Relevant bibliographies by topics / Flamenquismo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Flamenquismo'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Flamenquismo"

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Ugarte Ortega, Angélica. "Paradisíaca Andalucía Simbolista." Revista Eviterna, no. 2 (March 2, 2020): 102–15. http://dx.doi.org/10.24310/eviternare.v0i2.8120.

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La influencia del Simbolismo en España se hace notar con cierto retraso y la cronología difiere de los ejemplos del resto de Europa. En el caso español nos movemos entre los años 1890 y 1930. Los artistas españoles recibieron estas ideas e influencias de manera muy personal. El Modernismo, la Generación del 98, los Nacionalismos históricos, Orientalismo, Esteticismo o Flamenquismo revelan señas simbolistas.
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Paulo Selvi, Isabel Amparo. "El flamenco en la Valencia republicana." Revista de Investigación sobre Flamenco "La Madrugá", no. 16 (December 27, 2019): 57–81. http://dx.doi.org/10.6018/flamenco.373721.

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Valencia, a principios de 1930, era una ciudad llena de contrastes con una gran oferta cultural y de ocio. Hubo una colonia flamenca valenciana, una afición y un interés empresarial por los espectáculos flamencos. El flamenquismo arraigado en la urbe se sintió diferente al andaluz como arte y reivindicación social (aunque se dio el debate interno entre los estilos puros y los importados). La creación del Café Cantante Villa Rosa y la breve estancia en él de los hermanos Borrull (1931-1934) fue muy significativa. El objetivo es rescatar esa Valencia flamenca olvidada, descubrir la colonia flame
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Llano, Samuel. "Public Enemy or National Hero? The Spanish Gypsy and the Rise of Flamenquismo, 1898–1922." Bulletin of Spanish Studies 94, no. 6 (2017): 977–1004. http://dx.doi.org/10.1080/14753820.2017.1336363.

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Dissertations / Theses on the topic "Flamenquismo"

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Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-152855.

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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und we
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Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, 2012. https://tud.qucosa.de/id/qucosa%3A28299.

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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und we
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Books on the topic "Flamenquismo"

1

Climent, Ximo Company i. La pintura dels Osona: Una cruïlla d'hispanismes, flamenquismes i italianismes. Pagès, 1991.

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2

Llano, Samuel. Flamenquismo and Race. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0003.

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This chapter shows that the rise of opposition to flamenco and flamenquismo in the late nineteenth century led to verbal abuse of Gypsies in the press and in intellectual production. Journalism and the social sciences used the Gypsy as a scapegoat, blaming him for the ills of the nation and for the public scandals related to Madrid’s booming nightlife. Prominent criminologist Rafael Salillas articulated a bigoted and scathing portrayal of the Gypsy in his book Hampa (1898), in which he also construed flamenco as a criminal type of music. Early flamenco scholars such as Demófilo, Hugo Schuchard
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Llano, Samuel. Flamenco, Flamenquismo, and Social Control. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0004.

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This chapter describes how, toward the end of the nineteenth century, journalists and social scientists concerned about social degeneration and the moral effects of Madrid’s nightlife gradually turned their attention away from the Gypsy and the señorito, that is, the rich Andalusian immigrant who organized flamenco juergas or gatherings in Madrid. Instead, these writers focused on the environment in which flamenco was performed. They used their publications to present Madrid as a den of vice and degeneration and to call the authorities to take measures to prevent the rise of scandals and crime
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Llano, Samuel. Anti-flamenquismo and Mass Entertainment. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0005.

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This chapter describes how, in the lead-up to the First World War, flamenquismo became a mass phenomenon in Spain, as it pervaded most forms of public entertainment, from género chico to bullfighting. Critics in the orbit of regeneracionismo, whose call for the use of education and the arts to “regenerate” Spanish society was reinvigorated in the wake of the 1898 desastre, saw flamenquismo as a new “plague” that threatened to jeopardize their endeavors. Among them, Eugenio Noel became the most outspoken and vitriolic critic of flamenco and bullfighting. His publications and public talks sparke
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5

Llano, Samuel. The Rise of Flamenquismo in Madrid, 1888–1898. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0002.

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This chapter analyzes the impact on the population of the expansion of nightlife in Madrid from the 1880s on. More particularly, it studies public fears raised by alcoholism and flamenco that led to this music being identified with social disorder and immorality. The Fuencarral Street murder (1888), in which a flamenco aficionado was involved, shocked the public and triggered a campaign against flamenco and the culture associated with it, known as flamenquismo. Behind this campaign, however, was fear and hatred of rural immigrants from Andalusia, who transformed Madrid’s culture and elicited t
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Llano, Samuel. Madrid, Cante Jondo, and Nostalgia. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0006.

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This chapter provides an account of the cante jondo competition organized by Manuel de Falla and Federico García Lorca in Granada in 1922, which has been the object of substantial attention by scholars who regard cante jondo as an example of invented tradition. The chapter adds a new angle to this discussion as it argues that this competition helped to negotiate the tensions between Andalusia and Madrid provoked by rural immigration in the second half of the nineteenth century, and to restore the image of Gypsies from the damage inflicted by Eugenio Noel and other anti-flamenquismo critics. Wh
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Llano, Samuel. The Demise and Enshrining of Organilleros. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0011.

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This chapter describes how the modernization and cultural transformation of Madrid and Spain during the First World War raised fears among conservative social critics and journalists that Spanish traditions and identity would be wiped out. These critics ascribed organilleros the same function as flamenquismo, that is, that of serving as bulwarks against the influence of jazz and modern “foreign” culture. Once seen as one of Madrid’s foremost public enemies, organilleros now started to be regarded with nostalgia and as a symbol of national identity. This new perception was reinforced as the org
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