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Journal articles on the topic 'First Nations art'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Nakamura, Naohiro. "The Representation of First Nations Art at the Art Gallery of Ontario." International Journal of Canadian Studies, no. 45-46 (2012): 417. http://dx.doi.org/10.7202/1009913ar.

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Neylan, Susan, and Ronald W. Hawker. "Tales of Ghosts: First Nations Art in British Columbia, 1922-61." Western Historical Quarterly 35, no. 2 (2004): 247. http://dx.doi.org/10.2307/25442996.

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3

Walsh, Andrea N. "Tales of Ghosts: First Nations Art in British Columbia, 1922-1961 (review)." University of Toronto Quarterly 74, no. 1 (2004): 494–96. http://dx.doi.org/10.1353/utq.2005.0231.

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Si, Nianen. "How does Street Art Cause Art Gentrification." Communications in Humanities Research 3, no. 1 (2023): 1022–33. http://dx.doi.org/10.54254/2753-7064/3/2022805.

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The role of artists as upscaling pioneers and facilitators has been widely acknowledged and investigated. This research investigates the link between street art and urban upscaling. It investigates the history of art development in two distinct nations and areas, focusing on street art in Shoreditch, Hackney, and Chengdu, to expose the economic changes in communities that have emerged from art. The first section of the article defines art upscaling, distinguishes between street art and public art, and utilizes Lavapieres and Roxbury's "Roxbury Love" as an example to demonstrate the usual influ

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Tobin, Pamela, Margo French (aka Sumkoltz),, and Neil Hanlon. "Appropriate Engagement and Nutrition Education on Reserve: Lessons Learned from the Takla Lake First Nation in Northern BC." International Journal of Indigenous Health 6, no. 1 (2013): 49. http://dx.doi.org/10.18357/ijih61201012345.

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Concerns about living conditions on First Nations1 reserves are attracting a great deal of attention from public health practitioners and researchers looking to design and implement measures to improve and promote health. Issues related to geographic isolation, low socioeconomic status, and threats to traditional practices are known to contribute to poor health outcomes, especially amongst Aboriginal youth. Research and educational programs are needed to address these challenges yet even the most state-of-the art initiatives are destined to fail if they are perceived to be disrespectful of, an

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Trifescu, Valentin. "The Discovery of Alsatian Space in the Regionalist Art Historiography of the First Half of the 20th Century." Acta Universitatis Sapientiae, Philologica 5, no. 2 (2014): 241–54. http://dx.doi.org/10.2478/ausp-2014-0017.

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Abstract Our paper tries to analyse the way in which the regional identity of art historiography in Alsace came into being in the 20th century. Similarly to Transylvania, Alsace represented a highly disputed territory, being claimed by two hostile nations. We shall focus upon the regionalist point of view, which used to be overshadowed by the official nationalist discourse of the centres, Paris and Berlin. We shall examine the way in which a regional identity was invented through works of art. Regionalist art historians did no longer speak of the existence of French or German art in Alsace, bu

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Schweitzer, Marlis. "Brian Jungen's Verfremdungseffekt: Strange Comfort at the National Museum for the American Indian." TDR/The Drama Review 55, no. 4 (2011): 152–56. http://dx.doi.org/10.1162/dram_a_00129.

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Canadian artist Brian Jungen has achieved international fame for taking mass-produced goods—plastic chairs, gas cans, basketball sneakers—and transforming them into intricately wrought pieces that resemble First Nations art objects. Displayed in the Smithsonian's National Museum of the American Indian, Jungen's pieces produced a Brechtian Verfremdungseffekt.

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Taunton, Carla. "Unsettling Encounters: First Nations Imagery in the Art of Emily Carr (review)." University of Toronto Quarterly 77, no. 1 (2008): 322–24. http://dx.doi.org/10.1353/utq.0.0208.

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Stovall, Maya. "Public Library: Crystal Meth, Choreography, Conceptual Art." TDR/The Drama Review 64, no. 2 (2020): 138–54. http://dx.doi.org/10.1162/dram_a_00924.

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The public video project The Public Library includes the performance of writing field notes and of choreographed dance sequences — which together serve as an ethnographic prompt for discussions about city life in northwestern Canada. The growing presence of crystal methamphetamine in sidewalk life and in the lives of First Nations persons is part of the discussion.

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Caldwell, Grant. "Haiku and Country: The connect between First Nations Country and Bashō's enduring principles for the writing of Haiku." Axon: Creative Explorations 13, no. 2 (2024): 135–46. http://dx.doi.org/10.54375/001/300whdgjyx.

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Steers, John, and Jane Rhoades Hudak. "The genesis and early history of the International Society for Education through Art: Idealism and optimism after the destruction of two World Wars." International Journal of Education Through Art 20, no. 1 (2024): 11–26. http://dx.doi.org/10.1386/eta_00149_1.

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This article provides an account of developments which led to what became the International Society for Education through Art (InSEA) under the auspices of the United Nations and later the United Nations Educational, Scientific and Cultural Organization (UNESCO) in the period from 1941 to the Society’s first general assembly in 1954.

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Latimer, M., S. Rudderham, K. Harman, et al. "Using Art as a Medium for First Nations Youth to Express Their Pain: A Two-Eyed Seeing Qualitative Study." Paediatrics & Child Health 21, Supplement_5 (2016): e94a-e94a. http://dx.doi.org/10.1093/pch/21.supp5.e94a.

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Abstract BACKGROUND: First Nations (FN) youth in Canada have the highest rates of pain-related conditions (ear, dental, headaches) yet may be least likely to be treated for them. Untreated pain has an arresting impact on growth and development and is detrimental to the achievement of life goals. In recent research conducted by the Aboriginal Children’s Hurt & Healing Initiative (ACHH), community participants reported that First Nation children are stoic and are reluctant to talk about their pain (Latimer & Rudderham, 2013). Clinicians are trained to assess pain based on overt signs of

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Nolan, Yvette. "Dramaturging the Process." Canadian Theatre Review 135 (June 2008): 73–75. http://dx.doi.org/10.3138/ctr.135.018.

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In 2001, Michelle Olson and Lisa C. Ravensbergen founded the collective Cheyikwe Performance in Vancouver. Michelle and Lisa’s vision was to create new work from a distinctly female, First Nations perspective, integrating dance, theatre, storytelling, song and multimedia. They wanted “to develop an interdisciplinary language rooted in distinct art forms and in our First Nations cultures” (Cheyikwe). Furthermore, one of the guiding principles states that the work be “an organic, collaborative process with value equal to that of the finished work.”

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Rozwadowski, Andrzej. "„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras." Folia Praehistorica Posnaniensia 24 (December 15, 2019): 207–33. http://dx.doi.org/10.14746/fpp.2019.24.13.

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This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they

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Ingraham, Mary I. "Noble Savage/Indigène sauvage: Staging First Nations in Early Canadian opera." Nineteenth-Century Music Review 11, no. 2 (2014): 255–72. http://dx.doi.org/10.1017/s1479409814000378.

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This research engages the ways composers and librettists in early Canada constructed the roles of First Nations Peoples in two staged dramatic musical works: Clappé and Dixon's Canada's Welcome from 1879 and Vézina, Villandray and Fleur's Le fétiche from 1912. My exploration begins from a desire to cultivate an historiography of First Nations musical archetypes that extends beyond viewing representations as stereotypes to explore how they are used intertextually to reflect social and political realities in early Canada. The extent of play with indigenous traditions in each of these works belie

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Bjørhovde, Gerd. "Emily Carr: Border-crossing Canadian artist and writer." Nordlit, no. 33 (November 16, 2014): 171. http://dx.doi.org/10.7557/13.3178.

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Emily Carr<strong> </strong>(1871–1945) is today generally considered one of Canada’s greatest and most unique artists. However, her recognition was a long time coming, and it was only towards the end of her life that fame came her way. The article discusses the critical reception of Carr’s work both as a painter and writer, paying particular attention to her border-crossing strategies in her use of indigenous/First Nations art and culture in her own work. Furthermore, it looks at the development of Carr’s art and its connection to the construction of a Canadian national identity,

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Young, India. "Culture v. Capital: The Rebecca Belmore Case." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 77–95. http://dx.doi.org/10.5195/contemp.2014.96.

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This paper considers a civil suit between an artist and her former gallery dealer. In the case of Nadimi v. Belmore, the plaintiff and the defendant exemplify two opposing ideologies, which in turn reflect two possibilities for understanding art. This paper considers the case, and Belmore’s artworks as representative of both systems. Through a strategic defense of her art and her practice, Belmore upholds a complex understanding of the value of art. The current legal system, however, only ascribes art value as commodity product. This paper demonstrates how Belmore’s actions and artworks relate

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18

Mujani, Saiful. "Behavioural Approaches to Muslim Politics: The State of the Art." Muslim Politics Review 1, no. 1 (2022): 41–57. http://dx.doi.org/10.56529/mpr.v1i1.51.

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The behavioural approach to Muslim politics in academic literature is a recent development. The approach emerged only in the early twenty-first century, largely as most Muslim-majority nations have been autocracies constraining the freedom of speech required to study political attitudes and behaviour. Many behaviourally driven studies have examined dimensions of Islam as predictors of political attitudes and behaviorr. These include religious affiliation, religiosity, and religious political orientation. While democracy is rare in Muslim majority nations, at the individual level, Muslim religi

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19

Wasilewska, Diana. "INTERNATIONAL CRITICAL RECEPTION OF PROPAGANDIST EXHIBITIONS OF POLISH ART IN THE 1920S AND 1930S." Studia Humanistyczne AGH 18, no. 3 (2019): 45–53. http://dx.doi.org/10.7494/human.2019.18.3.45.

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The goal of this article is first of all to describe the reception of exhibitions of Polish interwar art in the foreign press. I pay closer attention to those of exhibitions that were most prestigious and acclaimed, such as the Venice Biennale, where representatives of Polish art were juxtaposed with other countries’ pavilions and judged in comparison to them. It was the time of the battle against the radical avant-garde, accused of bringing art to a state of impasse, stagnation, or even slow agony. Most exhibitions of Polish art abroad were organized by Mieczysław Treter (1883–1943) a philoso

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Gorzelik, Jerzy. "National, Regional, or Just Catholic?—Dilemmas of Church Art in a German–Polish Borderland. Upper Silesia, 1903–1953." Arts 10, no. 1 (2021): 18. http://dx.doi.org/10.3390/arts10010018.

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The rise of nationalism threatened the integrity of the Catholic milieu in borderlands such as Prussian Upper Silesia. Facing this challenge, the ecclesiastical elite developed various strategies. This article presents interpretations of sacred art works from the first half of the 20th century, which reveal different approaches to national discourses expressed in iconographic programs. The spectrum of attitudes includes indifference, active counteraction to the progress of nationalism by promoting a different paradigm of building temporal imagined communities, acceptance of nationalistic metap

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21

T.H., Samjaila, and Gayathri N. "Juxtaposing Art and Personality Development Through the Convergence of First Nations: A Reading of Drew Hayden Taylor’s Girl Who Loved Her Horses." Journal of Social Sciences Research, no. 52 (January 30, 2019): 515–21. http://dx.doi.org/10.32861/jssr.52.515.521.

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The aim of this paper is to examine the present psychic issues experienced by First Nations / native children that hinders many young individuals which lead to major issues in the present-day society. First Nations children encounter many physical and psychological hurdles in their lives, and such obstacles either cripple their personality development or help them channelize their inherent potential. Hence, the study focuses on Drew Hayden Taylor’s play, Girl Who Loved Her Horses, which stages the difficulties that are faced by the native children, and how they overcome it positively. The crit

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Marks, P. "The ethics of art dealing." International Journal of Cultural Property 7, no. 1 (1998): 116–27. http://dx.doi.org/10.1017/s0940739198770109.

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The ethics of dealing in antiquities may be discussed in two parts: first, the ethical standards that govern the trade and its relation to clients, and second, the new legal standards that affect dealers and collectors arising from political ambitions in the international relations between source and market nations. Friction between these competing interests began with the ratification of the UNESCO Convention in 1972 and the passage of the Cultural Property Implementation Act in 1983. Unrealistic political approaches to the illicit trade in antiquities have exacerbated rather than solved the

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23

Bothe, Lauren. "The 1972 Olympic Games: Utilizing posters for positive propaganda." Visual Inquiry 11, no. 1 (2022): 15–24. http://dx.doi.org/10.1386/vi_00067_1.

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In 1972, worldwide political unrest caused major national division among nations. With the Olympics on the horizon, the games committee had made it their mission to use this event to promote worldwide unity and peace. 1972 marked the first time Germany had hosted the Olympic Games since the Second World War, which put Germany in the unique position to use this event to express a new more peaceful identity. One way that the Olympic committee decided to promote their new vision of Germany was through a heavy narrative between sports and art. They pursued this goal by commissioning several notabl

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Pageot, Edith-Anne. "L’art autochtone à l’aune du discours critique dans les revues spécialisées en arts visuels au Canada. Les cas de Sakahàn et de Beat Nation." Article quatre 9, no. 1 (2018): 81–94. http://dx.doi.org/10.7202/1052629ar.

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This article offers a qualitative and quantitive analysis of the critical reception of two exhibitions, Sakahàn:International Indigenous Art (National Gallery of Canada, Ottawa 2013) and Beat Nation: Art, Hip-Hop and Aboriginial Culture (organised and circulated by the Vancouver Art Gallery, 2013-2014). The study treats articles which appeared between 2012 and 2015 in English and French visual-arts publications. The comparative analysis intends to highlight general trends, in order to identify challenges that contemporary Indigenous arts pose for art criticism. A review of the texts shows that

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Agnes, Flavia. "Women's Rights and Legislative Reforms: An Overview." International Journal of Legal Information 36, no. 2 (2008): 265–70. http://dx.doi.org/10.1017/s0731126500003048.

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The Indian Constitution with its mandate of equality (Art. 14), non-discrimination on the basis of sex (Art. 15) positive discrimination in favor of women (or affirmative action) (Art. 15(3)) equality and non-discrimination in employment and service conditions (Art. 16), right to life and liberty (Art.21) is an important instrument for the protection of women in India. Although certain protective legislation was enacted in the first thirty years after the Constitution came into being, it is only during the last three decades that women's concerns were highlighted in the official discourse and

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Neufeld, Margaret. "Connecting to the Art Market from Home: An Exploration of First Nations Artists in Alert Bay, British Columbia." American Indian Culture and Research Journal 33, no. 1 (2009): 89–117. http://dx.doi.org/10.17953/aicr.33.1.q5g62726w0381122.

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Franco, Marie-Charlotte. "La décolonisation et l’autochtonisation au Musée McCord (1992–2019): les rapports de collaboration avec les Premiers Peuples et de l’inclusion de l’art contemporain des Premières Nations dans les expositions." International Journal of Canadian Studies 61 (March 1, 2023): 190–94. http://dx.doi.org/10.3138/ijcs-2022-0013.

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This research note summarizes my doctoral dissertation in museology entitle “Decolonization and Indigenization at the McCord Museum (1992–2019): Collaborative Relationships With First Peoples and the Inclusion of the Contemporary Art of First Nations in Exhibitions.” For this work, I received the Brian Long Award for the best doctoral dissertation from the International Council for Canadian Studies (2022) and the Best PhD Dissertation in Canadian Studies from the Canadian Studies Network (CSN/RÉC) (2021).

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Knott, Brendon, Kamilla Swart, Othman Althawadi, and Yara Zeyad Ali. "Nation-branding Opportunities Through Sport Mega-events: Tourism Impact from FIFA World Cup in South Africa 2010 and Qatar 2022." International Conference on Tourism Research 7, no. 1 (2024): 149–56. http://dx.doi.org/10.34190/ictr.7.1.2191.

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Sport mega-events can be powerful agents in the imaging, re-imaging and branding of places, especially for emerging mega-event host nations. South Africa was the first African country to host the FIFA World Cup in 2010 and is a good case of how nation-branding opportunities were leveraged to showcase its global engagement, re-emergence post-apartheid, and its competence as a tourism and mega-event host. Similarly, Qatar’s hosting of the 2022 FIFA World Cup is a region-first for the Middle East. Hosting the World Cup is aligned to Qatar’s strategic leveraging of sport to build a new image, acqu

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Woodland, Sarah, Leah Barclay, Vicki Saunders, and Bianca Beetson. "Listening to Country: Immersive Audio Production and Deep Listening with First Nations Women in Prison." Performance Matters 8, no. 1 (2022): 73–82. http://dx.doi.org/10.7202/1089679ar.

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Listening to Country was an arts-led research project where, as an interdisciplinary team of practitioner-researchers, we worked with incarcerated Aboriginal and Torres Strait Islander women to produce a one-hour immersive audio work based on field recordings of natural environments. The project began with a pilot phase in Brisbane Women’s Correctional Centre (BWCC), Australia, to investigate the value of acoustic ecology in promoting wellbeing among women who were experiencing separation from family, culture, and Country (ancestral homelands). The team facilitated a three-week program with th

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Cooper, Elizabeth, S. Michelle Driedger, and Josée Lavoie. "Building on Strengths: Collaborative Intergenerational Health Research with Urban First Nations and Métis Women and Girls." International Journal of Indigenous Health 14, no. 1 (2019): 107–25. http://dx.doi.org/10.32799/ijih.v14i1.31932.

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Little research has focused on how Indigenous girls and their familial female caregivers negotiate issues pertaining to wellbeing and decision-making practices. To address this gap, we employed a novel intergenerational Indigenous partnership methods using various decolonizing action and arts-based activities, to allow participants to guide and modify the direction of the research throughout data collection. We report on three separate activities: a physical game to address concepts of wellness, a memory game that focused on harm reduction and an art project that explored self-esteem. Within e

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Kozak, Luba Stephania. "Reclaiming Indigenous Identity through Animal Advocacy In Art." Humanimalia 10, no. 2 (2019): 69–94. http://dx.doi.org/10.52537/humanimalia.9502.

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The buffalo is an animal of utmost importance in many Plains Indigenous tribes that holds great historical and spiritual significance. This paper analyzes the representation of the buffalo in the artworks of First Nations artists Adrian Stimson and Dana Claxton, with excerpts from an exclusive interview with Stimson. Through an observation of cross-species encounters in the work of Stimson and Claxton, this paper demonstrates how art can be used as a medium for animal advocacy by situating the non-human within a cultural context, which contributes to the concept of human identity and illustrat

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Pageot, Edith-Anne. "Figure de l’indiscipline. Domingo Cisneros, un parcours artistique atypique." RACAR : Revue d'art canadienne 42, no. 1 (2017): 5–21. http://dx.doi.org/10.7202/1040836ar.

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Between 1974 et 1996, the Canadian artist of Mexican origin Domingo Cisneros was seen as a leading figure in contemporary art in Canada. He played a major role in the process of self-determination that First Nations artists undertook following the infamous 1969 White Paper, the Statement of the Government of Canada on Indian Policy. Cisneros was recognized both in the Native and Quebec francophone contemporary art worlds, and was internationally acclaimed within the conceptual and contextual art milieu gathered around the Polish artist Jan Swidzinski. His contribution has nevertheless been for

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Ochonicky, Adam. "“A Better Civilization” through Tourism." Nineteenth-Century Literature 70, no. 2 (2015): 221–37. http://dx.doi.org/10.1525/ncl.2015.70.2.221.

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Adam Ochonicky, “‘A Better Civilization’ through Tourism: Cultural Appropriation in The Marble Faun” (pp. 221–237) This essay argues that Nathaniel Hawthorne’s The Marble Faun: Or, The Romance of Monte Beni (1860) is an attempt to situate the United States within a lineage of “great” nations via the depiction of tourism abroad in the nineteenth century. In The Marble Faun, Hawthorne suggests that the historical legacies of nations are dependent on the production of art objects, literature, and cultural sites that demonstrate the sophistication of a given national identity. As such, the novel’s

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Ostashewski, Marcia, Heather Fitzsimmons Frey, and Shaylene Johnson. "Youth-Engaged Art-Based Research in Cape Breton: Transcending Nations, Boundaries and Identities." Jeunesse: Young People, Texts, Cultures 10, no. 2 (2018): 100–125. http://dx.doi.org/10.3138/jeunesse.10.2.100.

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2017, in conjunction with celebrations of 150 years of Canadian Confederation and with funding from government programs, young people from across Cape Breton Island were invited to participate in a performance creation project to explore narratives and experiences of migration and encounter. Youth (ranging in age from seven to nineteen) from disparate places, including Membertou First Nation (a reserve), Chéticamp (an Acadian, francophone town), Étoile de l’Acadie (a francophone school and community centre in Sydney), and Whitney Pier (a district of Sydney that is home to diverse immigrant cul

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Townsend-Gault, Charlotte. "If Art is the Answer, What is the Question?—Some Queries Raised by First Nations’ Visual Culture in Vancouver." RACAR : Revue d'art canadienne 21, no. 1-2 (1994): 100. http://dx.doi.org/10.7202/1072668ar.

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Cho, Kyoungmann. "Eco-art. Unintentional Realization in the Rituals of North American First Nations and Intentional Praxis in the Modern Societies." Journal of Dance Society for Documentation & History 36 (February 28, 2015): 9–48. http://dx.doi.org/10.26861/sddh.2015.36.9.

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Geissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim." Arts 10, no. 2 (2021): 32. http://dx.doi.org/10.3390/arts10020032.

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This paper investigates a select number of examples in which largely non-literate First Nation peoples of Australia, like some First Nations peoples around the world, when faced with a judicial challenge to present evidence in court to support their land title claim, have drawn on their cultural materials as supporting evidence. Specifically, the text highlights the effective agency of indigenous visual expression as a communication tool within the Australian legal system. Further, it evaluates this history within an indigenous Australian art context, instancing where of visual art, including

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Hanafi, Muhammad, Dermawan Wibisono, Kuntoro Mangkusubroto, Manahan Siallagan, and Mila Jamilah Khatun Badriyah. "Modelling competitive advantage of nation: a literature review." Competitiveness Review: An International Business Journal 27, no. 4 (2017): 335–65. http://dx.doi.org/10.1108/cr-06-2016-0031.

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Purpose This paper aims to create a mapping of competitive advantage of nations (CAN) from research using some previous studies and recommend future research. Design/methodology/approach This paper applies a systematic literature review on the most recent studies of CAN. The research gap is analysed based on several categories: implication (strategy and policy, portrait); general characteristics (fundamental issues, indicators and patterns); solution methodology and strategic level (nation and industry). Then, the state-of-the-art analysis is used to develop future research. Findings The resul

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Salonen, Hanna, and Olav van den Brekel. "Transforming images: A collaborative art exercise to debunk biases." International Journal of Education Through Art 16, no. 3 (2020): 417–33. http://dx.doi.org/10.1386/eta_00042_1.

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In the Netherlands, art academies offering teacher training courses in visual arts and design pay little attention to diverse learners, such as pupils with learning disabilities, in their curricula. To form a picture of the existing perceptions of students concerning persons with intellectual and/or psychological disabilities, this study was set up to map the views of a group of first-year teacher training students of visual arts and design at the Amsterdam University of the Arts. The focus of the study was to see whether student perceptions changed after an active encounter with persons with

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MASTERS, GILES. "Performing Internationalism: The ISCM as a ‘Musical League of Nations’." Journal of the Royal Musical Association 147, no. 2 (2022): 560–71. http://dx.doi.org/10.1017/rma.2022.25.

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After the First World War, some musicians embraced ‘international’ identities in novel ways, requiring novel strategies.6 During the 1920s, internationalist initiatives were launched in musicology, music education, folk music and more, joining a more general proliferation of institutions devoted to cultural internationalism.7 In the domain of Western art music, the most high-profile internationalist organization of the era was the ISCM, founded in Salzburg in 1922.8 The ISCM’s principal activity during the interwar period was to organize an annual contemporary music festival. This peripatetic

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Al Hennawy, Jehad Mohamad, Zainal Abidin Hajib та Maskanatul Fiqiyah. "الترجمة وأثرها فى حفظ الهوية". Jurnal Alfazuna : Jurnal Pembelajaran Bahasa Arab dan Kebahasaaraban 4, № 2 (2020): 227–49. http://dx.doi.org/10.15642/alfazuna.v4i02.637.

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Translation is involved in human’s activity and social development and it is an international communication tool between people of different languages and cultures. The Arabs have been aware of the art of translation since ancient times. The Qur'an has discussed on the fact that people are created differently in races, ethnics, languages and customs. Translations are not exclusive to a linguistic activity based on what is said, or what is written, it also includes a complex epistemic and linguistic work. Translations are effective in spreading cultures and civilisation. Arabic language is the

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Danyliuk, Liudmyla. "Decorative-usage arts as means of formation of professional competence of future teachers of fine arts." HUMANITARIUM 44, no. 2 (2019): 40–47. http://dx.doi.org/10.31470/2308-5126-2019-44-2-40-47.

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In the article on the basis of analysis and generalization of literary sources, pedagogical theory and practice, the means of formation the professional competence of future teachers of fine arts are determined. The main basis component of the formation of the art culture of future teachers of fine arts is decorative- usage arts, folk art crafts are noted in it. An important condition for the professional activity of future teachers of fine arts is the formation of art culture, which includes the ability to emotionally perceive of the environment, creatively transform it, culture of work, know

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Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause." Artium Quaestiones, no. 30 (December 20, 2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.

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At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. Th

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Talukder, Saurav Chandra, Zoltán Lakner, and Ágoston Temesi. "Development and State of the Art of Entrepreneurship Education: A Bibliometric Review." Education Sciences 14, no. 3 (2024): 295. http://dx.doi.org/10.3390/educsci14030295.

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Entrepreneurship education (EE) plays a vital role in fostering an entrepreneurial culture and promoting the growth of the small- and medium-sized business sector in a nation. Research on EE has advanced extremely rapidly in the last two decades. These changes are evident not only in the quantity of published works but also in the evolving methods of academic communication, the rise of emerging nations as prominent contributors to EE research, and the shifting areas of focus in study themes. This current study aims to provide a comprehensive picture of these processes based on a big-data-centr

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Jim, Alice Ming Wai. "Mise en perspective chiasmique des histoires de l’art global au Canada." Article cinq 9, no. 1 (2018): 97–111. http://dx.doi.org/10.7202/1052630ar.

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This article offers a critical perspective on the pedagogical direction of what I call “global art histories” in Canada by addressing the apparent impasse posed by the notion of what is euphemistically called “ethnocultural art” in this country. It examines different interpretations of the latter chiefly through a survey of course titles from art history programs in Canada and a course on the subject that I teach at Concordia University in Montreal. Generally speaking, the term “ethnocultural art” refers to what is more commonly understood as “ethnic minority arts” in the ostensibly more deris

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Van Kampen, Ukjese. "Our Death is Our Strongest Surviving Tradition. A Guest Essay by the Artist of Our Cover Image." Review of International American Studies 16, no. 1 (2023): 31–47. http://dx.doi.org/10.31261/rias.15431.

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In Canada, Yukon First Nations are politically powerful and, when viewed by an outsider, everything appears to be progressing well. But the adoption of the Western political model has a downside. We have generally sacrificed our culture for that political power. The loss of our culture has resulted in many social problems and this essay discusses what has resulted from those problems, specifically our high death rate. Ironically, our death ritual, the Potlatch, is one of the strongest surviving cultural traditions we still exercise, while our languages, laws, art, lifestyle, and spirituality a

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Suhendra, Darmiko. "PERSPEKTIF HUKUM ISLAM TENTANG SENI." ASY SYAR'IYYAH: JURNAL ILMU SYARI'AH DAN PERBANKAN ISLAM 2, no. 1 (2017): 47–59. http://dx.doi.org/10.32923/asy.v2i1.589.

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Art is defined as the expertise to disclose or express ideas and thoughts a esthetics, including the ability and imagination to realize the creation of objects or the work atmosphere capable of inflicting a sense beautiful. Art is diverse and most of it always questionable in terms of Islamic law. In general, the art divided into two: first, sculpture, painting and drawing. And second, sound art. The main problem in sculpture, painting and drawing is if the object of animate beings, because on the one hand there are numbers of hadith that prohibit making images that are either raised or incurr

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Iacob, Viviana. "Scenes of Cold War Diplomacy: Romania and the International Theatre Institute, 1956–1969." East Central Europe 45, no. 2-3 (2018): 184–214. http://dx.doi.org/10.1163/18763308-04502003.

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The article maps Romania’s involvement with the International Theatre Institute during its first decade of membership. The argument revolves around a number of East–West convergence high points such as the 1959 Helsinki Congress or the 1964 Bucharest Symposium. It analyzes the connections developed by Romanian theatre specialists within the framework provided by iti, the specialized networks they helped create and the domestic impact of these interactions. The article examines the multifaceted Romanian involvement with these projects in national and international context. It begins in 1956, Ro

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Laufer-Ukeles, Pamela. "The Lost Children: When the Right to Children Conflicts with the Rights of Children." Law & Ethics of Human Rights 8, no. 2 (2014): 219–70. http://dx.doi.org/10.1515/lehr-2014-0008.

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Abstract In this essay, I consider the tension between the drive toward the use of assisted reproductive technologies (ART) and the state’s failure to protect interests of children born of ART. I ask the question whether ART should be regulated for the sake of future children’s interests. Taking a narrow view of rights, this essay argues that despite the considerable obstacles posed by Derek Parfit’s non-identity problem and the ambiguity surrounding how to optimize and identify what is “best” for children under the “best interests” standard, there are still basic civil rights of children born

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Reed, Annette Yoshiko. "ABRAHAM AS CHALDEAN SCIENTIST AND FATHER OF THE JEWS: JOSEPHUS, ANT. 1.154-168, AND THE GRECO-ROMAN DISCOURSE ABOUT ASTRONOMY/ASTROLOGY." Journal for the Study of Judaism 35, no. 2 (2004): 119–58. http://dx.doi.org/10.1163/157006304773787447.

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AbstractThis article analyzes Josephus' approach to Abraham and astronomy/astrology in Ant. 1.154-168. This retelling of Genesis 12 describes Abraham as inferring the one-ness of God from the irregularity of the stars, thereby implying his rejection of "the Chaldean science" for Jewish monotheism. Soon after, however, Josephus posits that the patriarch transmitted astronomy/astrology to Egypt, appealing to the positive connotations of this art for apologetic aims. Towards explaining the tension between these two traditions, I first map the range of early Jewish traditions about Abraham and the

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