Relevant bibliographies by topics / Fires in Theaters

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fires in Theaters'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Fires in Theaters"

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Lin, Cherng Shing, Ming En Wu, and Hsin Chuan Huang. "Simulating the Spread of Smoke in Hostel Fires." Advanced Materials Research 1044-1045 (October 2014): 417–21. http://dx.doi.org/10.4028/www.scientific.net/amr.1044-1045.417.

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Because public areas in Taiwan such as hostels, movie theaters, supermarkets, stadiums, and large entertainment venues are typically packed with people, when fires occur, the smoke and high heat often lead to human casualties. Therefore, the studies on fire dynamic characteristics are essential. In this paper, we studied a major fire accident occurred in one of Taipei’s major hostels, during which the lodgers awoke and attempted escape. This accident led to eight deaths; the victims either died from the burns they sustained or choked to death in their bedrooms or in the staircase. The fire acc
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Garrioch, David. "Playing with Fire: Love of Light and Nocturnal Shadows." Eighteenth-Century Life 48, no. 3 (2024): 82–100. http://dx.doi.org/10.1215/00982601-11309330.

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Work on the material culture of the eighteenth century has shown that light was more than a metaphor. The everyday social practise of the Enlightenment reposed on a contrast between light and dark. There was a growing emphasis on brightness in clothing and furnishings, and elite homes, social venues, fashionable shops, and even the main streets were more brightly lit. Fireworks displays became more frequent and more spectacular. Furthermore, in many Enlightenment practices, such as theater, Freemason lodges, salons, and coffeehouses, light was not simply a practical necessity, but was central
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Kim, Dong Hwan, Chi Young Lee, and Duncan Kim. "Prediction of the Fire Curtain Effect through a Numerical Simulation of a Reduced Scale Model for Fires in Theaters." Fire science and engineering 32, no. 3 (2018): 51–59. http://dx.doi.org/10.7731/kifse.2018.32.3.051.

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Shchukina, Yuliia. "Oleksandr Ivashutych, a student of Les Kurbas, as a universal figure in the theater of musical comedy." Aspects of Historical Musicology 19, no. 19 (2020): 345–57. http://dx.doi.org/10.34064/khnum2-19.20.

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Background. Analyzing the origins of the school of Kharkiv Academic Theater of Musical Comedy, we cannot ignore its founders. People’s Artist of the UzSSR O. Ivashutych was a director, head of the theatre (during the 1940s), drama actor from the year of its founding (1929) to 1971. Methods and novelty of the research. The research is based on historicalchronological, biographical, typological, and comparative methods with an element of performances and roles reconstruction. Not much is known about O. G. Ivashutych. The only encyclopedic reference about him (from the “Encyclopedia of Modern Ukr
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Musailov, V. A., I. G. Buzel, M. A. Evseev, et al. "PATIENT SAFETY: PREVENTION OF OPERATING ROOM FIRES." Bulletin of the Medical Institute of Continuing Education 5, no. 2 (2025): 52–58. https://doi.org/10.36107/2782-1714_2025-5-2-52-58.

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Background. A fire in the operating theatre is a relatively rare event. However, in the event of a fire, the effects can be catastrophic if a patient is burned or injured, with serious legal and economic consequences for both the surgical team and the institution as a whole. The statistics of fires in medical institutions in our country in recent years are quite alarming. According to the Ministry of Emergency Situations, there were 110 fires in healthcare institutions in 2019. Main Content. Fire safety rules in the operating theatre should be strictly adhered to by all members of the surgical
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Anderson, Peter. "Breaking All Four Walls: Open-Air Theatre at the Caravan Farm." Canadian Theatre Review 76 (September 1993): 8–12. http://dx.doi.org/10.3138/ctr.76.002.

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Theatre began outdoors, around fires, celebrating important passages, acknowledging the cycles of nature and the changes of seasons, and affirming our sense of community and the essential mystery of life. By recognizing theatre’s roots in ritual – in community celebration – we re-establish connection with things larger than ourselves and are revitalized. It is to these roots that the Caravan Farm Theatre, located on an 80-acre farm five miles northwest of Armstrong in the heart of B.C.’s Okanagan farming district, seeks to return. Since 1983, the Caravan Farm Theatre, formerly the horse-drawn
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Hemmings, F. W. J. "Fires and Fire Precautions in the French Theatre." Theatre Research International 16, no. 3 (1991): 237–49. http://dx.doi.org/10.1017/s0307883300015005.

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The ‘notice préliminaire’ to L.-H. Lecomte's unfinished Histoire des théâtres de Paris includes a list of eighteen major fires occurring between 1789 and 1900, each of which resulted in the total destruction of a theatre. The date of each disaster is given, as also the date at which the theatre was rebuilt, either on the same site or in a new location. But beyond these brief particulars, Lecomte gives little information on the circumstances and none at all on the probable causes of each catastrophe and the precautions taken subsequently to avert a recurrence. It is the purpose of this paper to
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Wörsdörfer, Anna Isabell. "Theater der Magie – Magie des Theaters. Das Beispiel der Affaire des poisons (1676–1682)." Romanistisches Jahrbuch 70, no. 1 (2019): 218–49. http://dx.doi.org/10.1515/roja-2019-0008.

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Abstract Focusing on the historico-cultural context of the Affair of the Poisons (1676–1682), the following article deals with the complementarity of magic and theatre which manifests itself on the one hand in the spectacular features of magic rituals and on the other in the illusionary effects of the comedy La Devineresse written by Thomas Corneille and Jean Donneau de Visé. Under recourse to New Historicism, the transitions between magical and aesthetic illusion are examined as well as the different conditions of building credibility which are specific for both phenomena: While the theatrica
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Iudova-Romanova, Kateryna. "Creative and Organisational Activity of Kyiv Theatres: One Hundred Days in the Reality of Full-Scale Military Aggression." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 5, no. 2 (2022): 162–80. https://doi.org/10.31866/2616-759X.5.2.2022.266534.

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The purpose of the research is to study the experience and identify the main trends of Kyiv theatres’ creative and organisational activity in the first days of the full-scale war by the Russian Federation against Ukraine. Research methodology. The author has applied the method of synthesis and analysis of factual information for an integrated study of the Kyiv theatres case in the specified period; the historical method is for retrospective scientific understanding of the practice of modern Ukrainian theatre, and structural and analytical are for systematisation of various vect
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Acquavella-Rauch, Stefanie. "Operette und die (Wiener) Theaterzensur - Politik auf der Bühne?" Die Musikforschung 73, no. 2 (2021): 117–32. http://dx.doi.org/10.52412/mf.2020.h2.20.

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The study examines the impact of censorship on Viennese operetta theatres and theatre plays. The Niederösterreichisches Landesarchiv in St Pölten preserves about 15.000 censorship files from the late 1850s until the 1920s, documenting the act of censorship for various theatrical genres. After presenting the institutions and practices of censorship in the Habsburg Empire, three case studies demonstrate how censorship decisions were made according to the expected audience in different theatres and the political climate. Majestät Mimi (Felix Dörmann, Roda-Roda / Bruno Granichstaedten, 1911), Der
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Dissertations / Theses on the topic "Fires in Theaters"

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Parsons, Michael S. "Fire Dance." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302553794.

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Martinez, Amber Marie. "The Fatal Lamp and the Nightmare after Christmas: The 1811 Richmond Theatre Fire." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4043.

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ABSTRACT THE FATAL LAMP AND THE NIGHTMARE AFTER CHRISTMAS: THE RICHMOND THEATRE FIRE OF 1811 By Amber Marie Martinez, Bachelor of Fine Arts in Theatre Performance A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University. Virginia Commonwealth University, 2015 Director: Dr. Noreen C. Barnes, Director of Graduate Studies, Department of Theatre “How strange a preface the loud laughter excited by a pantomime, to volumes of smoke and fire” (The American Standard, 27 December 1811). Building fires were
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Zarabadi, Naeimehalsadar. "Fire Safety in Historical Theatres (Italian-Style)." Doctoral thesis, Università degli Studi di Palermo, 2019. http://hdl.handle.net/10447/361521.

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The research starts from a punctual knowledge of the theatrical typology under many aspects and in-depth analysis: from the recognition of the monumental value and qualification of a historical theater, collective heritage to be preserved for future generations, we’ll investigate environmental, typological, distributive, functional, material and constructive characters in the earliest designing phases and after the adjustment and transformation interventions occurred. The main aim is identifying all the parts that are at risk of fire, the equipment implementation done to lower such a risk, wit
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Henne, Meredith Margaret. ""Miraculously Saved": Richmond and the 1811 Theater Fire." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626537.

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Brown, Reginald C. "Fire and Cloud: An Adaptation of Richard Wright's Short Story to the Stage." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/34.

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This thesis records and details my journey of bringing to the stage Fire and Cloud, a short story by one of America's most respected and controversial writers, Richard Wright. It chronicles what I learned about him as a writer and the value of his work for the stage. In producing Fire and Cloud the director endeavored to assemble of group of actors who were willing to take risks while creating an environment for them in which they could function effectively as an ensemble.
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Chaffin, Carla Risch. "The Scenic Design Process for the Ohio State University's Premiere Production of the Fire Still Burns, A New York Devised and Directed by John R. Giffin." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391703537.

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Kowalski, Elizabeth. "One Hundred Forty-Six| The score for a music and modern dance theater production about the Triangle Shirtwaist Factory Fire of 1911." Thesis, The University of North Carolina at Greensboro, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1541301.

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<p> <i>One Hundred Forty-Six</i> is a music and dance theater production portraying an artistic memorial to the victims, tragedy, and progress of the historical Triangle Shirtwaist Factory Fire of March 25, 1911. The music, composed by Elizabeth L. Kowalski, was scored for string quartet with added electronics. Images and sounds of textile factory work and the events of the fire and memorial are communicated throughout the music. The score is accompanied here by a written document explaining the work. <i>One Hundred Forty-Six </i> has an approximate duration of 45 minutes. The premiere was hel
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Powell, James Scott. "Learning under fire: a combat unit in the Southwest Pacific." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4237.

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Engaging a determined enemy across a broad range of conditions, the U.S. Army in World War II's Southwest Pacific Area (SWPA) played an important role in the defeat of Japan. How units fought and learned in SWPA and how they adapted to the evolving challenges of their environment is the focus of this dissertation. The subject remains largely unexplored, especially in contrast to the attention the European theater has received. An examination of the 112th's performance not only illuminates an understudied area in the historiography of World War II but also offers relevant lessons for contempora
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Yardy, Danielle. "Stake and stage : judicial burning and Elizabethan theatre, 1587-1592." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c90c5635-2258-4213-a445-4bfaf67d24d7.

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This thesis is the first sustained analysis of the relationship between Elizabethan theatre and the judicial practice of burning at the stake. Focusing on a five-year window of theatrical output (1587-1592), it argues that polemical literary presentations of burning are the key to understanding the stage's negotiation of this most particular form of judicial violence. Unlike other forms of penal violence, burning at the stake was not staged, and only fourteen incidences of the punishment are recorded in Elizabethan England. Its strong literary presence in Protestant historiography is therefore
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Graham, Alyce. "The Creativity Loophole: Needlework, Social Conventions, and the Permissibility of Creative Expression for Early American Women." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/141.

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This thesis investigates creative expression through needlework by wealthy or elite women in the eighteenth- and early nineteenth-century, focusing on women in the United States South. This inquiry begins in broad terms and proceeds to the close examination of one particular needlework sampler held in the collection of the Valentine Richmond History Center. The first chapter uses prescriptive literature popular in the eighteenth century to establish the restrictive, obedient, and subservient expectations for women’s behavior. The second chapter explores the reasons that the same books that pro
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Books on the topic "Fires in Theaters"

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Buck, Elmar. Thalia in Flammen: Theaterbrände in Geschichte und Gegenwart. EFB, 2000.

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Neyland, Leedell W. Unquenchable black fires. Leney Educational and Pub., 1994.

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1870-1919, Sachs Edwin O., and Wilmore David, eds. Edwin O. Sachs: Architect, stagehand, engineer & fireman ; his life and his satellites ; in celebration of the centenary of 'Modern opera houses and theatres'. Theatresearch, 1998.

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Chiner, María Jesús Montoro. Privado y público en el renacer del Gran Teatro del Liceo. Cedecs Editorial, 1997.

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Tsotroudēs, Aristeidēs I. Hē megalē symphora tēs Lēmnou, 9.9.1939: Historikē mnēmē tōn tragikōn gegonotōn tēs Pyrkagias. [s.n.], 2008.

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Yanai, Eiji. Shōmeitō ni yoru butaimaku no chakka, nenshō seijō ni kansuru jikkenteki kenkyū hōkokusho. Jichishō Shōbōchō Shōbō Kenkyūjo, 1998.

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Yāqūt, Jamāl. Raḥīq al-nār: Ṣafḥāt min daftar maḥraqat Banī Suwayf 5 Sibtambir 2005. al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 2021.

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Hatch, Anthony P. Tinder box: The Iroquois Theatre disaster, 1903. Academy Chicago Publishers, 2003.

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Ann, Caws Mary, ed. Joseph Cornell's theater of the mind: Selected diaries, letters, and files. Thames and Hudson, 1993.

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John, Peel. The Gerry Anderson's Stingray files. Borgo Press, 1987.

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Book chapters on the topic "Fires in Theaters"

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Brownderville, Greg Alan. "Theater in Wartime." In Rumba under Fire. punctum books, 2016. https://doi.org/10.21983/p3.0134.1.09.

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For the play we got ourselves in love. Otherwise I didn’t know her. There were no other players. For three weeks of rehearsals, we lived together,going by our characters’ names, smelling like each other. The city turned into a war. Explosions gashed sky day and night, left both of ussick to the marrow. The day of the first performance, the bombs louder, closer, we made love again and again.When the hour came, like a demented mailman, the citymade no sound. We stepped out into the smoking ruins and held each other. Then trusted our feet, soles clicking toward the playhouse. I hoped it still exi
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Stribling, Zachary, and John Holloway. "Digital Audio Files." In Illustrated Theatre Production Guide. Routledge, 2020. http://dx.doi.org/10.4324/9781003034575-36.

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Grehan, Helena, Belinda Smaill, and Michael J. Ostwald. "Creatively Reimagining Place and Community in a World of Extreme Weather." In Arts, Research, Innovation and Society. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56114-6_14.

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AbstractThis chapter explores connections between place, community and narrative in the context of a world beset by extreme weather events. Drawing on insights and readings from three disciplines—theatre studies, screen studies and architecture—the chapter constructs a rich picture of the ways these fields contribute to definitions of place and can potentially enhance disaster preparedness and recovery activities. Edward S. Casey’s theories of place and community provide a connecting thread throughout the chapter, along with his ideas about selfhood, “implacement” and the environment as a sour
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Portia, Owusu. "Fighting Fire with Fire." In The Routledge Companion to African American Theatre and Performance. Routledge, 2018. http://dx.doi.org/10.4324/9781315191225-47.

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Bernardini, Gabriele. "Application to a Case Study: Fire Safety in Historical Theaters." In Fire Safety of Historical Buildings. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55744-1_4.

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Matos, Jennifer R., and David Gutman. "Operating Room Fires." In Emergency Anesthesia Procedures, edited by Lauren C. Berkow. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/med/9780190902247.003.0031.

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Abstract Operating room (OR) fires that occur in the OR theater can be divided into those that occur within the airway versus on or around the patient or drapes. The Emergency Care Research Institute (ECRI) estimates that 90–100 surgical fires occur every year. As such, an OR fire is a very rare but potentially devastating event that can lead to significant morbidity or mortality. For a fire to occur, there must be three elements present: an oxidizer, an ignition source, and a fuel. This is known as the “fire triad,” and if any one of these is not present, a fire cannot happen. An analysis of
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Sale, Carolyn. "Cordelia’s Fire." In Shakespeare's Virtuous Theatre. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474499040.003.0002.

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The chapter proposes new ways of understanding where we do and do not find ‘virtue’ in King Lear. It puts the conduct of Lear’s counsellor, Kent, to the test by situating it in relation to inequitable thinking in Aristotle’s Politics. It also offers a new, phenomenological reading of the scene in Lear that has been called ‘a paradigm not just for Shakespeare’s stage but for all theater’, by attending to how the audience matters to Edgar’s project of letting his father pretend that he throws himself off the cliff at Dover. The rest of the chapter explores various ways in which the play appeals
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"5. The Theatre of Justice." In Fires of Faith. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300160451-008.

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"Theatre after the Cease-fires." In Making Theatre in Northern Ireland. University of Exeter Press, 2015. https://doi.org/10.2307/jj.28297739.14.

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Barno, David, and Nora Bensahel. "The Role of Leadership." In Adaptation under Fire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190672058.003.0005.

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This chapter explores the role of leadership in military adaptation, which may be the most important factor of all. Adaptable tactical leaders must rapidly assess the battlefield and identify the need for change, remain willing to abandon accepted procedures when required, and candidly advocate for organizational change when needed. At the theater level, adaptive leaders face more challenges in identifying the need for change. They need to actively seek out ideas from throughout the chain of command, and to lead rapid battlefield change within their formations. The chapter examines the success
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Conference papers on the topic "Fires in Theaters"

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Stanojev, Milovan, Radomir Folić, and Dragan Zlatkov. "STRUCTURAL REHABILITATION OF THEATREBORA STANKOVIĆ IN VRANJE, SERBIA." In Assessment, maintenance and rehabilitation of structures. Association of Civil Engineers of Serbia, 2024. http://dx.doi.org/10.46793/sgisxiii.28ms.

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After a fire broke out in a nearby discotheque on July 2, 2012, the fire soon spread to the roof structure of the Bora Stanković Theater in Vranje and then to the entire theater building. Of the building built in 1892 by Vranje merchant Jančo Jovanović Baldžija, only the battered brick walls remained, while the entire hall with 400 seats, two theater clubs, the stage with equipment and the basement were completely destroyed. As part of the reconstruction works, it is planned to design a complete new construction of the roof, the main hall and the balcony. The stage was redesigned in part of th
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Thyson, Noel A., and Ven H. Shui. "Digitizing BMC3 and fire control for UAV-based theater missile defense." In Aerospace/Defense Sensing and Controls, edited by Raja Suresh and William Langford. SPIE, 1996. http://dx.doi.org/10.1117/12.242066.

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Ceastina, Ala. "The outstanding architect Alexander Iosifovich Bernardazzi (1831–1907)." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.20.

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This year marks the 190th birthday of the famous Swiss architect of Italian origin A.I. Bernardazzi, who is also known for creating various historic buildings in Ukraine, Bessarabia and Poland. Archival documents were an evidence of the beginning of architectural career of Bernardazzi, when the Bessarabian Road and Construction Commission appointed him as the technician for urban planning of Akkerman and Bendery in 1853 and also for building some bridges and causeways in those districts. He took part in the organization of the third market in the Forest Square in Kishinev in September of 1855.
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Chronopoulou, Anna. "Music in the service of the directorial vision: The case study of the theatrical performance of Acharnians in 1976 by the Greek Art Theatre (Theatro Technis)." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.03033c.

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Someone could claim that a well prepared, contemporary theatrical production consists of a thorough planning, a period of rehearsals and the final presentation of the work before the audience. Whether we talk about a collective theatrical organization or a hierarchical one, we should agree upon the fact that the directorial vision could be considered as the motivating gear of a theatrical performance. It is the director’s or the team’s directorial vision – in the cases of alternative, collective theatrical productions – which guides those who participate in a theatrical performance and, theref
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Montoya, Joseph Rudy, Jorge Melchor, Venu Siddapureddy, and Darryl Bryk. "A Novel Approach for a Hostile Arms Fire Sensor." In 2024 NDIA Michigan Chapter Ground Vehicle Systems Engineering and Technology Symposium. National Defense Industrial Association, 2024. http://dx.doi.org/10.4271/2024-01-3248.

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&lt;title&gt;ABSTRACT&lt;/title&gt; &lt;p&gt;A novel approach to sensing hostile arms fire has been developed at the US Army Research Laboratory (ARL). Utilizing the multispectral properties of the electromagnetic spectrum the sensor methodology has been tested very successfully in detecting point of origin of various types of arms fire. In-theatre travel in caravans has drawn enemy fire and urban settings have sometimes made it difficult to discern point of origin. This new multispectral methodology may overcome false alarm problems that can plague other types of sensors. Recently, the US Arm
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Barría Catalán, Tirza, and Leonel Pérez Bustamante. "LA CONSTRUCCIÓN DE LA CIUDAD REPUBLICANA. Estudio sobre las primeras formas y adaptaciones de la trama urbana de las ciudades de la Araucanía, Chile. 1880-1900." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12738.

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The republican cities of Araucanía, a region located in the south of Chile, emerged after the end of the "pacification of Araucanía" (1862-1883). Following the presidential decrees of 1885 and 1889, which established provisions for the founding of towns, plans were drawn up and executed by the engineers in charge of colonization. These cities were projected according to the checkerboard grid, whose general outlines are defined in their first urban plans. Early on, variations and formal adaptations were generated in the layout of streets and blocks due to the geographical conditions of the loca
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Jeal, Geoff, Gary L. Hunter, and Stephan L. Kruit. "How to Deal with Fuel Found in Theater: CYPRESS-Cylinder Pressure Based Combustion Control for Consistent Performance with Varying Fuel Properties and Types." In 2024 NDIA Michigan Chapter Ground Vehicle Systems Engineering and Technology Symposium. National Defense Industrial Association, 2024. http://dx.doi.org/10.4271/2024-01-3212.

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&lt;title&gt;ABSTRACT&lt;/title&gt; &lt;p&gt;Cylinder Pressure Monitoring (CYPRESS&lt;sup&gt;™&lt;/sup&gt;). This technology provides closed-loop feedback to enable a real-time calculation of the apparent heat release rate (AHRR). This makes it possible to adapt to the fuel ignition quality (cetane number) by adjusting the pilot injection quantity and the placement of the pilot and main injection events. This enables the engine control system to detect fuel quality and adapt the ignition sequence accordingly.&lt;/p&gt; &lt;p&gt;This technology is also used to infer the total fuel energy inject
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Boszczowski, Eduardo Bomfim, Carlos Renato Aragonez de Vasconcellos, Kleber Vini´cius da Cruz, Ozias Pereira Filho, and Sarah Marcela C. Cartagena. "Best Practices for Third Party Pipeline Damage Risk Management With Social and Environment Responsibility: Transpetro—Petrobras Transporte S.A." In 2008 7th International Pipeline Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ipc2008-64595.

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The present paper describes the tasks developed along 550 kilometers of PETROBRAS TRANSPORTE South Region right-of-way where there are more than 1000 kilometers of onshore pipelines. This work was based on the company Integrity Management Program, with focus on risk reduction due to third party damage, promoting social accountability and environment preservation. On the Introduction there are presented pipeline failures stats in USA and Europe. It’s visible in the stats that third party damage is one of the most common pipeline failures responsibleness. In the next topics we list the mitigatio
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Reports on the topic "Fires in Theaters"

1

Gans, Joshua. How Damaging is Shouting "Fire" in a Crowded Theatre? National Bureau of Economic Research, 2025. https://doi.org/10.3386/w33852.

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2

Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Abstract:
Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation an
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3

Volunteer lieutenant killed and two fire fighters injured following bowstring roof collapse at theatre fire - Wisconsin. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2012. http://dx.doi.org/10.26616/nioshfffacef201208.

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