Academic literature on the topic 'Fitzcarraldo'

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Journal articles on the topic "Fitzcarraldo"

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Ascárate, Richard John. "“Have You Ever Seen a Shrunken Head?”: The Early Modern Roots of Ecstatic Truth in Werner Herzog's Fitzcarraldo." PMLA/Publications of the Modern Language Association of America 122, no. 2 (2007): 483–501. http://dx.doi.org/10.1632/pmla.2007.122.2.483.

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Shortly into Werner Herzog's South American film Fitzcarraldo (1982), the Peruvian rubber baron Don Aquilino (José Lewgoy) asks the eponymous protagonist (Klaus Kinski) if he has ever seen a shrunken head. This paper argues that Fitzcarraldo's short, fumbling response (“Yes. I mean, no. Sort of …”) calls into question both the European tradition of representing the New World and the very status and nature of the film image. Close analysis of a single visual from the film also demonstrates the difficulty of constructing images endowed with what the director has called over the years “ecstatic t
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Rogers, Holly. "Fitzcarraldo's Search for Aguirre: Music and Text in the Amazonian Films of Werner Herzog." Journal of the Royal Musical Association 129, no. 1 (2004): 77–99. http://dx.doi.org/10.1093/jrma/fkh003.

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This article explores the filmic relationship between music, text and image through an intertextual reading of Herzog's two Amazonian films, Aguirre: Wrath of God and Fitzcarraldo. When Aguirre and Fitzcarraldo encounter each other in the rainforest, 300 years apart, a complicated interplay of history and legend, truth and fiction, is initiated. Awash with magical occurrence, the forest has its own endlessly repeating soundtrack (written by Popul Vuh). The ability of both explorers to defend themselves from the forest depends on their relationship to this music: Aguirre, the earlier explorer,
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Koepnick, Lutz P. "Colonial Forestry: Sylvan Politics in Werner Herzog's Aguirre and Fitzcarraldo." New German Critique, no. 60 (1993): 133. http://dx.doi.org/10.2307/488669.

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PRAGER, B. "Werner Herzog's Hearts of Darkness: Fitzcarraldo, Scream of Stone and Beyond." Quarterly Review of Film and Video 20, no. 1 (2003): 23–35. http://dx.doi.org/10.1080/10509208.2003.10555038.

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Cunnington, Trevor. "The Night Moon: Whiteness, Modernization, Hybridity, and the Aguarana in Fitzcarraldo." Quarterly Review of Film and Video 31, no. 1 (2013): 1–10. http://dx.doi.org/10.1080/10509208.2011.575680.

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Wickerson, Erica. "Book Review: Lutz Koepnick: Fitzcarraldo Christian Rogowski: Wings of Desire Brad Prager: Phoenix." Journal of European Studies 51, no. 2 (2021): 176–77. http://dx.doi.org/10.1177/00472441211013111p.

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Junior, Benjamin Abdala. "No fluxo das águas: jangadas, margens e travessias." O Eixo e a Roda: Revista de Literatura Brasileira 12 (June 30, 2006): 68–83. http://dx.doi.org/10.17851/2358-9787.12.0.68-83.

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A partir da análise de imagens do filme Diários de motocicleta,de Walter Salles, são discutidos os sentidos da travessia do rio Amazonaspelo estudante Ernesto Guevara de La Serna, quando dialoga com astravessias da obra de Guimarães Rosa e, em especial, com o conto“Orientação”, da coletânea Tutaméia. O rio Amazonas é nuclear paraessas observações. Em torno dele, são enfocados ainda os romances Ajangada, de Júlio Verne; o filme Fitzcarraldo (o preço de um sonho), deHerzog; e escritos de Euclides da Cunha. Um dos temas centrais deGuimarães Rosa, a travessia, serve de motivo para a discussão depa
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Kühl, Paulo. "Visões cinematográficas da ópera nos trópicos." ARJ – Art Research Journal / Revista de Pesquisa em Artes 4, no. 1 (2017): 57–75. http://dx.doi.org/10.36025/arj.v4i1.11087.

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Na visão europeia sobre o Brasil às Américas, há uma constante oposição entre natureza, muitas vezes vista como hostil, e civilização. A partir da chegada da corte portuguesa no Rio de Janeiro, há duas tendências gerais na visão sobre as transformações no país: ou a necessidade de se “forçar” a civilização na nova sede do império luso, através de diversos projetos, ou a de uma busca de “aclimatação” da cultura europeia. Processos complementares, que às vezes se apresentam como opostos. A proposta do presente artigo é discutir, através dos filmes Orphée Noir de Marcel Camus e Fitzcarraldo de We
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Abdala Junior, Benjamin. "FLUXOS COMUNITÁRIOS: JANGADAS, MARGENS E TRAVESSIAS." Via Atlântica, no. 8 (December 16, 2005): 10. http://dx.doi.org/10.11606/va.v0i8.50009.

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<p class="western"><span style="font-family: 'Times New Roman', serif;"><span style="font-size: small;">A PARTIR DA ANÁLISE DE IMAGENS DO FILME DIÁRIOS DE MOTOCICLETA, DE WALTER SALLES, SÃO DISCUTIDOS OS SENTIDOS DA PRÁXIS DO ESTUDANTE ERNESTO GUEVARA DE LA SERNA E A PERSPECTIVA LATINO-AMERICANA QUE ELA SUSCITA. O RIO AMAZONAS É NUCLEAR PARA ESSAS OBSERVAÇÕES. EM TORNO DELE, SÃO ENFOCADOS OS ROMANCES A JANGADA, DE JÚLIO VERNE, O FILME FITZCARRALDO (O PREÇO DE UM SONHO), DE HERZOG, ESCRITOS DE EUCLIDES DA CUNHA E O RECENTE ROMANCE DOIS IRMÃOS, DE MILTON HATOUM. UM DOS TEMAS CE
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Salcedo, N. J., D. Rodriguez, R. E. Strauss, and R. J. Baker. "The Fitzcarrald Arch: A Vicariant Event for Chaetostoma (Siluriformes: Loricariidae) Speciation?" Copeia 2011, no. 4 (2011): 503–12. http://dx.doi.org/10.1643/ci-10-062.

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Dissertations / Theses on the topic "Fitzcarraldo"

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Arturo, Felipe. "Bar Huerequeque instalación audiovisual como espacio arquitectónico y escenario de actuación." Doctoral thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30099.

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Esta tese teórico-prática de doutorado em Artes Visuais consiste em uma instalação audiovisual inspirada no encontro com as narrativas e os poemas de Enrique Bohórquez de Liguori, Huerequeque, um migrante que chegou a Iquitos em 1945 e viveu na selva peruana até sua morte, em abril de 2019. A partir da descoberta de um autor inédito da Amazônia, a tese desenvolve três linhas de pesquisa concatenadas entre si: o registro das histórias e dos poemas de Huerequeque em risco de desaparecimento devido à idade avançada e à crescente perda da memória do autor; a edição e a publicação da sua obra, reco
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Mulhall, Michael. "Encounters at the End of the World: A Collection of Essays on Werner Herzog." Thesis, Boston College, 2008. http://hdl.handle.net/2345/542.

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Thesis advisor: John Michalczyk<br>Werner Herzog is one of the most important directors of today. He is also, however, woefully misunderstood. These four essays attempt to refute some commonly held views about the director, but also to reinforce others. The first essay looks at his cultural heritage. The second essay places Herzog under the microscope of the Auteur Theory of cinema. The third examines his relationship with his volatile, long-time collaborator Klaus Kinski. The final essay turns to Herzog's documentary films and asks what role they play in his oeuvre<br>Thesis (BA) — Boston Col
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Tejada, Lara Julia. "Vertebrados amniotas y paleoambiente de la Amazonía peruana durante el mioceno medio (Arco de Fitzcarrald)." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2010. https://hdl.handle.net/20.500.12672/16313.

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Publicación a texto completo no autorizada por el autor<br>Describe y discute acerca de los fósiles de vertebrados amniotas hallados en la Amazonia peruana, entre los departamentos de Ucayali y Madre de Dios, en el área conocida como Arco de Fitzcarrald. Los fósiles del área de Fitzcarrald representan la fauna existente en el Mioceno medio y son equivalentes cronológicamente a la fauna de La Venta (Colombia) datada entre 13.8-11.8 Ma. Esta biocorrelación responde a la presencia de fauna correspondiente al “Miocochilius assemblage zone” (o “Zona de Conjunto Miocochilius”), bioestrato definido p
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Tavera, Medina Tarik Naghib. "Del istmo de Fitzcarrald a La Pampa: análisis del sistema de redes de ciudades mineras de la región de Madre de Dios en el área de influencia de la carretera Interoceánica (1980-2018)." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/18431.

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Tanto la geografía como la historia han permitido aproximarnos al estudio de la memoria del proceso de configuración del espacio minero del departamento de Madre de Dios. El análisis territorial de esta región de la Amazonía ha evidenciado la evolución del modelo centroperiferia como resultado de la transformación de esta margen territorial y de frontera gracias al avance de las dinámicas territoriales a múltiples escalas. La multiescaralidad de estas dinámicas ha influenciado en construir nuevas relaciones desiguales de tipo flujos y de poder sobre esta periferia modificando el grado de
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Books on the topic "Fitzcarraldo"

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Alegría, Ciro. Fitzcarraldo, el dios del oro negro. Ediciones Alfaguara, 1986.

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Conquest of the useless: Reflections from the making of Fitzcarraldo. Ecco, 2009.

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Kaiser, Gerhard. Fitzcarraldo Faust: Werner Herzogs Film als postmoderne Variation eines Leitthemas der Moderne. C.F. von Siemens Stiftung, 1993.

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Georgescu-Pipera, Paul. Tras las huellas de Fitzcarrald: Aventuras por ríos y selvas de Amazonia. Equínoccio, Ediciones de la Universidad Simón Bolívar, 1995.

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Herzog, Werner. Conquest of the Useless: Reflections from the Making of Fitzcarraldo. HarperCollins Publishers, 2010.

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Gosling, Maureen, Goodwin Michael, Les Blank, and José Kochlin Von Stein. Burden of dreams. 2005.

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Scenarios: Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo. University of Minnesota Press, 2017.

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Lund, Joshua. Werner Herzog. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043178.001.0001.

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Werner Herzog is the first book-length study of Werner Herzog’s American (in the hemispheric sense) work. It is also the first sustained, book-length study on the question of the political in Herzog’s work. Finally, as part of a series on contemporary directors, it introduces Herzog’s films through the arc of his long career, about 60 films (and counting) over nearly 60 years. The approach is materialist and postcolonial, with systematic attention paid to the historical impulses surrounding the films, both in terms of their history of representation (the stories that the films tell) and their
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Aesthetic technologies of modernity, subjectivity, and nature: Opera · orchestra · phonograph · film. 2015.

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Book chapters on the topic "Fitzcarraldo"

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Prager, Brad. "German Film Ventures into the Amazon: Werner Herzog’s Fitzcarraldo as Prelude to Michał Marczak’s Eco-documentary." In German Ecocriticism in the Anthropocene. Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-54222-9_13.

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Espurt, Nicolas, Patrice Baby, Stéphane Brusset, Martin Roddaz, Wilber Hermoza, and Jocelyn Barbarand. "The Nazca Ridge and Uplift of the Fitzcarrald Arch: Implications for Regional Geology in Northern South America." In Amazonia: Landscape and Species Evolution. Wiley-Blackwell Publishing Ltd., 2011. http://dx.doi.org/10.1002/9781444306408.ch6.

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"Fitzcarraldo." In Fitzcarraldo. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv136bzcw.2.

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"Fitzcarraldo." In The Eternal City. Princeton University Press, 2010. http://dx.doi.org/10.1515/9781400836109-006.

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"CREDITS." In Fitzcarraldo. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv136bzcw.3.

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"Front Matter." In Fitzcarraldo. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv136bzcw.1.

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"NOTES." In Fitzcarraldo. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv136bzcw.4.

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"Back Matter." In Fitzcarraldo. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv136bzcw.5.

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"6. Opera, Aesthetic Violence, And The Imposition Of Modernity: Fitzcarraldo." In Beyond the Soundtrack. University of California Press, 2019. http://dx.doi.org/10.1525/9780520940550-008.

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"2. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo." In Aesthetic Technologies of Modernity, Subjectivity, and Nature. University of California Press, 2019. http://dx.doi.org/10.1525/9780520962521-006.

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