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Journal articles on the topic 'Florence. Teatro della Pergola'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Mostaço, Edelcio. "Dentes afiados de Vampiro." Urdimento - Revista de Estudos em Artes Cênicas 3, no. 36 (2019): 532–38. http://dx.doi.org/10.5965/1414573103362019532.

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Resenha do livro Aristóteles ou o vampiro do teatro ocidental, da autoria de Florence Dupont. Neste ensaio a autora destaca a imperiosa presença de Aristóteles no campo da ficção e seu tratado Poética como matriz inconteste de um modelo narrativo que continua dominando o teatro e a cena do Ocidente. Ao se contrapor frente à essa hegemonia formal, histórica e ideológica, ela examina outros modelos de cenas não-dramáticas que viabilizam se falar em outros percursos possíveis para a meganarrativa do teatro entre nós.
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2

Schauer, Sophie, Stefano Bertocci, Federico Cioli, Jürgen Sieck, Natalya Shakhovska, and Olena Vovk. "Auralization of Concert Halls for Touristic Purposes." i-com 21, no. 1 (2022): 95–107. http://dx.doi.org/10.1515/icom-2022-0008.

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Abstract This paper presents the progress implemented during the AURA project, funded by the Creative-Europe program with project partners from Germany, Italy, and Ukraine. The project aims to create auralized applications for three music venues in each of the project countries, namely the Konzerthaus Berlin, the Teatro del Maggio in Florence, and the Opera House Lviv. Each will be digitally recreated and auralized before they are then used to conduct case studies. This paper gives insights into current digitalization and auralization techniques. The results of a digital survey will be laid ou
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3

Hunter, R. L. "Carlo Ferdinando Russo: Aristofane. Autore di teatro. Second edition. Pp. v + 416. Florence: Sansoni Editore, 1984. Paper, L. 20,000." Classical Review 35, no. 2 (1985): 383. http://dx.doi.org/10.1017/s0009840x00109369.

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4

Fantazzi, Charles. "Tito Livio Frulovisi, Oratoria., ed., Cristina Cocco. (Teatro umanistico 2.) Florence: SISMEL, Edizioni del Galluzzo, 2010. Pp. lxxxi, 109. €36. ISBN: 9788884503787." Speculum 87, no. 4 (2012): 1198–99. http://dx.doi.org/10.1017/s0038713412003405.

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5

Sear, Frank. "G. Cateni (ED.) Il Teatro Romano di Volterra. Florence: Octavo, 1993. Pp. 175, 118 illus. ISBN 8-8803-0002-4. L. 130,000." Journal of Roman Studies 86 (November 1996): 217–18. http://dx.doi.org/10.1017/s0075435800057750.

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6

Sear, Frank. "G. Cateni (ed.) Il Teatro Romano di Volterra. Florence: Octavo, 1993. Pp. 175, 118 illus. ISBN 8-8803-0002-4. L. 130,000." Journal of Roman Studies 86 (November 1996): 217–18. http://dx.doi.org/10.2307/300455.

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7

Stampino, Maria Galli. "Comoedia Leucasia. Girolamo Morlini. Ed. and trans. Giorgia Zollino. Teatro Umanistico 17. Florence: SISMEL Edizioni del Galluzzo, 2020. lxxxviii + 86 pp. €39." Renaissance Quarterly 76, no. 1 (2023): 205–6. http://dx.doi.org/10.1017/rqx.2023.101.

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8

Mingardi, Lorenzo. "Aldo Rossi per 'Pitti Uomo'. Il viaggio della 'Cabina dell’Elba': da suggestione sentimentale a elemento dello spazio scenico." Opus Incertum 10 (December 24, 2024): 92–103. https://doi.org/10.36253/opus-15838.

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Many architectures obsessively designed by Aldo Rossi throughout his life exemplify the notion of unexpected journeys. Some of these journeys are tangible, such as the Teatro del Mondo featured in the crossing from Venice to Dalmatia (1980). Other, however, are abstract, existing solely within the imaginative realm of the architect’s design vision. In Rossi’s imaginative formal vocabulary, marked by a rarefaction of elements in favor of an absolute complexity of an intricate compositional complexity, the Cabina dell’Elba is one of his most recurrent subjects. First appearing in a series of dra
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9

Chekan, Yurii. "Locations of the first opera performances: from elitism to general availability." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 75–86. http://dx.doi.org/10.31318/2522-4190.2023.136.276560.

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Relevance of the study. The object of research in the history of music usually is the spiritual component of artistic culture, it's genre- and style-centric processes of the art itself. Specific conditions of artistic artifacts's existence, locations where the premiere and subsequent performances took place, draw less scientific attention. At the same time, without taking this information into account, the musico-historical aspects of the past appear devalued and deformed; certain things remain not understood completely, certain moments fall out of sight.
 The purpose of the study. It is
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10

Grund, Gary R. "Ludovico Romani, De casu Caesenae., ed. and trans., Attilio Grisafi. (Teatro Umanistico 13.) Florence: SISMEL Edizioni del Galluzzo, 2014. Paper. Pp. lxxxv, 69. €36. ISBN: 978-88-8450-529-3." Speculum 90, no. 4 (2015): 1145–46. http://dx.doi.org/10.1017/s0038713415001852.

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11

Strubel, Armand. "Animali parlanti. Letteratura, teatro, canzoni , éd. Caterina Mordeglia, Florence, SISMEL–Edizioni del Galluzzo, 2017 ; 1 vol., xvi –266 p. ( Micrologus Library , 82). ISBN : 978-88-8450-804-1. Prix : € 54,00." Le Moyen Age Tome CXXIV, no. 2 (2019): XXXII. http://dx.doi.org/10.3917/rma.242.0427zf.

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12

Gritti, Valentina, and Véronique Winand. "Tito Livio Frulovisi , Corallaria , éd., trad., comm. Armando Bisanti , Florence, SISMEL-Edizioni del Galluzzo, 2021 ; 1 vol., CXII–99 p. ( Teatro Umanistico , 19). ISBN : 978-88-9290-140-7. Prix : € 42,00." Le Moyen Age Tome CXXIX, no. 3 (2024): 993–95. https://doi.org/10.3917/rma.293.0993.

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13

Newbigin, Nerida. "Gianni Cicali. L’Inventio crucis nel teatro del rinascimento fiorentino: Una leggenda tra spettacolo, antisemitismo e propaganda. Studi 8. Florence: Società Editrice Fiorentina, 2012. 182 pp. €15. ISBN: 978-88-6032-233-3." Renaissance Quarterly 67, no. 1 (2014): 325–26. http://dx.doi.org/10.1086/676246.

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14

Eisenbichler, Konrad. "Zorzi Elvira Garbero and Sperenzi Mario, eds., Teatro e spettacolo nella Firenze del Medici: modelli dei luoghi teatrali Florence: Leo S. Olschki, 2001. xvi + 220 pp. Lire 45,000. ISBN: 88-222-4992-5." Renaissance Quarterly 55, no. 3 (2002): 1069–71. http://dx.doi.org/10.2307/1261576.

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15

Barreto, Joana. "Cristina Anna Addesso , Teatro e Festività nella Napoli aragonese , Florence, Olschki, 2012 ; 1 vol., x –170 p. ( Biblioteca dell’ Archivum Romanicum, sér. 1, Storia, Letteratura, Paleografia , 400). ISBN : 978-88-222-6158-8. Prix : € 24,00." Le Moyen Age Tome CXX, no. 1 (2014): XI. http://dx.doi.org/10.3917/rma.201.0159k.

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16

Cheney, Liana De Girolami. "Giorgio Vasari: La casa, le carte, il teatro della memoria. Atti del Convegno Firenze-Arezzo (24–25 novembre 2011). Silvia Baggio, Paola Benigni, and Diana Toccafondi, eds. Biblioteca Storica Toscana: Serie I 74. Florence: Olschki, 2015. x + 266 pp. €35." Renaissance Quarterly 72, no. 2 (2019): 611–12. http://dx.doi.org/10.1017/rqx.2019.143.

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17

Arnott, W. Geoffrey. "The Second Trento Congress on Drama - Lia De Finis (ed.): Scena e spettacolo nell'antichità. Atti del Convegno Internazionale di Studio, Trento 28–30 marzo 1988. (Teatro, Studi e Testi, 7.) Pp. 322; 16 pp. of plates. Florence: Leo S. Olschki, 1989. Paper, L. 58,000." Classical Review 40, no. 2 (1990): 300–301. http://dx.doi.org/10.1017/s0009840x00253791.

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18

Rindom, Ditlev. "Antonio Meucci, Opera and Telephonic Listening." Nineteenth-Century Music Review, July 8, 2025, 1–26. https://doi.org/10.1017/s1479409825000023.

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Abstract This article focuses on the Italian inventor, telephone pioneer and opera house technician Antonio Meucci (1808–1889), exploring the shifting relationships between Meucci’s experiments and his operatic connections across his transatlantic career. Meucci first developed an acoustic telephone while working at Florence’s Teatro della Pergola, before discovering the transmission of sound via electricity during his tenure as chief machinist at Havana’s Teatro Tacón in the 1840s. These experiments were further refined after his relocation to New York, where he continued to be part of a netw
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19

Raynié, Florence. "Florence Béziat, El silencio en el teatro de Tirso de Molina, Madrid -Revista Estudios, Pamplona -GRISO (Universidad de Navarra), Publicaciones del Instituto de Estudios Tirsianos, 16." Les Cahiers de Framespa, no. 1 (September 19, 2005). http://dx.doi.org/10.4000/framespa.401.

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20

Ramos, Rodrigo Felipe. "Moralização em cena." Nuntius Antiquus 17, no. 1 (2021). http://dx.doi.org/10.35699/1983-3636.2021.29296.

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Este artigo discute a função das sententiae, um expediente retórico e moral, presentes na comédia Rudens de Plauto (III-II a. C.). A análise das sententiae contidas no prólogo e em diálogos entre mulheres e escravos permitiu ponderar sobre diferentes interpretações de classicistas modernos (DINTER, 2016; HUNTER, 1989; MOORE, 1998) no que se refere à possibilidade de essas passagens aparentemente admoestadoras serem fonte para uma compreensão efetivamente moralista das comédias plautinas. A leitura que este trabalho propõe é primordialmente contextual, isto é, não avalia as sententiae de forma
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21

"Emanuela Scarpellini. Organizzazione teatrale e politica del teatro nell'Italia fascista. (Pubblicazioni dell'istituto de Storia medioevale e moderna dell'Università di Milano, number 9.) Florence: La Nuova Italia. 1989. Pp. xvi, 385. L. 44,250." American Historical Review, October 1991. http://dx.doi.org/10.1086/ahr/96.4.1235-a.

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