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Journal articles on the topic 'First person documentary'
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1
Rieser, Klaus. "First-Person Documentary Film and Self-Life Narration." JAAAS: Journal of the Austrian Association for American Studies 1, no. 1 (August 31, 2020): 144–47. http://dx.doi.org/10.47060/jaaas.v1i1.75.
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In lieu of an abstract, here is the first paragraph of this forum contribution: My contribution to this forum on life writing contemplates life narrative practices in documentary film and proposes two theses that also bear relevance for other fields and media under discussion here. Firstly, it problematizes the concepts of autobiography and life writing for their applicability to (documentary) film, arguing with Alisa Lebow for a notion of "first person film."[1] Secondly, it contends that representations of the self in documentary film are more appropriately comprehended as a discourse rather than a genre.
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Hariharan, Veena. "Representations of violence in the first-person documentary: Archival footage and documentary consciousness." Studies in South Asian Film & Media 6, no. 1 (April 1, 2014): 45–59. http://dx.doi.org/10.1386/safm.6.1.45_1.
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Naaman, Dorit. "Unruly Daughters to Mother Nation: Palestinian and Israeli First-person Films." Hypatia 23, no. 2 (June 2008): 17–32. http://dx.doi.org/10.1111/j.1527-2001.2008.tb01183.x.
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This article examines the Israeli documentary My Land Zion and the Palestinian documentary Paradise Lost. Both films are critical autobiographical texts and in both, the woman filmmaker negotiates her emotional and ideological ties with her culture, history, and nation. Naaman proposes that by using the autobiographical genre and by engaging emotionally as well as rationally, the women filmmakers discussed offer a particular gendered position rebelliously outside nationalism and the place of women within it.
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Stőhr, Lorant. "Inside Job. First-person Documentary in Trauma Cinema: "Balkan Champion" (2006)." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 15, no. 24 (June 13, 2014): 5. http://dx.doi.org/10.14746/i.2014.24.1.
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Guo, Chunning, and Baishen Yan. "The story of first-person: Recovering autobiographical memory through the animated documentary Ketchup." Animation Practice, Process & Production 6, no. 1 (December 1, 2017): 115–36. http://dx.doi.org/10.1386/ap3.6.1.115_1.
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Joel Woller. "First-person Plural: The Voice of the Masses in Farm Security Administration Documentary." Journal of Narrative Theory 29, no. 3 (1999): 340–66. http://dx.doi.org/10.1353/jnt.2011.0045.
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Dovey, Jon. "Confession and the Unbearable Lightness of Factual." Media International Australia 104, no. 1 (August 2002): 10–18. http://dx.doi.org/10.1177/1329878x0210400104.
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This paper examines the changes in contemporary documentary practices, in particular the shift to a ‘first-person media’. By looking at certain types of first-person and confessional speech forms in factual television, I hope to offer a case study in how we might continue to distinguish between different kinds of program and to determine their relationship to the public sphere. The rise of first-person media can be seen as a response to the need for a public space in which ‘life world politics' and ‘emotional deomcracy’ are fundamental. The dispersal of intimate speech and confessional discourse is an expression of the changes that have occurred in our social and economic lives. This paper explores documentary and factul television's role in this process.
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Metres, Philip, and Mark Nowak. "Poetry as Social Practice in the First Person Plural: A Dialogue on Documentary Poetics." Iowa Journal of Cultural Studies 12, no. 1 (2010): 9–22. http://dx.doi.org/10.17077/2168-569x.1088.
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Hart, Adam Charles. "The Searching Camera: First-Person Shooters, Found-Footage Horror Films, and the Documentary Tradition." JCMS: Journal of Cinema and Media Studies 58, no. 4 (2019): 73–91. http://dx.doi.org/10.1353/cj.2019.0058.
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Robinson, Luke. "YU, Kiki Tianqi. 2019. ‘My’ Self on Camera: First Person Documentary Practice in an Indi." China Perspectives 2019, no. 4 (December 1, 2019): 54–55. http://dx.doi.org/10.4000/chinaperspectives.9757.
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Mackenzie, Scott, and Anna Westerståhl Stenport. "feature article: Contemporary experimental feminist Sámi documentary: The first person politics of Liselotte Wajstedt and Elle-Máijá Tailfeathers." Journal of Scandinavian Cinema 6, no. 2 (June 1, 2016): 169–82. http://dx.doi.org/10.1386/jsca.6.2.169_1.
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Sapija, Andrzej. "“The Intensity of Looking” at Karabasz, 2018." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 24, no. 33 (March 25, 2019): 166–78. http://dx.doi.org/10.14746/i.2018.33.14.
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The origins of particular documentary films are sometimes difficult to determine, precisely locate and capture in time and space. It is like searching for the source of a river. What marked the beginning of Intensity of Looking, a film about the great documentary film director Kazimierz Karabasz? The beginning of a documentary film’s creation determines the artistic process and elements that shape its strength, energy and main thought. These elements, which sometimes verge on intuition, guide this process, shaping the subject of the film, as well as its meaning, climate and aura. There is a thread connecting the author and the protagonist of the film, something that binds them together during work on the film, and sometimes lasts much longer. The three variants of what initiates the process of making a particular documentary film are as follows. The first is an encounter with a person who could be a character in a documentary film. The second is a thought, idea or problem that a filmmaker wants to address and discuss in a documentary by means of a certain character and story. The third is a return to a character who had been portrayed in a previous documentary film, to tell more about him or her. All three of these variants were the case in the making of Andrzej Sapija’s Intensity of Looking.
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Canella, Gino. "Youth Documentary Academy: The social practices of filmmaking and media advocacy." Journal of Alternative & Community Media 4, no. 2 (July 1, 2019): 31–43. http://dx.doi.org/10.1386/joacm_00047_1.
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Youth Documentary Academy (YDA) is a seven-week documentary workshop in Colorado Springs, Colorado. Through ethnographic research and collaborative filmmaking, I examine documentary production and exhibition as social practices that foster meaningful relationships between media makers and community organisations working for social justice. Between November 2016 and July 2018, I conducted 20interviews with current and former YDA filmmakers, faculty and community organisers. Many YDA filmmakers produced films through first-person point-of-view testimonials, which explored intimate details of their lives and the issues facing their families and communities. Although this narrative style may individualise systemic injustices, I argue that the affective nature of filmmaking and film exhibition, and the partnerships that YDA developed with community organisations, helped youth realise an advocacy role. For filmmakers, the empathic dialogues that emerged at public screenings of YDA films illuminated the way media have the potential to foster solidarity.
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Aizman, Ania. "Documenting migrant labour in Moscow’s Teatr.doc." Maska 30, no. 172 (July 1, 2015): 116–25. http://dx.doi.org/10.1386/maska.30.172-174.116_1.
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In Russia, documentary theatre can be seen as a challenge to a bureaucratic logic that was famously summarized in Mikhail Bulgakov’s novel The Master and Margarita: “If there are no papers, there is no person.” Teatr.doc, the first documentary theatre to open in Moscow, has recorded a “human document” for undocumented immigrants by staging plays about the lives of ethnic minorities in Moscow. Recently threatened with the loss of its 12-year-old basement space, Teatr.doc must be studied as an institution that created space for public discussion despite increasing state supervision of culture. This paper describes Teatr.doc’s efforts to document the everyday lives of undocumented labourers living amidst ethnic stensions in Moscow.
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Killas, Harry, C. Owen Lo, Marion Porath, Yuen Sze Michelle Tan, Chia-Yen Hsieh, and Rachel Ralph. "Learning from the voices and life trajectories of our most able students: A listening guide analysis." Gifted Education International 36, no. 1 (October 17, 2019): 26–49. http://dx.doi.org/10.1177/0261429419878710.
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The “Superkids,” a group of highly gifted students, were first portrayed in a 2004 documentary. In response to the question of what happened to these students after the original film, a second documentary has been produced. The sequel focused on these individual’s lives, their retrospective insights about gifted education, their educational and career choices, and their reflections on their early adulthood. Transcripts of filmed interviews were analyzed using The Listening Guide, a qualitative method for understanding and interpreting voices. The researchers further highlighted first-person voices that may not have been apparent in interviews. This information was used to identify contrapuntal voices among the participants that reflected their views on the meaning of giftedness and their experience of studying in full-time congregated gifted programs. These voices provided a foundation for understanding the variety of pathways to accomplishment, the meaning of the gifted label, and the purpose of education at large.
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Fadlilah, Elisa, and Rika Septyani. "AN ANALYSIS OF DEIXIS USING “BEAUTY AND THE BEAST” MOVIE SCRIPT." PROJECT (Professional Journal of English Education) 1, no. 4 (June 30, 2018): 413. http://dx.doi.org/10.22460/project.v1i4.p413-420.
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This study deals with the English deixis. The objectives of this study are to analyze type of deixis and to find out the frequency of each deixis in the movie entitled Beauty and The Beast. This study was conducted by using descriptive qualitative research. The source of data was taken from the movie script of Beauty and The Beast. Documentary technique is used in collecting data. The findings showed that there are three types of deixis found in the Beauty and The Beast movie script and there are nine frequencies of deixis, namely person deixis in greater occurrences than another. Type of person deixis is used 128 times or (84,21%), which consists of first person used 53 times or (34,86 %), second person used 52 times or (34,21 %), and third person used 23 times or (15,13 %). The next, spatial (place) deixis is used 12 times or (7,89 %) and the last, temporal (time) deixis is used 12 times or (7,89 %) which consists of present used 5 times or (3,28 %), past used 5 times or (3,28 %), future used 2 times or (1,31 %). The least frequently used by the Beast in Beauty and the Beast Speech film`s dialogue was first person deixis used 53 times or (34,86 %). Keywords: Pragmatic, Movie, Deixis
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Förster, Hans. "Der Begriff σημεῖον im Johannesevangelium." Novum Testamentum 58, no. 1 (December 8, 2016): 47–70. http://dx.doi.org/10.1163/15685365-12341504.
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The Greek term σημεῖον is a central term in the Gospel of John where it is used in a characteristic way. It seems that the use of this term in documentary texts might shed light upon its meaning. The sense in the documentary texts comprises “distinguishing mark” to be used in the personal description of an individual. In this sense it can also be used for the circumcision of a non-Jewish person. Thus, the everyday use of the term first and foremost is “mark” and not “sign.” The conclusion of this observation is that the meaning of the term σημεῖον might be misconceived also in the Gospel of John in case that it is translated as “sign.” Part of the central hypothesis is that the semantic content of σημεῖον is also close to the semantics of the Hebrew term אוֹת.
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Petty, Sheila. "Epistolarity, Voice, and Reconciliation in Recent North African Documentaries." Área Abierta 19, no. 3 (November 4, 2019): 347–61. http://dx.doi.org/10.5209/arab.65470.
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This essay takes as its starting point Laura Rascaroli’s notion of “epistolarity as argumentation” to probe how North African filmmakers Habiba Djahnine, Drifa Mezenner, and Jawad Rhalib deploy the letter in their documentary films as a strategy to come to terms with personal alienation at a specific point in their national histories. In Letter to my Sister (2006), I Lived in the Absence Twice (2011) and The Turtles’ Song: a Moroccan Revolution (2013), working within reflexive and performative modes of documentary, the filmmakers become protagonists of their own projects and find their personal voice after years of repression or exile. Thus, they ultimately connect their voice with others of the nation as strategy of reconciliation. The essay argues that these first-person documentaries use the epistolary device to allow the filmmakers to rediscover their own voices and place within their own national histories of Algeria and Morocco.
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Buss, Carla Wilson. "Book Review: 9/11 and the War on Terror: A Documentary and Reference Guide." Reference & User Services Quarterly 56, no. 4 (June 21, 2017): 300. http://dx.doi.org/10.5860/rusq.56.4.300.
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In the nearly sixteen years since the terrible events of September 11, 2001, nearly 13,000 non-fiction books have been written about that day. Topics range from first-person accounts to memorials to collections of documents. A new addition to the crowded field is 9/11 and the War on Terror: A Documentary and Reference Guide. The author, Paul J. Springer, is a Senior Fellow at the Foreign Policy Research Institute and Professor of Comparative Military History at the Air Command and Staff College in Alabama. His work presents excerpts of declassified documents, chosen to illustrate the effects on and between terrorism and counterterrorism. The selected material is freely available elsewhere, but in this collection the author provides a useful chronology and a short analysis of both the impetus to create the document and its effects.
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Canet, Fernando. "Documenting atrocities around the world: Why engage with the perpetrators?" International Journal of Cultural Studies 22, no. 6 (April 19, 2019): 804–22. http://dx.doi.org/10.1177/1367877919840042.
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Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims’ point of view. However, a new tendency has emerged in which the films deal with the perpetrators’ perspective. It is easy to understand how establishing a relationship with a person who has committed atrocities may be problematic. So, why should we engage with perpetrators? The overarching purpose of this article is to attempt to offer some answers to this question. To this end, two methodological approaches are carried out in parallel: first, this article explores a sample of five documentary films and the filmmakers’ considerations of what their engagement with the perpetrators was like. Second, this article reviews the related literature and the controversial reception of these films by some scholars. In doing so, I also posit a theory that 4Rs (remembrance, recognition, remorse, and redemption) are a necessary prerequisite for the fifth R, of reconciliation. The final elaboration of this schema is mainly based on an example of interpersonal reconciliation.
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Chatterjee, Nandini. "Mahzar-namas in the Mughal and British Empires: The Uses of an Indo-Islamic Legal Form." Comparative Studies in Society and History 58, no. 2 (March 29, 2016): 379–406. http://dx.doi.org/10.1017/s0010417516000116.
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AbstractThis paper looks at a Persian-language documentary form called the mahzar-nama that was widely used in India between the seventeenth and nineteenth centuries to narrate, represent, and record antecedents, entitlements, and injuries with a view to securing legal rights and redressing legal wrongs. Mahzars were a known documentary form in Islamic law and used by qazis (Islamic judges) in many other parts of the world, but in India they took a number of distinctive forms. The specific form of Indian mahzar-namas that I focus on here was, broadly speaking, a legal document of testimony, narrated in the first person, in a form standardized by predominantly non-Muslim scribes, endorsed in writing by the author's fellow community members and/or professional or social contacts, and notarized by a qazi's seal. This specific legal form was part of a much broader genre of declarative texts that were also known as mahzars in India. I examine the legal mahzar-namas together with the other kinds of mahzars, and situate them in relation to Indo-Islamic jurisprudential texts and Persian-language formularies. What emerges is a distinctive Indo-Islamic legal culture in contact with the wider Islamic and Persianate worlds of jurisprudence and documentary culture, but responsive to the unique socio-political formations of early modern India. I also reflect on the meanings of law, including Islamic law, for South Asians and trace the evolution of that understanding across the historical transition to colonialism.
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Betancourt, Manuel. "Cineando." Film Quarterly 73, no. 4 (2020): 61–64. http://dx.doi.org/10.1525/fq.2020.73.4.61.
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The release of Chilean filmmaker Patricio Guzman's La Cordillera de los Sueños (Cordillera of Dreams) prompts FQ columnist Manuel Betancourt to reflect upon the reflexive turn in recent nonfiction documentaries from Latin America. Betancourt suggests that Guzmán pioneered the wave of documentary filmmakers in the region whose work marries first-person address with political urgency. Broadening his focus to include Petra Costa and Tatiana Huezo, whose films The Edge of Democracy and Tempestad explore the political collateral damage in Brazil and the violence against women in Mexico respectively, Betancourt argues that these filmmakers' embrace of self-reflexive strategies places them at the forefront of a vital nonfiction tradition that puts personal narratives front and center.
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Parejo, Nekane. ""La sombra del iceberg": un documental de investigación en primera persona sobre la fotografía "El miliciano muerto" de Capa = “The shadow of the iceberg”: investigation documentary in the first person about the photography “The falling soldier” by Capa." Signa: Revista de la Asociación Española de Semiótica 25 (January 1, 2016): 847. http://dx.doi.org/10.5944/signa.vol25.2016.16967.
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Lapteva, Tatiana N. "The Meaning of the Term ‘Reconstruction of the Archival Fond’ in the Russian Historiography." Herald of an archivist, no. 1 (2018): 155–68. http://dx.doi.org/10.28995/2073-0101-2018-1-155-168.
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The article reviews Russian scholarship on reconstruction of documentary complexes. The author traces changes in the conception of ‘reconstruction of the archival fond’ and identifies its basic characteristics. The term ‘reconstruction of the archival fond’ first appeared in 1950s in two meanings: (1) scientific study in order to establish documents composition of lost medieval archives; (2) reunification of segmented fonds in a single archive. In the late 1990s – early 2000s, the term ‘reconstruction’ was redefined as document description of fragmented documentary complexes without the purpose of their reunification. The documentary complexes may have been fragmented both before and after the formation of the archival fond. The object of the reconstruction is not in the documents, but in the information they contained. Documents are selected according to fond provenance (they were to proceed from the same creator) or office of origin. Thus, the term ‘reconstruction’ grows closer to the concept of archival fond arrangement in the sense of linking documents to creators or offices of origin and also defining chronology of the fond. Practical significance of the reconstruction consists in addressing problems of archival heuristics. The reconstruction includes studying of history of the fond creator, ascertaining places of storage of all fond parts, establishing links between its documents, identifying the nature of the document flow, correcting errors in description, detecting duplicate and absorbed information. Product of the reconstruction of an institution archival fond is called ‘documentary fond,’ while product of the reconstruction of a personal provenance fond is called ‘archive of a person.’ The reconstruction produces a representation of a documents complex, as if it was complete and undivided; the representation itself may be a scientific text (a fond description) or a catalog (a series). Currently, the concept of the reconstruction of the fond is regarded in the context of the development of the archives’ digital resources and implies a reunification of fragmented archival fonds or creation of new ones by posting digital copies of documents on the same Internet site.
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Croft, Kerrie, and R. J. S. ‘Mac’ Macpherson. "The evolution of languages administrative policies in New South Wales." Australian Review of Applied Linguistics 14, no. 1 (January 1, 1991): 35–58. http://dx.doi.org/10.1075/aral.14.1.03cro.
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Abstract This paper identifies the nature of the administrative policies prior to ‘The Wyndham Report’ and then traces changes up until the late 1970s. It reports research that used documentary analysis and depth interviews, and has three main findings. First, the administrative policy changes from 1962 to 1979 overlooked their impact on Languages education. Second, school-based decision making exposed Languages to diverse administrative practices, including those that reinforced elitism. Third, the falling numbers of candidates being examined in Languages in the late 1970s was only halted by the introduction of ‘Z Courses’ and by the demand for community languages. From the earliest days of civilization — and until quite recently — it went without saying that the principal business of education was to ensure that an educated person had a mastery of language. Modern Language Association, USA, 1977)
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Stolk, Joanne Vera. "Dative by Genitive Replacement in the Greek Language of the Papyri: A Diachronic Account of Case Semantics." Journal of Greek Linguistics 15, no. 1 (2015): 91–121. http://dx.doi.org/10.1163/15699846-01501001.
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Semantic analysis of the prenominal first person singular genitive pronoun (μου) in the Greek of the documentary papyri shows that the pronoun is typically found in the position between a verbal form and an alienable possessum which functions as the patient of the predicate. When the event expressed by the predicate is patient-affecting, the possessor is indirectly also affected. Hence the semantic role of this affected alienable possessor might be interpreted as a benefactive or malefactive in genitive possession constructions. By semantic extension the meaning of the genitive case in this position is extended into goal-oriented roles, such as addressee and recipient, which are commonly denoted by the dative case in Ancient Greek. The semantic similarity of the genitive and dative cases in these constructions might have provided the basis for the merger of the cases in the Greek language.
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Panyukova, Tatiana. "Dostoevsky’s Godchildren." Dostoevsky and world culture. Philological journal, no. 3 (2020): 240–69. http://dx.doi.org/10.22455/2619-0311-2020-3-240-269.
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The article, based on archival sources, provides new information about two godchildren of F.M. Dostoevsky: Platon Milyukov (with clarification of the name, date and place of his baptism) and Grigoriy Snitkin (the fact of the writer's participation in the baptism has not yet been noted in the biographical literature). Two authentic metric records found in the Central State Archive of Saint Petersburg are put into scientific circulation, allowing to supplement or correct the information contained in the “Chronicle of the life and work” of the writer. The attraction of documentary sources (stored in the Russian State Historical Archive of service and form lists), analysis of the preserved epistolary, reference and biographical literature allowed to attempt to systematize all available data about Grigoriy Ivanovich Snitkin and for the first time to make a biographical reference about his person, native nephew of Anna Grigoryevna Dostoevsky and godson of the writer – thus adding information about F.M. Dostoevsky’s family circle.
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Bentein, Klaas. "Deictic Shifting in Greek Contractual Writing (I–IV AD)." Philologus 164, no. 1 (June 3, 2020): 83–106. http://dx.doi.org/10.1515/phil-2020-0100.
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AbstractMuch attention has been paid to ‘deictic shifts’ in Ancient Greek literary texts. In this article I show that similar phenomena can be found in documentary texts. Contracts in particular display unexpected shifts from the first to the third person or vice versa. Rather than constituting a narrative technique, I argue that such shifts should be related to the existence of two major types of stylization, called the ‘objective’ and the ‘subjective’ style. In objectively styled contracts, subjective intrusions may occur as a result of the scribe temporarily assuming himself to be the deictic center, whereas in subjectively styled contracts objective intrusions may occur as a result of the contracting parties dictating to the scribe, and the scribe not modifying the personal references. There are also a couple of texts which display more extensive deictic alternations, which suggests that generic confusion between the two major types of stylization may have played a role.
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Abdoulaye Samri, Mamane, and Daphney St-Germain. "Can the craze for patient safety hinder a more holistic care of the person in the health care system?" Journal of Nursing Education and Practice 8, no. 12 (June 27, 2018): 9. http://dx.doi.org/10.5430/jnep.v8n12p9.
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Background and objective: Since the publication of a report by the Institute of Medicine on the mortality associated with adverse events in the hospital, patient safety has become one of the essential objectives of the health care system. However, this movement tends to obscure the fundamental link between safety and quality of care in the health system. The study was aimed to demonstrate that the only focus on patient safety concept overshadow the more holistic care of the person and the population in the health care system.Methods: Documentary research in the Pubmed database and the Google Scholar search engine, from 1999 to 2017.Results and conclusion: Highly targeted safety research without addressing quality at first can only be a long-term panacea for current health policies. For cause, a one-way look at patient safety could lead to significant impacts at the population level. In order to get out of this craze, health system decision-makers would benefit from supporting clinical governance advocating humanistic and holistic strategies for interventions, engaging in a process of continuous improvement of the Quality of care more profitable in the long term. In order to overcome this craze, health system decision-makers would benefit from supporting clinical governance that advocates humanistic and holistic strategies for interventions, by engaging in a process of continuous improvement in the quality of care that is most beneficial in the long term. This posture is similar to Caring's well-known nursing model.
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Haliv, M. D., and A. O. Ohar. "The documentary evidence of the deportation of Germans from the territory of Stanislav region of Ukraine (1946)." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 35 (2020): 31–41. http://dx.doi.org/10.21272/shaj.2020.i35.p.31.
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The article publishes and analyzes the documents of the Soviet special services on the deportation of the group of Germans from Stanislav region (October–December 1946). Eight documents presented in this article demonstrate the circumstances of the deportation of a large group of Germans from the territory of Stanislav region of Ukrainian SSR in late 1946. These documents are stored in the State Archives of the Security Service of Ukraine. These are official correspondence between the heads of institutions of the Ministry of Internal Affairs (MIA) at various levels. The first of these documents is the report of one of the executives of the Department of the MIA in Stanislav region, Hrytsenko, on the case of the registration of Germans in Stanislav region who are subject to resettlement. It was reported that 38 German families (34 men, 51 women, 70 children under the age of 16) live in the Dolyna district of Stanislav region – a total of 155 people. They allegedly fled with the German Army as early as 1944, but were intercepted by Red Army and sent home. The Soviet authorities planned to send them to a special settlement in Aktubinsk region of Russia, but temporarily used this group of Germans to build a railway station. The Document № 3 is very important. The telegram was sent from Moscow to Kyiv on November 14, 1946, ordering the German families from Stanislav region of the USSR to be sent to a special settlement in the Mary Autonomous Soviet Socialist Republic in Russia. They were to be handed over to the Suslonger Forestry, which was a structural part of the “Marybumles” Trust. Personal farms and cattle were allowed to be sold. Employees of the Ministry of Internal Affairs of the USSR were obliged to find the required number of vans for the deportation of Germans. The conditions for organizing the deportation of these German families are disclosed in other documents. In the end, according to L. Pastelnyak, the Deputy Head of the Anti-Banditry Department of the Ministry of Internal Affairs in Stanislav region (document № 8), the echelon with the Germans was sent from the Dolyna station on December 29, 1946. Unfortunately, we do not know the circumstances of transporting the group of Germans to Suslonger railway station, as well as the circumstances of their stay at the special settlements and the subsequent fate after the liquidation of the special settlement system in the 1950-ies. Thus, the published documents reveal some circumstances of the deportation of one and a half hundred people of German nationality from the territory of Dolyna of Stanislav region to Russia at the end of 1946. Of course, the operation carried out by the Soviet repressive authorities should be called deportation, i.e. “forced eviction from the place of permanent residence of a person, group of persons or people”. Documents are published in the original language (Russian) in compliance with the necessary archaeographic requirements.
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Rutsinskaya, Irina I. "“Satisfied with the Ruins of Berlin”: The German Capital’s Image in Soviet Graphics of 1945." Observatory of Culture 17, no. 6 (February 10, 2021): 564–75. http://dx.doi.org/10.25281/2072-3156-2020-17-6-564-575.
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An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.
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Abbey, Heidi N. "Does a decade make a difference? Comparing the web presence of North American art museum libraries and archives in 1999 and 2011." Art Libraries Journal 37, no. 3 (2012): 34–40. http://dx.doi.org/10.1017/s0307472200017582.
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The number of North American art museums with a presence on the internet has more than doubled since 1999. This is not surprising given the power of new media to transform the experiences that museum visitors have with our cultural institutions. Every year museums attract thousands of visitors to view, both in person and online, their specialized collections and unique exhibitions. Developing in tandem with these resources and largely unfamiliar to the general, museum-going public, the libraries and archives of these institutions have contributed to the research mission, educational programming, documentary history, and curatorial functions of museums in countless ways. In addition, especially for art historians and other scholars, museum libraries and archives have been and continue to be increasingly valuable for primary and secondary sources, including artists’ correspondence, diaries, sketches, hard-to-find monographs, exhibition records and sales catalogues. What is unclear, however, is the extent to which resources in art museum libraries and archives are being documented, preserved and made accessible online. This research is perhaps the first of its kind to evaluate, on a small scale and during a span of twelve years, the web presence of 22 North American art museum libraries and archives.
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Reinard, Patrick, and Christian Rollinger. "„Meine Seele ist vom Sturm getrieben …“." Millennium 17, no. 1 (November 9, 2020): 163–202. http://dx.doi.org/10.1515/mill-2020-0007.
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AbstractA contribution to a scholarly controversy that has been on-going for a quarter century now, this article provides a critical review of previous studies on the existence of post-traumatic stress disorders (PTSD) as a consequence of extreme violence in the ancient world. It highlights methodological difficulties in attempting to ‘diagnose’ psychological illnesses across a distance of more than two millennia by means of highly stylized literary texts. Simultaneously, it introduces crucial new evidence in the form of a late antique papyrus originally published in 1924 (P.Oxy. 16/1873), which has hitherto been almost completely ignored by scholarship. The papyrus, a letter written by a man called Martyrios in sixth century Lycopolis and addressed to his father, recounts psychological war trauma as a result of an attack on his hometown. He does so in a first-person perspective, using a highly select and unusual vocabulary to describe his emotional impairment. Because of its syntactical and vocabulary extravagance, this letter is sometimes seen as a fictional literary reflex. The authors argue, on the contrary, that this letter is the only reliable documentary evidence for psychological war trauma from the ancient world known so far.
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Cati, Alice. "The vulnerable gaze of the migrant." Alphaville: Journal of Film and Screen Media, no. 18 (December 1, 2019): 54–69. http://dx.doi.org/10.33178/alpha.18.05.
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In the current media system, we are observing the increasing sedimentation of symbolic forms, discourses and imagery regarding contemporary migrations. With the reuse of videos filmed by migrants, the documentary form represents the best “yielding field” where intercultural modes of representation and visual self-inscriptions can be constantly reinvented. In particular, videos made with nonprofessional devices have drawn viewers’ attention to the capacity of moving images to bear witness to reality “from below” and, in some respects, to reproduce aesthetically the opacity and the contingency of events, even the most tragic ones. This paper examines how such a gaze, when it is embodied by the migrant subject, raises questions about the representation of a first-person experience, an experience which paradoxically constitutes a denial of all identity and subjectivity in a deeper sense. To do this, two interesting experiments recently hosted by the website of the Italian newspaper La Repubblica will be analysed: the web series Com’è profondo il mare and Un unico destino—Tre padri e il naufragio che ha cambiato la nostra storia. These web series not only represent traumatic events, but the images show clashes within the depictions themselves and a collision or negotiation between conflicting points of view.
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Rusnak, Iryna. "Very ardent in words and frank in thoughts (touches to the boigraphy of Ulas Samchuk)." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 48–60. http://dx.doi.org/10.28925/2412-2475.2020.16.7.
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The epistolary of the writer is an important material for literary studies. He retains a powerful biographical potential, has a cultural weight and, losing the status of privacy and acquires the status of documentary evidence of a particular era. Letters allow you to feel the artist as a person, delve into his inner world, learn something special about his worldview, emotional movements of the soul, and penetrate the secret of the creative laboratory. For the first time, the poetics of Ulas Samchuk’s intimate letters is analysed in the article; an attempt is made to add essential details to the psychological portrait of the writer. The author described the thematic content of love letters, their mood and expression, revealed the writer’s understanding of the concept of «love» and its meaning in the life of a person. The emotive space of the love epistolary is associated with the author and his beloved. The letters contain precise auto-characteristics of the writer related to the realization of his own artistic mission. The writer expressed his attitude to the artistic tastes of his chosen one, appreciated the organic combination of sensuality and intellectualism in her paintings. The mature love of U. Samchuk showed a deep personal transformation of the writer, made an ennobling and harmonizing influence on the work of this period. During this time, two books of memoirs and three novels were created and published, one novel and two plays were completed. The writer’s love letters made it possible to assess the degree of autobiography of the novel «On Solid Land» (1967), including finding in the work undoubted elements of autobiography. An intimate epistolary gave unique evidence of where the writer got his inspiration for fruitful work in the 1950s-1960s, what were the prerequisites and mechanisms of the creative process while working on a novel from the life of Ukrainian emigration in Canada.
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Kushnarenko, N. N., and A. A. Solyanyk. "New Discoveries in N. A. Rubakin’s Works." Scientific and Technical Libraries, no. 7 (September 4, 2020): 121–32. http://dx.doi.org/10.33186/1027-3689-2020-7-121-132.
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In the review of the monograph by Yury Nikolayevich Stolyarov (Stolyarov Yu. N. Rubakin regained / Yu. N. Stolyarov. – Moscow: RSLA (Russian School Library Association), 2019. – 416 p. : il.)Yu. Stolyarov’s contribution to studying N. A. Rubakin’s legacy is emphasized. This publication is a unique, large scale study of Nikolay (Nicholas) A. Rubakin’s comprehensive creative and social activities as a library scientist, bibliographer, bibliognost, expert in psychology and sociology of reading, science communicator, talented writer, educator and a person of encyclopedic knowledge. The author’ respectful and efficient use of the research potential of dialectical approach enables to prove, at the substantial methodological level, the viability of Rubakin's main scientific brainchild, the theory of bibliopsychology based on an objective research framework and an unprecedented empirical findings. For the first time, the monograph author introduces significant factual and documentary evidence into scientific discourse, and proves that the method developed by Rubakin interrelating the book and the reader was ahead of time by a century. The influence of N. A. Rubakin’s predecessors, his teachers and students and their contributions to the theory and methods of bibliopsychology are discussed. Rubakin’s bibliopsychological portraits of prominent figures of his time are also of great scientific and historical value. The reviewers emphasize that Yu. N. Stolyarov’s monograph enriches significantly the library science, and is to facilitate further understanding of N. A. Rubakin’s contribution to the world book culture.
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Hering, Bob. "Indonesian Nationalism Revisited." Journal of Southeast Asian Studies 18, no. 2 (September 1987): 294–302. http://dx.doi.org/10.1017/s0022463400020567.
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With two large volumes, the Derde and Vierde Stuk (third and fourth volumes), containing 1794 pages, Drs R. C. Kwantes has brought to an end, the ZWO funded collection of colonial documents on the indigenous nationalist movement in the former Dutch colony of Indonesia. After the appearance of the first tome, dealing with the nationalist movement up to the year 1917 and compiled in 1967, by the now deceased Professor S. L. van der Wal, Kwantes has been responsible for the coverage of the period 1917–23 (published in 1975), the period 1923–28 (published in 1978), and the present two volumes, here under review, one for 1928–33 (published in 1981) and the other for 1933–42 (published in 1982). All these volumes bear the hallmarks of meticulous professional polish and careful selection, and anyone even fleetingly familiar with the documentary opulence of the Dutch colonial archives has all the reason to deeply appreciate Kwantes' editing labours of the past few years. Moreover, in annotations, bibliographical references, the listing of detailed person- and subject-indexes, and of source-data against their origin, together with lengthy 34 pages in the Derde, and 33 in the Vierde Stuk content-abstracts in English, Kwantes did surpass the skills of his deceased predecessor, thus adding an extra degree of distinction and flavour to the entire multi-work collection he compiled.
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Murashkin, Michail. "ANOTHER postmodern (human nature and religious-mystical culture)." Grani 23, no. 5 (August 10, 2020): 77–86. http://dx.doi.org/10.15421/172055.
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The aim of the study is to clarify and shed light on the phenomenon of OTHER postmodernism, the importance and significance of its characteristics as another within man himself, which regulates and purifies what is in human nature, which is reflected in religious and mystical culture and art. Also on the materials of psychology, as a parallel with OTHER postmodern, the phenomenon of compensatory enlightenment, the importance and significance of its characteristics as the spontaneous loss of insignificant, unimportant, shallow thoughts and vanity that exists in human nature. The importance and significance of compensatory enlightenment is demonstrated by the example of the connection with the transcendence of philosophical culture, as well as religious-mystical and aesthetic-artistic cultures. When we speak of the transcendence of philosophical culture, we mean the consideration by this culture of those states of man which cannot be reliably conveyed in words, but which are nevertheless presented in documentary as higher states of consciousness. The methodology of obtaining new knowledge is based on a comparative method of research, collecting the characteristics of another postmodern and inductive reasoning in this regard. Documentary texts are compared, generalizations of these texts are found. At the same time, different human states are compared on the examples of religious and mystical culture. The scientific novelty lies in the fact that for the first time such a phenomenon of human nature as the recognition of one’s own other within oneself is considered, which can be recorded in such categories as "compensatory enlightenment", "transcendent", "numinous". , "Sacred". The subject of research is considered in connection with the transcendence of philosophical culture, with such areas of culture as religious-mystical and aesthetic-artistic. Conclusions. It has been found that the other post-modern, as the inner recognition of one’s own other within oneself, can be understood as a compensatory enlightenment, which is a non-negative phenomenon of human nature. Another postmodern is related to the creative process at the stage of "maturation", in which a person destroys his outdated personality. This is highlighted in the demonstration of the transcendence of philosophy, as well as religious and mystical culture.
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Khalilova, Lyudmila A. "BATTLE OF BRITAIN: LONDON IN LONDONERS’ COMMEMORATIONS." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 4 (2020): 84–98. http://dx.doi.org/10.28995/2073-6339-2020-4-84-98.
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The article is devoted to the Blitz commemorations of the citizens of London. Such WWII memoirs are extremely precious since they give the reader a first-person view of the witness’s actions, feelings, experiences. Reminiscences make us deeply involved in different events of the Blitz, showing both the unbelievable ruthlessness of the enemy and the endeavor of the citizens of the British capital to retain their human nature. The Blitz period has originated a lot of accounts connected with the scale of bombardment. The present papertacklesthe recollections ofrenownedwriters,war correspondents, artists, people at work – firefighters and local defense volunteers. Ordinary citizens – grown-ups and children – were also among the onlookers. Ernie Pyle, a famous journalist, presented a description of blanket night bombings, one of which resulted in the Second Great Fire of London. Virginia Woolf did not only describe her feelings during an air raid but also reflected on future peace. Eyewitnesses’ accounts convey the images of devastation, sufferings, horror. And, at the same time, people stayed heroic and defiant, they continued living among the ruins – sheltering, developing their own mini-governments in the Tube, playing cricket amidst debris, digging for victory. Moreover, as Henry Morton, another famous journalist and traveler, reported, Londoners had not lost their sense of humor even under unrelenting bombardment. The documentary sources indicate that the spirits were high: the old and the young, the rich and the poor were getting along, joined together. Those people were
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Queiroz, Luiz Alberto, and Nara Lima Alexandre. "Fundamentos humanísticos na formação de estudantes de medicina: estudo de caso." International Journal of Health Education 2, no. 1 (October 25, 2018): 19. http://dx.doi.org/10.17267/2594-7907ijhe.v2i1.1815.
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Background: Medicine has been gaining high technological power, essential for many diagnoses and current treatments. On the other hand, one observes the distancing of the physician from what should be his instrument of work: the person. Bahiana School of Medicine has been implementing actions aimed at integrating the student into the subjective elements of medical practice through such subjects as the Psychodynamics of the Medical Clinic. Objectives: To portray the reality of the teaching of the discipline Psychodynamics in the Bahiana School of Medicine and Public Health; to evaluate the performance of the psychodynamic material taught in the 7th semester of the medical course, as well as the need to teach humanistic fundamentals to the student community of this school. Methods: Case study conducted through documentary analysis, interview with professor of the subject and application of questionnaire. After approval by the Ethics Committee, questionnaires containing sex, age, year of the course, questions related to the subjects developed in the subject were applied, such as doctor-patient relationship, death and dying, medical vocation and humanization etc. Results: The goal of psychodynamics is to provide an integral view of the patient. The questionnaires were answered by 124 students distributed between the 4th, 5th and 6th grades. 88.7% agreed that the subject provided grounds for establishing an effective physician-patient relationship. 91.2% agreed that the subject drew attention to the therapeutic aspect that can have the doctor-patient relationship. 99.2% agree that in order to meet humanity, it is first necessary to humanize. 86.3% of the students agree on the need to teach humanistic fundamentals throughout the course. Conclusions:A Psicodinâmica da Clínica médica vem atingindo os objetivos propostos. Há necessidade do ensino de fundamentos humanísticos durante todo curso de medicina.Background:Medicine has been gaining high technological power, essential for many diagnoses and current treatments. On the other hand, one observes the distancing of the physician from what should be his instrument of work: the person. Bahiana School of Medicine has been implementing actions aimed at integrating the student into the subjective elements of medical practice through such subjects as the Psychodynamics of the Medical Clinic. Objectives:To portray the reality of the teaching of the discipline Psychodynamics in the Bahiana School of Medicine and Public Health; to evaluate the performance of the psychodynamic material taught in the 7th semester of the medical course, as well as the need to teach humanistic fundamentals to the student community of this school. Methods: Case study conducted through documentary analysis, interview with professor of the subject and application of questionnaire. After approval by the Ethics Committee, questionnaires containing sex, age, year of the course, questions related to the subjects developed in the subject were applied, such as doctor-patient relationship, death and dying, medical vocation and humanization etc. Results: The goal of psychodynamics is to provide an integral view of the patient. The questionnaires were answered by 124 students distributed between the 4th, 5th and 6th grades. 88.7% agreed that the subject provided grounds for establishing an effective physician-patient relationship. 91.2% agreed that the subject drew attention to the therapeutic aspect that can have the doctor-patient relationship. 99.2% agree that in order to meet humanity, it is first necessary to humanize. 86.3% of the students agree on the need to teach humanistic fundamentals throughout the course. Conclusions: A Psicodinâmica da Clínica médica vem atingindo os objetivos propostos. Há necessidade do ensino de fundamentos humanísticos durante todo curso de medicina.
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EMIGH, REBECCA JEAN. "The gender division of labour: the case of Tuscan smallholders." Continuity and Change 15, no. 1 (May 2000): 117–37. http://dx.doi.org/10.1017/s0268416099003501.
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What explains the gender division of labour in preindustrial economies? Although men and women frequently do different types of labour in any given society, men's and women's tasks vary considerably across different societies. In some societies, women engaged in trade and agriculture (in parts of Africa, for example); though these were men's duties in others (in parts of Europe, for example). At the same time, European historians discovered that women often engaged in tasks, such as agricultural labour and commerce, that were often assumed to be the domain of men, again suggesting a wide variation in the gender division of labour. Understanding the division of labour in preindustrial economies is important, because these historical cases often serve as implicit or explicit referents for understanding how much – or how little – has changed in contemporary societies.A number of excellent works, such as those by Barbara Hanawalt and Martha Howell, have explored women's roles in the economy. However, often missing from treatments that focus on women's history is an analysis of the gender division of labour, that is, an explicit comparison of men's and women's activities. Undoubtedly, such a comparison is hampered by the difficulties of finding documentary sources that provide the appropriate type of evidence.This article takes up this task in a particular way, by examining single-person households, composed of either males or females in fifteenth-century rural Tuscany. This empirical evidence is useful for several reasons. First, from an analytical perspective, it makes it possible to compare explicitly the activities of men and women who are in an identical position, that is, living alone. Second, as I discuss below, the documentary record from this period makes it possible to provide the evidence for this comparison. Third, this evidence provides historical information on a relatively under-researched group, rural widows and widowers. For example, there is generally more information available for Florentine women than for female rural inhabitants. Furthermore, little research explicitly compares men's and women's tasks to examine the gender division of labour. Although Piccinni and Mazzi and Raveggi provide much information about women's duties and activities in rural Tuscany, their work does not directly address the gender division of labour. While the archival evidence presented below cannot explain the division of labour at all points in individuals' life courses, it does provide explicitly comparative information about men and women.
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Bryzgalova, Maria D. "The New Prose of Tatyana Tolstaya." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 4 (2019): 87–97. http://dx.doi.org/10.21684/2411-197x-2019-5-4-87-97.
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This article studies the characteristics of Tatyana Tolstaya’s prose of the 2010s, that was compiled with her essays and previous works into a tetralogy: “The Imperceptible Worlds” (2014), “The Girl in Blossom” (2015), “The Invisible Maiden” (2015), “The Century Made of Felt” (2015). This study aims to identify the creative strategies used by the writer, as well as to trace how Tolstaya describes her particular topics in different genres. Hopefully, this will fill in the lacuna in the contemporary Russian literature studies, as Tolstaya’s works have received little academic attention despite their popularity among contemporary readers. To achieve this goal, the author of this article has applied structural-semantic and textological methods. The main feature of Tolstaya’s “new prose” is the transition from the third person narrative to the first. These changes are closely related to Tatyana Tolstaya’s creative roles, such as a teacher, a journalist, a TV-presenter, and a blogger. The role of an author is the main role as it affects the rest. The topics and motifs, present in Tolstaya’s previous fiction and non-fiction works though quite indirectly and detached, come to the fore in 2010s. The main themes include time, memory, and folk mentality. New novels and short stories can also be characterized by the motive of many worlds: the real world is surrounded by other worlds — the “aetherial” ones. Tolstaya’s “new prose” is undoubtedly intertextual, which is necessary for her style. It combines documentary and artistry, autobiographical features and a certain measure of detachment, which allow seeing an autobiographical heroine in the text.
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Blokhina, N. N. "Emperor Nicholas II free hospital and clinic for visiting patients at the Kiev Pokrovsky monastery at the end of XIX and beginning of XX century." Kazan medical journal 96, no. 4 (August 15, 2015): 697–702. http://dx.doi.org/10.17750/kmj2015-697.
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The article describes the Kiev Pokrovsky monastery hospitals for outpatients, providing the medical aid at the end of XIX and at the beginning of XX century for the population of South-West and North-West region of the Russian Empire. Interesting documentary facts are enlightened: «December 6, 1898 Emperor Nicholas II Highest deigned to call the hospital and clinic for outpatients as the “Free hospital and clinics for outpatients of Emperor Nicholas II at the Kiev female cenobitic monastery”». The article uncovers the activities of a magnificent doctor Nikolay Viktorovich Solomka, companion of the Grand Duchess Aleksandra Petrovna, who was able to find proper word for moral and spiritual influence on patients while addressing to the colleagues and sisters. Medicine in Kiev Pokrovsky Monastery-hospital was praised by an authoritative person and statesman, Academician Georgiy Ermolaevich Reyn (in future - long-term chairman of the Medical Board of the Ministry of Internal Affairs, the first chief superintendent of the Main Directorate of Public Health). According to the report of the scientific mission of doctor A. Turkevich to the Kiev Pokrovsky Monastery-hospital, discovered by author, we can get a picture of the state of affairs in the medical facilities of the monastery. Achievements, raising the Monastery-hospital on the unprecedented level, are becoming evident. It is no coincidence that doctors - Delegates of the «Pirogov’s VI Congress» and doctors - delegates of the «X Congress of Russian naturalists and doctors» praised all of his hospital institutions and medical personnel while being acquainted with the Kiev Pokrovsky Monastery-Hospital.
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Azalia, Felda Rizki. "Perlindungan Hukum terhadap Anak Sebagai Korban Kekerasan yang Terjadi di Sekolah." Wajah Hukum 4, no. 1 (April 24, 2020): 169. http://dx.doi.org/10.33087/wjh.v4i1.76.
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Acts of violence experienced by children, especially in schools are of concern to the Indonesian Child Protection Commission. This becomes the background that needs to be reviewed further about the legal protection received by children as victims of school violence, as we know that the school is a place to educate children to become educated human beings. The role of a teacher is as a parent in school, should provide appropriate education and learning, not to be a person against violence against students at school. The focus of the problem that will be discussed is first, what are the factors that cause high acts of violence against children in schools that occur in Indonesia at this time and second how the actions taken by KPAI and the Government in overcoming problems of violence against schools like what is happening in Indonesia today . This paper uses the research method used is normative legal research that uses the method of gathering legal material is a literature study or documentary study. The expected outcome of this research is to give an appeal to teachers, parents and students so that schools need to be involved in the supervision of their students and carry out some roles that schools can take to protect their children or students by resuming the teacher's function as a moral educator and devoted to God Almighty, provides motivation and enthusiasm, especially from parents at home to teach children to think positively about the violence that has happened to him.
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Alexandrova-Osokina, О. N. "Family Chronicle Traditions in Contemporary Far Eastern Literature." Nauchnyi dialog, no. 5 (May 28, 2021): 155–68. http://dx.doi.org/10.24224/2227-1295-2021-5-155-168.
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The questions of the content and genre poetics of the works of the Khabarovsk writers V. V. Sukachev (“At the hearth”) and T. I. Gladkikh (“Amur Cossacks Korenevs”) are considered. The relevance ofthe study is due to the value of the literary and regional studies material for the formation of a holistic picture of the national historical and literary process. The novelty of the research lies in the fact that the work of the named authors has practically not been studied, and their works, considered in the article, for the first time became the subject of literary study. Attention is paid to the themes and problems of the works that reveal the tragic events of the national history of the twentieth century: the deportation of the Russian (Crimean) Germans in 1941; post-revolutionary fate of the Amur Cossacks. The experience of analyzing the genre specificity of works connecting family chronicle, parable, fictionalized biography, memoirs is presented. Comparative analysis of the works made it possible to reveal the commonality of the organization of plot and compositional elements inherent in the genre of family chronicles. Particular attention was paid to the specificity of the author’s approach in the artistic processing of historical and biographical material (methods of aestheticization and fictionalization of documentary material, the embodiment of the author’s image, describing the fate of generations, creating the image of the “ancestor”, the use of symbolism). In the process of analysis, the idea was substantiated that the works have a pronounced value component, asserting the absolute value of the human person.
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Prontenko, K. V., V. Ya Andreychuk, V. B. Klimovich, T. A. Malechko, I. V. Pilipchak, M. V. Shpalov, and M. M. Dominyuk. "The effectiveness of sportsmen‟ training in the kettlebell long cycle at the present stage." Scientific Journal of National Pedagogical Dragomanov University Series 15 Scientific and pedagogical problems of physical culture (physical culture and sports), no. 8(128) (December 28, 2020): 159–63. http://dx.doi.org/10.31392/npu-nc.series15.2020.8(128).34.
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The effectiveness of sportsmen‟ training in the kettlebell long cycle is an urgent problem in kettlebell lifting. Trainers and scientists in many countries are looking for ways to improve the system of training in the kettlebell long cycle, as the system of training in kettlebell biathlon is quite effective, and there are still many unresolved issues in training system in kettlebell long cycle.
The article is devoted to the study of the current state of system of training in the kettlebell long cycle. The dynamics of the implementation of the standards of Master of Sports (MS) and Master of Sports of International Class (MSIC) in the kettlebell long cycle for the period from 2016 to 2019 has been analyzed. The study involved male kettlebell lifters (aged 18-40) of national teams of regions of Ukraine of different weight categories: up to 63 kg, up to 68 kg, up to 73 kg, up to 78 kg, up to 85 kg, up to 95 kg, over 95 kg. The protocols of all-Ukrainian and International kettlebell lifting competitions in the long cycle were analyzed. Research methods: theoretical analysis and generalization of scientific and methodical literature, documentary method (study of competition protocols), methods of mathematical statistics.
It was found that the number of athletes who fulfilled the standards of MS and MSIC at first in 2019 (MS – 4 people, MSIC – 1 person) is significantly less than in 2016 (MS – 7 people, MSIC – 3 people) by 42.9% (MS) and 33.3% (MSIC). It testifies to the insufficient efficiency of the training system of athletes in the kettlebell long cycle at the present stage and the need for its improvement.
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Aasman, Susan, Liliana Melgar Estrada, Tom Slootweg, and Rob Wegter. "Tales of a Tool Encounter." Audiovisual Data in Digital Humanities 7, no. 14 (December 31, 2018): 73. http://dx.doi.org/10.18146/2213-0969.2018.jethc154.
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This article explores the affordances and functionalities of the Dutch CLARIAH research infrastructure – and the integrated video annotation tool – for doing media historical research with digitised audiovisual sources from television archives. The growing importance of digital research infrastructures, archives and tools, has enticed media historians to rethink their research practices more and more in terms of methodological transparency, tool criticism and reflection. Moreover, also questions related to the heuristics and hermeneutics of our scholarly work need to be reconsidered. The article hence sketches the role of digital research infrastructures for the humanities (in the Netherlands), and the use of video annotation in media studies and other research domains. By doing so, the authors reflect on their own specific engagements with the CLARIAH infrastructure and its tools, both as media historians and co-developers. This dual position greatly determines the possibilities and constraints for the various modes of digital scholarship relevant to media history. To exemplify this, two short case studies – based on a pilot project ‘Me and Myself. Tracing First Person in Documentary History in AV-Collections’ – show how the authors deployed video annotation to segment interpretative units of interest, rather than opting for units of analysis common in statistical analysis. The deliberate choice to abandon formal modes of moving image annotation and analysis ensued from a delicate interplay between the desired interpretative research goals, and the integration of tool criticism and reflection in the research design. The authors found that due to the formal and stylistic complexity of documentaries, also alternative, hermeneutic research strategies ought to be supported by digital infrastructures and its tools.
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Jurcă, Vlad. "Tradiții și obiceiuri în satul Vasile Goldiș (Mocîrla), jud. Arad." Anuarul Muzeului Etnograif al Transilvaniei 32 (December 20, 2018): 118–35. http://dx.doi.org/10.47802/amet.2018.32.08.
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The village Vasile Goldis is located in the eastern part of Zarand’s Depression. It is a village that belongs to the commune Beliu. Over time, this beautiful place suffered lots of changes regarding its name. At the beginning its name was Mocirla, then Lunca Teuz, ultimately ending up with the name of the head (leader) who led the Great Union from 1918. Vasile Goldis was born in the village that has his name. 1552 is the year where we have the first documentary attestation; the settlement takes the name from “Mochola” stream. Vasile Goldis was born on the 12th November 1872 in Mocirla, in his grandfather’s house, named Teodor. His parents were Isaia and Floarea. Even nowadays, the people of this village keep the old words and sayings, most often used in spells and different sayings specific for wedding and funeral ceremonies. In my research I found in the village many holiday customs, that are about to be forgotten because they aren’t practiced any more. In our country we have a lot of customs that are unique for every important event in a person’s life; they go from birth to death. The customs specific for birth are kept even today with small changes. The childhood and the entire life are defined to the spell, so each person should be protected from evil things. The wedding is a complex ceremonial which brings together the entire village. Relatives, neighbours, friends bring their gift, which consist of food products, to the groom and bride. The wedding starts in the morning or at the latest in the afternoon. The groom goes with some of the wedding guests and with the musicians first to the godparents’ house, then to the bride’s home. Together with the bride, they go to the groom’s house, where the party will be held. The funeral, just like the wedding, was an event where the entire village took part. The death of a person from the community was announced by the bell of the village’s church. The bell beat in a certain way. The funeral was organized with the help of relatives and friends; in this way everything was ready for the day of the funeral. The holidays over the year were usually celebrated individually in the family; they were rarely celebrated with all the people in the village. Collective customs gathered the entire village and this was shown trough dances and raft meetings. Through this research I tried to rediscover some customs and customs that are soon to be forgotten, but they define us as a nation.
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Mineva, Darina. "QUALITY FORMATION FACTORS IN ECONOMIC AND HEALTHY FIELDS - REVIEW AND COMPARATIVE CHARACTERISTICS." KNOWLEDGE INTERNATIONAL JOURNAL 30, no. 1 (March 20, 2019): 191–95. http://dx.doi.org/10.35120/kij3001191m.
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This publication aims to define the driving forces for the formation of quality knowledge and their practical role in the business and healthcare system, which is important for each manager in terms of quality development and quality management. Documentary and historical methods have been explored over many scientific publications. Quality concepts have been explored to give an insight into the nature of both types of needs - the manufacturer and the consumer, and how they have been managed over time so they have "altered" the quality of products and services by creating new features. Quality concepts deliver the first and most important factor in shaping quality - the needs of entrepreneurship and consumers. In the business sphere, the factors influencing the quality are manifested through the "Integrated Quality Control System and are: policy, information, design and construction, materials, equipment, labor resources, maintenance. The factors determining the development of the quality of products / services in the economic and medical spheres can be classified into five groups: needs, economic factors, market, achievements of science and technology - new technologies, education - development, level of professional qualities, public relationships, level, person and social environment and governance. They have different influence and strength in each of the two spheres Among the factors for the development of quality there is dependence and mutual influence, arising from the relations in the society, based on the economic relations. Their core is built up by the two types of needs - those of the manufacturer and those of the user. By their very nature, they are antagonistic needs linked to different individual motives, which are the subject of a separate study. Combining and synchronizing individual and public interests is a factor in shaping the welfare state policy.
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Bobrus, V. V. "LENINGRAD INSTITUTE OF TRANSFUSION UNDER THE SIEGE AND IN FIRST POSTWAR PERIOD. TRUTH AND FICTION." Marine Medicine 6, no. 5(S) (January 20, 2021): 29–45. http://dx.doi.org/10.22328/2413-5747-2020-6-s-29-45.
Full textAbstract:
Basing on detailed study of open information and documentary sources, the author of the paper assumed the ground-lessness of official narrative setting out in the A. A. Crohn’s book «Deep-sea master. A tale of friend” (Moscow, New World Journal. Congress of People’s Deputies of the Soviet Union Publishing House, 1984. 272 p.) with regard to causes of conviction of the Hero of the Soviet Union, Diver No. 1 — A. I. Marinesco, as a result of malice from former director of Leningrad Institute of Transfusion (LIT) — associate professor, candidate of medicine V. V. Kuharchik. An exceptional importance of collaborative work of collective and chiefs of LIT on organization of donor movement under the severe conditions of the siege Leningrad and in a time of despiteous political repressions during the Great Patriotic War was shown. On the basis of analysis of confusion of biographies of two special persons: A. I. Marinesco and V. V. Kuharchik, it was made a conclusion of necessity of continuation historical and documentory studies aimed to discover the historical truth representing heroism of Soviet people at struggle with fascism.