Relevant bibliographies by topics / Films religieux

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Films religieux'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Films religieux"

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Bédard, Éric. "Ce passé qui ne passe pas. La grande noirceur catholique dans les films Séraphin. Un homme et son péché, Le Survenant et Aurore." Globe 11, no. 1 (2011): 75–94. http://dx.doi.org/10.7202/1000492ar.

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Les films de genre sont généralement un excellent reflet des valeurs dominantes d’une époque. Le genre historique peut donc constituer un terrain d’investigation fort intéressant pour qui cherche à comprendre le rapport d'une époque à son passé. Les films Séraphin. Un homme et son péché (2003), Le Survenant (2005) et Aurore (2005), qui marquent un retour des « classiques » dans le cinéma québécois, ont été analysés dans cette perspective. Ces trois films témoignent d’un rapport trouble à l’héritage religieux, toujours associé à l’idée de « Grande noirceur ». L’expérience religieuse des Canadie
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Laugrand, Frédéric, and Galo Luna-Penna. "IsumaTV, la Babel du Grand Nord." Recherches amérindiennes au Québec 43, no. 2-3 (2014): 31–47. http://dx.doi.org/10.7202/1026105ar.

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Connu pour ses films largement primés à travers le monde, Igloolik ISUMA Productions a mis en place un réseau virtuel qui, aujourd'hui, diffuse massivement, partout dans le monde, des images et des entretiens sur les questions autochtones. La compagnie a cependant des objectifs plus fondamentaux, comme ceux de se faire le porte-parole de multiples revendications contemporaines, tant sur le plan de la culture (préservation du patrimoine…) que sur celui de l'économie et des revendications (défense des droits des peuples face à l'exploitation minière, etc.). Cet article tente de montrer comment,
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Michelson, Annette. "The Kinetic Icon in the Work of Mourning." October 169 (August 2019): 87–104. http://dx.doi.org/10.1162/octo_a_00361.

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Among Dziga Vertov's films, Three Songs of Lenin is unique in its immediate and enduring approval within the Soviet Union. The film was commissioned for the tenth anniversary of Lenin's death and made extensive use of archival material documenting Lenin's political trajectory and his funeral. Annette Michelson offers a reading of the film's political function within the historical situation of the USSR in the 1930s, claiming that the register and scale of Three Songs of Lenin make the film a “kinetic icon” for the deceased leader. Michelson discusses similarities between religious icons and fi
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Meyer, Birgit. "Religious Remediations." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 1, no. 2-3 (2005): 155–81. http://dx.doi.org/10.1558/post.v1i2_3.155.

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This article addresses the interface of video-films and Pentecostal-Charismatic Christianity in Ghana. This interface, it is argued, needs to be examined from a position that transcends the confines of film studies and religious studies and leaves behind a secularist perspective on the relationship between religion and film. On the basis of detailed ethnographic research, it is shown that, far from standing apart from the realm of religious beliefs, video-films call upon audio-visual technologies so as to remediate Pentecostal views of the invisible world around which Pentecostal-Charismatic C
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Speelman, Gé M. "Iranian Religious Films and Inter-religious Understanding." Exchange 41, no. 2 (2012): 165–98. http://dx.doi.org/10.1163/157254312x638328.

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Abstract The article deals with two recent Iranian films, al-Masih (Teh Messiah) by Nader Talebzadeh and Maryam al-Muqaddasah (Holy Mary) by Shahriar Bahrani. Both movies are about religious characters shared by Islam and Christianity: Zechariah, Mary and Jesus. The article explores the way the filmmakers have made use of both Islamic and non-Islamic sources to tell their story, and it analyses the stylistic and narrative means they have employed. Are these films contributing to the mutual religious understanding of Christians and Muslims? If so, how? And if not, why not?
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Pick, Anat. "Film's Religious Algorithm." Paragraph 42, no. 3 (2019): 387–402. http://dx.doi.org/10.3366/para.2019.0313.

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This article explores Simone Weil's concept of ‘affliction’ and the black poetics of Saidiya Hartman and Fred Moten in relation to two nonfiction films: Artur Aristakisyan's Palms (1993) and Forough Farrokhzad's The House Is Black (1962). The films’ contentiousness springs from their provocative depictions of suffering, presented not as a social ill but as a defiant mode of being outside of institutional power. Supplanting the search for a cure with the search for salvation, the films transcend the socially-conscious logic of documentary in favour of a ‘religious algorithm’ of profound but rec
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Shreve, Adam T. "Religious Films in Zimbabwean Contexts." International Journal of Public Theology 9, no. 2 (2015): 193–211. http://dx.doi.org/10.1163/15697320-12341392.

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This article presents the author’s original research of a reception study of religious films amongst Shona peoples in the Gora and Chikara villages, which are located in the Mashonaland West Province of Zimbabwe. The two central questions of the author’s study are: First, in what ways might pre-existing Shona images of Jesus shape Shona responses to and interpretations of Jesus as he is portrayed in The Jesus Film (1979) and in indigenous, short, Jesus films in Zimbabwe today? Secondly, how might the viewing of these films affect these images of Jesus? This article addresses how indigenous, sh
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Danial Hashmi, Syed, and Saqib Gulzar. "Does Diversity Matter for Religious Firms Too? Board Gender Diversity and Corporate Choices of Shar¯ı‘ah Compliant Firms." Journal of Islamic Business and Management (JIBM) 10, no. 01 (2020): 170–87. http://dx.doi.org/10.26501/jibm/2020.1001-011.

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Felani, Herman, and Ida Rochani Adi. "Nasionalisme Religius dalam Film-Film Amerika dan Indonesia." Jurnal Komunikasi 17, no. 1 (2022): 97–116. http://dx.doi.org/10.20885/komunikasi.vol17.iss1.art7.

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This study aimed to examine religion-based nationalism in popular American and Indonesian films. The subjects of this research were American and Indonesian films from 1915-2020. This research used a mixed qualitative and quantitative research with content analysis approach. The findings of this study indicated that the discourse of religious nationalism was constructed in popular American and Indonesian films to carry out the practice of inclusion and exclusion of certain groups. The results of the analysis showed that religious nationalism in American films was dominated by Christian national
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Rahmatikawati, Yayan, Dadan Rusmana, and Akhmad Jauhari. "Relation Between Religion and Film: The Commodication of Quranic Verses in Indonesian Religious Films 2008-2020." International Journal of Islamic Khazanah 11, no. 2 (2021): 103–17. http://dx.doi.org/10.15575/ijik.v11i2.12029.

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This article describes the use of Quranic verses in Indonesian religious films released in 2008-2020. This study investigates Indonesian religious movies based on the Quranic verses, the contexts, and the purposes for which they are used. The theories applied on the religious films by Rachel Dwyer (2006) and relations of religion from films by Gregory J. Watkins (2008). The method used in this research is descriptive, in which the researcher interprets the religious film based on text through content analysis. The results show that there are films that use religious interpretation, such as pre
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Dissertations / Theses on the topic "Films religieux"

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Djankoff, Christine Gamita M. "Essai d'anthropologie visuelle & sonore d'un "rite élémentaire" - Film de recherche "La joie du feu" : ethnographie de la permanence d'une praxie ontologique pyrobate & de la croyance afférente en Europe orientale." Paris 7, 2003. http://www.theses.fr/2003PA070095.

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De nos jours en Europe, les nestinari en Bulgarie, les anesténarides du Nord de la Grâce dansent sur les braises, baignés de la même ferveur que celle des pyrobates de l'Espagne septentrionale et des Nyungwes de Tété en Afrique australe : Ce rituel « élémentaire » de marche ou de danse sur le feu a été abordé sous l'angle de ses origines, des mécanismes psychosociologiques, neurophysiologiques patents -mis en oeuvre pour ce qui touche a l' «Incombustibilité» et à l'insensibilisation-, des comportements individuels et collectifs, des évolutions historiques comme des significations sociales. Ce
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Makosso, Claude Giscard. "Le châtiment et la récompense dans les films de l'Afrique noire francophone : approches psycho-esthétique & socio-esthétique." Montpellier 3, 2007. http://www.theses.fr/2007MON30002.

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Tout en montrant la récurrence de ces notions dans l'univers africain, nous avons tenté d'analyser le sens et la fonction de cette thématique à partir d'un échantillonnade de films. Les œuvres étudiées sont fictives, documentaires, ethnographiques, sociologiques, anthropologiques, etc et concernent le XXème siècle avec une analyse stylistique sur des réalisateurs ouest-africains. Ce qui nous a permis de faire intrusion dans l'actualité du monde contemporain en traitant sur le plan filmique le fait religieux et le fait social tout en posant la question du sens, mais aussi du rapport aux religio
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Bleuzen, Brigitte. "Religieux en banlieues : sociologie d'un institut religieux de 1940 à 2003 (l'Institut des Fils de la Charité)." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0082.

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Passer d'une situation de relative domination institutionnelle à celui de simple partenaire dans un monde devenu à la fois pluri-culturel et pluri-confessionnel, implique, pour les religieux, la recherche constante de « communautés pertinentes pour l'action collective ». Après les œuvres, puis les syndicats et partis politiques ce furent les associations de chômeurs et petits collectifs d'engagement dans les cités « de relégation ». Les religieux oscillent entre la mise en valeur de leur propre singularité et l'inscription dans une mémoire collective. Une sociologie de la subjectivation propos
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Agar, Bruno. "La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna, Truth or Dare, 1991 ; I'm Going to Tell You a Secret, 2005 ; I Am Because We Are, 2008." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLE060/document.

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La thèse « La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna : Truth or Dare, 1991, I’m Going to Tell You a Secret, 2005, I Am Because We Are, 2008 » s'intéresse à la façon dont la culture populaire contemporaine utilise des concepts et des outils originaires des domaines du religieux et du politique pour s'exprimer et exercer son influence dans la société. La longévité de la carrière de la chanteuse Madonna fait de son corpus de travail un lieu privilégié pour saisir et analyser l'emploi de tels concepts depuis les
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Shreve, Adam Terrence. "Framing the sacred : an analysis of religious films in Zimbabwe." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22006.

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This is a study of the production, content, distribution, and reception of different religious films in Zimbabwe, with an emphasis on the audience’s initial reception of the films. Informants’ self-identified religious beliefs and their reception of these selected films are analyzed primarily by using qualitative methods to understand better the interplay between film and religion in Zimbabwe. The films studied in this research are The Jesus Film (1979) created by Campus Crusade for Christ and indigenous, short Jesus films created locally in Zimbabwe in 2012. In order to answer the central res
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Fitting, Jessica. "Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/pitzer_theses/2.

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Abstract: The science fiction films which feature the angel Gabriel (The Prophecy (1995), Van Helsing (2004), Constantine (2005), Gabriel (2007), and Legion (2010)) represent a trend in exploring specific socio-cultural issues of America. All of these films explore fears over the loss of faith in American culture in a post 9/11 society. They are comparable to the ways in which science fiction films of the 1950’s addressed fears of the Cold War. By utilizing the alien invasion plot structure from the 50’s, contemporary plots have a pre-defined structure and film language in which to explore the
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Solomon, Evan 1968. "The cinematic experience and popular religion : understanding the religious implications of a cult film." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22503.

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An examination of the Rocky Horror Picture Show illustrates the various ways in which the cinema is closely linked to religious experience. The audience participates in the narrative of the film on both conscious and unconscious levels in the same way as the ancients participated in their myths during ritual ceremonies. Moreover, the audience shifts its mode of cognition in order to appreciate as truth the fantastic events which occur both on and off the screen. Finally, I argue that cult films function as parable in dominant cultures and therefore as primary manifestations of the "counter-civ
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Andersson, Emma. "Islam på film : En undersökning om framställningen av muslimer på film." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40934.

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Producing religion on film is not new and investigating the production of religion on film has also been done before. Popular culture has never been so present in our everyday life as it is today, therefore the interest in popular culture is big. This qualitative content analysis examines how Muslims are produced on film. The films used in the survey are: American Sniper, The Hurt Locker, Not without my daughter and Desert flower. Previous research on the subject shows that films generally produce a stereotypical image of Muslims. Researchers argue that instead of showing that culture and indi
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Radovic, Milja. "Cinematic representations of nationalist-religious ideology in Serbian films during the 1990s." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/7985.

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This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic. In this dissertation I focus upon how selected films provide insight into the ideological discourse of the 1990s within the Serbian socio-political and cultural context. I discuss a range of Serbian films produced during the 1990s, and I analyse in detail several films, in particular Pretty Village, Pretty Flame (Lepa sela, lepo gore, Srdjan Dragojevic, 1995) and Wounds (Rane, Srdjan Dragojevic, 1998), in which I focus on the depiction of nationali
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Ginach, Erich Lie. "Discurso, silenciamento e alteração material no filme Deus e Brasileiro." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268930.

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Orientador: Suzy Lagazzi-Rodrigues<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-04T17:45:59Z (GMT). No. of bitstreams: 1 Ginach_ErichLie_M.pdf: 697552 bytes, checksum: e595415052bb956aa6aa6807119da219 (MD5) Previous issue date: 2005<br>Résumé: Cette recherche, prenant comme référentiel théorique l¿Analyse du discours de la ligne matérialiste, avec le film Dieu est Brésilien s¿est proposée à apporter à la pratique analytique la matérialité du cinéma, en prenant comme approche les scènes dans lesquelles
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Books on the topic "Films religieux"

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George, Aichele, and Walsh Richard G, eds. Screening scripture: Intertextual connections between scripture and film. Trinity Press International, 2002.

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Reel spirituality: Theology and film in dialogue. Baker Books, 2000.

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Faith and film: Theological themes at the cinema. Chalice Press, 2000.

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Forshey, Gerald Eugene. American religious and biblical spectaculars. Praeger, 1992.

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R, May John, ed. New image of religious film. Sheed & Ward, 1997.

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Hahn, Johan G. Over religieuze films gesproken: Het verschijnsel "religieuze film," theologische achtergronden en praktische bruikbaarheid in katechese en pastoraat. Gooi & Sticht, 1987.

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1964-, Porter Jennifer E., and McLaren Darcee L. 1965-, eds. Star trek and sacred ground: Explorations of Star trek, religion, and American culture. State University of New York Press, 1999.

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Seeing and believing: Religion and values in the movies. Beacon Press, 1996.

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1952-, Davis Tim, ed. Divine images: History of Jesus on the screen. Carol Publishing, 1992.

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MacDonald, Alan. Films in close-up: Getting the most from film and video. Frameworks, 1991.

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Book chapters on the topic "Films religieux"

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Dimitrova, Diana. "Religious Othering in Hindi Films." In Religious Othering. Routledge, 2022. http://dx.doi.org/10.4324/b22926-12.

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Resnick, David. "Religious Education." In Representing Education in Film. Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-59929-2_6.

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Hamner, M. Gail. "Religious Realism." In Imaging Religion in Film. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137013248_5.

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Fleming, Chris. "Resurgent Religious Themes in Contemporary Film." In The Palgrave Handbook of Mimetic Theory and Religion. Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-53825-3_69.

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Crawford, Ashley. "Dualism: An Exploration of Good and Evil via David Lynch’s Films." In Religious Imaging in Millennialist America. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99172-6_3.

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Crawford, Ashley. "Delusion: On Mormon and Masonic Symbolism in Matthew Barney’s CREMASTER Films." In Religious Imaging in Millennialist America. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99172-6_4.

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Mäder, Marie-Therese. "In Search of Orientation in Cinematic Spaces: The Journey Motif in Fiction Film from a Transdisciplinary Perspective of Film and Religious Studies." In Religious Representation in Place. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342683_12.

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Morag, Raya. "The New Religious Wave in Israeli Documentary Cinema." In A Companion to Contemporary Documentary Film. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118884584.ch17.

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Rubenfeld, Sheldon, and Daniel P. Sulmasy. "Physician-Assisted Suicide, Euthanasia, and Bioethics in Nazi and Contemporary Cinema." In The International Library of Bioethics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-01987-6_10.

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AbstractToday, physician-assisted suicide and/or euthanasia are legal in several European countries, Canada, several jurisdictions in the United States and Australia, and may soon become legal in many more jurisdictions. While traditional Hippocratic and religious medical ethics have long opposed these practices, contemporary culture and politics have slowly weakened opposition to physician-assisted suicide and euthanasia. Our chapter examines how assisted suicide and euthanasia have been presented in cinema, one of the most powerful influences on culture, by Nazi propagandists during the German Third Reich and by Western filmmakers since the end of World War II.Almost all contemporary films about assisted suicide and euthanasia, including six winners of Academy Awards, promote these practices as did Ich klage an (I Accuse) (1941), the best and archetypal Nazi feature film about euthanasia. The bioethical justifications of assisted suicide or euthanasia in both Ich klage an and contemporary films are strikingly similar: showing mercy; avoiding fear and/or disgust; equating loss of capability with loss of a reason to live; enabling self-determination and the right-to-die; conflating voluntary with involuntary and nonvoluntary euthanasia; and casting opposition as out-of-date traditionalism. Economics and eugenics, two powerful arguments for euthanasia during the Third Reich, are not highlighted in Ich klage an and are only obliquely mentioned in contemporary cinema. One dramatic difference in the cinema of the two periods is the prominence of medical professionals in Ich klage an and their conspicuous absence in contemporary films about assisted suicide and euthanasia. A discussion of the medical ethos of the two time periods reveals how cinema both reflects and influences the growing acceptance of assisted suicide and euthanasia.
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Dunlop, John B. "Religious Currents in Contemporary Soviet Literature and Film." In Church, Nation and State in Russia and Ukraine. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21566-9_19.

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Conference papers on the topic "Films religieux"

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Rositama, Whida, and Asni Furaida. "Seong Gi Hun’s Religiosity Represented in Squid Game Film Series." In International Symposium on Religious Literature and Heritage (ISLAGE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220206.027.

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Liubimova, O. V. "Use of film and video materials in educational practice teaching religious disciplines." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-04-2018-11.

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Usta, Emine Ebru. "The Effect of Culture on Economic Development and Turkey-Russia Economic Relations." In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00647.

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Globalization is worldwide integration of economical ,cultural,political,religious and social system.The incremental competitive conditions of nowadays make the firms not only analysis the other countries economic or political system but also cultural,religious and social systems. In this respect for globalization world , it is sure that culture and economy get the crucial role at the inter state relations.At the base of turkey and Russia also lays this dialog.For this reason in this study it is aimed that with current parameters tried to explain after diagnosis in general means the effects of
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Pujante González, Domingo. "Rites et rythmes de l'eau dans Mossane de Safi Faye." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3107.

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L’histoire de Mossane (1996) de la réalisatrice sénégalaise Safi Faye (1943-) se déroule en pays Sérère, à Mbissel, entre mer et savane, où les traditions et les rites religieux marquent le rythme de la vie du village. Le film s’ouvre et se termine par le même mouvement de la caméra autour de la belle Mossane dans l’eau. En effet, l’eau est un composant primordial de la narration filmique mais elle possède une valeur symbolique ambivalente, toujours en transition entre la vie et la mort. L’élément aquatique est montré comme un bien précieux dans cette région africaine, pouvant, toutefois, être
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Chakim, Sulkhan, Nawawi, Uus Uswatussolikah, and Moh Roqib. "Intersectionality of Gender and Religious Politics in the Humanitarian Discourse of Ayat-Ayat Cinta Film." In 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200529.211.

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Shajani, Nafiseh. "MILLENNIAL REPRESENTATIONS OF MEDIEVAL RELIGIOUS SCHISM IN WESTERN MEDIA: An Iconographic Analysis of Dante�s Inferno 28 and the Twenty-First Century Films Dracula Untold and Kingdom of Heaven." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s06.11.

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Reports on the topic "Films religieux"

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Baker, James, and Sofya Shahab. Preserving Communities' Heritage: A Workbook for Heritage Capturers. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.006.

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This is a practical workbook to guide local communities and heritage gatherers through the process of capturing and storing their heritage for future generations. Through initiatives with the British Academy and the Coalition for Religious Equality and Inclusive Development (CREID), the Institute of Development Studies (IDS) has been working with young people in Egypt, Iraq and Syria to capture their oral heritage, so that it may be preserved for future generations. Alongside life history interviews and topic interviews - which cover particular aspects of communities’ heritage - a key componen
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