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1

Yvorel, Jean-Jacques. "Violette Nozière, la fleur du mal. Une histoire des années trente." Revue d’histoire de l’enfance « irrégulière », no. 21 (November 12, 2019): 219–24. http://dx.doi.org/10.4000/rhei.4901.

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2

Yvorel, Jean-Jacques. "Violette Nozière, la fleur du mal. Une histoire des années trente." Revue d’histoire de l’enfance « irrégulière » N° 21, no. 1 (2019): 219–24. http://dx.doi.org/10.3917/rhei.021.0219.

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3

Thélot, Jérôme. "Le Rêve d’un curieux, ou la photographie comme Fleur du Mal." Cahiers Textuels 25, no. 1 (2002): 147–60. https://doi.org/10.3406/textu.2002.2300.

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4

Павлюк, О. О., та Т. О. Салтикова. "ВЕРБАЛІЗАЦІЯ КОНЦЕПТУ FLEUR У ЛІТЕРАТУРНІЙ КАЗЦІ ДЛЯ ДІТЕЙ МОРІСА ДРЮОНА “TISTOU LES POUCES VERTS”". Nova fìlologìâ, № 93 (17 травня 2024): 134–40. http://dx.doi.org/10.26661/2414-1135-2024-93-19.

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Індивідуальні авторські концепти відбивають особистий досвід письменника, його уяву, асоціації, бачення світу та ставлення до нього, що віддзеркалюється в художньому мовленні, у мові твору. У сучасній лінгвістиці спостерігається значна увага до концепту як одиниці індивідуально-авторської картини світу письменника. У межах зазначеної проблематики не виявлено досліджень, у яких би було здійснено аналіз засобів вербалізації концепту FLEUR у літературній казці Моріса Дрюона “Tistou les pouces verts”. Метою розвідки є аналіз і опис особливостей утілення художнього концепту FLEUR у тексті казки для
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5

Smith, Jonathan. "Une Fleur du Mal? Swinburne's "The Sundew" and Darwin's Insectivorous Plants." Victorian Poetry 41, no. 1 (2003): 131–50. http://dx.doi.org/10.1353/vp.2003.0015.

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6

Giacomo, Esposito. "Un voyage à Cythère. Una lettura baudelairiana de «Il Gattopardo»." Aura, no. 3 (September 16, 2023): 15–26. https://doi.org/10.5281/zenodo.8348741.

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The essay examines the intertextual links between Giuseppe Tomasi di Lampedusa&rsquo;s <em>Gattopardo</em>&nbsp;and Charles Baudelaire&rsquo;s <em>Les fleur du mal</em>. Through an interpretation of <em>Un voyage a Cythere</em>, which is remembered by Don Fabrizio Salina, the main character of Tomasi&rsquo;s novel, it is possible to find motifs common to both authors: aristocratic nostalgia, contempt for the bourgeoisie, sense of death. Another allusion to the poem is in the heart of the novel, confirming the relevance of Baudelairian poetry in the structure of <em>Il Gattopardo</em>.
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7

Granger, Christophe. "Demartini Anne-Emmanuelle , Violette Nozière, la fleur du mal. Une histoire des années trente , Ceyzérieu, Champ Vallon, 2017, 391 p., 27 €." 20 & 21. Revue d'histoire N° 144, no. 4 (2019): 211al—243. http://dx.doi.org/10.3917/vin.144.0211al.

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8

Cahen, Fabrice. "Anne-Emmanuelle Demartini, Violette Nozière, la fleur du mal. Une histoire des années trente , Ceyzérieu, Champ Vallon, « Époques », 2017, 398 p." Le Mouvement Social N° 279, no. 2 (2022): 211–14. http://dx.doi.org/10.3917/lms1.279.0211.

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9

Sydor, Oleg. "The bad good painter." Art Research of Ukraine, no. 22 (November 29, 2022): 58–64. http://dx.doi.org/10.31500/2309-8155.22.2022.270885.

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Oleg Sydor-Hibelynda's article raises the issue of the existence of a European Salon in the context of Modernist art, some on which the Salon uses. French painter Georg-Antoine Rochegrosse (1859– 1939) іs one of those who tried to combine salon academicism and individual images of symbolism and decadence; far examples, he illustrated «Fleur du Mal» by Charles Baudelaire and«Salambo» by Gustav Flaubert, he also designed opera performances, popularized oriental themes. Reproductions of his works were published in huge edition, performances based on his paintings caused scandals. He was admired b
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10

Bologne, Jean Claude. "La révision du procès des Fleurs du Mal." Romanic Review 113, no. 3 (2022): 372–87. http://dx.doi.org/10.1215/00358118-10055101.

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Résumé Le 31 mai 1949, à la requête de la Société des Gens de Lettres, la chambre criminelle de la Cour de Cassation annule la condamnation pour outrage aux bonnes mœurs portée en 1857 contre Les Fleurs du Mal, devant une opinion publique acquise d’avance à la réhabilitation. Maître Falco1, conseiller rapporteur, le reconnaît lui-même : « En plaidant aujourd’hui pour les Fleurs du Mal, on a l’impression de plaider pour un livre de la Bibliothèque rose, qui serait couronné par un prix de vertu. Rien ne subsiste pour démontrer un outrage aux bonnes mœurs2. » On a du mal à croire que ce jugement
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11

Dolamore, C. E. J., Charles Baudelaire, and Robert Jackson. "Les Fleurs du Mal." Modern Language Review 91, no. 4 (1996): 999. http://dx.doi.org/10.2307/3733569.

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12

Dolamore, C. E. J., Charles Baudelaire, and Graham Chesters. "Les Fleurs du Mal." Modern Language Review 92, no. 1 (1997): 198. http://dx.doi.org/10.2307/3734741.

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13

Jones, Kathleen. "Le Mal Des Fleurs:." Women & Politics 9, no. 4 (1989): 1–22. http://dx.doi.org/10.1300/j014v09n04_01.

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14

Suter, Patrick. "« Les cocotiers absents de la superbe Afrique »." Romanic Review 113, no. 3 (2022): 356–71. http://dx.doi.org/10.1215/00358118-10055091.

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Résumé L’ajout des «Tableaux parisiens» dans l’édition de 1861 des Fleurs du Mal peut être compris comme une réponse de Baudelaire à ses accusateurs lors du procès dont il a été victime à l’occasion de la première publication des Fleurs du Mal. La notion de «fleurs du mal» s’en trouve changée et concerne désormais aussi le monde bourgeois, capitaliste et colonialiste qui a mis en scène ce procès, tandis que la Ville Lumière, Paris, apparaît pleine de boue. Ce mouvement de retournement contre ses accusateurs sera plus tard repris par Aimé Césaire dans le Cahier du retour au pays natal, qui, en
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15

Prat, Marie-Hélène. "L'apostrophe dans Les Fleurs du mal." L Information Grammaticale 41, no. 1 (1989): 39–43. http://dx.doi.org/10.3406/igram.1989.2006.

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16

Prat, Marie-Hélène. "L'apostrophe dans Les Fleurs du mal." L Information Grammaticale 40, no. 1 (1989): 18–22. http://dx.doi.org/10.3406/igram.1989.2015.

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17

Schellino, Andrea. "Baudelaire, éditeur des « Fleurs du mal »." Genesis, no. 53 (December 15, 2021): 195–99. http://dx.doi.org/10.4000/genesis.6277.

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18

Lloyd, Rosemary. "Engendering Performance inLes Fleurs du Mal." Dix-Neuf 17, no. 1 (2013): 24–36. http://dx.doi.org/10.1179/1478731812z.00000000023.

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19

Scepi, Henri. "Le sujet des Fleurs du mal." Cahiers Textuels 25, no. 1 (2002): 107–21. https://doi.org/10.3406/textu.2002.2297.

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20

Plaquin, Évelyne. "Les fleurs du mal : Sens et enjeux du mal dans le recueil." Imaginaire & Inconscient 19, no. 1 (2007): 53. http://dx.doi.org/10.3917/imin.019.0053.

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21

Dolamore, C. E. J., and William J. Thompson. "Understanding 'Les Fleurs du Mal': Critical Readings." Modern Language Review 95, no. 4 (2000): 1086. http://dx.doi.org/10.2307/3736654.

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22

Leakey, F. W. ""Les Fleurs du Mal": A Chronological View." Modern Language Review 91, no. 3 (1996): 578. http://dx.doi.org/10.2307/3734085.

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23

Sorrell, Martin, and F. W. Leakey. "Baudelaire: 'Les Fleurs du Mal': Selected Poems." Modern Language Review 88, no. 4 (1993): 988. http://dx.doi.org/10.2307/3734481.

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24

Brady, Heather, and William J. Thompson. "Understanding "Les Fleurs du mal": Critical Readings." South Central Review 15, no. 3/4 (1998): 75. http://dx.doi.org/10.2307/3189846.

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25

Dufour, Pierre. "Une dédicace secrète des Fleurs du Mal." Poétique 151, no. 3 (2007): 326. http://dx.doi.org/10.3917/poeti.151.0326.

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26

Dufour, Pierre. "Les Fleurs du Mal : dictionnaire de mélancolie." Littérature 72, no. 4 (1988): 30–54. http://dx.doi.org/10.3406/litt.1988.1465.

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27

Pensom, Roger. "Lectures de Baudelaire: ‘Les Fleurs du Mal.’." French Studies 59, no. 4 (2005): 555–56. http://dx.doi.org/10.1093/fs/kni248.

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28

Fraisse, Luc. "Marcel Proust commente Les Fleurs du Mal." Cahiers Textuels 25, no. 1 (2002): 257–70. https://doi.org/10.3406/textu.2002.2309.

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29

Zhao, Shuyu, Qingqing Yang, Lifen Li, Yan Cao, Yang Yang, and Yaxue Wang. "Impact of reactive compatibilizers on the properties of poly(lactic acid)/bamboo flour composites." BioResources 20, no. 3 (2025): 5514–32. https://doi.org/10.15376/biores.20.3.5514-5532.

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The preparation of biodegradable wood plastic composites using polylactic acid (PLA) as the matrix and plant flours as the reinforcing phase aligns with the principles of sustainable development. However, there is a large polarity difference and poor compatibility between PLA and plant flours. To improve the performance of PLA/bamboo flour (BF) composites and simplify the process, this study modified PLA using glycidyl methacrylate (GMA), methacrylic acid (MAA), and maleic anhydride (MAH) as reactive compatibilizers. Composites were prepared from the modified PLA and BF using the hot-pressing
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30

Ferreira, Raul Azevedo de Andrade. "NO JARDIM DO MAL: BAUDELAIRE NO BRASIL." A Cor das Letras 8, no. 1 (2017): 53. http://dx.doi.org/10.13102/cl.v8i1.1566.

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O volume de poesias intitulado Les fleurs du mal, publicado em 1857, por Charles Baudelaire, firmou-se como marco decisivo na trajetória da lite-ratura moderna. Tal importância, contudo, apenas pôde ser atingida por sua obra conter em si uma alta carga de possibilidades semânticas, propriedade identificada por Paul Valéry como durée. Este ensaio busca discorrer sobre como a durée de Les fleurs du mal foi processada nas primeiras recepções da obra de Baudelaire, no Brasil, analisando como ela sofreu uma série de mo-dulações em função da conjuntura política do país.
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31

Meirelles, Ricardo. "Les fleurs du mal antes de As flores do mal: os primeiríssimos baudelairianos." Cadernos de Tradução 38, no. 3 (2018): 113–34. http://dx.doi.org/10.5007/2175-7968.2018v38nespp113.

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Antes da primeira tradução completa de Les Fleurs du mal, de Charles Baudelaire, vários poetas brasileiros escolheram poemas dele para traduzir e incluir em seu repertório. Primeiro, os poemas são "aclimatados", adaptados e parafráseados por legitimar uma filiação estética, incorporados pelos poetas aos seus livros e assumidos como de sua autoria; depois, aparecem em antologias e livros exclusivos, servindo como modelo de resistência a certas novidades estéticas modernas; o amplo e intenso debate sobre a primeira recepção dos poemas de Baudelaire produziu um repertório crítico e literário comp
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32

Hudson, Robert J., and Kristen Foote. "Decanting the Rabelaisian Casks: Accessing Neoplatonic Poetic Fury in Baudelaire's ‘L'Âme du vin’." Nottingham French Studies 55, no. 3 (2016): 263–79. http://dx.doi.org/10.3366/nfs.2016.0154.

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In one of the lesser-studied sections of Baudelaire's Les Fleurs du Mal, ‘Le Vin’, the poet offers a key to understanding the transcendence necessary for common post-Revolution Parisians to attain the proper poetic inspiration to create elevated verse. Divine or poetic Fury, a theoretically more robust version of other nineteenth-century ideas of intoxication, is at the heart of the section's threshold poem, ‘L'Âme du vin’, and establishes a bridge in Les Fleurs du mal linking the modern terrestrial wanderings of the ‘Tableaux parisiens’ to the celestial flights of the ‘Fleurs du mal’. Develop
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33

Richter, Mario. "Baudelaire et Jésus dans “Les Fleurs du Mal”." Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 325–37. http://dx.doi.org/10.4000/studifrancesi.44560.

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34

Unwin, T. A. "The ?Pseudo-narrative? of Les Fleurs du mal." Orbis Litterarum 46, no. 3 (1991): 321–39. http://dx.doi.org/10.1111/j.1600-0730.1991.tb01923.x.

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35

Follonier, Jonas. "Nos Fleurs du Mal, pastiche contemporain de Baudelaire." Le Regard Libre N° 83, no. 3 (2022): 44–45. http://dx.doi.org/10.3917/regli.083.0044.

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36

Murphy, Steve. "Mario Richter, Baudelaire, “Les Fleurs du Mal”, Lecture intégrale." Studi Francesi, no. 144 (XLVIII | III) (December 15, 2004): 571–72. http://dx.doi.org/10.4000/studifrancesi.37117.

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37

Ferrari, Nicola. "Pierre Dufour, Une dédicace secrète des “Fleurs du Mal”." Studi Francesi, no. 155 (LII | II) (October 1, 2008): 481–82. http://dx.doi.org/10.4000/studifrancesi.8995.

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38

Leclerc, Yvan. "« Madame Bovary » et «Les Fleurs du mal » : lectures croisées." Romantisme 18, no. 62 (1988): 41–49. http://dx.doi.org/10.3406/roman.1988.5546.

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39

Salas, Denis. "Les Fleurs du Mal de Baudelaire ou l’impossible réhabilitation ?" Histoire de la justice N°30, no. 1 (2020): 97. http://dx.doi.org/10.3917/rhj.030.0097.

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40

Richter, Mario. "Deux échos de Chateaubriand dans Les fleurs du mal." Revue d'histoire littéraire de la France 116, no. 4 (2016): 829. http://dx.doi.org/10.3917/rhlf.164.0829.

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41

Auerbach, Erich, and Robert Kahn. "Les Fleurs du Mal de Baudelaire et le sublime." Po&sie 124, no. 2 (2008): 60. http://dx.doi.org/10.3917/poesi.124.0060.

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42

Kekus, Filip. "Le dialogue des “Fleurs du Mal” avec «Les Chimères»." Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 287–301. http://dx.doi.org/10.4000/studifrancesi.44530.

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43

Kovács, Olivér. "Talent-competitiveness of Hungary — Decline without “Fleurs du Mal”." Society and Economy 38, no. 4 (2016): 537–58. http://dx.doi.org/10.1556/204.2016.38.4.6.

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This paper offers some ammunition to better understand Hungary’s position in the IMD World Talent Report 2015 (IMD WTR 2015). First, it gives a brief overview of the methodology of the IMD WTR by highlighting its main features. Second, it presents the 2015 ranking and puts the focus on Hungary’s withering talent competitiveness. The paper conveys the message that an overarching and consistent reform package is a must in the education system to foster talent utilisation. However, such a package is likely to be insufficient unless economic policy addresses the relevant shortcomings of the Hungar
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44

LLOYD, R. "Review. Baudelaire: 'Les Fleurs du Mal'. Leakey, F. W." French Studies 48, no. 1 (1994): 110. http://dx.doi.org/10.1093/fs/48.1.110-a.

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45

Fournier, Jean-François. "A Review of “Charles Baudelaire. Les Fleurs du Mal”." Symposium: A Quarterly Journal in Modern Literatures 65, no. 3 (2011): 231–33. http://dx.doi.org/10.1080/00397709.2011.599720.

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46

Lee, Hye-won. "Les enjeux litteraires du proces des Fleurs du Mal." Études de Langue et Littérature Françaises 119 (September 15, 2019): 177–214. http://dx.doi.org/10.18824/ellf.119.06.

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47

Cabanès, Jean-Louis. "Les Fleurs du Mal et les métamorphoses du sublime." Cahiers Textuels 25, no. 1 (2002): 43–55. https://doi.org/10.3406/textu.2002.2292.

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48

Stobnicka, Agata, and Rafał Górny. "Flour dust – aspiration fraction Documentation of proposed values of occupational exposure limits (OELs." Podstawy i Metody Oceny Środowiska Pracy 33, no. 3(93) (2017): 91–120. http://dx.doi.org/10.5604/01.3001.0010.4339.

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The term "flour dust" refers to particles derived from finely ground cereal grains and "non-cereal" grains. Flour flour usually also contains ingredients that play an important role in improving dough quality, such as enzymes, additives such as baker's yeast, flavors, spices and chemical ingredients such as preservatives. Flour is one of the basic raw materials used in the food industry and in the production of animal feed. Taking into account the nature of the production activities in mentioned industries, the highest occupational exposure to flour dust is usually observed in bakeries and gra
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49

Richter, Mario. "Sur la présence de Baudelaire chez André Breton." Studi Francesi 204 (LXVIII | III) (2024): 518–24. https://doi.org/10.4000/13uk1.

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Acknowledging his debt to the poet of the Fleurs du Mal on several occasions, Breton demonstrates that he has really drawn from Baudelaire at least four valuable lines of conduct for his surrealism: morality based on the reconciliation of opposites and the rejection of the analytical reason, nature as a ‘forest of symbols’ (Correspondances), the power of desire and the collective character of the adventure concerning the exploration of the unknown (Le Voyage). After the war, Sartre, having realised the founding value of Baudelaire in Breton, published a book on the author of the Fleurs du Mal
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50

Koźluk, Magdalena. "Mak hieroglifem zapomnienia." Acta Universitatis Lodziensis. Folia Litteraria Romanica, no. 8 (December 30, 2013): 19–36. https://doi.org/10.18778/1505-9065.8.02.

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Dans les cultures de l’Antiquité et de la Renaissance, la fleur du pavot (papaver sommniferum / papaver lethaeum) est avant tout un symbole ou mieux, si l’on emprunte le terme aux dictionnaires des symboles et aux recueils d’emblèmes du XVIe et du XVIIe siècles, un hiéroglyphe de l’oubli, identifié avec le sommeil et la mort. L’attribut de deux frères jumeaux, Hypnos et Thanatos, fils de la Nuit (Nyx) et frères de l’Oubli (Lethe), le pavot, dans la médecine ancienne et renaissante, reste classé parmi les plantes à propriétés somnifères dont on tirait un remède prisé dans toute la pharmacopée c
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