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1

George, Aichele, and Walsh Richard G, eds. Screening scripture: Intertextual connections between scripture and film. Harrisburg, Pa: Trinity Press International, 2002.

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2

Reel spirituality: Theology and film in dialogue. Grand Rapids, Mich: Baker Books, 2000.

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3

Faith and film: Theological themes at the cinema. St. Louis, MO: Chalice Press, 2000.

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4

Forshey, Gerald Eugene. American religious and biblical spectaculars. Westport, Conn: Praeger, 1992.

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5

R, May John, ed. New image of religious film. Kansas City, MO: Sheed & Ward, 1997.

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6

Hahn, Johan G. Over religieuze films gesproken: Het verschijnsel "religieuze film," theologische achtergronden en praktische bruikbaarheid in katechese en pastoraat. Hilversum: Gooi & Sticht, 1987.

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7

1964-, Porter Jennifer E., and McLaren Darcee L. 1965-, eds. Star trek and sacred ground: Explorations of Star trek, religion, and American culture. Albany, N.Y: State University of New York Press, 1999.

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8

Seeing and believing: Religion and values in the movies. Boston: Beacon Press, 1996.

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9

1952-, Davis Tim, ed. Divine images: History of Jesus on the screen. New York: Carol Publishing, 1992.

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10

MacDonald, Alan. Films in close-up: Getting the most from film and video. Leicester, England: Frameworks, 1991.

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11

The religious film: The hagiopic. Malden, MA: Wiley-Blackwell, 2009.

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12

Clavel, Bernard. Jésus: Le fils du charpentier. [Paris]: R. Laffont, 1996.

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13

Gibson, Mel, Benedict Fitzgerald, Stephen McEveety, and Bruce Davey. The passion of the Christ. [London?]: Icon Home Entertainment, 2004.

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14

Cappabianca, Alessandro. Il cinema e il sacro. Recco, Genova: Mani, 1998.

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15

The Josiah files. Nashville: T. Nelson Publishers, 1993.

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16

R, May John, ed. Image & likeness: Religious visions in American film classics. New York: Paulist Press, 1992.

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17

Faith in film: Religious themes in contemporary cinema. Aldershot, Hampshire, England: Ashgate Pub., 2005.

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18

Bible and cinema: fifty key films. New York: Routledge, 2012.

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19

Capobianco, John M., Mary Beth Newkumet, and John Landers. A culture of life and the penalty of death: A Catholic campaign to end the use of the death penalty. Washington, D.C: USCCB Pub., 2006.

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20

Kinnard, Roy. Divine images: A history of Jesus on the screen. New York, NY: Carol Pub. Group, 1992.

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21

Clive, Marsh, and Ortiz Gaye, eds. Explorations in theology and film: Movies and meaning. Malden, Mass: Blackwell, 1998.

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22

Hogan, James. Reel parables: Life lessons from popular films. New York: Paulist Press, 2008.

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23

Bortolin, Matthew. The dharma of Star wars. Boston: Wisdom Publications, 2005.

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24

Hollywood worldviews: Watching films with wisdom and discernment. Downers Grove, Ill: IVP Books, 2009.

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25

Film, Lacan and the study of religion: A psychoanalytic approach to religious film analysis. New York: Continuum, 2009.

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26

Łuksdzewicz, Jerzy. Faustyna: 1095-1928. [United States]: Polart [distributor], 1996.

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27

Jedi manual basic: Introduction to Jedi Knighthood. Rockville, MD: Dreamz-Work Prod., 2009.

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28

Der unterhaltsame Gott: Theologie populärer Filme. Paderborn: Schöningh, 2008.

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29

Screening Scripture: Intertexual Connections Between Scripture and Film. Trinity Press International, 2002.

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30

Film & Religion: An Introduction. Abingdon Press, 2007.

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31

Flesher, Paul V. M., Robert Torry, and Kathy Armistead. Film and Religion: An Introduction. Abingdon Press, 2007.

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32

Reel Spirituality,: Theology and Film in Dialogue (Engaging Culture). 2nd ed. Baker Academic, 2006.

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33

Lyden, John C. Film As Religion: Myths, Morals, and Rituals. New York University Press, 2003.

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34

Lyden, John C. Film As Religion: Myths, Morals, and Rituals. Ebsco Publishing, 2003.

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35

Lyden, John C. Film As Religion: Myths, Morals, and Rituals. Ebsco Publishing, 2003.

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36

Film as Religion: Myths, Morals, and Rituals. NYU Press, 2003.

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37

Pavelin, Alan. Fifty Religious Films. A.P.Pavelin, 1990.

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38

Tan, Matthew John Paul. Redeeming Flesh: The Way of the Cross with Zombie Jesus. Wipf & Stock Publishers, 2016.

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39

Tan, Matthew John Paul. Redeeming Flesh: The Way of the Cross with Zombie Jesus. Wipf & Stock Publishers, 2016.

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40

Redeeming Flesh: The Way of the Cross with Zombie Jesus. Wipf & Stock Publishers, 2016.

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41

Le Film religieux. Paris: Notre Histoire, 1988.

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42

Sison, Antonio D. Sacred Foodways of Film: Theological Servings in 11 Food Films. Wipf & Stock Publishers, 2016.

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43

Sison, Antonio D. Sacred Foodways of Film: Theological Servings in 11 Food Films. Wipf & Stock Publishers, 2016.

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44

Sison, Antonio D. Sacred Foodways of Film: Theological Servings in 11 Food Films. Wipf & Stock Publishers, 2016.

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45

Star Trek and Sacred Ground: Explorations of Star Trek, Religion, and American Culture. State University of New York Press, 2000.

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46

Star Trek and Sacred Ground: Explorations of Star Trek, Religion, and American Culture. State University of New York Press, 1999.

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47

Miles, Margaret R. Seeing and Believing: Religion and Values in the Movies. Beacon Press, 1997.

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48

Garrett, Greg. A Long, Long Way. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190906252.001.0001.

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Hollywood films are perhaps the most powerful storytellers in American history, and their depiction of race and culture has helped to shape the way people around the world respond to race and prejudice. Over the past one hundred years, films have moved from the radically prejudiced views of people of color to the depiction of people of color by writers and filmmakers from within those cultures. In the process, we begin to see how films have depicted negative versions of people outside the white mainstream, and how film might become a vehicle for racial reconciliation. Religious traditions offer powerful correctives to our cultural narratives, and this work incorporates both narrative truth-telling and religious truth-telling as we consider race and film and work toward reconciliation. By exploring the hundred-year period from The Birth of a Nation to Get Out, this work acknowledges the racist history of America and offers the possibility of hope for the future.
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49

New Image of Religious Film. Sheed and Ward, 1994.

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50

Callaway, Kutter. Scoring Transcendence: Contemporary Film Music As Religious Experience. Baylor University Press, 2013.

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