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Relevant bibliographies by topics / Flemish drama

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Journal articles

Academic literature on the topic 'Flemish drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Flemish drama"

1

Sedláčková, Lucie. "Circulatie van Nederlandstalig toneel in Tsjechië, 1898–1989." Neerlandica Wratislaviensia 28 (June 26, 2019): 165–81. http://dx.doi.org/10.19195/0860-0716.28.13.

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Circulation of Dutch plays in Czech, 1898–1989 This article deals with the circulation of Dutch and Flemish dramatic texts in the Czech lands between 1898 – when the first translation of a Dutch theatre play was probably published – and 1989 – the year of the Velvet Revolution, after which the cultural field changed radically. It is a fact that relatively few Dutch and Flemish plays have been translated into Czech. The same is true of the actual production of the plays in Czech translation: these were rather sporadic throughout the whole 20th century, except for several plays by Herman Heijerm

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2

Parisse, Lydie. "Le théâtre intérieur de Maurice Maeterlinck dans La Mort de Tintagiles." Cahiers ERTA, no. 21 (2020): 83–97. http://dx.doi.org/10.4467/23538953ce.20.005.12026.

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Maeterlinck`s Innertheater in Tintagile`s death Tintagile’s death (1894) is an etape in the Maeterlinck’s work. This drama bears the strong imprint of a decisive évent in the life of the author : the discovery of the writings of the médieval Flemish mystic Ruysbroeck, of wich he became the translator from 1885 to 1888. The langage of mysti‐ cism allows a renowal of writing and dramatic aesthetics.

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3

Zeller, Claudia. "Kleverig drama." Internationale Neerlandistiek 59, no. 1 (2021): 51–68. http://dx.doi.org/10.5117/in2021.1.003.zell.

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Abstract This article investigates new perspectives on ecocriticism through the works of the Flemish poet Dominique De Groen. Taking Timothy Morton’s notion of ‘dark ecology’ as a starting point, it argues that De Groen’s poetry represents a form of anthropocenic writing that exceeds the scope of traditional ecocriticism. Read through the lens of the Anthropocene as both a geological era and an episteme, her writing can shed light on the entanglement between the human subject and its environment that is central to the conceptualisation of the Anthropocene as discourse. It is argued that the di

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4

Dhoest, Alexander. "Negotiating Images of the Nation: The Production of Flemish TV Drama, 1953-89." Media, Culture & Society 26, no. 3 (2004): 393–408. http://dx.doi.org/10.1177/0163443704042261.

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Raats, Tim, and Catalina Iordache. "From Nordic Noir to Belgian Bright?" Canned TV Going Global 9, no. 17 (2020): 79. http://dx.doi.org/10.18146/view.243.

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Shifts in audio-visual production, distribution and consumption have increased pressure on broadcasters as main financiers of domestic content in Europe. However, within the context of internationalisation and digitalisation, there are also new opportunities for the export of European content. By taking a close look at the evolution and increasing popularity of Flemish TV drama, this article identifies key explanatory factors for the export of content produced in a small media market. The analysis also discusses the extent to which the rise in exports may contribute to the increased sustainabi

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6

Dhoest, Alexander. "When Regional Becomes National: The Production and Reception of Flemish TV Drama in a Culturally Divided Country." Critical Studies in Television: The International Journal of Television Studies 6, no. 2 (2011): 13–23. http://dx.doi.org/10.7227/cst.6.2.4.

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7

Vanlandschoot, Romain. "Verdraagzaamheid en pragmatische samenwerking in de Vlaamse beweging. Hugo Verriest en August Vermeylen 1895-1914. Deel 2." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 72, no. 2 (2013): 103–39. http://dx.doi.org/10.21825/wt.v72i2.12212.

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Deel 2: In de slagschaduw van Rodenbach (1897-1909)De periode 1897-1909 staat zowel voor Hugo Verriest als voor August Vermeylen in het teken van Albrecht Rodenbach. Aanleiding was biografische notitie die in het christendemocratische weekblad De Nieuwe Tijd van Verriest verschenen was (oktober 1897), en door Vermeylen overgenomen in Van Nu en Straks. Deze tekst consolideerde definitief de vriendschap tussen beide protagonisten van de Vlaamse beweging. De dood van dichter Guido Gezelle (27 november 1899) bracht hen nog dichter bij elkaar.Een klein meningsverschil omtrent het drama Starkadd van

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8

T’Sjoen, Yves. "‘Koloniseren is een smaak die je moet leren’ – Hugo Claus en Het leven en de werken van Leopold II (1970)." Tydskrif vir Letterkunde 46, no. 1 (2017): 151–66. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.3473.

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The première of Claus’ play Het leven en de werken van Leopold II (The Life and Works of Leopold II), in November 1970 (by the company Nederlandse Comedie), was directed by the author himself. After a second and again rather unsuccessful run (1972–1973, Arena, director: J. Tummers) it disappeared from the stage for nearly thirty years: there was no other production of Claus’ play in the Low Countries until the autumn of 2002 (KVS, director: R. Ruëll). Undoubtedly Het leven en de werken van Leopold II is one of the lesser-known plays by the Flemish author Hugo Claus (1929–2008). While writing i

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9

Vanlee, Florian, Sofie Van Bauwel, and Frederik Dhaenens. "Distinctively queer in the Parish: Performances of distinction and LGBTQ+ representations in Flemish prestige television fiction." European Journal of Cultural Studies 23, no. 4 (2019): 548–63. http://dx.doi.org/10.1177/1367549418821844.

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This article troubles the intuitive link between emancipatory portrayals of sexual and gender diversity and ‘quality television’ by focusing on three Flemish ‘prestige’ dramas: Met Man en Macht (VIER, 2013), Bevergem (Canvas, 2015) and Den Elfde Van Den Elfde (één, 2016). Contrary to the United States, Flemish quality television portrays fewer LGBTQ+ characters and narratives than less ‘prestigious’ content. Approached from a Bourdieusian perspective, the cases discussed show that when LGBTQ+ characters are featured in prestigious domestic fiction content, they function as distinctive queers.

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10

Torbus, Tomasz. "„Król się ślini na myśl o Gdańsku…” – cztery odsłony walki o symbole między miastem a władzą zwierzchnią z zamkiem krzyżackim w tle." Porta Aurea, no. 19 (December 22, 2020): 231–56. http://dx.doi.org/10.26881/porta.2020.19.12.

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I draw the historical background with the question of how the city has for centuries been communicating with visual signs with its so different external sovereigns. After general remarks, I focus on the ruler’s relationship with the city during the Teutonic Knights’ era, as the example serving the Teutonic castle in Gdansk, from the beginning of its construction to the story of its demolition. The Teutonic castle was built, according to the message of Wigand of Marburg, during the time of Grand Master Dietrich von Altenburg around 1340. Unlike the dating, its form disappears in the darkn

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