Relevant bibliographies by topics / Fire in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fire in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Fire in art"

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Beardsley, Aubrey. "Art under Fire." Index on Censorship 40, no. 3 (September 2011): 103–12. http://dx.doi.org/10.1177/0306422011418906.

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Kristen, Christine. "Playing with Fire." Leonardo 40, no. 4 (August 2007): 332–37. http://dx.doi.org/10.1162/leon.2007.40.4.332.

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Fire as an art form is evolving in the Black Rock Desert of Nevada, where many Burning Man artists explore the creation and manipulation of fire in their installations. Sculptors, engineers, geeks and pyromaniacs experiment with open fires, pressurized gases and pyrotechnics to produce mesmerizing and beautiful works of art.
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Friedman, R. "Fire Protection Engineering -- Science or Art?" Journal of Fire Protection Engineering 2, no. 1 (January 1, 1990): 25–32. http://dx.doi.org/10.1177/104239159000200103.

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Chegusova, Z. ""Art of Fire" of Ukraine in the Context of European Artistic Process (Exemplified by National and International Competitive Exhibitions of Ceramic Art and Glass Art)." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2020, no. 3 (December 2020): 73–81. http://dx.doi.org/10.33625/visnik2020.03.073.

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The article presents a detailed analysis of achievements of Ukrainian artists working in the field of "art of fire", in particular professional ceramics and glassworks, while attracting close attention in the general artistic process of the 1980s to 2010s. Losses of the art industry in Ukraine in the 1990s did not stop the artists from searching the ways to streamline decorative imagery, as well as non‑standard approaches to materials in the individual work of artists in this field. European and global biennials and triennials of decorative art considerably contributed to finding new ways of the “art of fire” development. During such events masters of various artistic trends and schools exchanged their experience. And that proved to be the most powerful stimulus for both intensification of creativity and strengthening experimental activities in exposition works of Ukrainian artists at the turn of the 20th and 21st centuries. Since then, Ukrainian masters of ceramics and glassworks have begun mastering the heritage of artists from other countries, which contributed to the diversification of formal techniques of Ukrainian artists of decorative art. This, in its turn, has led to the emergence of various conceptual works, installations, and complicated spatial compositions. The author also carefully considers national competitive exhibitions, all‑Ukrainian presentations and symposia, which helped to introduce the latest artistic ideas and technologies of the “art of fire” masters. This study is actualized by globalization processes taking place in civilization. Stating specific challenges posed by the globalization to national culture, the author, at the same time, finds arguments in favor of its positive effects on art. A rapid entry of Ukrainian ceramic and glass artists into the global context at the turn of the 20th – 21st centuries, does not bring about a danger of dissolving in it, given the nature of professional decorative art of Ukraine. The “art of fire” is perceived as a powerful branch in the field of national culture with its inherent features of authentic spiritual genetics, as a dynamic balance of centuries‑old traditions and modern fine arts. It is paradoxical, the author believes, that globalization generates the opposite process as well: it directs Ukrainian artists to search for archetypes of their own culture, returns to their national historical heritage, and stimulates the preservation of national identity, as a result of which the “art of fire” becomes an important factor of national and cultural identification. In the context of professional decorative art problems and from the viewpoint of national and cultural identification in the conditions of globalization processes in Ukraine, such an aspect of studying the “art of fire” within the field of art history science is considered for the first time.
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Bisby, Luke, and Tim Stratford. "Design for fire of concrete elements strengthened or reinforced with fibre-reinforced polymer: state of the art and opportunities from performance-based approaches." Canadian Journal of Civil Engineering 40, no. 11 (November 2013): 1034–43. http://dx.doi.org/10.1139/cjce-2012-0506.

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Recent years have seen widespread success applying fibre-reinforced polymer (FRP) materials for internal reinforcement and externally bonded strengthening of concrete structures. However, considerable reductions in mechanical and bond properties of FRP materials at elevated temperatures continue to hinder their application in buildings, where structural fire-resistance ratings are typically required. To meet currently imposed fire safety requirements, FRP materials often require supplemental fire protection insulation or thick concrete cover to maintain their temperature below an assumed (though not currently well-defined) “critical” value during an assumed standard fire exposure. Such requirements are based on a definition of structural fire resistance that is rooted in a prescriptive framework and that fails to take advantage of the state of the art in performance-based structural design for fire safety. This paper is intended to present a summary of the state of the art in this area and also to demonstrate clear opportunities for internal FRP reinforcement and external FRP strengthening of concrete elements that may arise from taking a performance-based fire safety design approach.
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Wilk, Daniel Levinson. "Art of the Triangle Shirtwaist Fire Centennial." New Labor Forum 22, no. 2 (May 2013): 113–16. http://dx.doi.org/10.1177/1095796013483696.

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Davidson, Michael T., Issam E. Harik, and Douglas B. Davis. "Fire Impact and Passive Fire Protection of Infrastructure: State of the Art." Journal of Performance of Constructed Facilities 27, no. 2 (April 2013): 135–43. http://dx.doi.org/10.1061/(asce)cf.1943-5509.0000295.

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Shrivastava, Mayank, Anthony Abu, Rajesh Dhakal, and Peter Moss. "State-of-the-art of probabilistic performance based structural fire engineering." Journal of Structural Fire Engineering 10, no. 2 (June 10, 2019): 175–92. http://dx.doi.org/10.1108/jsfe-02-2018-0005.

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PurposeThis paper aims to describe current trends in probabilistic structural fire engineering and provides a comprehensive summary of the state-of-the-art of performance-based structural fire engineering (PSFE).Design/methodology/approachPSFE has been introduced to overcome the limitations of current conventional design approaches used for the design of fire-exposed structures, which investigate assumed worst-case fire scenarios and include multiple thermal and structural analyses. PSFE permits buildings to be designed in relation to a level of life safety or economic loss that may occur in future fire events with the help of a probabilistic approach.FindingsThis paper brings together existing research on various sources of uncertainty in probabilistic structural fire engineering, such as elements affecting post-flashover fire development, material properties, fire models, fire severity, analysis methods and structural reliability.Originality/valuePrediction of economic loss would depend on the extent of damage, which is further dependent on the structural response. The representative prediction of structural behaviour would depend on the precise quantification of the fire hazard. The incorporation of major uncertainty sources in probabilistic structural fire engineering is explained, and the detailed description of a pioneering analysis method called incremental fire analysis is presented.
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Fredell, Åsa. "Bronze Age Imagery - Through Water and Fire." Current Swedish Archaeology 11, no. 1 (June 10, 2021): 45–63. http://dx.doi.org/10.37718/csa.2003.03.

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The article focuses on representations or indications of water and fire in the late Bronze Age imagery, primarily on one figurative theme that occurs in rock art and that composes the single and dominant motif on hanging-vessels. It is argued that this theme represents the act of creation. The cosmological functions of water and ftre are seen as complementary actants that play different roles in space and cosmology as they are related to other archaeological materials and elements.
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Reeves, Westley H. "Editorial: Systemic Lupus Erythematosus: Death by Fire and ICE?" Arthritis & Rheumatology 66, no. 1 (December 30, 2013): 6–9. http://dx.doi.org/10.1002/art.38224.

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Dissertations / Theses on the topic "Fire in art"

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Entwistle, Jeremy. "Metal casting the fire of art and industry /." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5179.

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Thesis (M.F.A.)--West Virginia University, 2007.
Title from document title page. Document formatted into pages; contains iii, 45 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 43).
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Petzwinkler, Thomas. "Behind the Fire Line." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd_retro/121.

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BEHIND THE FIRE LINEA thesis submitted in partial fulfillment for the degree of Master of Fine Arts at Virginia Commonwealth University, 2004. Major Director: Jim Long, Department Chair. Behind the Line of Fire is a documentary of the professional lives of a group of firefighters. Inspired by the events of September 11th, it has been an ongoing journey for me as I continue to interact with an photograph these individuals doing the job that they live for. My goal for this project has been to work within the guidelines of a documentary, a genre that has a rich, diverse, and defined history. I did not want to show scenes in which firefighters were depicted in typically iconographic scenarios. I have not made any images to date representing exploding structures with firefighters risking life and limb fighting the fire, nor have I shown the firefighters performing heroic acts such as rescuing a child or an animal. I believe the imagery I have created presents firefighters in a different light. These are men and women working. There are no hidden meanings or agendas involved. The photos are to be taken at face value as images of people whose lives revolve around what they do.
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Rundquist, Leisa Mavor Carol. "Pyre a poetics of fire and childhood in the art of Henry Darger /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1155.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art." Discipline: Art; Department/School: Art.
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Ingham, Valerie. "The art of multimodal decision making by incident controllers on the fireground." Thesis, View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/43936.

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Decision making on the fireground is a difficult and accountable activity. Incident Controllers constantly juggle their legal obligations, the welfare of firefighting crews and the plight of victims and property in complex and often life-threatening situations. Assessing risk and subsequent decision making are core aspects of their role. The positivist-scientific paradigm dominates the decision theory landscape in the form of the Rational Choice model. The best alternative is Naturalistic Decision Making, but its challenge has been almost neutralised by a struggle to shape research concerning experienced intuition into the framework of science. Through an investigation connecting the aesthetic judgement of artists and the situational assessment of Incident Controllers on the fireground, Multimodal Decision Making is developed as a challenge to the position that somatic and aesthetic forms of awareness are unsophisticated and inferior sources of knowledge. Aesthetic judgement is the place where disciplinary boundaries melt and new connections and networks electrify in an instantaneous moment of insight. Incident Controllers responding to the live image of a fire must read the image immediately and decide how to respond, given their available resources. Against the backdrop of the visual and the artistic, the image Incident Controllers on the fireground work with, work on, mould and shape, consists not only of the fire itself, but of the situation as a whole, incorporating risk, danger, sparse pieces of conflicting information and the pressure to act rapidly. I apply the theories and practices used by artists in a creative investigation of the somatic response and aesthetic awareness of Incident Controllers. In the spirit of multimodality I draw upon visual culture, social semiotics, art education, and the concept of the artist-as-theorist found in arts-based practice. There is an exceptionally strong impulse within us to sort, delineate and categorise. I have resisted this impulse in an attempt to mirror the multimodal theory I am developing. The benefit of recognising a connecting theoretical positioning between art and firefighting is the enriching and the heightening of alternative explanations and the encouragement of a decision making discourse which would otherwise remain within the framework of „science‟. Understanding that Incident Controllers on the fireground may be relying on different discourses in their decision making should aid us as community members, researchers and emergency service professionals, to better understand alternative ways of conceptualising decision making behaviour.
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Ingham, Valerie. "The art of multimodal decision making by incident controllers on the fireground." View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/43936.

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Thesis (Ph.D.)--University of Western Sydney, 2009.
A thesis presented to the University of Western Sydney, College of Arts, Centre for Cultural Research, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Alford, Erin Alexandra. "Remembering Her Passionate Voice| A Performer's Guide to Jake Heggie's Camille Claudel| Into the Fire." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10264089.

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American composer Jake Heggie wrote Camille Claudel: Into the Fire in 2012 for the Alexander String Quartet and mezzo-soprano Joyce DiDonato. As Heggie is known for his operas Dead Man Walking, Moby-Dick, and most recently, Great Scott, it is not surprising that his seven-song cycle about this passionate female French sculptor is of operatic dramaturgical and musical quality. Due to the complexities and bias that surround Claudel’s life story, and the relative novelty of Heggie’s music within the art song genre, there is a lack of literature regarding the presentation of an authentic performance of this cycle. This project report concentrates on providing the singer with an interpretive framework based on how Heggie’s musical influences and tendencies, along with Gene Scheer’s historical, first person narrative, reflect Claudel’s life, work, and fiery personality. Through a deeper understanding of Heggie’s music in correspondence with Scheer’s poetry, a singer can effectively embody the unparalleled passion, artistry, and voice of Camille Claudel.

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Rodriguez, Abigail E. "Playing With Fire: An Examination of the Context and Conservation of Jose Clemente Orozco's Prometheus." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/860.

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Tucked within Pomona College’s campus in Claremont, California, sits Frary Hall, the home of Mexican muralist Jose Clemente Orozco’s first work in the United States. The mural, titled Prometheus (1930), has been subjected to many instances of vandalism over the years. Thus, in 1980, a protective coating was applied. Today, the coating, a highly-reflective varnish, has been noted as a hindrance of the fresco’s original matte surface. Using case studies and art historical analysis, this thesis examines the importance of the mural within the history of Mexican muralism and the pros and cons of removing the protective coating. In addition, this research looks at the potential of art conservation as a means of reactivating the mural and promoting discussions across campus about the preservation of this cultural landmark. The thesis is culminated by a detailed proposal for the continued conservation of the mural, using Prometheus as a starting point for further discussions about aesthetics and ethics within the discourses of art history, art conservation and art restoration.
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Lindahl, Amy E. "Integrating Naval Surface Fire support into an improved Joint Close Air Support architecture." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2006. http://library.nps.navy.mil/uhtbin/hyperion/06Jun%5FLindahl.pdf.

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Thesis (M.S. in Systems Technology (C3))--Naval Postgraduate School, June 2006.
Thesis Advisor(s): Dan C. Boger, Karl D. Pfeiffer. "June 2006." Includes bibliographical references (p.65-68). Also available in print.
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Furniss, Brandon F. "Transformation of Form." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1240088310.

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Raad, Fadi. "Figures du feu dans l'art contemporain et la guerre : sous le signe de Prométhée, du Phénix et d'Empédocle." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H308.

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La thèse traite de la problématique du feu comme instrument de la création plastique contemporaine. En effet, depuis les années 1960, on observe une utilisation accrue de l’élément feu dans de nouvelles formes d’expression artistique. L’accent est mis particulièrement sur le feu de la guerre qui, en transformant la vie des artistes, fait également évoluer leur création. Tout au long de la thèse, l’analyse des oeuvres personnelles vient appuyer ce constat et sont explorées sur la base de l’expérience de la guerre vécue par l’auteur. Les parties de la thèse font référence à des figures mythiques en relation avec l’image du feu. Ainsi, se classent-elles « Sous le signe de Prométhée », « Sous le signe du Phénix » et « Sous le signe d’Empédocle »
This Ph.D. dissertation deals with the problem of fire used as a tool in the contemporary plastic art creations. In fact, since the 1960s, an increased use of fire is noted within new forms of artistic expression.The emphasis is put particularly on the “fire of war” which, by changing the lives ofthe artists, transforms their creations as well .Throughout the dissertation, the analysis of personal pieces of art, observed through the context of the war experienced by the artist, confirms the above finding. The sections of the dissertation refer to some mythical characters with close relationship with the image of fire. Hence, they are referenced “Under the sign of Prometheus”,“Under the sign of the Phoenix” and “Under the sign of Empedocles”
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Books on the topic "Fire in art"

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Premio Furla (9th : 2013 : Bologna, Italy), ed. Add fire. [Milan, Italy]: Mousse Publishing, 2013.

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Abigail, Solomon-Godeau, and Galerie Lelong (Paris France), eds. Ana Mendieta: Blood & fire. Paris: Galerie Lelong, 2011.

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McElroy, Alan, Brandon Lee, Cindy Cirile, and Dwight Little. Rapid fire. Beverly Hills, Calif: Fox Video, 1996.

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Naazish, Ata-Ullah, and Asia Society Museum, eds. Hanging fire: Contemporary art from Pakistan. New York: Asia Society Museum, 2009.

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Uklański, Piotr. Piotr Uklański: Earth, wind and fire. Ostfildern-Ruit: Hatje Cantz, 2004.

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Chihuly, Dale. Chihuly: Form from fire. Daytona Beach: Museum of Arts and Sciences, 1993.

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Jamaica, National Gallery of, ed. Clay and fire: Cermaic art in Jamaica. [Kingston]: National Gallery of Jamaica, 2005.

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Drury, Nevill. Fire and shadow: Spirituality in contemporary Australian art. Roseville East, NWS: Craftsman House ;Australia, 1996.

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Cacciandra, Vittorio. Fire steels. Torino: U. Allemandi, 1996.

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Brace, Gemma. Fire! Flashes to ashes in British art 1776-2019. Bristol: Sansom and Co, a publishing imprint of Redcliffe Press Ltd., 2019.

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Book chapters on the topic "Fire in art"

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Stallings, Jessica Woolhiser, and Stephanie Clark. "Healing With Fire." In Craft in Art Therapy, 40–54. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-4.

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Madsen, Tom. "Attack by Fire." In The Art of War for Computer Security, 47–48. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28569-2_10.

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Johnson, Dominic. "Capricorn on Fire: An Interview with Ann Magnuson." In The Art of Living, 152–74. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-32222-7_8.

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Fileva, Iskra. "Playing with Fire: Art and the Seductive Power of Pain." In Suffering Art Gladly, 171–85. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137313713_9.

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Sauerbier, Philipp, Aaron Kilian Mayer, Lukas Emmerich, and Holger Militz. "Fire Retardant Treatment of Wood – State of the Art and Future Perspectives." In Wood & Fire Safety, 97–102. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41235-7_14.

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Postal, Karen. "Setting The Truth On Fire." In The Art And Science Of Expert Witness Testimony, 46–71. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003044826-3.

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Dieter, Katie E. "Visualizing African diaspora dance through the African American Dance Company and visual art." In Fire Under My Feet, 66–92. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003150343-3.

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Pinxten, Hendrik. "The Humanities Under Fire?" In Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science, 25–34. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2082-4_3.

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Shulman, Robert. "The Political Art of Wright’s “Fire and Cloud”." In Richard Wright, 235–48. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230340237_14.

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Dunaway, Finis. "Our House Is on Fire." In The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, 428–36. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429321108-46.

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Conference papers on the topic "Fire in art"

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Stock, Mark. "Smoke water fire." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400457.

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George, Phillip. "Tangent @ 23 fire." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259130.

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Holen, Vigdis. "Dancing fire and water." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259190.

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Dai, Lijuan. "Study on the Ancient Art Fire Sickle of China." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.99.

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Mendes, Mónica, Pedro Ângelo, Valentina Nisi, and Nuno Correia. "Digital art, HCI and environmental awareness evaluating play with fire." In the 7th Nordic Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2399016.2399079.

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Bilancia, Louis F. "Electrical Fire Patterns in Vegetation(not just for art projects)." In 2023 IEEE International Symposium on Product Compliance Engineering (ISPCE). IEEE, 2023. http://dx.doi.org/10.1109/ispce57441.2023.10158760.

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"Fire Resistance of Reinforced Concrete Columns - State-of-the-Art and Research Needs." In SP-255: Designing Concrete Structures for Fire Safety. American Concrete Institute, 2008. http://dx.doi.org/10.14359/20221.

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Shi, Jiayi. "Analysis on the Scenes of Water Lilies and Portrait of a Lady on Fire." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.026.

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Lin-Hai, Han. "Fire Resistance of Concrete Filled Steel Tubular Beam-Columns in China-State of the Art." In Composite Construction in Steel and Concrete IV Conference 2000. Reston, VA: American Society of Civil Engineers, 2002. http://dx.doi.org/10.1061/40616(281)69.

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"Recovery of fire-impacted ecosystems: Detection using a state-of-the-art diagnostic evapotranspiration model." In 25th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand, 2023. http://dx.doi.org/10.36334/modsim.2023.xu342.

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Reports on the topic "Fire in art"

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Gruell, George E., James K. Brown, and Charles L. Bushey. Prescribed fire opportunities in grasslands invaded by Douglas-fir: state-of-the-art guidelines. Ogden, UT: U.S. Department of Agriculture, Forest Service, Intermountain Research Station, 1986. http://dx.doi.org/10.2737/int-gtr-198.

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Foster, Kevin. Operational Fires: Improving Doctrine to Apply the Operational Art to Fires. Fort Belvoir, VA: Defense Technical Information Center, February 2002. http://dx.doi.org/10.21236/ada405151.

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Goldie, James. Interactive: Fire danger days are growing. Monash University, December 2023. http://dx.doi.org/10.54377/3a98-8950.

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Durkin, Arthur F., Xuan-An Nguyen, Frederick W. Williams, Hung V. Pham, and Jennifer T. Wong. Performance of Fire Protective Coatings Subjected to DC-ARM Wartime Scenario Fires Aboard Ex-USS Shadwell. Fort Belvoir, VA: Defense Technical Information Center, January 2004. http://dx.doi.org/10.21236/ada420003.

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Aalto, Juha, and Ari Venäläinen, eds. Climate change and forest management affect forest fire risk in Fennoscandia. Finnish Meteorological Institute, June 2021. http://dx.doi.org/10.35614/isbn.9789523361355.

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Forest and wildland fires are a natural part of ecosystems worldwide, but large fires in particular can cause societal, economic and ecological disruption. Fires are an important source of greenhouse gases and black carbon that can further amplify and accelerate climate change. In recent years, large forest fires in Sweden demonstrate that the issue should also be considered in other parts of Fennoscandia. This final report of the project “Forest fires in Fennoscandia under changing climate and forest cover (IBA ForestFires)” funded by the Ministry for Foreign Affairs of Finland, synthesises current knowledge of the occurrence, monitoring, modelling and suppression of forest fires in Fennoscandia. The report also focuses on elaborating the role of forest fires as a source of black carbon (BC) emissions over the Arctic and discussing the importance of international collaboration in tackling forest fires. The report explains the factors regulating fire ignition, spread and intensity in Fennoscandian conditions. It highlights that the climate in Fennoscandia is characterised by large inter-annual variability, which is reflected in forest fire risk. Here, the majority of forest fires are caused by human activities such as careless handling of fire and ignitions related to forest harvesting. In addition to weather and climate, fuel characteristics in forests influence fire ignition, intensity and spread. In the report, long-term fire statistics are presented for Finland, Sweden and the Republic of Karelia. The statistics indicate that the amount of annually burnt forest has decreased in Fennoscandia. However, with the exception of recent large fires in Sweden, during the past 25 years the annually burnt area and number of fires have been fairly stable, which is mainly due to effective fire mitigation. Land surface models were used to investigate how climate change and forest management can influence forest fires in the future. The simulations were conducted using different regional climate models and greenhouse gas emission scenarios. Simulations, extending to 2100, indicate that forest fire risk is likely to increase over the coming decades. The report also highlights that globally, forest fires are a significant source of BC in the Arctic, having adverse health effects and further amplifying climate warming. However, simulations made using an atmospheric dispersion model indicate that the impact of forest fires in Fennoscandia on the environment and air quality is relatively minor and highly seasonal. Efficient forest fire mitigation requires the development of forest fire detection tools including satellites and drones, high spatial resolution modelling of fire risk and fire spreading that account for detailed terrain and weather information. Moreover, increasing the general preparedness and operational efficiency of firefighting is highly important. Forest fires are a large challenge requiring multidisciplinary research and close cooperation between the various administrative operators, e.g. rescue services, weather services, forest organisations and forest owners is required at both the national and international level.
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6

McKinnon, Mark, Craig Weinschenk, and Daniel Madrzykowski. Modeling Gas Burner Fires in Ranch and Colonial Style Structures. UL Firefighter Safety Research Institute, June 2020. http://dx.doi.org/10.54206/102376/mwje4818.

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The test scenarios ranged from fires in the structures with no exterior ventilation to room fires with flow paths that connected the fires with remote intake and exhaust vents. In the ranch, two replicate fires were conducted for each room of origin and each ventilation condition. Rooms of fire origin included the living room, bedroom, and kitchen. In the colonial, the focus was on varying the flow paths to examine the change in fire behavior and the resulting damage. No replicates were conducted in the colonial. After each fire scene was documented, the interior finish and furnishings were replaced in affected areas of the structure. Instrumentation was installed to measure gas temperature, gas pressure, and gas movement within the structures. In addition, oxygen sensors were installed to determine when a sufficient level of oxygen was available for flaming combustion. Standard video and firefighting IR cameras were also installed inside of the structures to capture information about the fire dynamics of the experiments. Video cameras were also positioned outside of the structures to monitor the flow of smoke, flames, and air at the exterior vents. Each of the fires were started from a small flaming source. The fires were allowed to develop until they self-extinguished due to a lack of oxygen or until the fire had transitioned through flashover. The times that fires burned post-flashover varied based on the damage occurring within the structure. The goal was have patterns remaining on the ceiling, walls, and floors post-test. In total, thirteen experiments were conducted in the ranch structure and eight experiments were conducted in the colonial structure. All experiments were conducted at UL's Large Fire Laboratory in Northbrook, IL. Increasing the ventilation available to the fire, in both the ranch and the colonial, resulted in additional burn time, additional fire growth, and a larger area of fire damage within the structures. These changes are consistent with fire dynamics based assessments and were repeatable. Fire patterns within the room of origin led to the area of origin when the ventilation of the structure was considered. Fire patterns generated pre-flashover, persisted post-flashover if the ventilation points were remote from the area of origin.
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7

Strednansky, Susan E. Balancing the Trinity: The Fine Art of Conflict Termination. Fort Belvoir, VA: Defense Technical Information Center, June 1995. http://dx.doi.org/10.21236/ada387672.

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8

Raj, Phani K. DTRS56-04-T-0005 Fires in an LNG Facility - Assessments, Models and Risk Evaluation. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), December 2006. http://dx.doi.org/10.55274/r0011800.

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The models used at present to evaluate the potential hazard areas around large LNG fires were developed with field test data from smaller diameter (1.8 m to 15 m) fires. These models are, however, applied to predict hazard distances from fires much larger in size compared to the experimental fires. Recent publication of the results from a series of tests conducted in 1987 with 35 m diameter LNG fires indicates that large LNG fires tend to generate significant amount of black soot. The black soot is postulated to be generated from incomplete and inefficient combustion of fuel vapors due to reduced oxygen diffusion into the combustion zone near the core of the fire. This phenomenon (of black soot production) in large LNG fires reduces the radiant heat hazard expectations in areas surrounding such fires. In this project, a review was undertaken of the different types and sizes of fires that could occur in a LNG facility and from ship releases, either due to accidental releases or from deliberate acts. The models associated with each of the fire scenarios have been reviewed. A new generation LNG pool fire model ("PoFMISE") has been developed based on data from a number of tests with both LNG and other hydrocarbon fluids. This model is applicable to small as well as large LNG fires and includes the formation of smoke and the consequent diminution of radiant heat output from the fire. The results of the model agree with experimental results for mean emissive power for fires of less than 35 m. Results for larger fires indicate substantial reduction in mean emissive power with almost 50% reduction for a 300 m diameter fire compared to the values used in current models. This implies that the currently predicted hazard distances for large fires are high (by factors of 2 to 3, after accounting for atmospheric absorption). The report also provides guidance with an illustrative procedure to calculate the risk from different types and sizes of fires that may occur in a LNG facility.
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9

Kerber, Steve, and Robin Zevotek. Fire Service Summary Report: Study of Residential Attic Fire Mitigation Tactics and Exterior Fire Spread Hazards on Firefighter Safety. UL Firefighter Safety Research Institute, November 2014. http://dx.doi.org/10.54206/102376/pxtq2256.

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Attic fires pose many hazards for the fire service. When a fire occurs in an attic, it is common it goes unnoticed/reported until smoke or flames are visible from the outside of the structure. Because they take longer to detect, attic fires are more dangerous for firefighters and residents. In a fire situation, the attic ventilation system, which is designed to reduce moisture accumulation by drawing fresh air low from the eaves and exhausting moisture laden warm air near the peak, create an optimal fire growth and spread situation by supplying oxygen to the fire and exhausting hot gases. An estimated 10,000 residential attic fires are reported to U.S. fire departments each year and cause an estimated 30 civilian deaths, 125 civilian injuries and $477 million in property loss. The location of the attic creates several difficulties for the fire service. Firefighters must decide whether to fight the fire from inside the structure, from the outside or a combination of the two. This the decision is complicated by the constant hazard of ceiling collapse, which has the potential to rapidly deteriorate conditions in the living spaces. A piece of gypsum board may fall or be pulled from the ceiling making the relatively clear and cool conditions in the living space change very quickly endangering firefighters executing a search and rescue operation as part of their life safety mission. Further complicating the decision are the hazards associated with roof structure collapse, creating deadly conditions for firefighters operating on and under the roof. Structural collapse accounted for 180 firefighter deaths between 1979 and 2002 of which one-third occurred in residential structures . Many of these incidents involved a roof falling on firefighters or firefighters falling through the roof during firefighting operations on attic fires. The purpose of this study is to increase firefighter safety by providing the fire service with scientific knowledge on the dynamics of attic and exterior fires and the influence of coordinated fire mitigation tactics from full-scale fire testing in realistic residential structures.
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10

Kerber, Steve, and Robin Zevotek. Study of Residential Attic Fire Mitigation Tactics and Exterior Fire Spread Hazards on Firefighter Safety Released. UL Firefighter Safety Research Institute, November 2014. http://dx.doi.org/10.54206/102376/lihb1439.

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Abstract:
Attic fires pose many hazards for the fire service. When a fire occurs in an attic, it is common it goes unnoticed/reported until smoke or flames are visible from the outside of the structure. Because they take longer to detect, attic fires are more dangerous for firefighters and residents. In a fire situation, the attic ventilation system, which is designed to reduce moisture accumulation by drawing fresh air low from the eaves and exhausting moisture laden warm air near the peak, create an optimal fire growth and spread situation by supplying oxygen to the fire and exhausting hot gases. An estimated 10,000 residential attic fires are reported to U.S. fire departments each year and cause an estimated 30 civilian deaths, 125 civilian injuries and $477 million in property loss. The location of the attic creates several difficulties for the fire service. Firefighters must decide whether to fight the fire from inside the structure, from the outside or a combination of the two. This the decision is complicated by the constant hazard of ceiling collapse, which has the potential to rapidly deteriorate conditions in the living spaces. A piece of gypsum board may fall or be pulled from the ceiling making the relatively clear and cool conditions in the living space change very quickly endangering firefighters executing a search and rescue operation as part of their life safety mission. Further complicating the decision are the hazards associated with roof structure collapse, creating deadly conditions for firefighters operating on and under the roof. Structural collapse accounted for 180 firefighter deaths between 1979 and 2002 of which one-third occurred in residential structures . Many of these incidents involved a roof falling on firefighters or firefighters falling through the roof during firefighting operations on attic fires. The purpose of this study is to increase firefighter safety by providing the fire service with scientific knowledge on the dynamics of attic and exterior fires and the influence of coordinated fire mitigation tactics from full-scale fire testing in realistic residential structures.
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