Academic literature on the topic 'Fleet Street (London, England)'

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Journal articles on the topic "Fleet Street (London, England)"

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D'Alessandro, Michael. "Heroines and Villains, Orphans and Thieves: The Motley Melodramas of Oliver Twist." Genre 57, no. 2 (2024): 113–41. http://dx.doi.org/10.1215/00166928-11186135.

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Abstract This essay examines Charles Dickens's incorporation of Georgian- and early Victorian-era theatrical melodrama into his 1837–39 novel Oliver Twist. It studies Dickens's text against genre theories of melodrama, Dickens's own staged readings of Twist, social histories of contemporaneous England, and highlights from the era's English melodramas (including The Castle Spectre and A String of Pearls; or, The Fiend of Fleet Street). Crucial to Twist's literary history was Dickens's engagement with a pervasive London theatrical culture, a move that both trained his readers and led to the book
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Ellis, John S. "Reconciling the Celt: British National Identity, Empire, and the 1911 Investiture of the Prince of Wales." Journal of British Studies 37, no. 4 (1998): 391–418. http://dx.doi.org/10.1086/386173.

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With the notable exception of Scotland, Queen Victoria was never very enthusiastic about her kingdoms of the “Celtic fringe.” During the sixty-four years of her reign, Victoria spent a healthy seven years in Scotland, a mere seven weeks in Ireland, and a paltry seven nights in Wales. Although there was little overt hostility, the nonconformist Welsh often felt neglected by the monarch and embittered by the queen's position as the head of the Church of England. Her Irish visits, however, were subject to more open opposition by stalwart republicans. Her visit to Dublin in 1900 was accompanied by
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Cass, Philip. "REVIEW: From a Suva gossip column to Fleet Street." Pacific Journalism Review : Te Koakoa 5, no. 1 (1999): 146–48. http://dx.doi.org/10.24135/pjr.v5i1.663.

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Review of A Hack's Progress, by Phillip Knightley. London: Vintage.
 Knightley's book is self critical, especially about the value of his writing on the intelligence service during the Cold War and he refers to himself as "the world's worst war correspondent" for assuring his editor at the Sunday Times that there would be no war in the Middle East — on the eve of the Six Day War. For a journalist who has achieved so much prominence for his work as an investigative journalist for the quality British press and his subsequent books, Knightley appears to have been singularly uncertain about w
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Stec, Loretta. "The invasion of Fleet Street: women and journalism in England 1880-1950." Feminismo/s, no. 5 (2005): 57–70. http://dx.doi.org/10.14198/fem.2005.5.04.

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Conboy, Martin. "A Fleet Street in Every Town: The Provincial Press in England, 1855-1900." Library & Information History 35, no. 3 (2019): 176–77. http://dx.doi.org/10.1080/17583489.2019.1676605.

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Jackson, Andrew J. H. "A Fleet Street in every town: the provincial press in England, 1855–1900." International Journal of Regional and Local History 14, no. 2 (2019): 142–43. http://dx.doi.org/10.1080/20514530.2019.1669106.

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Tiano, S., and C. Ladino. "The Gender Institute, London School of Economics, Houghton Street, London WC2A 2AE, England." Environment and Planning A: Economy and Space 31, no. 2 (1999): 305–25. http://dx.doi.org/10.1068/a310305.

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Henry, C. John. "William Smith's London neighbourhood." Earth Sciences History 35, no. 1 (2016): 212–17. http://dx.doi.org/10.17704/1944-6187-35.1.212.

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This note has developed from a poster shown at the William Smith conference organised by the History of Geology Group (HOGG) of the Geological Society of London, in London on 23–24 April 2015, to celebrate the bicentenary of William Smith's iconic map, A Delineation of the Strata of England and Wales with part of Scotland. The note describes the neighbourhood of Smith's home at 15 Buckingham Street including the addresses of nearby trades, professions and institutions which likely influenced his choice to settle at that location.
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Nesvet, Rebecca. "“Like a polish’d razor keen”: Sweeney Todd, Figaro in London, and Transmedia Satire." Victorian Popular Fictions Journal 6, no. 2 (2024): 29–48. https://doi.org/10.46911/vpap6681.

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The art of caricature is essential to Stephen Sondheim and Hugh Wheeler’s Sweeney Todd, the Demon Barber of Fleet Street: A Musical Thriller, so much so that its 1979 world premiere can be understood as a time-based, three-dimensional caricature. This article contends that Robert Seymour’s caricature masthead of Figaro in London informs James Malcolm Rymer’s Victorian Sweeney Todd serial The String of Pearls and that subsequent contributions to the Sweeney Todd transmedia universe revive nineteenth-century caricature, often characterising Sweeney Todd as a personification of satire itself. Coz
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Lannon, David. "Manchester’s New Fleet Prison or House of Correction and Other Gaols for Obstinate Recusants." Recusant History 29, no. 4 (2009): 459–86. http://dx.doi.org/10.1017/s003419320001236x.

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Few people today realise that Manchester was used in Elizabethan England as a place where obstinate recusants might be imprisoned both as a warning to others and in the hope that their conformity to the religious laws of the realm might be obtained. Three places were used to hold the captives. The first was the disused chapel on the only bridge that then existed between Manchester and Salford, the second was Radcliffe Hall or Pool Fold Lodge near the present day Cross Street Chapel, and the third was the House of Correction built between Hunt’s Bank and the sandstone bluff on which stood the f
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Dissertations / Theses on the topic "Fleet Street (London, England)"

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Morin, Nathan L. ""Some might say it is not really busking" : the impact of the Carling Busking Scheme in London, England." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397645.

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Artists have been performing on city streets since the rise of the first ones. Their performances throughout this time period have been shown to have several characteristics that have formed the basis for a model that frames most contemporary street performances. Previous studies suggest that to regulate street performers would be antithetical to this model. However, no study to date has tested these assertions. In order to determine if a licensed street performance is consistent with the prevailing model, I traveled to London, England to work closely with the performers and administrators of
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Beaumont, Julia. "An isotopic and historical study of diet and migration during the great Irish Potato Famine (1845-1852) : high-resolution carbon and nitrogen isotope profiling of teeth to investigate migration and short-term dietary change at the Union workhouse, Kilkenny and Lukin street, London." Thesis, University of Bradford, 2013. http://hdl.handle.net/10454/6315.

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Historical evidence from contemporary documents established that Irish migrants to London during the Great Irish Famine (1845-1852) were likely to come from low socio-economic groups in south-west Ireland, and has characterised mid-19th-century health status and living conditions in both locations. Using samples from 119 individuals from the Catholic cemetery at Lukin Street, London (1843-1854) and 20 from the Union Workhouse Famine cemetery, Kilkenny, Ireland (1847-51), mean bone collagen isotope values were established for the well-documented Irish pre-Famine potato-based diet (δ¹⁵N 10.6‰, δ
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Alexander, Sarah C. "Victorian excesses the poetics and politics of street life in London /." 2009. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051968.

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Books on the topic "Fleet Street (London, England)"

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Finch, Charles. The Fleet Street murders. Magna, 2014.

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Morgan, Dewi. St Bride's Church Fleet Street in the City of London. St Bride Restoration Fund, 1987.

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Leapman, Michael. Treacherous estate: The press after Fleet Street. Hodder & Stoughton, 1992.

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Haselgrove, Dennis. The 17th century 'Cock ale-house' at Temple bar and some Fulham stoneware bottles. [s.n.], 1990.

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Haselgrove, Dennis Cliff. The 17th century "Cock ale-house" at Temple bar and some Fulham stoneware bottles. (The Society), 1986.

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Yehuda, Koren, ed. First lady of Fleet Street: The life, fortune and tragedy of Rachel Beer. JR Books, 2011.

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Corporation, City of London, ed. Prince Henry's Room at 17 Fleet Street, London EC4. The corporation, 1990.

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Brandon, David. London street furniture. Amberley, 2010.

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Morgan, David Lewis. St. Bride's Church, Fleet street, in the city of London. St. Bride Restoration Fund, 1987.

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Bebbington, Gillian. Street names of London. Batsford, 1988.

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Book chapters on the topic "Fleet Street (London, England)"

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Bowen, H. Courthope. "The Journal of Education, 86 Fleet Street, London." In The Origins of Nursery Education. Routledge, 2024. http://dx.doi.org/10.4324/9781003554660-4.

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Dittmar, Hank. "My Favorite Street: Seven Dials, Covent Garden, London, England." In My Kind of City. Island Press/Center for Resource Economics, 2019. http://dx.doi.org/10.5822/978-1-64283-037-8_4.

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Hamilton, Susan. "‘Speaking in Fleet Street’: the feminist politics of the editorial in the London Echo, 1868–1875." In Frances Power Cobbe and Victorian Feminism. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230626478_4.

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Cuber, Angelika, Anna Gonchar, and Alexander Moutchnik. "Standortfaktoren und Triebkräfte von Medienclustern: Fleet Street in London, das Graphische Viertel in Leipzig und das Zeitungsviertel in Berlin." In Handlungsraum Media Management. Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-41520-4_1.

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Orel, Harold. "Russell Stannard, With the Dictators of Fleet Street: The Autobiography of an Ignorant Journalist (London: Hutchinson, 1934) pp. 144–5." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_54.

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Burden, Michael. "[Anon.], An Heroic Epistle, from Monsieur Vestris, Sen: In England, to Mademoiselle Heinel, in France: With Notes (London: Printed for R. Faulder, New Bond-street, 1781)." In London Opera Observed 1711-1844, Volume II. Routledge, 2024. http://dx.doi.org/10.4324/9781003552604-24.

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McKay, Barry. "5. Anthony Soulby, Chapbook Printer of Penrith (1740–1816)." In Cheap Print and Street Literature of the Long Eighteenth Century. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.05.

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The chapbooks printed in Penrith, a small market town in northern England, may be regarded as somewhat underwhelming when compared to those of London and Newcastle, but in terms of those known from other English provincial chapbook printing towns they are worthy of note. The number of chapbooks printed in Penrith is largely the work of two printers, Ann Bell and Anthony Soulby, and it is the work of the latter that this essay seeks to record. In seeking to trace Soulby’s career, his trading as a bookseller, publisher, and circulating library proprietor is discussed, before he added the role of
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Orel, Harold. "Fifty Years of Fleet Street, Being the Life and Recollections of Sir John R. Robinson, ed. Frederick Moy Thomas (London: Macmillan, 1904) pp. 358–9." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_24.

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"FLEET STREET, SALISBURY, LONDON." In A Path Through Hard Grass. Basler Afrika Bibliographien, 2014. http://dx.doi.org/10.2307/j.ctvh9vvtz.19.

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"Isaac Rosenberg (1890–1918) Fleet Street." In London. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674273702-210.

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