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Dissertations / Theses on the topic 'Finnegans wake'

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Published: 4 June 2021

Last updated: 1 August 2024

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1

Nash, John Edward. "Finnegans Wake and readership." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:289958a7-d3a5-426b-ae39-1713dfd9403a.

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The argument of this thesis is that Finnegans Wake is a peculiarly appropriate text for an investigation of the academic discipline of English, and that the issue of readership is the best way to approach the Wake. The thesis, which is organised into three main sections, shows that both Finnegans Wake and the discipline of English Studies are similarly engaged in problems of defining audiences. The opening section shows that the Wake has long been seen as a limit to literature, and as a defining text of literary study. Reception theory proves unable to cope with a study of historical audiences

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2

Black, Christopher. "Old Scandinavia in Finnegans wake." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12943.

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This dissertation focusses on James Joyce’s use of Old Norse-Icelandic religion and mythology, as well as writing about pre-Christian Scandinavia, in Finnegans Wake. In the context of studies of the reception of pre-Christian Scandinavia, the Wake is peculiar in its concern with the meaning of the use of the past, as well as its famous difficulty. In the first chapter, which is an examination of these topics, it is shown that the use of the past is central in the dynamic poetics of the Wake. Building on the work of scholars such as Fritz Senn and Daniel Ferrer, it is argued that the key to int

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3

Boldrini, Lucia. "In Dante's wake : the Dantean poetics of 'Finnegans Wake'." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/35090.

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The thesis investigates how the theories of linguistic and literary composition of Dante's treatises and the poetics of ineffability of the Divine Comedy may be seen to provide the basis for (one of) the poetics of Joyce's Finnegans Wake. The polysemy of Joyce's last novel relies on Dante's literary-exegetical model of the four levels of meaning at the same time as it challenges it so as to show both its inadequacy for the modern literary work and, conversely, how its failings can be turned to the writer's advantage in the production of an original text. The multilingual idiom of the Wake draw

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4

Roughley, Alan Robert. "Finnegans wake as a deconstructive text." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/27520.

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This dissertation considers Finnegans Wake as a deconstructive writing that exemplifies many of the textual operations that the French critical theorist Jacques Derrida attempts to define through his use of such "undecidable" terms and "non-concepts" as "difference," "dissemination," "trace," and "grafting." It argues that the Wake operates much like the "bifurcated writing" and "grouped textual field" that Derrida identifies as the only possible site for a deconstructive engagement of the terms and concepts of the Western metaphysical tradition, the tradition that Derrida terms phallogocent

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5

Choudhry, Zulfiqar Ali. "Some eastern aspects of Finnegans Wake." Thesis, University of Reading, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282840.

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The thesis is divided into seven parts. The first part concentrates on the Arabian Nights in Finnegans Wake, drawing attention to Joyce's use of Sir Richard Burton's translation and critical appreciation of the Nights. Beginning with a consideration of Joyce and Yeats's common interests in the Nights, the thesis examines the presence in the Wake of the women of the Nights, Sinbad the Sailor, and two of the tales of the Nights relevant to the character of HCE. The second part of the thesis explores Joyce's assimilation of Hinduism with special emphasis on Madame Blavatsky as his major source. M

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6

McCreedy, Jonathan. "Narrating sigla: a genetic study of Finnegans Wake." Thesis, Ulster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646852.

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Current textual studies of Finnegans Wake have identified sigla chiefly as notebook shorthand, but this thesis argues that this interpretation has enforced limitations on future research, owing to the lack of significance mere abbreviation has within literary analysis. The thesis aims to free sigla research from this restrictive critical viewpoint and overturn its present state of neglect in Joyce studies. The research studies the James Joyce Archive and uses a genetic approach. However, instead of its analytical focus being on the notebooks (where the majority of sigla are located), it contai

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7

Van, Mierlo Christine. "The apostate's wake : cultures of Irish Catholicism in James Joyce's Finnegans wake." Thesis, Royal Holloway, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594110.

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This project takes a new approach to the treatment of Catholicism in Finnegans Wake, by looking beyond established theological and philosophical readings in order to focus on the intricacies of Joyce's engagement with Irish Catholic culture, c. 1850•1 939. This period accounts for the years of Cardinal Cullen's 'devotional revolution' in Ireland, for the formation of-the deeply conservative and Rome-centred religious culture into which Joyce was born, and for the emergence of a new Irish Catholic state following the Anglo-Irish Treaty of 1921. As my tide suggests, this thesis highlights Joyce'

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8

Renggli, Gabriel. "Plurality in Finnegans Wake : Joyce with Derrida and Lacan." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/12916/.

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The challenge of James Joyce’s final work, Finnegans Wake, is an ethical one, and one whose implications extend far beyond the boundaries of that particular book. Joyce’s dismantling of language is too often dismissed as either a meaningless experiment or else a superficial attribute beneath which we can somehow postulate a “truer” writing that is perfectly straightforward. I argue that taking seriously the strangeness of Finnegans Wake leads to an interaction with alterity. Confronting us with a writing that we can only assimilate insofar as we do violence to its illegibility, Joyce drives a

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9

Krumsee, Kirstin L. "Joyce, Shakespeare, and paternity in Ulysses and Finnegans wake." Connect to resource, 2007. http://hdl.handle.net/1811/28457.

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Thesis (Honors)--Ohio State University, 2007.<br>Title from first page of PDF file. Document formatted into pages: contains 30 p. Includes bibliographical references (p. 28-30). Available online via Ohio State University's Knowledge Bank.

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10

Freitas, Luísa Leite Santos de. "O fluir-ricorso e os tempos de Finnegans wake." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17761.

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Dissertação (mestrado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2014.<br>Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2015-03-02T17:48:56Z No. of bitstreams: 1 2014_LuisaLeiteSantosdeFreitas_Parcial.pdf: 846131 bytes, checksum: 7ddcf00b9bdb533416d68f6d2828c2f7 (MD5)<br>Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2015-03-04T19:06:49Z (GMT) No. of bitstreams: 1 2014_LuisaLeiteSantosdeFreitas_Parcial.pdf: 846131 bytes, checksum: 7ddcf00b9bdb533416d68f6d2828c2f7 (MD5)<

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11

Conley, Timothy John. "The hoax that joke bilked, sense, nonsense, and Finnegans Wake." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29487.pdf.

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12

Crenshaw, Andrew. "The architectural image Finnegans Wake and the text of drawing." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23013.

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13

Conley, Tim. "The hoax that joke bilked : sense, nonsense, and Finnegans wake." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26682.

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The remarkable challenges Finnegans Wake offers to its readers and to the very process of reading are the results of an evolution of Nonsense literature. Despite the unduly "serious" framework of criticism which has been built up around it, Joyce's anomalous last work is a radical "hoax" upon interpretation. The regular confluences of linguistic deconstruction (via word association as well as recurring word and phrase matrices) and ontological metaphor, developed from authors such as Rabelais, Sterne, and Lewis Carroll, are offered by the Wake as tests to the reader's (qua reader) sensibilitie

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14

Fordham, Finn William Montague. "'Languishing hysteria The clou historique?' : Lucia Joyce in 'Finnegans Wake'." Thesis, Birkbeck (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263602.

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15

Alexandrova, Boriana. "Joyce's deplurabel muttertongues : re-examining the multilingualism of Finnegans Wake." Thesis, University of York, 2016. http://etheses.whiterose.ac.uk/16250/.

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The multilingualism of Finnegans Wake has been widely regarded as a feature that makes the text difficult and perplexing, and even inessential to some readers and translators who have chosen to iron it out of their plot summaries and translations. Because the work has a reputation for impenetrability and inaccessibility that at times borders on discursive incoherence, its political value has chiefly been related to its rebellion against linguistic order—specifically the structural, historical, and ideological rule of the British Empire’s primary language, English—rather than its capacity for l

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16

Esteves, Lenita Maria Rimoli. "A (im)possivel tradução de Finnegans Wake : uma investigação psicanalitica." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271093.

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Orientador: Nina Virginia de Araujo Leite<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-28T16:43:21Z (GMT). No. of bitstreams: 1 Esteves_LenitaMariaRimoli_D.pdf: 7013581 bytes, checksum: eb6aeb18af9952fa63b616b07337be8c (MD5) Previous issue date: 1999<br>Resumo: Este trabalho parte de uma obra literária singular, Finnegans Wake, de James Joyce, para abordar várias questões relativas à linguagem e principalmente à tradução. Essa obra impõe uma leitura diferenciada, que se afaste do que normalmente julgamos ser

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17

McMorran, Ciaran. "Geometry and topography in James Joyce's Ulysses and Finnegans Wake." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7385/.

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Following the development of non-Euclidean geometries from the mid-nineteenth century onwards, Euclid’s system had come to be re-conceived as a language for describing reality rather than a set of transcendental laws. As Henri Poincaré famously put it, ‘[i]f several geometries are possible, is it certain that our geometry [...] is true?’. By examining Joyce’s linguistic play and conceptual engagement with ground-breaking geometric constructs in Ulysses and Finnegans Wake, this thesis explores how his topographical writing of place encapsulates a common crisis between geometric and linguistic m

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18

Cahill, Clinton Barry. "Drawing the wake : how might illustrative drawing contribute a valid alternative reading of 'Finnegans Wake'?" Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/620999/.

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The practical aspect of this research and this supporting commentary are intended to contribute to the understanding of James Joyce’s Finnegans Wake by applying a method of reading that incorporates drawing as a means of recording subjective visualimaginative responses to the text. The commentary provides a contextualised account of practical inquiry written from the perspective of a visual practitioner. The practical methodology involved annotated reading and mapping, and systematic observation and recording, through written notes and drawing, of visual impressions provoked in the reader. The

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19

Clark, Hilary Anne. "The idea of a fictional encyclopaedia : Finnegans wake, Paradis, the Cantos." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25575.

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This study concerns itself with the phenomenon of literary encyclopaedism, as especially evident in James Joyce's Finnegans Wake, Philippe Sollers' Paradis and Ezra Pound's Cantos. The study focuses on developing the notion of an encyclopaedic literary mode and on establishing the existence of a genre of fictional encyclopaedias. It finds an encyclopaedic mode in literature to be one comprehending and imitating other literary modes, both mimetic and didactic. Further, the idea of a fictional encyclopaedia is developed through an understanding of the traits of the neighbouring forms of essay, M

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20

Valtat, Jean-Christophe. "Culture et figures de la relativité Le Temps retrouvé, Finnegans Wake /." Paris : H. Champion, 2004. http://catalogue.bnf.fr/ark:/12148/cb39145153p.

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21

Evans, S. D. "Some aspects of the sound and sense of James Joyce's 'Finnegans Wake'." Thesis, University of Essex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375726.

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22

Evans, Oliver Rory Thomas. "'What can't be coded can be decoded' : reading, writing, performing 'Finnegans Wake'." Thesis, Birkbeck (University of London), 2016. http://bbktheses.da.ulcc.ac.uk/198/.

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This thesis examines the ways in which performances of James Joyce’s Finnegans Wake (1939) navigate the boundary between reading and writing. I consider the extent to which performances enact alternative readings of Finnegans Wake, challenging notions of competence and understanding; and by viewing performance as a form of writing I ask whether Joyce’s composition process can be remembered by its recomposition into new performances. These perspectives raise questions about authority and archivisation, and I argue that performances of Finnegans Wake challenge hierarchical and institutional form

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23

Valtat, Jean-Christophe. "Les figures de la relativité dans "Le temps retrouvé" et "Finnegans wake"." Paris 3, 2000. http://www.theses.fr/2000PA030062.

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Proust et joyce souvent ete compares a einstein et leurs oeuvres rapprochees de la theorie de la relativite. Ce travail affirme la possibilite d'un tel rapprochement dans un contexte ou l'auto-definition "paradigmatique" des avant-gardes par rapport a la science, la mediatisation croissante de la science comme la litterature, les modifications profondes apportees par l'objet technique dans les conceptions de l'espace et du temps faisaient de la relativite un lieu commun, et un symbole a la fois d'une nouveaute revolutionnaire et d'une crise de la representation. Ainsi le theorie apparait chez

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24

Keenan, Sean Eamon. "Fixity and fiction in James Joyce's prose." Thesis, University of Ulster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326307.

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25

Rößler, Philipp [Verfasser]. "The Haecceitancy of Reading James Joyce's Finnegans Wake : Ways of Sensemaking / Philipp Rößler." Berlin : Freie Universität Berlin, 2015. http://d-nb.info/1069290130/34.

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26

Siedenbiedel, Catrin. "Metafiktionalität in Finnegans Wake das Weibliche als Prinzip selbstreflexiven Erzählens bei James Joyce." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2674566&prov=M&dok_var=1&dok_ext=htm.

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27

Tsoi, Sze-pang Pablo, and 蔡思鵬. "Writing as the Sinthome: Joyce in critical theory : reading Ulysses and Finnegans Wake." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42841331.

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Tsoi, Sze-pang Pablo. "Writing as the Sinthome Joyce in critical theory : reading Ulysses and Finnegans Wake /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42841331.

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29

Filho, Afonso Teixeira. "A noite e as vidas de Renatos Avelar: considerações sobre a tradução do primeiro capítulo de FinneganS Wake de James Joyce." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-30072008-103606/.

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Este trabalho discute as implicações do tempo na História, da História no romance e do romance nas vanguardas; trata da crise do romance no início do século XX e da ascensão das vanguardas; relaciona essa crise com a crise do racionalismo que resultará em obras de arte complexas como o livro Finnegans Wake de James Joyce, um livro considerado por muitos como ilegível e que não poderia ser traduzido. Este trabalho considera também que para se traduzir uma obra Finnegans Wake seria necessário, mais do que uma técnica, uma estética da tradução. Partindo de uma estética da tradução, elaboramos um

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30

Mathews, Charlene. "Debased, de-Oedipalized, deconstructed: Finnegans Wake and the apotheosis of the postmodern text." Case Western Reserve University School of Graduate Studies / OhioLINK, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=case1060887173.

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31

Eriksson, Robert. "The Truce, the Old Truce, and Nattonbuff the Truce: A Creative Reading of James Joyce's Finnegans Wake." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-88003.

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James Joyce's Finnegans Wake is known as one of the most difficult texts in all of literature. A one-to-one relationship, however, between a decoding reader and a presenting author is something Finnegans Wake does not incorporate in any traditional sense. Because of the ways in which Joyce manipulates language through assonance and multilingual references, his words are essentially freed from their dictionary definitions and rely instead on connotations. This essay looks at the text from the perspective of a first reading, a look that is then compared to a more 'authoritative' stance found in

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32

Witen, Michelle Lynn. "Perceiving in registers : the condition of absolute music in James Joyce's Ulysses and Finnegans Wake." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669882.

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33

Miller, Lynette. "The sound of dreams : Toru Takemitsu's Far Calls. Coming, Far! and James Joyce's Finnegans Wake." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21242.

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Toru Takemitsu (1930--96) composed several musical works which adopt as their titles quotations from James Joyce' s final and most revolutionary novel, Finnegans Wake. In this thesis I focus on one of these compositions, Far Calls. Coming, Far! (1981) for solo violin and orchestra. I explain the ways in which Takemitsu and Joyce possess similar philosophies and aesthetics, and examine their mutual interest in the phenomena of dreams. The Wake explores one night of a family's unconscious sleep activity and is heavily influenced by Freud's The Interpretation of Dreams. I argue that Takemitsu com

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34

Moffat, Karen Jean. "Dream language in literature : a linguistic approach : the dream language of James Joyce's Finnegans Wake /." Thesis, [Hong Kong] : University of Hong Kong, 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12324103.

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35

Zhang, Mingming. "Dwelling in dreams a comparative study of "Dream of the Red Chamber" and "Finnegans Wake" /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=0&did=1957365421&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1269372200&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed March 23, 2010). Includes bibliographical references (p. 144-151). Also issued in print.

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Miller, Lynette Elizabeth. "The sound of dreams, toru Takemitsu's "Far Calls. Coming, Far!" and James Joyce's "Finnegans Wake" (Japan, Ireland)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0023/MQ50547.pdf.

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37

Porter, J. "'From topphole to bottom of the Irish race and world' : Landscape and mysticism in James Joyce's Finnegans Wake." Thesis, University of Liverpool, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375134.

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38

Skuthorpe, Barret School of English UNSW. "The Artist-God who ???disguides his voice???: a reading of Joseph Campbell???s interpretation of the dreamer of Finnegans Wake." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/30593.

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This thesis is concerned with engaging a critic who has been neglected by his peers in the field of Joyce studies for more than forty years. This critic, Joseph Campbell, is an American scholar more popularly known for his studies in myth. However, he began his intellectual career contributing to a subject that emerged in the early years of the critical reception of Finnegans Wake: that the dream depicted in Joyce???s final masterpiece is dependent on a Dreamer. The neglect Campbell???s work has endured is largely due, this thesis argues, to an inaccurate treatment of his reading of this dream

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39

Layden, Faith. "La féconde créativité linguistique de James Joyce dans son oeuvre intitulée Finnegans wake et dans la traduction de Philippe Lavergne." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ62365.pdf.

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McGregor, Jamie Alexander. "Myth, Music & Modernism: the Wagnerian dimension in Virginia Woolf's Mrs Dalloway and the waves and James Joyce’s Finnegans Wake." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/77069.

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The study of Wagner's influence on the modernist novel is an established field with clear room for further contributions. Very little of the criticism undertaken to date takes full cognizance of the philosophical content of Wagner's dramas: a revolutionary form of romanticism that calls into question the very nature of the world, its most radical component being Schopenhauer's version of transcendental idealism. The compatibility of this doctrine with Wagner's earlier work, with its already marked privileging of myth over history, enabled his later dramas, consciously influenced by Schopenhaue

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Cormack, Alistair. "Yeats and Joyce : cyclical theories of history and the reprobate tradition of Irish idealism in Ulysses, A Vision and Finnegans Wake." Thesis, University of East Anglia, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405348.

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MacQuarrie, Charles William. "The waves of Manannán : a study of the literary representations of Manannán mac Lir from Immram Brain (c. 700) to Finnegans Wake (1939) /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9348.

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43

Engelhart, Bernd. ""Breeder to sweatoslaves" Form und Funktion des slawischen Wortmaterials in Joyces Work in Progress ; ein Beitrag zur Genese und Genetik von Finnegans Wake /." Trier : WVR, Wissenschaftlicher Verlag, 2002. http://catalog.hathitrust.org/api/volumes/oclc/50738566.html.

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44

Bartnicki, Krzysztof [Verfasser], Dirk [Gutachter] Vanderbeke, and Felix [Gutachter] Sprang. "Finnegans Wake as a system of knowledge without primitive terms : proposal against the paradigm of competence in the so-called Joyce industry / Krzysztof Bartnicki ; Gutachter: Dirk Vanderbeke, Felix Sprang." Jena : Friedrich-Schiller-Universität Jena, 2021. http://d-nb.info/1238141900/34.

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45

Cascio, Davide. "Acéphale : la construction de l’œuvre, son squelette et son échafaudage." Thesis, Paris Sciences et Lettres (ComUE), 2019. https://tel.archives-ouvertes.fr/tel-02631843.

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« Nos œuvres (...) ne sont pas enfermées dans les limites d’un début (le chef) et d’une fin (la queue) » Georges Didi-Huberman, Sur le fil, p. 13, Les éditions de Minuit, Paris, 2013.Des fragments hétérogènes et chaotiques se tissent (mais je pourrais aussi parler de collage) jusqu’à recomposer un nouveau récit pluriel fait d’articulations multiples. A l’intérieur de ce tissage, l’œuvre est toujours à l’œuvre.La construction de l’œuvre est une reconstruction Acéphale (sans modèle) sans un début, (sans tête), (on reconstruit en utilisant des fragments que ne proviennent pas d’un tout. On ne che

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46

Gordon, Anna Margaretha. "A Reassessment of James Joyce's Female Characters." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2705.pdf.

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47

Gearey, Adam David. "In the wake of the law : law and ethics in Finnegan's Wake." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286731.

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48

Miller, Daniel Quentin. "Narrative Theory and James Joyce's "Finnegan's Wake": Voice and Self-Narration in "Night Lessons"." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625593.

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49

Vichnar, David. "L'Avant-postman : James Joyce, L'avant-garde et le postmoderne." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030010.

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La thèse, intitulée « L’Avant-Postman: James Joyce, L’Avant-Garde et le Postmoderne », s’efforce de construire une généalogie littéraire post-joycienne, centrée sur les notions de l’avant-garde joycienne et de l’expérimentation littéraire, et prend les deux dernières œuvres de Joyce, Ulysses et Finnegans Wake, pour points de départ des avant-gardes d’après la seconde guerre mondiale, une époque généralement appelée « postmoderne », en Grande-Bretagne, aux États-Unis, et en France.L’Introduction identifie la notion d’une avant-garde joycienne à l'exploration, par Joyce, de la matérialité du lan

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"The killing letter, or, The presence of the "Kells" manuscript in "Finnegans Wake"." Tulane University, 2003.

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The leaves of the Kells manuscript retain an important place in the Wake, performing a vital role in the key given to the reader to unlock not only Joyce's work, but any text requiring the reader to consider the innumerable layers of significance present in the most accomplished forms of communication. The text by nature of its definition, being ineffable, cannot be expressed in any more reductive fashion than the complex design-motif which merely directs the reader toward the sacred, inclusive of its delineation here. What lies beneath the text, once the reader has traveled through the langua

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