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1

Beardsley, Aubrey. "Art under Fire." Index on Censorship 40, no. 3 (September 2011): 103–12. http://dx.doi.org/10.1177/0306422011418906.

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2

Kristen, Christine. "Playing with Fire." Leonardo 40, no. 4 (August 2007): 332–37. http://dx.doi.org/10.1162/leon.2007.40.4.332.

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Fire as an art form is evolving in the Black Rock Desert of Nevada, where many Burning Man artists explore the creation and manipulation of fire in their installations. Sculptors, engineers, geeks and pyromaniacs experiment with open fires, pressurized gases and pyrotechnics to produce mesmerizing and beautiful works of art.
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3

Friedman, R. "Fire Protection Engineering -- Science or Art?" Journal of Fire Protection Engineering 2, no. 1 (January 1, 1990): 25–32. http://dx.doi.org/10.1177/104239159000200103.

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4

Chegusova, Z. ""Art of Fire" of Ukraine in the Context of European Artistic Process (Exemplified by National and International Competitive Exhibitions of Ceramic Art and Glass Art)." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2020, no. 3 (December 2020): 73–81. http://dx.doi.org/10.33625/visnik2020.03.073.

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The article presents a detailed analysis of achievements of Ukrainian artists working in the field of "art of fire", in particular professional ceramics and glassworks, while attracting close attention in the general artistic process of the 1980s to 2010s. Losses of the art industry in Ukraine in the 1990s did not stop the artists from searching the ways to streamline decorative imagery, as well as non‑standard approaches to materials in the individual work of artists in this field. European and global biennials and triennials of decorative art considerably contributed to finding new ways of the “art of fire” development. During such events masters of various artistic trends and schools exchanged their experience. And that proved to be the most powerful stimulus for both intensification of creativity and strengthening experimental activities in exposition works of Ukrainian artists at the turn of the 20th and 21st centuries. Since then, Ukrainian masters of ceramics and glassworks have begun mastering the heritage of artists from other countries, which contributed to the diversification of formal techniques of Ukrainian artists of decorative art. This, in its turn, has led to the emergence of various conceptual works, installations, and complicated spatial compositions. The author also carefully considers national competitive exhibitions, all‑Ukrainian presentations and symposia, which helped to introduce the latest artistic ideas and technologies of the “art of fire” masters. This study is actualized by globalization processes taking place in civilization. Stating specific challenges posed by the globalization to national culture, the author, at the same time, finds arguments in favor of its positive effects on art. A rapid entry of Ukrainian ceramic and glass artists into the global context at the turn of the 20th – 21st centuries, does not bring about a danger of dissolving in it, given the nature of professional decorative art of Ukraine. The “art of fire” is perceived as a powerful branch in the field of national culture with its inherent features of authentic spiritual genetics, as a dynamic balance of centuries‑old traditions and modern fine arts. It is paradoxical, the author believes, that globalization generates the opposite process as well: it directs Ukrainian artists to search for archetypes of their own culture, returns to their national historical heritage, and stimulates the preservation of national identity, as a result of which the “art of fire” becomes an important factor of national and cultural identification. In the context of professional decorative art problems and from the viewpoint of national and cultural identification in the conditions of globalization processes in Ukraine, such an aspect of studying the “art of fire” within the field of art history science is considered for the first time.
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5

Bisby, Luke, and Tim Stratford. "Design for fire of concrete elements strengthened or reinforced with fibre-reinforced polymer: state of the art and opportunities from performance-based approaches." Canadian Journal of Civil Engineering 40, no. 11 (November 2013): 1034–43. http://dx.doi.org/10.1139/cjce-2012-0506.

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Recent years have seen widespread success applying fibre-reinforced polymer (FRP) materials for internal reinforcement and externally bonded strengthening of concrete structures. However, considerable reductions in mechanical and bond properties of FRP materials at elevated temperatures continue to hinder their application in buildings, where structural fire-resistance ratings are typically required. To meet currently imposed fire safety requirements, FRP materials often require supplemental fire protection insulation or thick concrete cover to maintain their temperature below an assumed (though not currently well-defined) “critical” value during an assumed standard fire exposure. Such requirements are based on a definition of structural fire resistance that is rooted in a prescriptive framework and that fails to take advantage of the state of the art in performance-based structural design for fire safety. This paper is intended to present a summary of the state of the art in this area and also to demonstrate clear opportunities for internal FRP reinforcement and external FRP strengthening of concrete elements that may arise from taking a performance-based fire safety design approach.
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6

Wilk, Daniel Levinson. "Art of the Triangle Shirtwaist Fire Centennial." New Labor Forum 22, no. 2 (May 2013): 113–16. http://dx.doi.org/10.1177/1095796013483696.

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7

Davidson, Michael T., Issam E. Harik, and Douglas B. Davis. "Fire Impact and Passive Fire Protection of Infrastructure: State of the Art." Journal of Performance of Constructed Facilities 27, no. 2 (April 2013): 135–43. http://dx.doi.org/10.1061/(asce)cf.1943-5509.0000295.

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8

Shrivastava, Mayank, Anthony Abu, Rajesh Dhakal, and Peter Moss. "State-of-the-art of probabilistic performance based structural fire engineering." Journal of Structural Fire Engineering 10, no. 2 (June 10, 2019): 175–92. http://dx.doi.org/10.1108/jsfe-02-2018-0005.

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PurposeThis paper aims to describe current trends in probabilistic structural fire engineering and provides a comprehensive summary of the state-of-the-art of performance-based structural fire engineering (PSFE).Design/methodology/approachPSFE has been introduced to overcome the limitations of current conventional design approaches used for the design of fire-exposed structures, which investigate assumed worst-case fire scenarios and include multiple thermal and structural analyses. PSFE permits buildings to be designed in relation to a level of life safety or economic loss that may occur in future fire events with the help of a probabilistic approach.FindingsThis paper brings together existing research on various sources of uncertainty in probabilistic structural fire engineering, such as elements affecting post-flashover fire development, material properties, fire models, fire severity, analysis methods and structural reliability.Originality/valuePrediction of economic loss would depend on the extent of damage, which is further dependent on the structural response. The representative prediction of structural behaviour would depend on the precise quantification of the fire hazard. The incorporation of major uncertainty sources in probabilistic structural fire engineering is explained, and the detailed description of a pioneering analysis method called incremental fire analysis is presented.
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9

Fredell, Åsa. "Bronze Age Imagery - Through Water and Fire." Current Swedish Archaeology 11, no. 1 (June 10, 2021): 45–63. http://dx.doi.org/10.37718/csa.2003.03.

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The article focuses on representations or indications of water and fire in the late Bronze Age imagery, primarily on one figurative theme that occurs in rock art and that composes the single and dominant motif on hanging-vessels. It is argued that this theme represents the act of creation. The cosmological functions of water and ftre are seen as complementary actants that play different roles in space and cosmology as they are related to other archaeological materials and elements.
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10

Reeves, Westley H. "Editorial: Systemic Lupus Erythematosus: Death by Fire and ICE?" Arthritis & Rheumatology 66, no. 1 (December 30, 2013): 6–9. http://dx.doi.org/10.1002/art.38224.

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11

Alexander, Victoria N., and Brian Boyd. "Nabokov's Pale Fire: The Magic Art of Discovery." Antioch Review 60, no. 3 (2002): 530. http://dx.doi.org/10.2307/4614377.

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12

Ingason, H. "State of the Art of Tunnel Fire Research." Fire Safety Science 9 (2008): 33–48. http://dx.doi.org/10.3801/iafss.fss.9-33.

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13

Cosier, Kim. "Art Education When the World Is on Fire." Studies in Art Education 62, no. 4 (October 2, 2021): 312–24. http://dx.doi.org/10.1080/00393541.2021.1975949.

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14

Caesar, Adrian, and A. D. Harvey. "A Muse of Fire: Literature, Art and War." Yearbook of English Studies 30 (2000): 270. http://dx.doi.org/10.2307/3509263.

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15

Delshadian, Suzanne. "Playingwith fire: art therapy in a prison setting." Psychoanalytic Psychotherapy 17, no. 1 (January 2003): 68–84. http://dx.doi.org/10.1080/0266873031000096081.

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16

Thomas, Philip H. "Dimensional analysis: a magic art in fire research?" Fire Safety Journal 34, no. 2 (March 2000): 111–41. http://dx.doi.org/10.1016/s0379-7112(99)00054-5.

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17

Eramian, Dan. "Ready, aim, fire: the art of biotech publicity." Drug Discovery Today 7, no. 8 (April 2002): 439–40. http://dx.doi.org/10.1016/s1359-6446(02)02230-4.

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18

Powell, Ivor. "Behind UCT’s Removed Art: the Writing on the Wall." Journal of Intellectual Freedom and Privacy 2, no. 3-4 (April 9, 2018): 7. http://dx.doi.org/10.5860/jifp.v2i3-4.6412.

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Editor’s note: This commentary was first published in the South African Art Times, and is reproduced here with permission.During the past two years, fine art has been under attack at the University of Cape Town (UCT), with artworks defaced, intentionally destroyed by fire and blacklisted during various student protests. In response, some 74 works of art from the University’s collection—by some of the country’s most acclaimed artists—have been taken down or covered up “on the grounds of their vulnerability to potential damage” or because “some members of the campus community have identified certain works of art as offensive to them—for cultural, religious or political reasons.”
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19

Schmitt, Kyla. "Cover Art: “Asleep”." Oregon Undergraduate Research Journal 20, no. 2 (November 16, 2022): i. http://dx.doi.org/10.5399/uo/ourj/20.2.13.

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Looking east, Mount Hood dominates the skyline of northwestern Oregon. White-capped or craggy brown, it looms above the sprawling urban streets, the winding Sandy River, the fir trees, the railroads, the fireweed and false Solomon’s seal. Though none of us are old enough to remember the last time Mount Hood shook the state with an eruption, the ancient networks of alpine forests and meadows sowed by fire remind us: the mountain is not dormant, just asleep.
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20

Kljuev, G. V. "Specific aspects of forest fire equipment design." Resources and Technology 1, no. 9 (2012): 18–21. http://dx.doi.org/10.15393/j2.art.2012.1706.

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21

Schmitt, Kyla. "Art Feature: “Loss and Regrowth”." Oregon Undergraduate Research Journal 20, no. 2 (November 16, 2022): ix. http://dx.doi.org/10.5399/uo/ourj/20.2.15.

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During a recent job as a field technician, I spent time in the burn area of the Beachie Creek Fire, which struck the Lyons-Detroit corridor in August 2020. The fire burned nearly 200,000 acres of old-growth forest, and countless people lost their homes. In the two years that have passed since the incident, however, the scarred hills have gradually grown brighter as foxgloves and other early-successional flora take hold. While wildfires can have devastating effects on human populations—effects that I do not at all intend to diminish—wildfires are a natural part of Oregon’s landscape, and they open up ecological niches for a plethora of wonderful meadow species that cannot tolerate the shady conditions created by old-growth canopies. This photo juxtaposes the human cost of wildfires—embodied by the abandoned, rusted trailer—with the ecological rejuvenation of open skies and ash-rich soil.
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22

Liu, Yong Jun, Qi Liu, and Fu Chun Song. "Bridges in Fire: State-of-the-Art and Research Needs." Applied Mechanics and Materials 353-356 (August 2013): 2263–68. http://dx.doi.org/10.4028/www.scientific.net/amm.353-356.2263.

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During lifetime of a bridge, it may be subjected to many hazards, in which one of the most severe hazards is fire. In recent years, due to rapid development of transportation systems, as well as increasing transport of hazardous materials, bridge fires have become a concern. Bridge fires caused by crashing of vehicles and burning of gasoline are much more severe than building fires and are characterized by a fast heating rate and a higher peak temperature which could lead to bridge collapse. Bridge failures during a fire can result in the disruption of commerce and services, and most importantly the loss of human life. This paper presents an overview of bridge fire incidents, provides a state-ofthe-art review of studies on bridges in fire, and identifies the research needs in the future for protecting critical bridge structures.
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23

Wong, Forest. "Cover Art." Columbia Journal of Asia 1, no. 2 (December 9, 2022): i. http://dx.doi.org/10.52214/cja.v1i2.10312.

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Artist Statement: I read through the abstracts and the creative pieces and what stood out to me were ideas of revolution, identity, progress, and change. I came up with the design by drawing purely from the aesthetic aspects of different theater traditions in Asia. For example, I looked at makeup styles from Kathakali and Kabuki, pattern designs from Wayang Kulit, and costuming from JingJu. This decision was made as a way to create something that people could identify as having Asian elements but not specific to any one country. The decision to include the fire is to communicate this idea of change/revolution and how that intersects with identity. Forest Wong, the artist, can be found on Instagram @forestwongart or at https://forest_wong.artstation.com/.
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24

Zamrazilova, Michaela. "Fire safety of building integrated photovoltaic systems—State of the art." Journal of Infrastructure, Policy and Development 8, no. 6 (June 5, 2024): 3601. http://dx.doi.org/10.24294/jipd.v8i6.3601.

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The main long-term goal of international communities is to achieve sustainable development. This issue is currently highly topical in most European Union (EU) countries due to the ongoing energy crisis. Building Integrated Photovoltaics (BIPV), which can be integrated into the building surface (roof or facade), thereby replacing conventional building materials, contributes significantly to achieving zero net energy buildings. However, fire safety is important when using BIPV as a structural system in buildings, and it is essential that the application of BIPV as building facades and roofs does not adversely affect the safety of the buildings, their occupants, or the responding firefighters. As multifunctional products, BIPV modules must meet fire safety requirements in the field of electrical engineering as well as in the construction industry. In terms of building regulations, the fire safety requirements of the BIPV must comply with national building regulations. Within this article, aspects and fire hazards associated with BIPV system installations will be defined, including proposals for installation and material requirements that can help meet fire safety.
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25

Lu, Chunchen, and Xinyue Zhang. "Museum Landscape Design based on the Combination of Art and Technology." E3S Web of Conferences 179 (2020): 02130. http://dx.doi.org/10.1051/e3sconf/202017902130.

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With the view of solving the problems of development and innovation in museum landscape design, this paper, starting from the function of landscape, puts forward a strategy of combining art with science and technology. It takes static landscape and dynamic landscape as the starting point of design, and uses the design method of functional zoning optimization. It treats the fire museum as the theme, and makes landscape art modeling by using foam, cement, brick, steel wire and other materials. It combines intelligent fire control system and virtual technology to carry out fire escape experiment in art environment. The experimental result goes to show that artistic means are conducive to enhancing immersive experience, and scientific and technological means are conducive to improving the depth and dimension of experience. The museum landscape design based on the combination of art and science can help the value promotion of exhibition knowledge, landscape knowledge, exhibition hall education, science, art and interest. The combination of art and science and technology, which is the new trend of landscape design, provides a better comprehensive solution for the innovation in museum landscape design.
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Dârmon, Ruxandra. "Probabilistic Risk Assessment for an Art Timber Structure within an Atrium Space." Advanced Engineering Forum 21 (March 2017): 50–57. http://dx.doi.org/10.4028/www.scientific.net/aef.21.50.

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The fire safety objectives are primarily focused on life safety issues. In addition, for particular cases, property protection and business continuity are taken into account when developing Fire Safety Strategies. The purpose of this article is to assess the fire risk associated with a timber structure within an atrium space, carrying out a qualitative and quantitative analysis.For probabilistic risk assessments, the criteria are set such that the probability of a given undesirable event is acceptably low, or As Low As Reasonably Practicable (ALARP). The acceptance criteria vary depending on the fire safety objectives, therefore, for this study, the property protection has been considered beside the life safety of the occupants.
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Mora, Teresa. "House on Fire: a political and collaborative art case." Comunicação e Sociedade 31 (June 29, 2017): 149–63. http://dx.doi.org/10.17231/comsoc.31(2017).2609.

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In this article, political art is perceived at the confluence of four trends in artistic practices today: the social turn, the reality urgency, the utopian impulse, and the collaborative practices. This confluence is articulated on the assumption that political art practices are, at least to a certain point, enhancing the transition to a collaborative model between artistic culture and social scientific and philosophical culture. Framed by this double perspective on art – political and collaborative –, this article is drawn from a major study about the House on Fire European network of festivals and theatres. The qualitative data that support this research consists of House on Fire’s activity plans and programmes from 2012 to 2015. The qualitative data was also analysed by resorting to research notes taken by the researcher in the position of spectator. This study is guided by the following aims: to explore the political agency position of House on Fire; to identify the focus of society criticism in the House on Fire’s programmes; and to construct an exploratory typology of collaborative modalities between artistic culture and social-scientific and philosophical culture.
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28

Kent, Alexander J. "All that Glitters: Art, Fire and Post-Cartographic Design." Cartographic Journal 57, no. 1 (January 2, 2020): 1–5. http://dx.doi.org/10.1080/00087041.2020.1735085.

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29

Morris, R., and T. Atkinson. "The science and art of sealing a mine fire." Mining Science and Technology 5, no. 3 (September 1987): 221–46. http://dx.doi.org/10.1016/s0167-9031(87)90101-0.

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30

Roslan, Rozrinda, and Shahrul Yani Said. "Heritage Buildings Fires: Their challenges and consideration of fire safety protection." Environment-Behaviour Proceedings Journal 5, no. 13 (March 24, 2020): 267. http://dx.doi.org/10.21834/e-bpj.v5i13.2091.

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Heritage buildings represent state of the art at the time of their construction. Materials used that are often viewed critically today concerning fire safety. Preventive measures and any other active systems can prevent untoward incidences to heritage buildings. So, for a sound fire safety concept, several considerations can be made. Hence, by reviewing two heritage buildings that involved in the fire which are Shuri Okinawa Castle and Paris Notre Dame Cathedral, this paper is aimed to establish challenges faced by historical building in the event of a fire by referring to the selected case study and to determine whether minimal intervention imposed in passive fire protection provided in the premises is a good practice so that can be referred by others heritage buildings.Keywords: Fire Safety; Fire Protection; Heritage Buildings; Minimum InterventioneISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.DOI: https://doi.org/10.21834/e-bpj.v5i13.2091
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31

Caranfa, Angelo. "Glimpses of Silence." Religion and the Arts 21, no. 4 (2017): 490–513. http://dx.doi.org/10.1163/15685292-02104002.

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This article interprets Klee’s journey into art in the context of the mystical teachings of Nicolas Berdyaev (1879–1940) and Klee’s trip to Italy. Berdyaev connects creativity with “divine Eros.” Therefore the creative act is erotic in nature. Klee’s art embodies Berdyaev’s creative ideal through an erotic love that he personally experiences, but that also has to pass through the fire of purification, of self-renunciation, of humility, and of asceticism in order that it might be transformed into creative love. The article suggests that Klee’s trip to Italy transforms Klee’s erotic energy into a creative or spiritual love, which his art illustrates.
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32

Lübecker, Nikolaj. "On fire." Alphaville: Journal of Film and Screen Media, no. 23 (July 15, 2022): 73–92. http://dx.doi.org/10.33178/alpha.23.04.

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This article considers Jean-Marie Straub and Danièle Huillet’s essay film about Paul Cézanne: A Visit to the Louvre (Une visite au Louvre, 2003). Remarkably, this film features no artworks by Cézanne, nor any photographs of the painter—instead, it combines three elements: a female voiceover reads Cézanne’s reflections on fifteen famous artworks in the Louvre; as we listen, Straub and Huillet show the artworks in static shots; finally, the directors add three further shots: first we see the Louvre from the outside; halfway through the film, we see the Seine from the Louvre; the film then ends with a circular shot of a forest clearing, lifted from the directors’ previous film Workers, Peasants (Operai, contadini, 2000). The article argues that Straub and Huillet teach us to see the world with the eyes of Cézanne. We understand that he searches for a fire-force beneath the level of figuration, and that he relies on colour to render this force. Next, the article examines how the directors communicate Cézanne’s fire-force through the singular diction of the voiceover and with their mainly static images. Finally, the article suggests that Straub and Huillet also aim to retrieve the fire-force for political purposes, boldly positioning Workers, Peasants as a continuation of Cézanne’s art.
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33

TUŚNIO, Norbert, Paweł OGRODNIK, and Janusz TUŚNIO. "State of the Art Technologies Used as a Rescue Response During Recovery from Structural Collapse." Problems of Mechatronics Armament Aviation Safety Engineering 8, no. 4 (December 30, 2017): 61–78. http://dx.doi.org/10.5604/01.3001.0010.7318.

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This paper is a description of the state of the art technical equipment procured during the execution of the project ‟Innovative solutions for stabilizing building and engineering structures as a rescue response during structural collapse recoveryˮ. The project is financed by the National Centre for Research with an execution frame of 2015 to 2017, and carried out by the consortium of the Main School of Fire Service in Warsaw, The Fire Service College of the State Fire Service in Kraków, the Scientific and Research Centre for Fire Protection – National Research Institute and CMGI Sp. z o.o. The technical specifications are presented for an unmanned air vehicle (UAV) built on commission for the Main School of Fire Service; the UAV can be used to monitor rescue mission operations at the sites of collapsed building.
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34

Gingerich, Owen. "Book Review: Halley's Comet in Art: Fire and Ice: A History of Comets in Art." Journal for the History of Astronomy 17, no. 1 (February 1986): 62–63. http://dx.doi.org/10.1177/002182868601700107.

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35

Babrauskas, Vytenis. "Designing products for fire performance: the State of the art of test methods and fire models." Fire Safety Journal 24, no. 3 (January 1995): 299–312. http://dx.doi.org/10.1016/0379-7112(95)00025-o.

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36

Lee, Selina, Rachel Davidson, Norihito Ohnishi, and Charles Scawthorn. "Fire following Earthquake—Reviewing the State-of-the-Art of Modeling." Earthquake Spectra 24, no. 4 (November 2008): 933–67. http://dx.doi.org/10.1193/1.2977493.

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Models for estimating the effects of fire following earthquake (FFE) are reviewed, including comparisons of available ignition and spread/suppression models. While researchers have been modeling FFEs for more than 50 years, there has been a notable burst of research since 2000. In particular, borrowing from other fire modeling fields and taking advantage of improved computational power and data, there is a new trend towards physics-based rather than strictly empirical spread models; and towards employing different simulation techniques, such as cellular automata, rather than assuming fires spread in an elliptical shape. Past achievements include identification of the factors affecting FFE, documentation of historical events, and years of FFE model use by practitioners. Opportunities for future advances include continued development of physics-based spread models; better treatment of slope, water and transportation system functionality, and suppression by fire departments; and more validation and sensitivity analyses.
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Druchinin, Denis, Maksim Gnusov, Sergey Malyukov, and Irina Chetvericova. "Features of forest fire prevention measures in the Russian Federation." Resources and Technology 17, no. 2 (2020): 80–96. http://dx.doi.org/10.15393/j2.art.2020.5302.

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38

Stupnikov, Dmitriy Sergeevich. "THE ECONOMIC RATIONALE FOR THE USE OF FOREST FIRE GRUNTOMET." Resources and Technology 1, no. 14 (2017): 1–8. http://dx.doi.org/10.15393/j2.art.2017.3681.

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39

Payne, James Robert, and Horace A. Porter. "Stealing the Fire: The Art and Protest of James Baldwin." World Literature Today 65, no. 1 (1991): 119. http://dx.doi.org/10.2307/40146225.

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40

House, Elizabeth B., and Horace A. Porter. "Stealing the Fire: The Art and Protest of James Baldwin." American Literature 62, no. 1 (March 1990): 142. http://dx.doi.org/10.2307/2926811.

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41

Petersen, Stephen. "Light on Fire: The Art and Life of Sam Francis." Leonardo 55, no. 2 (2022): 200–203. http://dx.doi.org/10.1162/leon_r_02189.

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42

Lovata, Troy. "People Make Fire: Archaeology and the Art of Sonja Stiefel." Public Archaeology 7, no. 2 (May 2008): 101–13. http://dx.doi.org/10.1179/175355308x329991.

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43

Bayly, Simon. "Spit Not in the Fire—t he Art of Manners." Performance Research 9, no. 4 (January 2004): 41–44. http://dx.doi.org/10.1080/13528165.2004.10872051.

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44

Edgar, David. "Shouting fire: art, religion and the right to be offended." Race & Class 48, no. 2 (October 2006): 61–76. http://dx.doi.org/10.1177/0306396806069523.

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45

Cholin, John. "The current state of the art in optical fire detection." Plant/Operations Progress 8, no. 1 (January 1989): 12–18. http://dx.doi.org/10.1002/prsb.720080107.

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46

Adi, Sigit Purnomo, Pande Made Sukerta, M. Dwi Marianto, and Sri Hadi. "WATER, FIRE, WIND, AND SOIL AS THE IDEAS OF CREATION OF GRAPHIC ART WORK." ARTISTIC : International Journal of Creation and Innovation 1, no. 2 (December 29, 2020): 1–12. http://dx.doi.org/10.33153/artistic.v1i2.3200.

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The creation of this graphic work considers the reciprocal relationship between art and the environment as well as its preservation with an Eco Art perspective. The creation of this Eco-Graphic work uses the Artistic Creation approach which includes experimentation, reflection, and formation (art structure). This Eco Graphic work is inspired by the stimulation of creating water, fire, wind and soil in Javanese philosophy which is then processed in such a way that it becomes a graphic art work in an eco art perspective. Through inner research or inner wandering, the creator is able to visualize the work of Eco Graphic after discovering triangles, circles and lines as the main motive with the abstract expressionism model.
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Christine Chism. "Friendly Fire: The Disastrous Politics of Friendship in the Alliterative Morte Arthure." Arthuriana 20, no. 2 (2010): 66–88. http://dx.doi.org/10.1353/art.0.0118.

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48

An, Eunsu, and Yong-Mi Jin. "Hair Art Study with Four Elements as Motif: Focusing on Water, Fire, Air, Earth." Journal of the Korean Society of Cosmetology 29, no. 4 (August 31, 2023): 903–11. http://dx.doi.org/10.52660/jksc.2023.29.4.903.

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Humans have long been interested in exploring what fundamental materials make up the world, and tried to understand the world by discovering what are essential substances that make up all things. Therefore this research produced four up-style hair art works of water, fire, air and earth, inspired by four elements. In order to express fluidity and liquidity of water, Work 1 consists of hair art with contrasting soft and rough textures. In order to express flaming quality of fire, Work 2 consists of hair art with contrasting expressions of gentle warmth, intense heat from rising flames, and the element of death. In order to express dynamic properties of air, Work 3 consists of hair art with contrasting aspect of rising and falling. In order to express sturdiness of earth, Work 4 consists of hair art with contrasting qualities such as stability of resting and losing sense of directions. Researching works through these four elements reveal various materials and topics, that can become infinite source of inspiration. Hence, it’s necessary to view creative works from diverse perspectives, not limited to certain topics. Future studies on hair art could focus on further exploring various materials and subjects.
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Elliott, Andrew B. R. "Medievalism in A Song of Ice and Fire and Game of Thrones by Shiloh Carroll." Arthuriana 28, no. 4 (2018): 90–92. http://dx.doi.org/10.1353/art.2018.0037.

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Yar, Hikmat, Tanveer Hussain, Zulfiqar Ahmad Khan, Deepika Koundal, Mi Young Lee, and Sung Wook Baik. "Vision Sensor-Based Real-Time Fire Detection in Resource-Constrained IoT Environments." Computational Intelligence and Neuroscience 2021 (December 21, 2021): 1–15. http://dx.doi.org/10.1155/2021/5195508.

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Fire detection and management is very important to prevent social, ecological, and economic damages. However, achieving real-time fire detection with higher accuracy in an IoT environment is a challenging task due to limited storage, transmission, and computation resources. To overcome these challenges, early fire detection and automatic response are very significant. Therefore, we develop a novel framework based on a lightweight convolutional neural network (CNN), requiring less training time, and it is applicable over resource-constrained devices. The internal architecture of the proposed model is inspired by the block-wise VGG16 architecture with a significantly reduced number of parameters, input size, inference time, and comparatively higher accuracy for early fire detection. In the proposed model, small-size uniform convolutional filters are employed that are specifically designed to capture fine details of input fire images with a sequentially increasing number of channels to aid effective feature extraction. The proposed model is evaluated on two datasets such as a benchmark Foggia’s dataset and our newly created small-scaled fire detection dataset with extremely challenging real-world images containing a high-level of diversity. Experimental results conducted on both datasets reveal the better performance of the proposed model compared to state-of-the-art in terms of accuracy, false-positive rate, model size, and running time, which indicates its robustness and feasible installation in real-world scenarios.
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