Relevant bibliographies by topics / First London Achuza Company

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Academic literature on the topic 'First London Achuza Company'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "First London Achuza Company"

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Spraakman, Gary. "THE FIRST EXTERNAL AUDITORS OF THE HUDSON'S BAY COMPANY, 1866." Accounting Historians Journal 38, no. 1 (2011): 57–80. http://dx.doi.org/10.2308/0148-4184.38.1.57.

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At the request of shareholders, the Hudson's Bay Company had its financial statements audited for the first time in 1866. Two external auditors were hired, one for the shareholders and one for management. Three inter-related forces led to this decision: (1) most importantly, the company's shareholders demanded audited financial statements, (2) there was emerging in London at the time the capacity and willingness among London accountants to provide external audit services, and (3) the British Parliament passed various acts that required financial statements of companies in other industries to b
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Collins, Aletta. "A Choreographer's Approach to Opera." Dance Research 33, no. 2 (2015): 269–72. http://dx.doi.org/10.3366/drs.2015.0141.

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My first professional commission as a choreographer was not for a dance company but for an opera company, for the Bregenz Festival in Austria. In 1988, while I was still a student at London Contemporary Dance School, I was approached to choreograph Camille Saint-Saëns's Samson et Dalila; the commission also included giving ‘movement’ to the chorus (a group of 120 singers) and directing the dancers when they were not dancing. The dancers were a classical company from Sofia, Bulgaria, a company of thirty none of whom spoke English.
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Baladouni, Vahé. "FINANCIAL REPORTING IN THE EARLY YEARS OF THE EAST INDIA COMPANY." Accounting Historians Journal 13, no. 1 (1986): 19–30. http://dx.doi.org/10.2308/0148-4184.13.1.19.

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The first archival period (1600–1663) of the (English) East India Company is marked by an absence of accounting materials. A small number of financial statements have escaped peril, however, and found their way to the India Office Library and Records in London. Of these, two are of singular interest. Along with related Company minutes, these statements are analyzed and interpreted in this paper. They shed some light on the reporting practices and concepts of the early years of the incorporated joint-stock company.
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Dr., G. Aghalya. "EAST INDIA COMPANY IN INDIA OFFICE RECORDS IN LONDON." International Journal of Computational Research and Development 2, no. 1 (2017): 73–76. https://doi.org/10.5281/zenodo.569734.

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The historical research, which involves interpreting past events to predict future ones. Historical research design involves synthesizing data from many different sources. The purpose of the research is to further encourage the limited but fruitful cross-disciplinary conversations of recent years. The historical scope of the records begins in 1600, when the East India Company was granted exclusive rights to trade in much of Asia, including the entire Indian subcontinent. The records of the East India Company’s Governments in India are probably the best historical materials in the world. The re
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Diamond, Marian. "Tea and Sympathy: Foundations of the Australia/China Trading Networks." Queensland Review 6, no. 2 (1999): 24–29. http://dx.doi.org/10.1017/s1321816600001124.

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In 1824, a group of London businessmen established the Australian Agricultural Company (AAC), Australia's oldest chartered company. Their prospectus listed amongst their objectives, after the raising of sheep and cattle, the production ‘at a more distant time, of Wine, Olive-Oil, Hemp, Flax, Silk, Opium, &c. as articles of export to Great Britain’. In 1828, a local manager reported that he thought that ‘if the labour of the Blacks can be procured for the operative part the culture [of opium] would likely prove profitable to the Company.’ And in 1833, the Australian manager of the company s
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Aston, Elaine, and Janelle Reinelt. "Building Bridges: Life on Dunbar's Arbor, Past and Present." Theatre Research International 26, no. 3 (2001): 285–93. http://dx.doi.org/10.1017/s0307883301000360.

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Rita, Sue and Bob Too by Andrea Dunbar and A State Affair, by Robin Soans. Co-production Out of Joint, Liverpool Everyman and Playhouse, and Soho Theatre Company. Double bill first performed at Liverpool Everyman on 19 October 2000 and Soho Theatre, London on 5 December 2000.
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Mackie, G. V., and J. F. T. Houghton. "Marine Meteorological Services to Shipping, Past, Present and Future." Journal of Navigation 45, no. 2 (1992): 241–46. http://dx.doi.org/10.1017/s0373463300010730.

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This paper, and the following two papers, were presented at a joint meeting sponsored by the Institute in association with the Honourable Company of Master Mariners and the London Branch of the Nautical Institute. The meeting was held at Trinity House on 20 November 1991. This first paper was read by Captain Houghton.
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Clark, Oswald. "The Ancient Office of Parish Clerk and the Parish Clerks Company of London." Ecclesiastical Law Journal 8, no. 38 (2006): 307–22. http://dx.doi.org/10.1017/s0956618x00006451.

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Attempt is made to trace the work and role of the parish clerk from menial monastic beginnings to its emergence in the thirteenth century as a canonically recognised office–probably the oldest unordained office at the parochial level in the English church and the last vestigial survival of Minor Orders. In parallel is developed the story of the coming together of London parish clerks as a guild or fraternity, radically distinguished from the merchant, craft and service guilds, and of the grant to that fraternity of ‘clerici et literati’– with its unique livery and ethos–of the first of its six
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Zarhy-Levo, Yael. "Joan Littlewood and Her Peculiar (Hi)story as Others Tell It." Theatre Survey 42, no. 2 (2001): 165–76. http://dx.doi.org/10.1017/s0040557401000084.

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The theatrical map in London during the 1960s consisted of four notable theatrical companies: the English Stage Company, the Royal Shakespeare Company, the National Theatre Company, and the Theatre Workshop. The first three companies, although somewhat transformed, fill major roles in British theatre to the present day. What happened to the fourth company, the Theatre Workshop? This question is all the more intriguing in light of the tribute current historical and critical accounts pay to the founder-director of this company, Joan Littlewood. Theatre critics and historians today view Littlewoo
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King, Richard G., and Saskia Willaert. "Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748–50." Journal of the Royal Musical Association 118, no. 2 (1993): 246–75. http://dx.doi.org/10.1093/jrma/118.2.246.

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In the autumn of 1748 the opera audience in London was introduced to a newly arrived troupe of Italian singers, an eccentric impresario and an operatic genre previously unknown in England. The buffo company, led by ‘Doctor’ Giovanni Francesco Crosa, would entertain the King's Theatre public for the first time with full-length Italian comic operas. In May 1750, after two tumultuous seasons which saw the gradual dissolution of the troupe and financial disaster for the management, Crosa fled the country, never to return. The King's Theatre closed its doors, to reopen only in the autumn of 1753 wi
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Books on the topic "First London Achuza Company"

1

Berlin, Michael. A history of the Worshipful Company of Farmers: The first fifty years 1952-2002. Phillimore, 2001.

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2

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont.: Wednesday ev'g, Nov. 30th, 1892, programme : first appearance in London of Ramsay Morris's Comedy Company (from New York), presenting the great Parisian laughing success, Joseph .. s.n., 1986.

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Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ontario: [programme, Friday, May 11th, first appearance here of Miss Marie Tempest and the Whitney Opera Company in the The fencing master]. s.n., 1986.

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Grand Opera House (London, Ont.), ed. Grand Opera House: One night only : Monday, Oct. 24, the incomparable Lotta and her superb company : first production in London of the new play, in four acts, Pawn ticket no. 210, written expressly for "Lotta" by David Belasco and Clay M. Greene .. s.n., 1986.

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Neill, Edward D. History of the Virginia Company of London: With letters to and from the first colony, never before printed. Brookhaven Press, 2001.

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Anglo-American Telegraph Company Limited: First ordinary general meeting of shareholders, Monday, February the 4th, 1867, London Tavern. s.n., 1986.

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7

Alexander, Brown. First Republic In America: An Account Of The Origin Of This Nation Written From The Records, Then 1624 Concealed By The Council Rather Than From The Histories, Then Licensed By The Crown. Kessinger Publishing, LLC, 2006.

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Alexander, Brown. First Republic In America: An Account Of The Origin Of This Nation Written From The Records, Then 1624 Concealed By The Council Rather Than From The Histories, Then Licensed By The Crown. Kessinger Publishing, LLC, 2007.

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9

Edward D. (Edward Duffield) 1 Neill. History of the Virginia Company of London: With Letters to and from the First Colony, Never Before Printed. Creative Media Partners, LLC, 2021.

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Edward D. (Edward Duffield) 1 Neill. History of the Virginia Company of London: With Letters to and from the First Colony, Never Before Printed. Creative Media Partners, LLC, 2021.

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Book chapters on the topic "First London Achuza Company"

1

Kemp, Geoff, and Jason McElligott. "A New Song in Praise of the Loyal Company of Stationers, Who (after the general forfeit,) for their singular Loyalty, Obtain'd the First Charter of London, Anno 1684 (London: by N[athaniel] T[hompson], 1684). Wing, N761A; ESTC, R180967." In Censorship and the Press, 1580-1720, Volume 3. Routledge, 2024. http://dx.doi.org/10.4324/9781003552567-22.

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2

Careri, Enrico. "The First London Period 1714–1732." In Francesco Genminiani (1687–1762). Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198163008.003.0002.

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Abstract ‘THE year 1714 [Burney recounts] was rendered an important period to the progress of the violin in this country, by the arrival of Geminiani and Veracini; as the abilities of these masters confirmed the sovereignty of that instrument over all others, in our theatres and concerts.’ According to Hawkins, Geminiani came to London in the company of another Lucchese musician, Francesco Barsanti (1690–1772), who was also to spend most of his remaining life in Britain. The choice of England was particularly happy: even allowing that Italian music as a whole was well known and appreciated thr
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"London/ My Lover Schematic (2002)." In Lightwork: Texts on and from Collaborative Multimedia Theatre. Intellect Books, 2022. http://dx.doi.org/10.1386/9781789385014_6.

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Conceived by Andy Lavender and David Annen Created by the company London/My Lover was first performed at the ICA Theatre, London, on 21 January 2002, as part of the London International Mime Festival.
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4

Roach, Lee. "18. Public offers of shares." In Company Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198786634.003.0018.

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This chapter studies the sources of securities regulation, the rules relating to offering shares to the public, the various UK stock exchanges, and the process by which securities are listed. There are several types of public offer, including offers for subscription, offers for sale, placings, and rights issues. The London Stock Exchange is the principal UK stock exchange, and its two principal markets are the Main Market and the Alternative Investment Market. The principal domestic rules relating to public offers of shares are found in the Financial Services and Markets Act 2000, the Listing
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Roach, Lee. "18. Public offers of shares." In Company Law. Oxford University Press, 2022. http://dx.doi.org/10.1093/he/9780192895677.003.0018.

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This chapter studies the sources of securities regulation, the rules relating to offering shares to the public, the various UK stock exchanges, and the process by which securities are listed. There are several types of public offer, including offers for subscription, offers for sale, placings, and rights issues. The London Stock Exchange is the principal UK stock exchange, and its two principal markets are the Main Market and the Alternative Investment Market. The principal domestic rules relating to public offers of shares are found in the Financial Services and Markets Act 2000, the Listing
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6

Budden, Julian. "Florence, London and Paris." In Verdi. Oxford University PressNew York, NY, 2018. http://dx.doi.org/10.1093/oso/9780195323429.003.0005.

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Abstract throughout the spring of 1846 verdi allowed himself to be nursed back to health, first by Piave in Venice, ‘with a care that was truly fraternal,’ then by Muzio in Milan. By June he was fit enough to stand as witness together with Giulio Carcano to the deed of separation between Andrea Maffei and his wife Clarina; then he followed both men to the spa of Recoaro, where he spent the summer in their company. Maffei and Carcano moved in the highest literary circles; both were poets and translators of merit, steeped as they were in foreign literature. His association with them at such a cr
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7

West, Anthony James. "Sales and Prices of First Folios: A History from 1623 to the Present." In The Shakespeare First Folio. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198187691.003.0001.

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Abstract The Shakespeare First Folio appeared in November 1623. The plays were gathered together for publication by John Heminges and Henry Condell, fellow players of Shakespeare’s in the company of the King’s Men. It was printed in London near St Paul’s by William Jaggard and his son Isaac; the principal publishers were Isaac Jaggard and Edward Blount. It has 454 leaves, including nine preliminaries; the sheets are gathered (with some exceptions) into six- leaf quires. The text is printed on handmade paper in pica roman type, in two columns, on both sides of the leaves. The volume contains th
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8

Potter, Simon J. "The Company, 1922–1926." In This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.003.0002.

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This chapter examines the establishment of radio, or ‘wireless’, broadcasting in Britain, and the creation of the British Broadcasting Company in 1922. It argues that the BBC was founded to both control and popularize the new medium. It was tightly regulated, and strict constraints were placed on its activities so that it did not compete with the newspaper and entertainment industries or influence politics. It was given a monopoly over all broadcasting in Britain. Much broadcasting in the UK during this period was local. Individual BBC stations made their own programmes. However, from an early
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"Back​at​You (2007)." In Lightwork: Texts on and from Collaborative Multimedia Theatre. Intellect Books, 2022. http://dx.doi.org/10.1386/9781789385014_12.

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Burrows, Donald. "The ‘Academy’ Years, 1720-32." In Handel. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198166498.003.0006.

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Abstract Thus Handel began a letter from London to his brother-in-law in Halle on 20 February 1719. The ‘unavoidable business’ on which Handel’s future depended was the formation of a new opera company at the King’s Theatre, Haymarket, plans for which had been under discussion in London for some time. If Handel felt impatient with progress in February 1719, he probably did not foresee the long haul that lay ahead: the first performance from the new company did not take place until April 1720, and it was another six months after that before it was running with the intended cast of first-rate It
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Conference papers on the topic "First London Achuza Company"

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Princz-Jakovics, Tibor, and István Kovács. "Innovative solutions for shared E-taxi services in a green and efficient urban transport system." In 7th International Conference on Road and Rail Infrastructure. University of Zagreb Faculty of Civil Engineering, 2022. http://dx.doi.org/10.5592/co/cetra.2022.1449.

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The aim of this article is to map the existing and potential solutions to achieve more innovative solutions for shared e-taxi services. As the role of mobility continues to grow, innovative means of transport need to be developed in order to reduce the number of private cars, while maximising safety. The authors collected the relevant national and European Union policies, incentives, strategies, and trends for shared electromobility. Such alternative solutions are going to be used through highly automated transport devices. Firstly, the currently available (e-) car-sharing systems and electric
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Reports on the topic "First London Achuza Company"

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Ashley, Caitlyn, Elizabeth Spencer Berthiaume, Philip Berzin, et al. Law and Policy Resource Guide: A Survey of Eminent Domain Law in Texas and the Nation. Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, 2017. http://dx.doi.org/10.37419/eenrs.eminentdomainguide.

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Eminent Domain is the power of the government or quasi-government entities to take private or public property interests through condemnation. Eminent Domain has been a significant issue since 1879 when, in the case of Boom Company v. Patterson, the Supreme Court first acknowledged that the power of eminent domain may be delegated by state legislatures to agencies and non-governmental entities. Thus, the era of legal takings began. Though an important legal dispute then, more recently eminent domain has blossomed into an enduring contentious social and political problem throughout the United St
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