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Dissertations / Theses on the topic 'Films religieux'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Djankoff, Christine Gamita M. "Essai d'anthropologie visuelle & sonore d'un "rite élémentaire" - Film de recherche "La joie du feu" : ethnographie de la permanence d'une praxie ontologique pyrobate & de la croyance afférente en Europe orientale." Paris 7, 2003. http://www.theses.fr/2003PA070095.

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De nos jours en Europe, les nestinari en Bulgarie, les anesténarides du Nord de la Grâce dansent sur les braises, baignés de la même ferveur que celle des pyrobates de l'Espagne septentrionale et des Nyungwes de Tété en Afrique australe : Ce rituel « élémentaire » de marche ou de danse sur le feu a été abordé sous l'angle de ses origines, des mécanismes psychosociologiques, neurophysiologiques patents -mis en oeuvre pour ce qui touche a l' «Incombustibilité» et à l'insensibilisation-, des comportements individuels et collectifs, des évolutions historiques comme des significations sociales. Ce

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2

Makosso, Claude Giscard. "Le châtiment et la récompense dans les films de l'Afrique noire francophone : approches psycho-esthétique & socio-esthétique." Montpellier 3, 2007. http://www.theses.fr/2007MON30002.

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Tout en montrant la récurrence de ces notions dans l'univers africain, nous avons tenté d'analyser le sens et la fonction de cette thématique à partir d'un échantillonnade de films. Les œuvres étudiées sont fictives, documentaires, ethnographiques, sociologiques, anthropologiques, etc et concernent le XXème siècle avec une analyse stylistique sur des réalisateurs ouest-africains. Ce qui nous a permis de faire intrusion dans l'actualité du monde contemporain en traitant sur le plan filmique le fait religieux et le fait social tout en posant la question du sens, mais aussi du rapport aux religio

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3

Bleuzen, Brigitte. "Religieux en banlieues : sociologie d'un institut religieux de 1940 à 2003 (l'Institut des Fils de la Charité)." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0082.

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Passer d'une situation de relative domination institutionnelle à celui de simple partenaire dans un monde devenu à la fois pluri-culturel et pluri-confessionnel, implique, pour les religieux, la recherche constante de « communautés pertinentes pour l'action collective ». Après les œuvres, puis les syndicats et partis politiques ce furent les associations de chômeurs et petits collectifs d'engagement dans les cités « de relégation ». Les religieux oscillent entre la mise en valeur de leur propre singularité et l'inscription dans une mémoire collective. Une sociologie de la subjectivation propos

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4

Agar, Bruno. "La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna, Truth or Dare, 1991 ; I'm Going to Tell You a Secret, 2005 ; I Am Because We Are, 2008." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLE060/document.

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La thèse « La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna : Truth or Dare, 1991, I’m Going to Tell You a Secret, 2005, I Am Because We Are, 2008 » s'intéresse à la façon dont la culture populaire contemporaine utilise des concepts et des outils originaires des domaines du religieux et du politique pour s'exprimer et exercer son influence dans la société. La longévité de la carrière de la chanteuse Madonna fait de son corpus de travail un lieu privilégié pour saisir et analyser l'emploi de tels concepts depuis les

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5

Shreve, Adam Terrence. "Framing the sacred : an analysis of religious films in Zimbabwe." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22006.

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This is a study of the production, content, distribution, and reception of different religious films in Zimbabwe, with an emphasis on the audience’s initial reception of the films. Informants’ self-identified religious beliefs and their reception of these selected films are analyzed primarily by using qualitative methods to understand better the interplay between film and religion in Zimbabwe. The films studied in this research are The Jesus Film (1979) created by Campus Crusade for Christ and indigenous, short Jesus films created locally in Zimbabwe in 2012. In order to answer the central res

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6

Fitting, Jessica. "Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/pitzer_theses/2.

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Abstract: The science fiction films which feature the angel Gabriel (The Prophecy (1995), Van Helsing (2004), Constantine (2005), Gabriel (2007), and Legion (2010)) represent a trend in exploring specific socio-cultural issues of America. All of these films explore fears over the loss of faith in American culture in a post 9/11 society. They are comparable to the ways in which science fiction films of the 1950’s addressed fears of the Cold War. By utilizing the alien invasion plot structure from the 50’s, contemporary plots have a pre-defined structure and film language in which to explore the

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7

Solomon, Evan 1968. "The cinematic experience and popular religion : understanding the religious implications of a cult film." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22503.

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An examination of the Rocky Horror Picture Show illustrates the various ways in which the cinema is closely linked to religious experience. The audience participates in the narrative of the film on both conscious and unconscious levels in the same way as the ancients participated in their myths during ritual ceremonies. Moreover, the audience shifts its mode of cognition in order to appreciate as truth the fantastic events which occur both on and off the screen. Finally, I argue that cult films function as parable in dominant cultures and therefore as primary manifestations of the "counter-civ

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8

Andersson, Emma. "Islam på film : En undersökning om framställningen av muslimer på film." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40934.

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Producing religion on film is not new and investigating the production of religion on film has also been done before. Popular culture has never been so present in our everyday life as it is today, therefore the interest in popular culture is big. This qualitative content analysis examines how Muslims are produced on film. The films used in the survey are: American Sniper, The Hurt Locker, Not without my daughter and Desert flower. Previous research on the subject shows that films generally produce a stereotypical image of Muslims. Researchers argue that instead of showing that culture and indi

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Radovic, Milja. "Cinematic representations of nationalist-religious ideology in Serbian films during the 1990s." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/7985.

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This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic. In this dissertation I focus upon how selected films provide insight into the ideological discourse of the 1990s within the Serbian socio-political and cultural context. I discuss a range of Serbian films produced during the 1990s, and I analyse in detail several films, in particular Pretty Village, Pretty Flame (Lepa sela, lepo gore, Srdjan Dragojevic, 1995) and Wounds (Rane, Srdjan Dragojevic, 1998), in which I focus on the depiction of nationali

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Ginach, Erich Lie. "Discurso, silenciamento e alteração material no filme Deus e Brasileiro." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268930.

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Orientador: Suzy Lagazzi-Rodrigues<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-04T17:45:59Z (GMT). No. of bitstreams: 1 Ginach_ErichLie_M.pdf: 697552 bytes, checksum: e595415052bb956aa6aa6807119da219 (MD5) Previous issue date: 2005<br>Résumé: Cette recherche, prenant comme référentiel théorique l¿Analyse du discours de la ligne matérialiste, avec le film Dieu est Brésilien s¿est proposée à apporter à la pratique analytique la matérialité du cinéma, en prenant comme approche les scènes dans lesquelles

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Lefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.

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Haya, Faisal, and Susanna Benatti. "Film som läromedel inom religionskunskap." Thesis, Malmö universitet, Malmö högskola, Institutionen för samhälle, kultur och identitet (SKI), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42468.

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Gewert, Niklas. "Film och religion : En undersökning om populärkulturens påverkan på film." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-43884.

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Denna uppsats undersöker om populärkulturen påverkar framställningen av religiösa myter på film. Studien utfördes för att ta reda på vilka likheter och skillnader det finns i filmernas händelseförlopp och hur hjälten gestaltas i filmerna. Studien genomfördes som en kvalitativ undersökning med hjälp av en komparativ närläsning av materialet. Empirin som användes i studien var Disneys Moana och Hercules som båda baseras på religiösa myter. Efter den komparativa närläsningen användes Campbells teoretiska hjälteresa som teori. Undersökningens resultat var att de två filmerna har ett mycket liknand

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14

Laamanen, Carl. "The Address of the Soul: Phenomenology and the Religious Experience of Film." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1554287220304112.

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Winroth, Jonathan. "Teaching with emotion : Film som pedagogiskt verktyg i religionsundervisning." Thesis, Karlstads universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66101.

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Walsh, Mary E. (Mary Elizabeth) 1941, Barbara Quinn, Callista Roy, and Annette McDermott. "Women Religious Handing on the Faith in America (Film and Discussion):." The Church in the 21st Century Center at Boston College, 2012. http://hdl.handle.net/2345/bc-ir:102674.

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17

Ruther, Mathilda. "Grekisk mytologi i film : En innehållsanalys om hur grekisk mytologi gestaltas i film." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-36334.

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Religion är inte ett fenomen som nyligen börjat gestaltas i film, detta har gjorts länge. Forskning gällande skärningspunkten mellan religion och film har också funnits i den akademiska världen länge. Det är dock inte lika vanligt att undersöka hur mytologi gestaltas i film. Syftet med föreliggande studie är att undersöka hur den grekiska mytologin gestaltas i filmerna Percy Jackson – Kampen om åskviggen, Percy Jackson – Monsterhavet, Clash of the Titans och Wrath of the Titans. Detta görs genom en kvalitativ innehållsanalys. Tidigare forskning på området visar att myterna som används i film o

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18

Maffre, Stéphanie. "La trame du passé et les fils de l’histoire. La fabrique du passé à Mazamet : protestants, catholiques et autres. Enjeux historiographiques et mémoriels. XIXe- XXIe siècles." Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEP022.

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A Mazamet, au XVIIIe siècle, se développe l’activité de tissage, de travail du drap et de la laine. La ville devient, au début du XXe siècle, un centre mondial de délainage, dans une région plutôt enclavée où, depuis le XVIe siècle, cohabitent protestants et catholiques. Dans ce contexte s’est construit un discours sur le passé de la ville qui énonce le paradoxe, réel ou fantasmé, suivant : « Les ouvriers votaient à droite car catholiques, et les patrons votaient à gauche car protestants ». Ce récit, fruit de près d’un siècle de sédimentation, accepté et intégré par la population, demeure enco

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Mercer, Joanne. "Imag(in)ing God in animation : towards a theological understanding of the textuality of the animated film." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683340.

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20

Varrasso, Federico. "Représentations et croyances dans le vodou haïtien : approche filmique d'une communauté religieuse de Port-au-Prince." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100079.

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A travers une exploration filmique menée auprès d'une communauté religieuse de Port-au-Prince, l’analyse des images enregistrées avec les personnes filmées et l’expérience pratique de constructions audiovisuelles participatives, la recherche interroge le système de représentation des adeptes et le rapport qu'il entretient avec la notion de croyance. Elle étudie simultanément par ce biais la réception de formes audiovisuelles spécifiques et l’observation différée des enregistrements en tant qu’outil privilégié d'une anthropologie audiovisuelle appliquée à l'étude des systèmes symboliques de rep

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Sandelin, Amanda. "”I know you know I’m not religious, but I am REALLY not religious” : En studie gällande interkulturella relationer på film med fokus på religion som konfliktskapande – exemplet judendomen." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-81248.

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The purpose of this essay is to examine how movies portray Judaism in movies made for a large audience. The study used four movies ranging from the year 2009-2018 and that were categorized in different genres with the aim of investigating how relationships that involve people from different religious backgrounds get into conflicts and how these are resolved. The study’s main research question was why the characters in the movies get involved with conflict regarding religion and a textual analysis where the movies functioned as text was used as the method. To present the results the method of e

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Defoy, Sophie. "James Tissot, peintre des récits évangéliques." Master's thesis, Université Laval, 1992. http://hdl.handle.net/20.500.11794/33428.

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La présente étude est consacrée au peintre nantais du XIXe siècle, James Tissot, et à son œuvre d'inspiration biblique intitulée la Vie de Notre-Seigneur Jésus-Christ. Elle se veut une recherche sur la valeur artistique et historique de l'œuvre. Par diverses façons, James Tissot nous entraîne dans un univers réaliste, basé sur ses recherches archéologiques, typologiques et topographiques. En outre, une connexité s'installe entre les périodes picturales mondaine et biblique de sa carrière artistique, ce qui créera une œuvre teintée d'influences de toutes parts. L'analyse de l'œuvre religieuse s

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Yam, Chi-Keung. "Study of popular Hong Kong cinema from 2001 to 2004 as resource for a contextual approach to expressions of Christian faith in the public realm after the reversion to Chinese sovereignty in 1997." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/4015.

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In this thesis I study popular Hong Kong cinema through analysing specific films produced between 2001 and 2004. They are Shaolin Soccer (2001), The Infernal Affairs Trilogy (2002-2003), and Kung Fu Hustle (2004). My aim is to identify insights from these films in order both to interrogate and to inform the public expressions of faith by local Christians in the period after the reversion to Chinese sovereignty in 1997. In this thesis, these expressions of faith are represented by local Christian productions released in cinemas also between 2001 and 2004. Being the first detailed study of Chine

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Burton, Aaron V. "Jesus in the Movies: A Rhetorical Analysis of Selected Films from 1912-2004." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1205087180.

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Pallin, Hanna. "Etikundervisning med film som pedagogiskt verktyg : En studie om religionskunskapslärares ämnesdidaktiska val." Thesis, Högskolan Dalarna, Religionsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-36264.

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Film är ett populärt medium som har blivit allt mer vanligt att använda i undervisningssyfte. Följande uppsats har studerat hur film kan användas i religionskunskapsämnet för att undervisa om etik.Syftet med denna uppsats var att undersöka hur sex gymnasieverksamma religionskunskapslärare undervisar om etik med hjälp av film som pedagogiskt verktyg, genom att ta reda på hur de beskriver och motiverar sina ämnesdidaktiska val kring det. Uppsatsen har också undersökt lärarnas synpunkter på att använda film som pedagogiskt verktyg i undervisningen och analyserat vilka kompetenser som lärarna anse

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Kling, Martin. "Hugget i sten : En kvalitativ studie om hur Gud och Moses framställs i tre nutida filmadaptioner av exodusberättelsen." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-61287.

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The purpose of this paper is to examine how God and Moses are depicted in three contemporary American film adaptions of The Exodus story. The films I have analyzed are: The Ten Commandments (2006), The Bible: Exodus (2013) and Exodus: Gods and Kings (2014). For this, I have used a content analysis and Bruce Lincoln’s theory of religious maximalism and minimalism. This study has shown that the first two films are characterized by an almighty God who helps Moses from the very first step, while the third gives a more scientific explanation of e.g. the ten pledges and the crossing of the Red Sea.

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Khedre, Mounira. "Naguib Mahfouz et Michel Houellebecq : deux romanciers face au tabou religieux. Le cas des Fils de la Médina [Awlâd Hâratinâ] et de Plateforme." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00831353.

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Le tabou est un sujet éminemment délicat dans le champ universitaire, car il appartient, en premier lieu, à la religion, et en deuxième lieu, à la vie sociale. D'après notre étude, le statut du tabou change, au fur et à mesure que le temps passe et que la technologie progresse. En d'autres termes, Internet permet la circulation de livres et de publications interdits et les rend accessibles au plus grand nombre d'intéressés. Par exemple, des œuvres comme Les Fils de la Médina [Awlâd Hâratinâ] ou Plateforme, peuvent être tout simplement lues en ligne partout dans le monde entier. Donc, la notion

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Moy, Jean-Yves. "Le père Émile Anizan (1853-1928), religieux au service du peuple : des Frères de Saint Vincent-de-Paul aux Fils de la Charité." Paris 4, 1993. http://www.theses.fr/1993PA040030.

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Religieux français, appartenant à la mouvance du catholicisme intransigeant, le Père Émile Anizan (1853-1928) consacre sa vie au service des pauvres et particulièrement des ouvriers. Cette orientation pastorale portée par un haut idéal spirituel, la charité, le conduit à promouvoir l'évangélisation populaire par les œuvres, dans la congrégation des Frères de Saint Vincent de Paul, d'abord comme aumônier de maisons d'œuvres à paris (1887-1894), puis comme assistant (1895-1907) et supérieur général (1907-1914) ainsi que dans le cadre de l'union des associations ouvrières et catholiques dont il é

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Romelin, Hanna. "Shejk eller terrorist, annat finns inte att välja på : En litteraturstudie om muslimsk identitet på vita duken." Thesis, Högskolan Dalarna, Religionsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27109.

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The purpose of this thesis is to examine the field of research regarding Hollywood feature films, the construction of stereotypes of Muslims and Arabs and what impact the negative stereotypes might have on Muslims’ concept of the self. The purpose is also to discuss what consequences this can have for the multi-cultural classroom. In order to fulfill the purpose, three questions where created. The first one was to examine research regarding the Hollywood feature films portrayal of Muslim stereotypes. The second question was to examine research regarding the feature movies impact on the concept

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Gabig, John Stanley. "Religion, film and youth : a qualitative study of the use of film in meaning-making and religious expression by the young people of St. Quaratus' Episcopal Church." Thesis, King's College London (University of London), 2006. https://kclpure.kcl.ac.uk/portal/en/theses/religion-film-and-youth--a-qualitative-study-of-the-use-of-film-in-meaningmaking-and-religious-expression-by-the-young-people-of-st-quaratus-episcopal-church(3692390e-777f-4bc7-b1ba-3dc42e0a0ede).html.

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This is a major in-depth qualitative study of congregational use of film. The use of film by the young people of St. Quaratus' Episcopal Church, New Martinton, Pennsylvania, signals a convergence of the practice of religion and the practice of cultural consumption. What this thesis shows is that these religious young people are avid film viewers and that film functions in religion-like ways in their lives. Film operates primarily as implicit ordinary religion offering a means by which they orient themselves in the world and in a limited way as extraordinary religion, in that much of the film-w

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Frängsmyr, Svahn Mikael. "Att skildra det obeskrivliga : En kvalitativ studie om den bibliska filmen i religionsundervisning." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135686.

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This study investigates how the genre of movies known as ”biblical films” should be used in education of religion, specifically the version practiced in Swedish upper secondary schools. The problem as stated is that the biblical film has become a common tool for teachers, without a deeper or even general knowledge of what the biblical film consists of and promotes. Using a deductive method within a qualitative framework, this study compiles and analyses the existing scientific literature regarding the properties of the biblical film and the use of film in education of religion. The result is a

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Le, Roux Elisabet. "Spirituality in film : a critical enquiry into the film Yesterday and the question of stigmatisation within the context of the HIV pandemic." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/20446.

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Thesis (MTh)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: Conventional HIV intervention strategies are based on the presupposition that scientific knowledge and appropriate information about HIV will curb the spread of the disease. The dominant approaches to the HIV debate and pandemic focus mostly on the medical, pedagogical and ethical dimensions of the pandemic. Governments are concerned with democratic and human rights and the juridical implications of HIV. This study proposes that a team approach should be followed, with the emphasis on a holistic model of prevention care. I

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Kumar, Priya Haryant. "Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.

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This dissertation maps the emergence of a 'secularist ethics' in post-independence South Asian literature and film, an ethics which is a deeply felt poetic response to particular historical conjunctures marked by religio-nationalist conflict in the Indian subcontinent. It is my argument that literary and cultural productions, in striving to dream and envision a world free of violence, terror and religious intolerance, have some central contributions to make to contemporary intellectual and political debates on secularism. Through close readings of fictions by Salman Rushdie, Amitav Ghosh, Muku

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Leopard, Mitchell L. "Loose Canon on Deck: How Contemporary Christians React to Media Portrayals of Faith, Beliefs, and Rituals." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04302007-181623/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Timothy Renick, committee chair; Christopher White, Kathryn McClymond, committee members. Electronic text (106 p.) : digital, PDF file. Description based on contents viewed Dec. 31, 2007. Includes bibliographical references (p. 96-100). Filmography: p. 94-95.

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Isvind, Elin. "Utmana kulturella normer : Film som läromedel i en religionsvetenskaplig representationsdiskussion." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-24493.

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Världen idag blir allt mer globaliserad och länder får ett starkare mångkulturellt samhälle där det är vitalt att närma sig en interkulturell samexistens. Denna uppsats ämnar svara på frågan hur kan film användas i religionskunskapen för att skapa förståelse och acceptans för ’den andre’? samt diskutera hur normativa och stereotypa föreställningar presenteras i filmerna och huruvida dessa utmanas. Med utgångspunkt i filmerna Saved! (2004) och Bend it like Beckham (2002) analyseras och diskuteras representation utifrån begreppen intersektionalitet, interkulturalitet och normkritisk pedagogik i

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Malmqvist, Lina. "Filmatiseringar av Exodus : En undersökning om hur Moses liv framställs i film." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-44067.

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Religion och film är ett ämne som fångat mångas intresse, inte minst de som önskar veta huruvida film är ett lämpligt medium för religion och för de som önskar använda filmer i sin religionsundervisning. Denna undersökning kom till för att ge svar på några sådana funderingar genom att undersöka hur två filmatiseringar, Prince of Egypt och Exodus Gods and Kings, skiljer sig från ursprungsberättelsen kring Exodus som finns i andra Moseboken. För att göra detta togs tre frågeställningar fram; om det finns skillnader mellan filmateringarna och grundhistorien och hur dessa i så fall yttrar sig, hur

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Kling, Martin. "När film och tv blev religion : En kvantitativ studie om i vilken utsträckning gymnasieelever använder sig av film och tv (och i synnerhet webb-serien SKAM) som en resurs för religiöst meningsskapande och livstolkning." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80117.

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The purpose in this paper is to examine in which extent students in the Swedish gymnasium use film and tv (with a special focus on the Norwegian youth series SKAM) as a resource to create religious meaning and interpretation of life in the aspects of their view on e.g. knowledge, society, cosmology and theology. To examine this I have used a web survey which were completed by 139 pupils from different programs in the grades 1 to 3. As goes for theory I have used Stig Hjarvards thoughts about meditiazation and banal religion. This study has shown that students, whatever they are male, female, “

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Johansson, Martin. "Bibeln: En Star Wars Saga : En hermeneutisk tolkning av kristna inslag inom Star Wars." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71616.

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Religious elements are not uncommon in the field of popular culture, especially regarding movies, and the Star Wars series have implemented all sorts of different religious themes and religious symbolisms, almost as a sort of religious melting pot. This work, however, seeks to isolate and focus on a singular religious tradition. This essay aims to examine if, and what kinds of Christian elements are present in the first Star Wars trilogy. To determine what kind of religious and Christian elements that are present in the source material, which consist of the three original Star Wars films, epis

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Momberg, Marthie. "Different ways of belonging to totality : traditional African and Western-Christian cosmologies in three films : an exploratory literature study." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5452.

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Thesis (MPhil (Religion and Culture) Practical Theology and Missiology))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This study distinguishes between religion as a sense of belonging to the ultimately-real and specific religious traditions. Religion, as used here, concerns a cosmological understanding of the universe and with that which is experienced as meaningful and real on an existential level. Although differences between religious traditions are generaly known, most people‟s emotional conceptual frameworks of the universe are so deep seated that they do not even realise that

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Baird, David. "Zeitgeist incarnate : a theological interpretation of postapocalyptic zombie fiction." Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/16978.

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This thesis attempts to take seriously the claims made by many postapocalyptic zombie narratives to represent the world as it truly is, analyzing and then assessing the theological value of their depictions of the human predicament. The approach is both formal and what Gary Wolfe calls transmedial, examining the recurring narrative structures and themes of texts across several media and eras as part of 'a popular aesthetic movement and not just a body of works of fiction on similar themes', with special attention given to the films and television of the new millennium. The aim is twofold: to e

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Hultgren, Daniel. "Etik och moral i film : En studie om filmers relevans i undervisningen." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Ämnesforskning, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-45833.

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The purpose of this religious didactic study is to investigate how ethics and moral can be interpreted in three different movies. The purpose behind this study is to get a better understanding of how these movies could be used in the subject religion within the college school system. This study of use a qualitative method analysis when studying the films, where the films are interpreted from three different ethical theories such as Utilitarianism, Virtue ethics and Deontological ethics. The quantitative method focuses on social convention in order to fully understand the bigger picture. The so

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Lewis, Heidi Diane. "Speaking Out of the Dust: Religious Reenactments with the Specific Iconic Identity of Place." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/505.

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Sometimes, the place where a play is performed is as important as or more important than the play itself. The first known theatrical rituals were performed in spaces which came to hold deep religious significance. Many religious traditions regard certain places as sacred because of spiritually significant events which took place there, sometimes involving the presence of Deity. In an effort to build on that sacrality, sometimes religious cultures bring theatre to these spaces, which, in turn, tend to alter the nature of the theatrical event. This seems especially true in regards to theatre whi

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Sehirli, Nasir Merve. "L'influence de la culture catholique sur les œuvres d'Alfred Hitchcock et de Pedro Almodóvar." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE3011.

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La notion d’habitus représente un ensemble complexe et stable qui influence, d’une manière profonde, les actes, les attitudes, les jugements et les œuvres. L’objectif de notre recherche est d’éclaircir les effets de l’habitus catholique dans les œuvres d’Alfred Hitchcock et de Pedro Almodóvar, deux réalisateurs de cinéma qui sont d’époques et de cultures différentes, mais qui sont nés et ont grandi au sein des familles catholiques pratiquantes et qui ont eu une éducation caractérisée comme étant strictement religieuse. L’iconologie ou la science des images présuppose que la création d’une œuvr

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Ivarsson, Kornelia. "Blot i nutid och i populärkultur : Filmindustrins framställning kontra blot i nutida Sverige." Thesis, Högskolan Dalarna, Institutionen för kultur och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37475.

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Studien syftar till att undersöka den religiösa offerritualen blot av nutida praktise-rande, kontra filmindustrins framställning för att relatera de narrativ so m återfinnsi populärkulturen till narrativen i de berättelser som står att finna i olika historiskakällor.Till studien har en kvalitativ insamlingsmetod använts i form av intervjuer, samthermeneutisk tolkning av avsnitt ur TV serien Vikings . Fem infor manter deltog istudien. Resultaten har analyserats med paralleller till tidigare forskning, blandannat av Tomas Axelson som gjort studier om filmen som medium för existentiellafrågor, Kl

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Deacy, Christopher. "Screen Christologies : an evaluation of the Christian concept of redemption and its application through film." Thesis, University of Wales Trinity Saint David, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683160.

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Khelif, Ahmed. "Le sacré dans le cinéma arabo-musulman : un interdit ambigu." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30077/document.

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Le cinéma est né dans un univers profane où l’homme cherchait à évoluer grâce à la machine. L'origine du 7ème art n’est pas en liaison directe avec des pratiques religieuses ou cérémonielles comme pour la peinture ou le théâtre. Le cinéma n’est pas le fruit d’une expression religieuse, et pourtant le sacré n'a cessé d'y apparaître sous de multiples formes. Robert Bresson a pu, dans ses films, sacraliser le quotidien de n’importe quel homme, en construisant l’espace morceau par morceau. Dans les œuvres de Tarkovski, le sacré prend forme grâce à l'évolution du personnage, qui se dépasse petit à

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Segall, Hayley Dawn. "1984 and Film: Trauma and the Evolution of the Punjabi Sikh Identity." Oberlin College Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1589802152696357.

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Liu, Eric Y. Stark Rodney. "Expanding the new paradigm : winners and losers among exclusive and nonexclusive religious firms in the Chinese and Japanese communities in the United States, 1850-1945 /." Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4004.

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Johansson, Jennie. ""I'm designed to kill" : En kritisk diskursanalys av fyra vampyrfilmer mellan 1979-2016 med hjälp av Mary Douglas teorier om renhet, orenhet och anomalier." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-36232.

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Syftet med denna uppsats har varit att analysera fyra vampyrfilmer med Mary Douglas teori för att se hur föreställningar om renhet, orenhet och anomalier framställs samt ifall dessa föreställningar har förändrats i de fyra utvalda filmerna mellan 1979-2016. Med kritisk diskursanalys som metod har filmerna Nosferatu the Vampyre (1979), The Lost Boys (1987), Twilight (2008) samt Daylight's end (2016) analyserats genom en tematisering av vampyrers egenskaper där en jämförelse dem emellan gjorts. Uppsatsens resultat visar att vampyrer som befinner sig i ett tillstånd mellan liv och död anses vara

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Sahlström, Signe. "Konsekvenser av att fresta Jesus : En undersökning av receptionen av The Last Temptation of Christ och The First Temptation of Christ." Thesis, Jönköping University, HLK, Ämnesforskning, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-53666.

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Religion in popular culture has the power to evoke strong feelings and reactions, especially if someone feels offended by it. Jesus is a person with grave importance for many, since many people in the world are Christians. However, there is not a lot that can be said with certainty about the historical person Jesus. This uncertainty leaves room for interpretation and creative freedom, which gives origin to art centered around Jesus’ life. This essay aims to examine the reactions to two different Jesus films: The Last Temptation of Christ from 1988 and The First Temptation of Christ from 2019.

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