Relevant bibliographies by topics / Flaneurs in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Flaneurs in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Flaneurs in art"

1

Hayes, Kevin J. "The Flaneur in the Parlor: Poe's “Philosophy of Furniture”." Prospects 27 (October 2002): 103–19. http://dx.doi.org/10.1017/s0361233300001150.

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In one of the brief reflections Walter Benjamin composed as part of his Arcades Project, he personified the mid-19th-century domestic interior and made it and the flaneur onfidantes: “The space winks at the flaneur: What do you think may have gone on here?” (418–19). Benjamin typically filtered much of his thought through the figure of the flaneur, a recognizable urban type that emerged during the middle third of the 19th century, one who deliberately strolled the city streets and arcades and attempted to discern the meanings of what he observed. In the fullest scholarly treatment of the subje
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McDonough, Tom. "The Crimes of the Flaneur." October 102 (October 2002): 101–22. http://dx.doi.org/10.1162/016228702320826470.

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Golz, S. I. "Moscow for Flaneurs: Pedestrian Bridges, Europe Square, and Moskva-City." Public Culture 18, no. 3 (2006): 573–605. http://dx.doi.org/10.1215/08992363-2006-020.

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Simon, Bart. "Beyond Cyberspatial Flaneurie." Games and Culture 1, no. 1 (2006): 62–67. http://dx.doi.org/10.1177/1555412005281789.

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Laraib, Amna, and Harmain Rukh. "Exploring the Concept of Flânerie in Rohinton Mistry’s A Fine Balance." Human Nature Journal of Social Sciences 4, no. 2 (2023): 344–52. https://doi.org/10.71016/hnjss/prsry491.

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Aim of the Study: Concept of flânerie is considered the basis for the study of city and its landscapes; the buildings, parks and architecture and more importantly how the wanderer known as flaneur, artistically paints the picture of it. The research article proposes to seek the practical application of chosen theory in the contemporary literature. For this purpose, the study aims to analyze the cityscapes, the haptic and intimate experience presented as ‘Flânerie’ in the selected text. Methodology: It is a qualitative-theory based study and has used the concept of ‘Flânerie’ by Walter Benjamin
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Allen, Rick. "Munby Reappraised: The Diary of an English Flaneur." Journal of Victorian Culture 5, no. 2 (2000): 260–86. http://dx.doi.org/10.3366/jvc.2000.5.2.260.

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Barzegar, Ebrahim. "Flaneurish Mechanical Eye Seeking Physical Reality." Ekphrasis. Images, Cinema, Theory, Media 27, no. 1 (2022): 76–89. http://dx.doi.org/10.24193/ekphrasis.27.5.

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Goebel, Rolf J. "Benjamin's Flaneur in Japan: Urban Modernity and Conceptual Relocation." German Quarterly 71, no. 4 (1998): 377. http://dx.doi.org/10.2307/407733.

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9

Buck-Morss, Susan. "The Flaneur, the Sandwichman and the Whore: The Politics of Loitering." New German Critique, no. 39 (1986): 99. http://dx.doi.org/10.2307/488122.

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Mouton, Janice. "From Feminine Masquerade to Flaneuse: Agnes Varda's Cleo in the City." Cinema Journal 40, no. 2 (2001): 3–16. http://dx.doi.org/10.1353/cj.2001.0004.

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Dissertations / Theses on the topic "Flaneurs in art"

1

Hicks, Cinque. "City of atoms: en-racinating media art and public space in Atlanta." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/39621.

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Designers of information communication technologies (ICTs) in public space often fall into the trap of designing only for the "flaneur," an unembedded mobile subject in the generic global city. They deracinate the experience of space and support the global flâneur as the paradigmatic deracinated subject. In this thesis I propose a specific vision of "en-racinating" media, that is media that takes the specificity of place seriously. A careful consideration of public art can help us in this endeavor by leveraging the artistic notion of "site specificity" in the most culturally grounded meaning o
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Scarfuto, Rosalinda Ruiz. "Investigations into the impact of tactile perception on the artist's creative process expressed on a 3D Poetic Canvas using the methodology of a 'Forest Flaneur'." Thesis, University of Sunderland, 2018. http://sure.sunderland.ac.uk/9617/.

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This practice-led study explores the experiences of four poets in relation to specific landscapes and its inspiration on the creative practitioner. The research study focuses on tactile perception and its influence on the artistic process as both experiential and interpretative tool. It utilizes the idea of the ‘haptic intuitive’ (Di Giovine, 2015), specifically the finger pads, for a qualitative phenomenological study framed by fieldwork in nature and expressed in a 3D poetic canvas. The Flaneur methodology was applied to the approach made in the field and developed. This poetic style of walk
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3

Evans, Michaela Skye. "The elusive clean machine : rational order and play in a public railway." University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0106.

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[Truncated abstract] Rational order and play are often conceptualised as oppositional forces. In modern urban life especially, rational order is presented as destructive of a playful orientation towards life eschewing mystery through coherence, spontaneity through predictability, and contingency through systematic planning. In turn, the postmodern debate often asserts the reinvigoration of free, playful, and contingent individuals whose collective acts are destructive of the rationality of modern order with the present, in contrast to the past, offering a condition of enduring and unremitting
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林佳佩. "The Art of Streetwalking: The Visible Flaneuses in Virginia Woolf''s Works." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/23904822718177255144.

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碩士<br>國立暨南國際大學<br>外國語文學系<br>91<br>Benjaminian “flanerie” is the art of walking and seeing. In the course of streetwalking, a flaneur is able to observe and reveal the interrelations among the urbanites, the city, and modernity. In the male-dominated world women are consumed by the male erotic gaze, so women are excluded from the public world because the experience of urban life only occurs in men. The female bodies are just like the commodities for sale. Under the male gaze, women are reduced to the sexual objects. However, paradoxically, men’s desire to objectify women also reveals that
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Moran, David. "GAYME: The development, design and testing of an auto-ethnographic, documentary game about quarely wandering urban/suburban spaces in Central Florida." Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6141.

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GAYME is a transmedia story-telling world that I have created to conceptually explore the dynamics of queering game design through the development of varying game prototypes. The final iteration of GAYME is @deadquarewalking'. It is a documentary game and a performance art installation that documents a carless, gay/queer/quare man's journey on Halloween to get to and from one of Orlando's most well-known gay clubs - the Parliament House Resort. "The art of cruising" city streets to seek out queer/quare companionship particularly amongst gay, male culture(s) is well-documented in densely, popu
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Morrison, Ella Mary Elizabeth. "Petr Herel: the Artist's Book as Aberrant Object." Phd thesis, 2018. http://hdl.handle.net/1885/144228.

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The principal innovation of this dissertation is to present the artist’s book as aberrant object. This sustained investigation of the artist’s book draws upon interdisciplinary theories from art history, anthropology, linguistics, economics, socio-cultural studies, and material studies to examine the artist’s book’s place in art history, its collection and display, and individual analysis. I contend that the artist’s book, which defies institutional classification and sits outside of the canonical narrative of the history of art, provides a vital case st
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Books on the topic "Flaneurs in art"

1

S, Liandrat-Guigues, ed. Propos sur la flânerie. L'Harmattan, 2009.

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Bonn, Städtisches Kunstmuseum, ed. Der Flaneur: Vom Impressionismus bis zur Gegenwart = from impressionism to the present. Kunstmuseum Bonn, 2018.

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3

Stieber, Ralf. Wandelgänge: 48 Bilder mit 48 Texten et vice versa. Editon Staubfänger, 1992.

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4

Aruna, D'Souza, and McDonough Tom 1969-, eds. The invisible flâneuse?: Gender, public space, and visual culture in nineteenth-century Paris. Manchester University Press, 2006.

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5

Berlin, Stiftung "Brandenburger Tor." Harry Graf Kessler: Flaneur durch die Moderne : deutsch, english, francais. Stiftung Brandenburger Tor, die Kulturstiftung der Berliner Sparkasse, 2016.

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6

Özgen, Aslı. The Aesthetics and Politics of Cinematic Pedestrianism. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724753.

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The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive stru
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Propos sur la flânerie. L'Harmattan, 2009.

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8

The art of taking a walk: Flanerie, literature, and film in Weimar culture. Princeton University Press, 1999.

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9

Women Walking: Freedom, Adventure, Independence. Abbeville Press, 2017.

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10

(Editor), Aruna D'Souza, and Tom McDonough (Editor), eds. The Invisible Flaneuse?: Gender, Public Space and Visual Culture in Nineteenth Century Paris (Issues in Art History). Manchester University Press, 2006.

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Book chapters on the topic "Flaneurs in art"

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"Chapter 9. Women on the Screens and Streets of Modernity: In Search of the Female Flaneur." In The Art of Taking a Walk. Princeton University Press, 1999. http://dx.doi.org/10.1515/9780691218069-012.

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2

DeYoung, Elizabeth. "Planning, Politics and Contested Space." In Power, Politics and Territory in the 'New Northern Ireland'. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781837644674.003.0001.

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This chapter introduces the case study of the Girdwood Hub and provides initial context on the legacy of the Troubles in Northern Ireland. It explores how negotiations over space, place and territory shape the urban landscape, and how one can experience these dynamics through the act of walking, or flaneurism. Grounded in a theoretical framework of place-making, the introduction examines how political power and socio-economic trends are reflected in space; and how division and segregation are reproduced in cities globally.
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3

Brand, Dana. "Rear-View Mirror: Hitchcock, Poe, and the Flaneur in America." In Hitchcoch’s America. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195119053.003.0007.

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Abstract As many of the essays in this volume make clear, the films of Alfred Hitchcock’s American period are shaped by his direct and imaginative experience of America and his interest in American films. While little can be known with certainty about Hitchcock’s familiarity with American literature, one thing that is known is that Hitchcock acknowledged a significant imaginative debt to an American writer, Edgar Allan Poe. In a 1961 essay entitled “Why I Am Afraid of the Dark,” Hitchcock described how he discovered the works of Poe at the age of sixteen, after reading an account of Poe’s life
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Dillane, Aileen, and Tony Langlois. "Sonic Mapping and Critical Citizenship." In Transforming Ethnomusicology Volume II. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197517550.003.0006.

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This chapter explores the methodological and ideological challenges and opportunities faced in an urban soundscapes project based in the small, multicultural, and post-industrial city of Limerick, Ireland, which is currently undergoing a process of urban “regeneration” following decades of challenges (high unemployment rates, rapid demographic shifts brought about by global migration, social disenfranchisement in marginalized neighborhoods, gangland criminality, and considerable stigmatization by the national media). Facilitated by an interdisciplinary team involving ethnomusicologists, urban
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Conference papers on the topic "Flaneurs in art"

1

Barreto Martins, Isabelle. "Soul of the Streets: the Virtual and the Real Flaneur in a Webdocumentary." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483784.

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