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1

Díaz Victoria, Juan. "Finnegans Wake." Estudios: filosofía, historia, letras 8, no. 92 (2010): 81. http://dx.doi.org/10.5347/01856383.0092.000174568.

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2

Kirkland, Larry R., and Kirkland E. Reid. "Finnegans Wake." Southern Medical Journal 84, no. 2 (February 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00037.

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3

Cook-Deegan, Robert Mullan. "Finnegans Wake." Southern Medical Journal 84, no. 2 (February 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00038.

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4

Pereira Rodrigues Borges, Guilherme. "Critical Review: Finnegans Wakes: Tales of Translation (2022), by Patrick O’Neill." Belas Infiéis 12, no. 1 (March 28, 2023): 01–10. http://dx.doi.org/10.26512/belasinfieis.v12.n1.2023.43419.

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Esta resenha aborda o livro Finnegans Wakes: Tales of Translation (2022), de Patrick O’Neill, que discorre sobre a história internacional das traduções do romance Finnegans Wake (1939), de James Joyce (1882-1941). O’Neill apresenta e analisa todas as 16 traduções completas publicadas dessa obra e também as numerosas traduções parciais para diversas línguas. Com capítulos organizados por décadas e por línguas específicas, o livro abarca desde os anos de 1930 até os anos de 2020, abordando os esforços iniciais de tradução de trechos de Finnegans Wake antes mesmo de sua publicação completa em 193
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Kim, Kyoungsook. "“Finnegan’s Alice” or “Alice’s Wake”: Reading Finnegans Wake through Lewis Carroll." James Joyce Journal 27, no. 1 (June 30, 2021): 5–24. http://dx.doi.org/10.46258/jjj.2021.27-1.5.

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6

Ady, Paul. "Joyce's Finnegans Wake." Explicator 59, no. 2 (January 2001): 91–93. http://dx.doi.org/10.1080/00144940109597095.

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7

Gordon, John. "Joyce's Finnegans Wake." Explicator 50, no. 2 (January 1992): 96–98. http://dx.doi.org/10.1080/00144940.1992.9937914.

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8

Jacobson, H. "Finnegans Wake 60." Notes and Queries 49, no. 1 (March 1, 2002): 80–81. http://dx.doi.org/10.1093/nq/49.1.80.

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9

Jacobson, Howard. "Finnegans Wake 60." Notes and Queries 49, no. 1 (March 1, 2002): 80–81. http://dx.doi.org/10.1093/nq/490080.

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10

O'Brien, Peter. "Drawing Upon Finnegans Wake." Art/Research International: A Transdisciplinary Journal 3, no. 2 (September 15, 2018): 196–215. http://dx.doi.org/10.18432/ari29381.

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LOTS OF FUN WITH FINNEGANS WAKE is my six-year project to annotate / illustrate / disrupt the 628 pages of James Joyce’s final book. I’ve been reading Finnegans Wake off and on for about 40 years, and I consider it to be the most multi-layered, protean, and playful collection of words that we have. As a way to explore the book’s circular, recurring, enigmatic pathways, I am involved in the process of transmediation – I am turning some of its words into visual images and some of its linguistic images into words. This project is a way for me to indulge my natural inclination to connect the intel
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11

MacCABE, COLIN. "Finnegans Wake at fifty." Critical Quarterly 31, no. 4 (December 1989): 3–5. http://dx.doi.org/10.1111/j.1467-8705.1989.tb00366.x.

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12

Tanselle, G. T. "The Restored "Finnegans Wake"." Common Knowledge 20, no. 3 (October 1, 2014): 506–8. http://dx.doi.org/10.1215/0961754x-2732796.

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13

O'Neill, Patrick. "Traduzindo o intraduzível: o universo em expansão de Finnegans Wake." Cadernos de Tradução 42, esp. 2 (December 29, 2022): 1–16. http://dx.doi.org/10.5007/2175-7968.2022.e92165.

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Finnegans Wake tem sido geralmente considerado totalmente intraduzível, contudo, existe atualmente um número surpreendentemente grande e crescente de traduções completas e parciais do livro em aproximadamente trinta idiomas diferentes. Essas traduções podem ser vistas como constituindo um universo em expansão de Finnegans Wake.
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14

Amaral, Vitor Alevato do. "A Bahia se Revém: Considerações sobre a Tradução de Finnegans Wake." Revista da Anpoll 1, no. 50 (December 30, 2019): 152–64. http://dx.doi.org/10.18309/anp.v1i50.1332.

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Neste artigo, discutimos os desafios de se ler e traduzir Finnegans Wake (1939), deJames Joyce (1882-1941). A primeira parte lida com o apelo do próprio romance para que seadote um novo paradigma de tradução capaz de torná-la traduzível. A perspectiva de Joycesobre a tradução de Finnegans Wake também será explorada. A segunda parte prioriza otrabalho de quatro tradutores de Finnegans Wake para o português brasileiro: Augusto eHaroldo de Campos, Donaldo Schüler, Dirce Watrick do Amarante e Caetano Galindo. Astraduções de um curto excerto do texto de Joyce realizada pelos quatro tradutores são o
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15

Maldonado Cano, Sebastián. "“Haven’t I told you every telling has a tailing”: la oralidad y la escucha en Finnegans Wake." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 4 (August 11, 2021): 63–87. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1485.

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Finnegans Wake suele ser considerada como una de las obras de más difícil lectura en la historia de la literatura. Se han derramado incalculables ríos de tinta para descifrar las miles de alusiones incorporadas en el libro con el fin de encontrar una llave maestra que permita la comprensión del texto. En este artículo, se propone una lectura de Finnegans Wake desde la escucha, ya que la obra misma constantemente invita a una lectura que privilegie el oído sobre el resto de los sentidos. Al introducir la dimensión aural de la novela, también se debe considerar el plano oral de Finnegans Wake, y
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16

Galindo, Caetano Waldrigues. "Finnegans Wake 1.1: anew begins." ABEI Journal 25, no. 1 (June 15, 2023): 189–211. http://dx.doi.org/10.11606/issn.2595-8127.v25i1p189-211.

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17

Begnal, Michael H., and Grace Eckley. "Children's Lore in Finnegans Wake." Canadian Journal of Irish Studies 13, no. 1 (1987): 151. http://dx.doi.org/10.2307/25512688.

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18

Topia, André. "Finnegans Wake : la traduction parasitée." Palimpsestes, no. 4 (September 1, 1990): 45–61. http://dx.doi.org/10.4000/palimpsestes.602.

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19

Roemer, Danielle, and Grace Eckley. "Children's Lore in "Finnegans Wake"." Western Folklore 46, no. 1 (January 1987): 70. http://dx.doi.org/10.2307/1500032.

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20

Galindo, Caetano. "Kintsugi: refazer o Finnegans Wake." Belas Infiéis 9, no. 2 (March 31, 2020): 203–9. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27305.

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Este artigo é na verdade uma carta de intenções; uma breve análise da situação tradutória específica do último romance de Joyce, seguida de uma proposta singular de projeto de tradução, tanto mais singular por estar de fato embasando um trabalho em curso de tradução integral da obra, aqui exemplificada por uma amostra.
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21

Slote, Sam. "A Guide Through "Finnegans Wake,"." James Joyce Quarterly 47, no. 1 (September 2009): 149–51. http://dx.doi.org/10.1353/jjq.2009.0022.

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22

McCarthy, Patrick A. "Joyce's Finnegans Wake, 3.18–21." Explicator 43, no. 3 (April 1985): 26–28. http://dx.doi.org/10.1080/00144940.1985.9938614.

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23

Slote, Sam. "Finnegans Wake, however basically translated." Translation Studies 12, no. 1 (January 2, 2019): 78–88. http://dx.doi.org/10.1080/14781700.2019.1593237.

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24

Conley, Tim. "Annotations to "Finnegans Wake" (review)." James Joyce Quarterly 44, no. 2 (2007): 363–66. http://dx.doi.org/10.1353/jjq.2007.0027.

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25

O’Sullivan, Michael, and Oi Lin Irene Yip. "Finnegans Wake by James Joyce." James Joyce Quarterly 50, no. 4 (2013): 1095–99. http://dx.doi.org/10.1353/jjq.2013.0047.

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26

Staley, Tom. "Finnegans Wake by James Joyce." James Joyce Quarterly 52, no. 2 (2015): 429–31. http://dx.doi.org/10.1353/jjq.2015.0012.

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27

Estévez-Saá, Margarita. "A guide through Finnegans Wake." Irish Studies Review 19, no. 2 (May 2011): 232–34. http://dx.doi.org/10.1080/09670882.2011.565954.

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28

Cahill, Clinton. "Finnegans Wake: Readings through drawing." Journal of Illustration 3, no. 1 (August 1, 2016): 57–83. http://dx.doi.org/10.1386/jill.3.1.57_1.

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29

Schwarz, Daniel R., and John Bishop. "Who's Afraid of "Finnegans Wake?"." Contemporary Literature 29, no. 4 (1988): 654. http://dx.doi.org/10.2307/1208473.

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30

Quintelli-Neary, Marguerite. "Fenian Topography in Finnegans Wake." New Hibernia Review 1, no. 4 (December 1997): 93–103. http://dx.doi.org/10.1353/nhr.1997.a925375.

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31

Osejo Brito, Esmeralda. "Finnegans Wake: Beyond the Limits of Translation." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 4 (August 11, 2021): 86–103. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1483.

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Many deem James Joyce’s Finnegans Wake an untranslatable novel. Despite this, the characteristics that appear to obscure its meaning, such as semantic multiplicity and experimental syntax, also make it particularly open to interpretation and resignification—thus, to translation. The present paper proposes a flexible, creative, playful, and free approach to its translation. I discuss the possibilities derived from such an approach through the analysis and translation of fragments of Finnegans Wake into Spanish, and I support this approach to the translation process with some of the most promine
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32

Milišić, Lamija. "JOYCEOV FINNEGANS WAKE I MCCARTHYJEV REMAINDER: KODIRANJE I JEZIČKO RASLOJAVANJE." Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 63, no. 1-2 (March 19, 2020): 51–76. http://dx.doi.org/10.22210/ur.2019.063.1_2.03.

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JOYCE’S FINNEGANS WAKE AND MCCARTHY’S REMAINDER: CODING AND LANGUAGE STRATIFICATION The purpose of this paper is to consider the terms “code” and “language stratification” by analysing James Joyce’s Finnegans Wake and Tom McCarthy’s Remainder. A code is considered to be a transition from mimesis to meaning. The starting point of the analysis is the genre of Finnegans Wake and Remainder, and the state of fictional characters in these literary works. The paper argues that the fictional characters have a “rhetorically encrypted identity”, and furthermore considers methods with which this identity
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33

Noonan, Mark J. "Financing Fitzginnegan: Joycean Influences and Similarities in the Works of F. Scott Fitzgerald." F. Scott Fitzgerald Review 20 (October 2022): 121–58. http://dx.doi.org/10.5325/fscotfitzrevi.20.0121.

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Abstract This article is fully titled “Financing Fitzginnegan: An Attempt at a Uniform and Pragmatic Classification of Joycean Influences and Similarities in the Works of F. Scott Fitzgerald, Based on an Exagmination of Fifteen Hundred (or so) Textual Factifications and Critical Opinionations, Diagnosed in the Terminology of Different Contemporary Schools—Together with a Chronology of Such Subdivision of Opinionations as Have Arisen Independently.” Owing to the evolution of F. Scott Fitzgerald’s artistic aims during the nine years it took him to write Tender Is the Night, the novel is pathbrea
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34

Naugolnykh, E. A. "CIRCULAR CONCEPT IMPLICATION IN JAMES JOYCE’s FINNEGANS WAKE AND ITS INTERLINGUAL TRANSFER." Bulletin of Udmurt University. Series History and Philology 32, no. 5 (October 14, 2022): 990–95. http://dx.doi.org/10.35634/2412-9534-2022-32-5-990-995.

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The paper looks at certain aspects of the circular concept in Finnegans Wake , the final experimental work of the writer. The way it is implicated in the lexical layer of the novel’s structure is analyzed, its language game principle is revealed. The full and incomplete versions of Finnegans Wake in German (H. Beck, D. Stündel, F. Rathjen), Russian (A. Rene, A. Volokhonsky, S. Divakov) and Spanish (V. Pozanco, M. Zabaloy) languages are explored. Various translation strategies are considered. Although brilliant decisions for the units transferring circular concept are exemplified, they are pred
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35

Cahya Viantara, A. Dwita. "The Role of Ambiguity in Finnegans Wake." JISHUM : Jurnal Ilmu Sosial dan Humaniora 2, no. 4 (June 21, 2024): 505–16. http://dx.doi.org/10.57248/jishum.v2i4.418.

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Finnegans Wake karya James Joyce berdiri sebagai salah satu teks yang paling misterius dan menantang dalam sejarah sastra, ditandai dengan bahasanya yang padat, struktur inovatif, dan segudang referensi. Penelitian ini mengeksplorasi sifat beragam interpretasi dan keterlibatan pembaca dengan novel yang berjudul Finnegans Wake. Dengan mengkaji kompleksitas linguistik novel, termasuk penggunaan permainan kata-kata multibahasa dan neologisme, penelitian ini berupaya mengungkap bagaimana elemen-elemen ini berkontribusi terhadap tantangan penafsiran yang dihadapi pembaca. Selain itu, penelitian ini
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36

Paret-Passos, Marie-Hélène. "De Finnegans Wake à Finnicius Revém." Genesis, no. 38 (April 15, 2014): 69–84. http://dx.doi.org/10.4000/genesis.1288.

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37

Long, Charles. "Finnegans Wake: Some Strange Tristan Influences." Canadian Journal of Irish Studies 15, no. 1 (1989): 23. http://dx.doi.org/10.2307/25512763.

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38

Lovejoy, Laura. "The Bestial Feminine in Finnegans Wake." Humanities 6, no. 3 (August 4, 2017): 58. http://dx.doi.org/10.3390/h6030058.

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39

Amarante, Dirce Waltrick do. "Finnegans Wake e seus personagens tradutores." Cadernos de Literatura em Tradução, no. 11 (May 1, 2010): 129–35. http://dx.doi.org/10.11606/issn.2359-5388.i11p129-135.

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Num ensaio intitulado “Ajudantes”, o filósofo italiano Giorgio Agamben (dialogando com idéias desenvolvidas por Walter Benjamin no ensaio “Franz Kafka”) fala sobre seres que “não sabemos quem são, talvez sejam ‘enviados’ do inimigo (o que explica por que insistem em ficar à espreita e espiar).
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40

Fagan, Paul. "The Nonhuman Skin of Finnegans Wake." James Joyce Quarterly 58, no. 1-2 (2020): 157–80. http://dx.doi.org/10.1353/jjq.2020.0037.

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41

Sailer, Susan Shaw. "A Methodology of Reading Finnegans Wake." Twentieth Century Literature 35, no. 2 (1989): 195. http://dx.doi.org/10.2307/441611.

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42

Tuggle, Brad. "The Faerie Queene at Finnegans Wake." Explicator 74, no. 2 (April 2, 2016): 129–32. http://dx.doi.org/10.1080/00144940.2016.1176004.

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43

Korg, Jacob. "Polyglotism in Rabelais and Finnegans Wake." Journal of Modern Literature 26, no. 1 (2002): 58–65. http://dx.doi.org/10.1353/jml.2004.0009.

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44

Sebastian D. G. Knowles. "Finnegans Wake for Dummies." James Joyce Quarterly 46, no. 1 (2009): 97–111. http://dx.doi.org/10.1353/jjq.0.0117.

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45

Lord, John Vernon. "The pixillated doodler: Illustrating Finnegans Wake." Journal of Illustration 3, no. 1 (August 1, 2016): 9–54. http://dx.doi.org/10.1386/jill.3.1.9_1.

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46

Dai, Congrong. "The original sin in Finnegans Wake." Neohelicon 39, no. 2 (July 4, 2012): 475–83. http://dx.doi.org/10.1007/s11059-012-0146-9.

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47

Benjamin, Roy. "Homeostasis in Ulysses and Finnegans Wake." James Joyce Quarterly 60, no. 1 (September 2022): 119–38. http://dx.doi.org/10.1353/jjq.2022.a906679.

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Abstract: This essay explores the concept of homeostasis in terms of how cybernetic systems stray and correct themselves in Joyce. In the never-ending story of the disturbance and recovery of equilibrium and balance, various homeostatic organs and systems work together to maintain a steady state. While this process introduces change and alteration, it also presents opportunities for growth and evolution. For Joyce, the recovery of homeostatic equilibrium after periods of error and illness generated enormous quantities of energy which allowed him to create patterns of increasing complexity.
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48

Ruggieri, Franca. ""Finnegans Wake" Libro Terzo, Capitoli 1 E 2 (Finnegans Wake III, 1-2), by James Joyce." James Joyce Quarterly 52, no. 3-4 (2015): 730–33. http://dx.doi.org/10.1353/jjq.2015.0046.

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49

Oliveira, Leide Daiane De Almeida, Larissa Ceres Lagos, and Giovana Beatriz Manrique Ursini. "Entrevista com Donaldo Schüler." Cadernos de Tradução 39, no. 2 (May 28, 2019): 294–304. http://dx.doi.org/10.5007/2175-7968.2019v39n2p294.

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Esta é uma entrevista realizada recentemente com o escritor e tradutor Donaldo Schüler. Ele é professor emérito em Língua e Literatura grega da UFRGS, além de ser poeta e ensaísta. Sua carreira como tradutor conta com traduções de tragédias gregas, a Odisséia de Homero e Finnegans Wake de James Joyce. Sua tradução da última obra de Joyce lhe rendeu o prêmio Jabuti em 2004. É principalmente sobre sua experiência como tradutor de Finnegans Wake, um dos livros mais desafiadores da literatura ocidental, que essa entrevista se propõe dedicar maior atenção.
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50

Pop, Iuliana. "Vico’s Thunderous Echoes: The New Science and Finnegans Wake." East-West Cultural Passage 23, no. 1 (June 1, 2023): 24–36. http://dx.doi.org/10.2478/ewcp-2023-0003.

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Abstract The strandentwining intertext of Finnegans Wake both obscures and unveils meaning. The cultural ramifications of James Joyce’s intertext, however, run deep, as he subjects the relevant intertexts to subsequent rewritings in order to multiply meaning. In such context, intertextuality in itself can be likened to a translation, whereby otherness is adapted into a literary space to enable the construction or reconstruction of new significance, thus facilitating a far-reaching cross-cultural dialogue; both author and readers, in turn, assume the role of poeta doctus and litteratus doctus,
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