Log in

Relevant bibliographies by topics / Fixed-media music

Contents

Journal articles

Academic literature on the topic 'Fixed-media music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Fixed-media music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Fixed-media music"

1

Artman, Nicholas, Zack Stiegler, Brandon Szuminsky, and Matthew Albright. "Mass media in the mobile village." Explorations in Media Ecology 19, no. 2 (2020): 139–50. http://dx.doi.org/10.1386/eme_00031_1.

Full text

Abstract:

As a constantly connected environment via the Internet and mobile technology, the mobile village reconstructed the means by which content reaches a mass audience. To successfully navigate this environment, audiences must adjust to the new dynamics imposed by mobile technologies. This article examines mass media technologies and practices in an attempt to assess the practical impact of the mobile village within the production, distribution and consumption of media and information. Journalism is now judged less by the news it provides than by the process by which it is produced. Many proclaim th

APA, Harvard, Vancouver, ISO, and other styles

2

Sigman, Alexander, and Nicolas Misdariis. "alarm/will/sound: Sound design, modelling, perception and composition cross-currents." Organised Sound 24, no. 1 (2019): 54–70. http://dx.doi.org/10.1017/s1355771819000062.

Full text

Abstract:

An ongoing international arts-research-industry collaborative project focusing on the design and implementation of innovative car alarm systems, alarm/will/sound has a firm theoretical basis in theories of sound perception and classification of Pierre Schaeffer and the acousmatic tradition. In turn, the timbre perception, modelling and design components of this project have had a significant influence on a range of fixed media, electroacoustic and media installation works realised in parallel to the experimental research. An examination of the multiple points of contact and cross-influence bet

APA, Harvard, Vancouver, ISO, and other styles

3

Woloshyn, Alexa. "ELECTROACOUSTIC VOICES: SOUNDS QUEER, AND WHY IT MATTERS." Tempo 71, no. 280 (2017): 68–79. http://dx.doi.org/10.1017/s0040298217000092.

Full text

Abstract:

AbstractQueer processes abound in fixed media electroacoustic music with voice, in both the composition and listening processes. ‘Queer’ means transgressive, unstable, and disruptive, and queer processes break down restrictive traditional binaries. In this article, I name the queer where some may have thought it does not or could not exist, in well-known works by Berio, Stockhausen and Lucier, as well as lesser-known works by Truax, Normandeau and Westerkamp. Any claim to the queer in these electroacoustic works is inherently political because the core of the term's meaning is to disrupt and p

APA, Harvard, Vancouver, ISO, and other styles

4

Fiebig, Gerald. "The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art." Leonardo Music Journal 25 (December 2015): 14–16. http://dx.doi.org/10.1162/lmj_a_00926.

Full text

Abstract:

Contemporary sonic artworks often use field recordings from places of historic or social significance to address political issues. This article discusses relevant works for radio and fixed media by Peter Cusack, Jacob Kirkegaard, Eliška Cílková, Anna Friz and Public Studio, Stéphane Garin and Sylvestre Gobart, Ultra-red, and Matthew Herbert and outlines how they use both audio and visual/textual information to create awareness of the issues inscribed in these places, from current environmental concerns to the memory of genocide and displacement.

APA, Harvard, Vancouver, ISO, and other styles

5

Redhead, Lauren. "'Entoptic landscape' and 'ijereja': Music as an iterative process." New Sound, no. 49 (2017): 97–113. http://dx.doi.org/10.5937/newso1749097r.

Full text

Abstract:

Entoptic landscape and ijereja are both works that can be considered as expanding collections of materials. They explore the spaces between composition, notation, performance and improvisation by considering all of these activities as equally 'performative'. Each work comprises a set of materials that includes scores, fixed media audio and video, recorded live performances, studio-edited performances, and performance strategies. In the case of each piece, materials created in and by previous performances go on to inform future performances of the music. As such, there can be no 'definitive' pe

APA, Harvard, Vancouver, ISO, and other styles

6

AUNER, JOSEPH. "Reich on Tape: The Performance ofViolin Phase." Twentieth-Century Music 14, no. 1 (2017): 77–92. http://dx.doi.org/10.1017/s147857221700007x.

Full text

Abstract:

ABSTRACTThe score of Steve Reich'sViolin Phasespecifies that the performer is to recapitulate aspects of the composer's creative process in the studio. Working with a four-channel tape recorder, the violinist and a sound engineer are given detailed directions for creating the basic tape loop that generates the performance tape used in live performance. And yet – no doubt due to the scarcity of appropriate tape recorders – most present-day performers ofViolin Phaseuse looping hardware or software that make it possible to dispense with many of the instructions in the score, including the necessi

APA, Harvard, Vancouver, ISO, and other styles

7

Rennie, Tullis. "Socio-Sonic: An ethnographic methodology for electroacoustic composition." Organised Sound 19, no. 2 (2014): 117–24. http://dx.doi.org/10.1017/s1355771814000053.

Full text

Abstract:

This paper outlines a way forward for an anthropologically inclined electroacoustic music. Considering the similarities in methodological approaches between the fields of ethnography and soundscape composition, this paper proposes to further the use of contextual information when making compositional decisions with sound materials derived from field recordings: a socio-sonic methodology. To begin the discussion, theoretical readings of sound in context are presented. Parallels are highlighted between the practices of ethnographic study and soundscape composition, illustrated with the work of S

APA, Harvard, Vancouver, ISO, and other styles

8

HOOKER, LYNN. "Controlling the Liminal Power of Performance: Hungarian Scholars and Romani Musicians in the Hungarian Folk Revival." Twentieth-Century Music 3, no. 1 (2007): 51–72. http://dx.doi.org/10.1017/s1478572207000321.

Full text

Abstract:

AbstractIn the Hungarian folk revival, Hungarian Roma (Gypsies) serve as both privileged informants and exotic Others. The musicians of the revival known as the táncház (dance-house) movement rely heavily on rural Rom musicians, especially those from Transylvania, as authentic sources of traditional Hungarian repertoire and style. Táncház rhetoric centres on the trope of localized authenticity; but the authority wielded by rural Rom musicians, who carry music both between villages and around the world, complicates the fixed boundaries that various powerful stakeholders would place on the tradi

APA, Harvard, Vancouver, ISO, and other styles

9

Sibirnaya, Maria. "Влияние масс-медиа на сознание человека в пьесах Александра Марданя". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 7 (31 липня 2018): 153–64. http://dx.doi.org/10.14746/kw.2017.7.12.

Full text

Abstract:

Nowadays the influence comprehension of the mass media as one of the most significant factors affecting contemporary culture, acquires the special significance. All kinds of new information receiving by media channels obtain the stereotyped, frequently repeatedly cultural and axiological orientations, which become fixed in people's consciousness. Skillful manipulation of information makes the power of suggestion from mass media practically unlimited. Therefore, the public opinion is created by the mass media. Being so closely intertwined with the mass media, the modern mass culture is coming t

APA, Harvard, Vancouver, ISO, and other styles

10

Lindstrom, Nicole. "YUGONOSTALGIA: RESTORATIVE AND REFLECTIVE NOSTALGIA IN FORMER YUGOSLAVIA." East Central Europe 32, no. 1-2 (2005): 227–37. http://dx.doi.org/10.1163/18763308-90001039.

Full text

Abstract:

Drawing on Svetlana Boym's distinction between "restorative" and "reflective" nostalgia, the essay maps two broad, and often overlapping, ideal types of Yugonostalgia expressed in and through contemporary former Yugoslav film, popular music, and multi-media. The first expresses reeonstructive longing for an essential Yugoslav past; the second offers self-consciously ambivalent and critical frames in indulging fantasies of this past. What different forms of Yugonostalgia share in common is challenging symbolic geographies of disunity that have dominated political discourse in former Yugoslavia

APA, Harvard, Vancouver, ISO, and other styles

More sources

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!