-fiction. The latter filmmakers may make use of the references to a number of interesting and inspirational films in the theoretical part of this work.

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17

Marek, Jan. "Současné autorské uchopení publicistického žánru filmové recenze." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435599.

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This thesis focuses on present prehension of publicistic genre of film review by its authors and seeks for its differences from original theoretical definitions including the reasoning and question on its future change. Derivation of our research is confirmation of hypothesis which was conclusion of previous bachelor thesis and it speaks of transformational tendency of film reviews in time. Combination of quantitative and qualitative technique gathering data, therefore questionnaire survey with present-day film reviewers and semi-structured interviews with well-known figures, aims to the most perfect capturing of their present output, equipment for it and values, but also theirs own authorship opinions about points of importance within writing about movies and how it is changing in time and eventually where it is heading.

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18

Malina, Lukáš. "Filmový a malířský obraz oneirického žánru - Problém interpretace." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-367969.

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The subject of the thesis is a comparative analysis of sign production and the interpretation of the film and painting of oneiric or horror genre focused on Vall Lewton's films and their similarity to the painting in creating an atmosphere of uneasiness and fear. Although these works are based on a sign structure, which is an important key to their interpretation, they are not independent of the different interpretations they allow. On the contrary, it seems that the work's intention is to encourage the viewer to complete the art by projecting his own fear into it. This approach is based on Umberto Eco's and Jan Mukařovský's theory of the interpretation, both of which emphasizing the reader's role in understanding the principle of functioning of the work of art. The concepts of the model author and model reader in Eco's theory and the term semantic gesture within Mukařovský's work are sharing numerous similarities.

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19

Paločková, Alžbeta. "Národné preferencie a filmový priemysel." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-429049.

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The film industry is one of the creative industries and is often referred to as cultural economy. The filmmakers are trying to maximize their profits and attract as many consumers as possible. One of the most important indicators for producers are box office sales of cinema tickets. The thesis examines national film preferences in Europe, based on these revenues. The aim is to reveal how feature film genre preferences differ among countries in the European Union. The first part of the thesis focuses on the theoretical background and setting the issue in the context of economics. It is followed by construction of data-set, which is then examined by regression analysis. The dependent variable is represented by box office sales. Finally, the results of the analysis are interpreted and explained.

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20

Děkanovský, Jan. "Sport ve filmu jako kulturní fenomén." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342297.

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Sport in Film as a Cultural Phenomenon Abstract: The relationship between sport and the media has undergone rapid development in recent decades. The combination of television and top sport has created a specific and very influential genre of popular culture. Creating sporting stories, which is typical of the current media, is also an attempt to impress these stories in a more permanent and cohesive form. Sport therefore also features in the most varied of forms in the film media. This work presents a culturological, thus holistically and interdisciplinary-oriented, view of the phenomenon of sport in film. Firstly, sport as a part of popular culture is investigated. This includes the philosophical concept of the cultural phenomenon of games. The question is considered of the universal themes which typify the sport film genre. In order to explain the continuing popularity of sport film, a study of film is then undertaken with regard to the cultural dynamics to which research in the field of film genres also belongs. Thereafter, sport film is examined in terms of the cultural-anthropological categories of myth and ritual. In conclusion, this study concentrates on the ability of fictional and documentary films with a sporting theme to become representative of various ideologies. The same methodology is applied...

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21

GALAJDOVÁ, Nicole. "Vývojové a mediální proměny Popelky jako pohádkového příběhu a jako postavy." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-381459.

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Master thesis deals with changes of elements, that constitute a fairy tale of the Cinderella in different times, cultural and media contexts. Therefore, thesis analyzes and compares different literal and film renderings of the story based upon morfological composition of the fairy tale and motives and gender stereotypes present in it. Individual features of tales are then processed and divided on archetypal and changeable. Main character, the Cinderella , is also considered, and her common characteristic is documented within gender analysis for every version of the story. Thesis also deals with fairy tale in general, with its definition, characteristic and theory of origin. Fairy tale is then interpreted as a part of folklore creation and as a literary work.

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