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Relevant bibliographies by topics / Flat Ontology

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Journal articles

Academic literature on the topic 'Flat Ontology'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Flat Ontology"

1

Ash, James. "Flat ontology and geography." Dialogues in Human Geography 10, no. 3 (2020): 345–61. http://dx.doi.org/10.1177/2043820620940052.

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Human geographers are increasingly drawing upon a range of philosophical positions that espouse a more or less flat ontological approach for theorising a range of phenomena. These approaches differentiate between entities in terms of degree rather than kind in order to avoid essentialist, hierarchical or binary modes of thought. To achieve this, they understand the differences between entities as relational. Building upon these perspectives, this article offers a flat ontology that differentiates between things according to their form, which can be identified through a process of de-determinat

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2

Häkli, Jouni. "What can flat ontology teach the legislator?" Dialogues in Human Geography 10, no. 3 (2020): 370–73. http://dx.doi.org/10.1177/2043820620940055.

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This commentary on James Ash’s ‘Flat Ontology and Geography’ makes three points. First, it notes the prominence of different versions of flat ontology in human geography and supports Ash’s attempt to make sense of how flat ontology thinking has impacted human geographical scholarship by working through a politically contested real-world case. Second, by framing Ash’s project as a ‘reality check’, the commentary engages in a critical assessment of what added value flat ontological approaches, Tristan Garcia’s thinking included, may have to offer to our understanding of the non-flat world of val

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3

Englund, Hans, and Jonas Gerdin. "What can(not) a flat and local structuration ontology do for management accounting research?" Qualitative Research in Accounting & Management 13, no. 2 (2016): 252–63. http://dx.doi.org/10.1108/qram-02-2016-0012.

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Purpose The purpose of this paper is to provide a commentary on “Structuration theory: reflections on its further potential for management accounting research”, a paper by Coad et al. Design/methodology/approach This paper presents, discusses and challenges the critique that Coad et al. direct towards the notion of a flat and local structuration ontology in management accounting research. Findings This paper offers a number of reflections upon Coad et al.’s key arguments against a flat and local structuration ontology in extant accounting research. Based on the authors’ understanding of such a

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4

McNeill, David. "Art Without Authors: Networks, Assemblages and ‘Flat’ Ontology." Third Text 24, no. 4 (2010): 397–408. http://dx.doi.org/10.1080/09528822.2010.491370.

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5

Harman, Graham. "Ash and Garcia on bump stocks." Dialogues in Human Geography 10, no. 3 (2020): 374–77. http://dx.doi.org/10.1177/2043820620940056.

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This commentary is a response to James Ash’s ‘Flat Ontology and Geography’, one of the first serious efforts to make use of the philosophy of Tristan Garcia for social science purposes. After reviewing some key distinctions between different kinds of flat ontology, I suggest that both Ash and Garcia make a step forward while failing to strike the desired balance between interconnected networks and autonomous units.

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6

Ash, James. "Form and the politics of world." Dialogues in Human Geography 10, no. 3 (2020): 378–81. http://dx.doi.org/10.1177/2043820620940057.

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In this commentary, I respond to Engelmann, Häkli, Harman and McCormack’s reading of my article, ‘Flat ontology and geography’. In doing so, I argue that a flat ontology of form developed in the article is only a starting point for analysis rather than a fully-fledged theory. In turn, I reflect on how the notion of form can be further developed to identify and analyse mechanisms of inequality that lead to a range of issues for all manner of humans and non-humans.

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7

James, Thomas A. "GORDON KAUFMAN, FLAT ONTOLOGY, AND VALUE: TOWARD AN ECOLOGICAL THEOCENTRISM." Zygon® 48, no. 3 (2013): 565–77. http://dx.doi.org/10.1111/zygo.12023.

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8

Pham, Thuy Thi Thu. "An Improvement Method for Semantic Mapping Database to Ontology." Journal of Computer Science and Cybernetics 34, no. 3 (2018): 187–98. http://dx.doi.org/10.15625/1813-9663/34/3/13100.

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Enormous amount of available data in relational database (RDB) format creates a demand for automatic transforming them into OWL ontology to reuse in the Semantic Web. Many approaches have been proposed, however, most of them simply generate output ontology as the same flat structure with the original database and result in redundancy of ontology data. As an attempt to resolve the redundant problem, we propose a novel approach to generate OWL ontology from relational database while focusing on the similarity measure of duplicate attributes in relational tables. Experimental results show that th

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9

Kudba, V. N. "BRUNO LATOUR’S ONTOLOGY." Juvenis scientia, no. 8 (August 30, 2018): 40–42. http://dx.doi.org/10.32415/jscientia.2018.08.10.

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The article concerns the material developed by the French sociologist and philosopher Bruno Latour. On the example of a number of works belonging to the field of researches called actor-network theory, the author, not setting out to consider the entire theoretical project of Latour on redefining the ontological foundations of social science, undertakes only an attempt to describe the ontology created by the French researcher. The author analyzes a number of key theoretical principles in the concept of Bruno Latour, which are intimately associated with certain ontological assumptions. Considera

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10

Casares, Nilo. "El arte poscontemporáneo linda al este con la flat-screen y al oeste con la Flat Ontology." ANIAV - Revista de Investigación en Artes Visuales, no. 4 (March 26, 2019): 32. http://dx.doi.org/10.4995/aniav.2019.10048.

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<p><span>Este artículo, de carácter ontoestético, investiga la nueva relación categorial que surge con la avenida del arte poscontemporáneo, demostrando que se ha rebasado el arte contemporáneo al haber perdido presencia la categoría de lo irónico, sobre la que giró todo el arte contemporáneo. Si, en la historia de la humanidad la era moderna comienza con la circunvalación de la Tierra y la contemporánea con el urinario de Duchamp, la poscontemporánea puede fijarse alrededor de 2004, con la aparición de la Web 2.0 y las flat-screens de nuestros telefonitos, que nos devuelven a una

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