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Journal articles on the topic 'Flaneurs in art'

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1

Hayes, Kevin J. "The Flaneur in the Parlor: Poe's “Philosophy of Furniture”." Prospects 27 (October 2002): 103–19. http://dx.doi.org/10.1017/s0361233300001150.

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In one of the brief reflections Walter Benjamin composed as part of his Arcades Project, he personified the mid-19th-century domestic interior and made it and the flaneur onfidantes: “The space winks at the flaneur: What do you think may have gone on here?” (418–19). Benjamin typically filtered much of his thought through the figure of the flaneur, a recognizable urban type that emerged during the middle third of the 19th century, one who deliberately strolled the city streets and arcades and attempted to discern the meanings of what he observed. In the fullest scholarly treatment of the subje
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2

McDonough, Tom. "The Crimes of the Flaneur." October 102 (October 2002): 101–22. http://dx.doi.org/10.1162/016228702320826470.

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3

Golz, S. I. "Moscow for Flaneurs: Pedestrian Bridges, Europe Square, and Moskva-City." Public Culture 18, no. 3 (2006): 573–605. http://dx.doi.org/10.1215/08992363-2006-020.

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4

Simon, Bart. "Beyond Cyberspatial Flaneurie." Games and Culture 1, no. 1 (2006): 62–67. http://dx.doi.org/10.1177/1555412005281789.

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5

Laraib, Amna, and Harmain Rukh. "Exploring the Concept of Flânerie in Rohinton Mistry’s A Fine Balance." Human Nature Journal of Social Sciences 4, no. 2 (2023): 344–52. https://doi.org/10.71016/hnjss/prsry491.

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Aim of the Study: Concept of flânerie is considered the basis for the study of city and its landscapes; the buildings, parks and architecture and more importantly how the wanderer known as flaneur, artistically paints the picture of it. The research article proposes to seek the practical application of chosen theory in the contemporary literature. For this purpose, the study aims to analyze the cityscapes, the haptic and intimate experience presented as ‘Flânerie’ in the selected text. Methodology: It is a qualitative-theory based study and has used the concept of ‘Flânerie’ by Walter Benjamin
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6

Allen, Rick. "Munby Reappraised: The Diary of an English Flaneur." Journal of Victorian Culture 5, no. 2 (2000): 260–86. http://dx.doi.org/10.3366/jvc.2000.5.2.260.

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7

Barzegar, Ebrahim. "Flaneurish Mechanical Eye Seeking Physical Reality." Ekphrasis. Images, Cinema, Theory, Media 27, no. 1 (2022): 76–89. http://dx.doi.org/10.24193/ekphrasis.27.5.

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8

Goebel, Rolf J. "Benjamin's Flaneur in Japan: Urban Modernity and Conceptual Relocation." German Quarterly 71, no. 4 (1998): 377. http://dx.doi.org/10.2307/407733.

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9

Buck-Morss, Susan. "The Flaneur, the Sandwichman and the Whore: The Politics of Loitering." New German Critique, no. 39 (1986): 99. http://dx.doi.org/10.2307/488122.

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10

Mouton, Janice. "From Feminine Masquerade to Flaneuse: Agnes Varda's Cleo in the City." Cinema Journal 40, no. 2 (2001): 3–16. http://dx.doi.org/10.1353/cj.2001.0004.

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11

RICHARDS, HELEN. "Sex and the City : A visible flaneuse for the postmodern era?" Continuum 17, no. 2 (2003): 147–57. http://dx.doi.org/10.1080/10304310302745.

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12

Woollacott, Angela. "The Colonial Flaneuse: Australian Women Negotiating Turn-of-the-Century London." Signs: Journal of Women in Culture and Society 25, no. 3 (2000): 761–87. http://dx.doi.org/10.1086/495481.

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13

Orvell, Miles. "Reproducing Walt Whitman: The Camera, the Omnibus and Leaves of Grass." Prospects 12 (October 1987): 321–46. http://dx.doi.org/10.1017/s0361233300005627.

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We have thought of whitman as an urban poet for so long-noticing how integral his Manhattan is to the imagery of Leaves of Grass – that we have lost sight of the deeper structure of urban popular culture lying behind the poem. As Remy G. Saisselin has recently argued, the city in the nineteenth century transformed the eye of the observer, and new kinds of urban spaces and entertainments—like the arcade, the panorama, and the department store—were created to satisfy a growing population of consumers. Saisselin affirms, moreover, that an unprecedented variety of aesthetic observer evolved along
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14

Ruberg, Bonnie. "Straight Paths Through Queer Walking Simulators: Wandering on Rails and Speedrunning in Gone Home." Games and Culture 15, no. 6 (2019): 632–52. http://dx.doi.org/10.1177/1555412019826746.

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This article identifies the limitations of queerness in Gone Home (The Fullbright Company, 2013) by exploring the ways in which players’ movements through space in video games can be considered queer or “straight.” Drawing from Sara Ahmed, I demonstrate how the potential for queer in-game movement in Gone Home has been straightened both by the game itself and by elements of its player reception. Gone Home is widely seen as exemplifying a current shift toward increased LGBTQ (lesbian, gay, bisexual, transgender, and queer) representation in video games. The game is also associated with queernes
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15

GENÇ, Ceylan Pınar. "The Birth of Modern Art: Flaneur and Actor-Painter Manet." Kaygı. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi, June 6, 2022. http://dx.doi.org/10.20981/kaygi.1125355.

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Like every revolution, the effect of the Industrial Revolution on production and economic relations brought about important changes in the social and social field; has led to the emergence of the city concept where common life is shared. The developments in this early period of modern, new urban life affected people's feelings and thoughts, created the perception of urban people and created urban people profiles. One of these is the 'Flaneur', an urban human profile first encountered in Charles Baudelaire's book 'The Painter of Modern Life'. According to Baudelaire, Flaneur is a modern urban h
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16

Kin Man, Cheong, and Yipei Lee. "Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”." AVANCA | CINEMA, October 25, 2021, 108–14. http://dx.doi.org/10.37390/avancacinema.2021.a219.

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One of the main natural obstacles of Western-privileged globalization of cultures is the world’s systems of productivity in most fields that tend to follow, if not obey, the Western-origin categorizing forces. The many world networks of parallel yet intertwined ways of thinking and of producing knowledge - and in this case, making art - in its most diverse sense preserves a striking diversity. In this sense, when categorization becomes loosened, the boundary becomes blurred and rationality becomes flexibilized in a particular cultural background and a specific curating act. The fluidity of mea
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17

Amidon, Kevin S. "The flaneur in the Borsig locomotive works: Walter Benjamin, the Berlin Radio Youth Hour, and sound as pedagogy." German Quarterly, February 28, 2023. http://dx.doi.org/10.1111/gequ.12320.

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18

Chávez-Silverman, Susana. "Casi Víspera / Colibrí Resucitado Crónica." PORTAL Journal of Multidisciplinary International Studies 14, no. 1 (2017). http://dx.doi.org/10.5130/portal.v14i1.5354.

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AbstractSusana Chávez-Silverman is a Califas-born U.S. Latina writer and flaneuse who (against all odds) is also an educator, although she mostly laments what’s happened to la cacademia over the last decade or so. She still finds joy and hope in being la High Priestess of SLOW to her students and former students, some of which are among her closest compinches. Of the two crónicas included in this special curated issue of cultural works in PORTAL under the theme Transitions and Dislocations, she says: ‘My writing/life took a major detour in 2016. For most of the year, I wrote nothing at all. Or
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Chávez-Silverman, Susana. "Black Holes—Deshielo Crónica." PORTAL Journal of Multidisciplinary International Studies 14, no. 1 (2017). http://dx.doi.org/10.5130/portal.v14i1.5355.

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AbstractSusana Chávez-Silverman is a Califas-born U.S. Latina writer and flaneuse who (against all odds) is also an educator, although she mostly laments what’s happened to la cacademia over the last decade or so. She still finds joy and hope in being la High Priestess of SLOW to her students and former students, some of which are among her closest compinches. Of the two crónicas included in this special curated issue of cultural works in PORTAL under the theme Transitions and Dislocations, she says: ‘My writing/life took a major detour in 2016. For most of the year, I wrote nothing at all. Or
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20

Flynn, Bernadette. "Towards an Aesthetics of Navigation." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1875.

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Introduction Explorations of the multimedia game format within cultural studies have been broadly approached from two perspectives: one -- the impact of technologies on user interaction particularly with regard to social implications, and the other -- human computer interactions within the framework of cybercultures. Another approach to understanding or speaking about games within cultural studies is to focus on the game experience as cultural practice -- as an activity or an event. In this article I wish to initiate an exploration of the aesthetics of player space as a distinctive element of
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21

Bowles, Kate. "Academia 1.0: Slow Food in a Fast Food Culture? (A Reply to John Hartley)." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.169.

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"You could think of our kind of scholarship," he said, "as something like 'slow food' in a fast-food culture."— Ivan Kreilkamp, co-editor of Victorian Studies(Chronicle of Higher Education, March 2009) John Hartley’s entertaining and polemical defense of a disappearing art form (the print copy journal designed to be ripped eagerly from its envelope and read from cover to cover like a good book) came my way via the usual slightly disconcerting M/C Journal overture: I believe that your research interests and background make you a potential expert reviewer of the manuscript, "LAMENT FOR A LOST RU
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22

Pryor, Melanie, and Amy Mead. "Let Me Walk." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1482.

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Let me walk. Let me go at my own pace. Let me feel life as it moves through me and around me. Give me drama. Give me unexpected curvilinear corners. Give me unsettling churches and beautiful storefronts and parks I can lie down in. The city turns you on, gets you going, moving, thinking, wanting, engaging (Elkin 37, emphasis our own). Walking Is ThinkingAs feet pound the pavement, synaptic movement follows. To clear the head, one must get up and walk.In her 2016 book Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, Lauren Elkin traces the figure of the walking woman—
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23

Walker, Ruth. "Double Quote Unquote: Scholarly Attribution as (a) Speculative Play in the Remix Academy." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.689.

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Many years ago, while studying in Paris as a novice postgraduate, I was invited to accompany a friend to a seminar with Jacques Derrida. I leapt at the chance even though I was only just learning French. Although I tried hard to follow the discussion, the extent of my participation was probably signing the attendance sheet. Afterwards, caught up on the edges of a small crowd of acolytes in the foyer as we waited out a sudden rainstorm, Derrida turned to me and charmingly complimented me on my forethought in predicting rain, pointing to my umbrella. Flustered, I garbled something in broken Fren
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24

Johnson, Laurie, and Shelly Kulperger. "The issue of the urban ..." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1945.

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The release of the Urban issue of M/C a journal of media and culture is particularly timely. This same month, the United Nations General Assembly is hosting the World Urban Forum [http://www.unhabitat.org], designated as an advisory body to support implementation of the Habitat Agenda and to meet the Millennium Development goal of improving living conditions of slum dwellers throughout the globe. Anna Kajumulo Tibaijuka, Executive Director of UN-Habitat, promotes the forum by asking us to imagine a world without slums, replaced with productive and inclusive cities that meet the needs of all th
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25

Arnold, Bruce, and Margalit Levin. "Ambient Anomie in the Virtualised Landscape? Autonomy, Surveillance and Flows in the 2020 Streetscape." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.221.

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Our thesis is that the city’s ambience is now an unstable dialectic in which we are watchers and watched, mirrored and refracted in a landscape of iPhone auteurs, eTags, CCTV and sousveillance. Embrace ambience! Invoking Benjamin’s spirit, this article does not seek to limit understanding through restriction to a particular theme or theoretical construct (Buck-Morss 253). Instead, it offers snapshots of interactions at the dawn of the postmodern city. That bricolage also engages how people appropriate, manipulate, disrupt and divert urban spaces and strategies of power in their everyday life.
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