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Books on the topic 'Florentine painter'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Magnelli, Alberto. Alberto Magnelli, a Florentine painter, 1888-1971: (exhibition): October 18 toDecember 14, 1985. Leonard Hutton Galleries, 1985.

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2

Galleries, Leonard Hutton, ed. Alberto Magnelli, a Florentine painter, 1888-1971: October 18 to December 14, 1985, Leonard Hutton Galleries. The Galleries, 1985.

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3

Boskovits, Miklós. The origins of Florentine painting, 1100-1270. Giunti, 1993.

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4

Colnaghi's Dictionary of Florentine painters from the 13th to the 17th centuries. Archivi Colnaghi Firenze, 1986.

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5

Offner, Richard. A critical and historical corpus of Florentine painting. Giunti Barbèra, 1986.

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6

Marchand, Eckart. Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Lit, 2004.

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7

Winspeare, Maddalena Paola. Donne & colori: Artiste nei musei statali fiorentini = Women & colours : women artists in the Florentine state museums. Sillabe, 2002.

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8

Colavero, Enrica, ed. Fiorentini abusivi. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-720-1.

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Through a precious labour of retrieval, transcription and the attentive and painstaking annotation of an unpublished correspondence made up of 311 pieces, Enrica Colavero gives voice to two important and retiring Italian poets of the later twentieth century: Francesco Tentori (1924-1995) and Ercole Ugo D'Andrea (1937-2002), the last impassioned witnesses and disciples of hermeticism. Tentori was a major translator of Spanish and Spanish-American poets and novelists; it was he who introduced Borges into Italy. Before settling permanently in Rome, he established close ties with Florence, in particular with the groups of intellectuals (writers and critics, but also painters) who frequented the Gabinetto Viessuex and the Caffè Paszkowski. D'Andrea too was a Florentine by adoption, in view of his passion for hermeticism, but he instead chose the isolation of Galatone, in the extreme south of Puglia, where he devoted himself intensively to his studies. From the readings presented in this book the centrality of culture emerges, but also the hopes and delusions of two unorthodox, unquiet intellectuals, seeking the time and the meaning of a life devoted entirely to addressing and serving art.

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9

Kunstwerke--Kunstwerte: Die Florentiner Maler der Renaissance und der Kunstmarkt ihrer Zeit. Books on Demand, 2005.

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10

Three Florentine Painters. Scala Books, 1988.

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11

Bedock, Camille. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198779582.003.0001.

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Based on where a painter places her easel, the same landscape will be represented differently. Some objects will appear distant and blurred, others close up and colourful. The sun will light up the sky in a particular and unique way at any given time, so that the very same object may seem different on another day or from another perspective. For an impressionist painter, reality would be represented as a series of broken brush strokes, whereas a Renaissance Florentine painter would emphasize lines and devote time to the geometric construction of the painting. This can be applied as a metaphor for change and stability: according to a researcher’s chosen perspective, she may place greater emphasis on elements that vary, or on those that remain the same, she may pay greater attention to particular details, or focus more on general impressions, so that what she sees as reality is, in fact, only a particular perspective. To understand how conceptions of reality become crystallized within particular research perspectives, it is useful to draw a parallel between party system change and institutional change before presenting the topic of this book: institutional engineering in Western Europe during the last two decades....

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12

Berenson, Bernard. The Florentine Painters Of The Renaissance. Kessinger Publishing, LLC, 2007.

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13

Bernard, Berenson. The Florentine Painters Of The Renaissance. Kessinger Publishing, LLC, 2006.

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14

Berenson, Bernhard. Florentine and Venetian Painters of the Renaissance. Nova Science Publishers, Incorporated, 2020.

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15

Bernard, Berenson. The Florentine Painters of the Renaissance (Dodo Press). Dodo Press, 2007.

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16

Paolieri, Ana. Three Florentine Painters: Andrea Del Castagno, Domenico Veneziano and Paolo Uccello. Scala Books, 1988.

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17

Bernard, Berenson. The Florentine Painters of the Renaissance: With An Index To Their Works. BiblioBazaar, 2007.

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18

Berenson, Bernard. The Florentine Painters of the Renaissance: With an Index to Their Works. Franklin Classics, 2018.

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19

Berenson, Bernard. The Florentine Painters of the Renaissance: With an Index to Their Works. IndyPublish.com, 2006.

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20

The Florentine Painters of the Renaissance, With an Index to Their Works. IndyPublish.com, 2006.

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21

Bernard, Berenson. The Florentine Painters of the Renaissance (Large Print Edition): With An Index To Their Works. BiblioBazaar, 2007.

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22

Donne & Colori: Artiste Nei Musei Statali Fiorentini = Women & Colours: Women Artists in the Florentine State Museums. Sillabe, 2002.

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