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Relevant bibliographies by topics / Florentine painter

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Academic literature on the topic 'Florentine painter'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Books on the topic "Florentine painter"

1

Magnelli, Alberto. Alberto Magnelli, a Florentine painter, 1888-1971: (exhibition): October 18 toDecember 14, 1985. Leonard Hutton Galleries, 1985.

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2

Galleries, Leonard Hutton, ed. Alberto Magnelli, a Florentine painter, 1888-1971: October 18 to December 14, 1985, Leonard Hutton Galleries. The Galleries, 1985.

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3

Boskovits, Miklós. The origins of Florentine painting, 1100-1270. Giunti, 1993.

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4

Colnaghi's Dictionary of Florentine painters from the 13th to the 17th centuries. Archivi Colnaghi Firenze, 1986.

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5

Offner, Richard. A critical and historical corpus of Florentine painting. Giunti Barbèra, 1986.

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6

Marchand, Eckart. Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Lit, 2004.

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7

Winspeare, Maddalena Paola. Donne & colori: Artiste nei musei statali fiorentini = Women & colours : women artists in the Florentine state museums. Sillabe, 2002.

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8

Colavero, Enrica, ed. Fiorentini abusivi. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-720-1.

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Through a precious labour of retrieval, transcription and the attentive and painstaking annotation of an unpublished correspondence made up of 311 pieces, Enrica Colavero gives voice to two important and retiring Italian poets of the later twentieth century: Francesco Tentori (1924-1995) and Ercole Ugo D'Andrea (1937-2002), the last impassioned witnesses and disciples of hermeticism. Tentori was a major translator of Spanish and Spanish-American poets and novelists; it was he who introduced Borges into Italy. Before settling permanently in Rome, he established close ties with Florence, in particular with the groups of intellectuals (writers and critics, but also painters) who frequented the Gabinetto Viessuex and the Caffè Paszkowski. D'Andrea too was a Florentine by adoption, in view of his passion for hermeticism, but he instead chose the isolation of Galatone, in the extreme south of Puglia, where he devoted himself intensively to his studies. From the readings presented in this book the centrality of culture emerges, but also the hopes and delusions of two unorthodox, unquiet intellectuals, seeking the time and the meaning of a life devoted entirely to addressing and serving art.

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9

Kunstwerke--Kunstwerte: Die Florentiner Maler der Renaissance und der Kunstmarkt ihrer Zeit. Books on Demand, 2005.

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10

Three Florentine Painters. Scala Books, 1988.

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