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Books on the topic 'Filmtechnik'

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1

Dominic, Case, ed. Filmtechnik in der Postproduktion: Das Kompendium. Zweitausendeins, 2004.

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2

Wilson, Anton. Anton Wilson's Cinema workshop. 4th ed. A.S.C. Holding Corp., 1991.

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3

Richling, Martin. Abschied vom Zelluloid?: Beiträge zur Geschichte und Poetik des Videobildes. Schüren, 2008.

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4

Thurlow, Clifford. Making short films: The complete guide from script to screen. 2nd ed. Berg, 2008.

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5

Thurlow, Clifford. Making short films: The complete guide from script to screen. 2nd ed. Berg, 2008.

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6

James, Monaco. Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien ; mit einer Einführung in Multimedia. Rowohlt Taschenbuch Verlag, 2000.

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7

Ascher, Steven. The Filmmaker's Handbook. Penguin Group USA, Inc., 2008.

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8

Ascher, Steven. The filmmaker's handbook: A comprehensive guide for the digital age. Plume, 1999.

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9

E, Phillips Michael, ed. Digital filmmaking: The changing art and craft of making motion pictures. 2nd ed. Focal Press, 2000.

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10

E, Phillips Michael, ed. Digital filmmaking: The changing art and craft of making motion pictures. Focal Press, 1996.

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11

Ristow, Jürgen. Vom Geisterbild zum Breitwandfilm. VEB Fotokino Verlag, 1986.

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12

Lumet, Sidney. Making movies. A.A. Knopf, 1995.

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13

Lumet, Sidney. Making movies. A.A. Knopf, 1995.

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14

Stephen, Herbert, ed. A history of pre-cinema. Routledge, 1999.

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15

Andrew, Quicke, ed. Every frame a Rembrandt: Art and practice of cinematography. Focal Press, 2000.

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16

Singer, Irving. Reality transformed: Film as meaning and technique. MIT Press, 1998.

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17

Paul, Cronin, ed. On film-making: An introduction to the craft of the director. Faber and Faber, 2004.

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18

Paul, Cronin, ed. On film-making: An introduction to the craft of the director. Faber and Faber, 2004.

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19

1944-, Weis Elisabeth, and Belton John, eds. Film sound: Theory and practice. Columbia University Press, 1985.

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20

Schröter, Fritz. Neue Forschungs- und Entwicklungsrichtungen Im Fernsehen. der Gegenwärtige Stand der Filmtechnik. VS Verlag fur Sozialwissenschaften GmbH, 2013.

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21

Professionelle Videotechnik: Grundlagen, Filmtechnik, Fernsehtechnik, Geräte- und Studiotechnik in SD, HD, DI, 3D. Springer, 2013.

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22

Schmidt, Ulrich. Professionelle Videotechnik: Grundlagen, Filmtechnik, Fernsehtechnik, Geräte- und Studiotechnik in SD, HD, DI, 3D. Springer, 2013.

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23

Professionelle Videotechnik: Grundlagen, Filmtechnik, Fernsehtechnik, Gera te- und Studiotechnik in SD, HD, DI, 3D. 5th ed. Springer, 2009.

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24

Professionelle Videotechnik: Analoge und digitale Grundlagen, Signalformen, Bildaufnahme, Wiedergabe, Speicherung, Filmtechnik, Fernsehtechnik, Signalverarbeitung, Studiotechnik. 3rd ed. Springer Berlin Heidelberg, 2003.

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25

Schmidt, Ulrich. Professionelle Videotechnik: Grundlagen, Filmtechnik, Fernsehtechnik, Geräte- und Studiotechnik in SD, HD, UHD, HDR, IP. Springer Berlin / Heidelberg, 2021.

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26

Professionelle Videotechnik: Analoge und Digitale Grundlagen, Filmtechnik, Fernsehtechnik, HDTV, Kameras, Displays, Videorecorder, Produktion und Studiotechnik. Springer London, Limited, 2005.

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27

Schmidt, Ulrich. Professionelle Videotechnik: Analoge und digitale Grundlagen,Filmtechnik, Fernsehtechnik, HDTV,Kameras, Displays, Videorecorder,Produktion und Studiotechnik. 3rd ed. Springer, 2003.

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28

Schmidt, Ulrich. Professionelle Videotechnik: Analoge und digitale Grundlagen, Filmtechnik, Fernsehtechnik, HDTV, Kameras, Displays, Videorecorder, Produktion und Studiotechnik. 4th ed. Springer, 2005.

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29

Schmidt, Ulrich. Professionelle Videotechnik: Analoge und Digitale Grundlagen, Filmtechnik, Fernsehtechnik, HDTV, Kameras, Displays, Videorecorder, Produktion und Studiotechnik. Springer London, Limited, 2013.

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30

Barthold, Karsten. Der Einfluss von Wsewolod I. Pudowkins 'Über die Filmtechnik' auf Stanley Kubricks '2001 - A Space Odyssey'. GRIN Verlag GmbH, 2007.

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31

Scherer, Thomas, Hermann Kappelhoff, Dorothea Horst, Sarah Greifenstein, and Christina Schmitt. Cinematic Metaphor in Perspective: Reflections on a Transdisciplinary Framework. de Gruyter GmbH, Walter, 2018.

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32

Scherer, Thomas, Hermann Kappelhoff, Dorothea Horst, Sarah Greifenstein, and Christina Schmitt. Cinematic Metaphor in Perspective: Reflections on a Transdisciplinary Framework. de Gruyter GmbH, Walter, 2018.

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33

Frampton, Hollis. On the camera arts and consecutive matters: The writings of Hollis Frampton. 2015.

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34

Scherer, Thomas, Hermann Kappelhoff, Dorothea Horst, Sarah Greifenstein, and Christina Schmitt. Cinematic Metaphor in Perspective: Reflections on a Transdisciplinary Framework. de Gruyter GmbH, Walter, 2020.

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35

Cinematic Metaphor in Perspective: Reflections on a Transdisciplinary Framework. de Gruyter GmbH, Walter, 2018.

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36

Bizony, Piers. Digital Domain: The Leading Edge of Visual Effects. Billboard Books, 2004.

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37

Bock, Hans-Michael, and James Monaco. Film verstehen. Rowohlt Tb., 2000.

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38

James, Monaco. Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien. Mit einem Lexikon der Fachbegriffe. Europa Verlag München, 2000.

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39

Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien. Mit einer Einführung in Multimedia. Rowohlt Taschenbuch Verlag, Reinbeck bei Hamburg, 2000.

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40

FIAF Digital Projection Guide. Indiana University Press, 2012.

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41

Pincus, Edward, and Steven Ascher. The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age. Plume, 2007.

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42

Bizony, Piers. Digital Domain. Aurum Press Ltd, 2001.

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43

Zukunft Kino: The end of the reel world. Schüren, 2008.

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44

Making Short Films: The Complete Guide from Script to Screen. Bloomsbury Publishing Plc, 2013.

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45

Making Short Films: The Complete Guide from Script to Screen, Second Edition. Berg Publishers, 2008.

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46

Making short films: The complete guide from script to screen. Berg, 2005.

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47

Making Short Films: The Complete Guide from Script to Screen, Second Edition. 2nd ed. Berg Publishers, 2008.

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48

Digital Tools in Media Studies. Transcript Verlag, Roswitha Gost, Sigrid Noke, 2009.

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49

3D Movie Making. Elsevier Science & Technology, 2010.

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50

Mendiburu, Bernard. 3D Movie Making: Stereoscopic Digital Cinema from Script to Screen. Taylor & Francis Group, 2012.

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