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Books on the topic 'Films – Comptes rendus'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

International Colloquium on Plasmas and Sputtering (6th 1987 Antibes, France). Comptes rendus des travaux du CIP G87. Paris: Société française du vide, 1987.

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2

Fischer, Filmbild Fundus Robert, and DEFD und Cinema (Hambourg, Allemagne), eds. Les meilleurs films des années 80. Köln: Taschen, 2005.

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3

State of the art. New York: Dutton, 1985.

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4

State of the art. London: Boyars, 1987.

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5

1001 films à voir et revoir. Montréal: Hurtubise HMH, 2004.

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6

Schneider, Steven Jay, and Jean Charles Provost. 1001 films à voir et revoir. 3rd ed. Montréal: Hurtubise HMH, 2010.

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7

Les films-clés du cinéma. Paris: Bordas, 1987.

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8

Les films clés du cinéma. Paris: Larousse, 1997.

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9

Morse, L. A. Video trash, treasures II: A field guide to the video unknown. Toronto: Harper Collins, 1990.

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10

Kauffmann, Stanley. Distinguishing features: Film criticism and comment. Baltimore: John Hopkins University Press, 1994.

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11

Ralph, Ross Stanley, ed. The motion picture guide, 1927-1984. Chicago: Cinebooks, 1985.

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12

Scott, Jay. Midnight matinees: Movies and their makers, 1975-1985. New York: Ungar, 1987.

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13

The connoisseur's guide to the movies. New York, N.Y: Facts on File, 1985.

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14

Africa Film Week (1986 Nairobi, Kenya). Compte rendu et recommendation de la Semaine du film africain, tenu au Kenya du 1 au 11 décembre 1986. Nairobi, Kenya: Le Ministère, 1987.

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15

Monk, Katherine. Weird sex & snowshoes: And other Canadian film phenomena. Vancouver: Raincoast Books, 2001.

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16

Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.

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As the cinematic experience becomes subsumed into today's ubiquitous technologies of seeing, contemporary artworks lift the cinematic out of the immateriality of the film screen and separate it into its physical components within the gallery space. How to read these reformulations of the cinematic medium - and their critique of what it is and has been? In Theorizing Cinema Through Contemporary Art: Expanding Cinema, leading film theorists consider artworks that incorporate, restage, and re-present cinema's configuration of the key categories of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, so interrogating the creation, appraisal, and evolution of film theory as channeled through contemporary art. This book takes film theory as a blueprint for the moving image, and juxtaposes it with artworks that render cinema as a material object. In the process, it unfolds a complex relationship between a theory and a practice that have commonly been seen as virtually incompatible, renewing our understanding of each and, more to the point, their interactions.

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17

Getting started in 3D with Maya: Create a project from start to finish--model, texture, rig, animate, and render in Maya. Waltham, MA: Focal Press, 2012.

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18

In search of cinema: Writings on international film art. Montreal: McGill-Queen's University Press, 2004.

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19

Cardullo, Bert. In search of cinema: Writings on international film art. Montreal, QC: McGill-Queen's University Press, 2005.

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20

Martin, Mick. Video movie guide, 2001. Edited by Porter Marsha. New York: Ballantine Books, 2000.

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21

Independent queer cinema: Reviews and interviews. Binghamton, NY: Southern Tier Editions, Harrington Park Press, 2006.

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22

von, Berg Ulrich, Filmbild Fundus Robert Fisher, Muller Jurgen éd, and Klemens Herbert éd, eds. Films des années 90. Koln: Taschen, 2001.

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23

Kael, Pauline. State of the Art: Film Writings 1983-1985. Marion Boyars, 1998.

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24

Great Scott: The Best of Jay Scott's Movie Reviews. McClelland & Stewart, 1994.

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25

Author), Tla Video (Corporate, and David Bleiler (Editor), eds. TLA Film and Video Guide 2000-2001: The Discerning Film Lover's Guide. St. Martin's Press, 1999.

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26

Les Films clés du Cinéma. Larousse, 2002.

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27

1907-, Magill Frank Northen, ed. Magill's survey of cinema, foreign language films. Englewood Cliffs, N.J: Salem Press, 1985.

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28

Slide, Anthony. Selected Film Criticism. The Scarecrow Press, Inc., 1995.

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29

Slide, Anthony. Selected Film Criticism. The Scarecrow Press, Inc., 1995.

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30

Slide, Anthony. Selected Film Criticism. The Scarecrow Press, Inc., 1985.

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31

Nash, Jay Robert, and Stanley Ralph Ross Ross. Motion Picture Guide A-B. Cinebooks, 1988.

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32

(Illustrator), Ray Irvin Bennett;, ed. MIDNIGHT MATINEES. Oxford University Press, 1985.

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33

Monk, Katherine. Weird Sex and Snowshoes: And Other Canadian Film Phenomena. Raincoast Books, 2002.

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34

Video Movie Guide 2001 (NULL). Ballantine Books, 2000.

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35

Video Movie Guide 2001. Ballantine Books, 2000.

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36

Safran, Meredith, ed. Screening the Golden Ages of the Classical Tradition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474440844.001.0001.

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Screening the Golden Ages of the Classical Tradition explores how films and television programs have engaged with one of the most powerful myths in the Western classical tradition: that humans once lived under ideal conditions, as defined by proximity to the divine. We feel nostalgia for this imagined origin, regret at being born too late to enjoy it, and worry over why we lost it. We seek to recover that “golden age” by religious piety—or, by technological innovation, try to create our own utopia. The breach between this imagined world and lived reality renders these mythical constructs as powerful political tools. For the “golden age” concept influences how participants in the Western classical tradition view our own times by comparison, as an “iron age” whose degradation we lament and wish to escape. This “golden age” complex has manifested in the world-building activities of ancient Greek and Roman texts, from Hesiod to Suetonius, and in modernity’s hagiographic memory of certain historical societies: Periclean Athens, Thermopylae-era Sparta, and Augustan Rome. These fourteen collected essays discuss how golden age themes animate screen texts ranging from prestige projects like Gladiator and HBO’s Rome, to cult classics like Xanadu and Hercules: The Legendary Journeys, to films made by auteurs including Jules Dassin’s Phaedra and the Coen Brothers’ O Brother, Where Art Thou? Essays also examine the classical “golden age” tradition in fantasy (Game of Thrones), science fiction (Serenity), horror (The Walking Dead), war/combat (the 300 franchise, Centurion, The Eagle), and the American Western.

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