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Dissertations / Theses on the topic 'Flöte'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Drude, Matthias. "Sonate für Flöte solo (1986-87)." Matthias Drude, 1987. https://slub.qucosa.de/id/qucosa%3A72474.

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Die Sonate für Flöte solo, 1986 – 87 für die hannoversche Flötistin Barbara Hannemann komponiert, besteht aus einem gut dreiminütigen Allegretto, dessen spielerisch-heiterer, an Hindemith gemahnender Anfang eine eher harmlose, unkomplizierte Musik erwarten lässt (diese Erwartungshaltung wird wenigstens teilweise enttäuscht) und einem mit gut fünf Minuten ausgedehnteren zweiten Satz, in dem sich ruhige Partien (Andante) und schnelle Partien (Allegro) abwechseln. Eine wichtige Idee des Werkes ist die der „latenten Mehrstimmigkeit“, also der Vortäuschung von Zwei- oder sogar Dreistimmigkeit in ei

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2

Drude, Matthias. "Duo für Flöte und Klavier (1989)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72468.

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Das „Duo für Flöte und Klavier“ (1989) ist das zweite Werk des damals in Hannover lebenden Komponisten Matthias Drude (geb. 1960) für diese Duobesetzung. Gegenüber der Fantasie für Flöte und Klavier (1985-86) ist es mit ca. 12 Minuten deutlich länger und extrovertierter als das Vorgängerwerk. Einem Maestoso-Thema im fortissimo, das die hohe Lage der Flöte mit der tiefen Lage des Klaviers kombiniert, steht ein zweites langsameres und intimeres Thema gegenüber, bei dem der Solist in den geöffneten Flügel hineinblasen soll. Das „Duo“ ist auch durch die Idee der „Mehrsätzigkeit in der Einsätzigkei

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3

Drude, Matthias. "Fantasie für Flöte und Klavier: (1985/86)." Matthias Drude, 2018. https://slub.qucosa.de/id/qucosa%3A17091.

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Die einsätzige Fantasie für Flöte und Klavier (1985-86) entstand als eine meiner ersten Arbeiten im Rahmen meines Aufbaustudiums Komposition bei Ulrich Leyendecker in Hamburg. Zu Beginn wird eine Tonfolge in Engführung imitiert, wobei die Flöte als Mittelstimme von den beiden Klavierlinien „eingepackt“ wird, ein Effekt, der auf eine Anregung meines Lehrers zurückgeht. Die schwebende Tonalität dieses Themas ist von F-Dur mit hinzugefügter kleiner Sexte des geprägt, eine Tongruppe, die bei aller harmonischen Freiheit für mich eine Art Klangzentrum bildete. Dass ein zweites zunächst vom Klavier a

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4

Drude, Matthias. "Trio für Flöte, Viola und Gitarre: (1986)." Matthias Drude, 2018. https://slub.qucosa.de/id/qucosa%3A17092.

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Das einsätzige Trio für Flöte, Viola und Gitarre (1986) habe ich während meines Kompositionsstudiums bei Ulrich Leyendecker in Hamburg für hervorragende junge Interpreten komponiert, die damit an „Jugend musiziert“ 1987 teilgenommen und das Werk bei einem Sonderkonzert während des Bundeswettbewerbs in Saarbrücken vorgestellt haben. Sparsam, aber doch mehr als sonst habe ich auf Wunsch der Interpreten in der Partitur spezielle Spieltechniken der Neuen Musik verwendet wie z. B. Klappengeräusche und einen Zweiklang bei der Flöte. Zentrales Motiv der gut fünfminütigen Komposition ist eine Wechsel

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5

Drude, Matthias. "wELten ERleBEn für Flöte, Violoncello und Klavier (2009)." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1237405411915-37535.

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In dem Titel &quot;wELten ERleBEn&quot; stecken - bei Berücksichtigung der Großbuchstaben - die Wörter ERBE und ELBE. Ein Beitrag zum Welterbetag 2009, in dem die Schönheit der Landschaft sowie ihre Bedrohungen (Hochwasserkatasgtrophe 2002, Bau der Waldschlösschenbrücke) zum Klingen gebracht wird, ohne den Hörer auf eine einseitige Deutung festzulegen. Uraufführung: 6. Juni 2009 in Dresden

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6

Hirschfeld, Caspar René. "Haiku IV: für Flöte solo (op. 66 b)." Caspar René Hirschfeld, 2020. https://slub.qucosa.de/id/qucosa%3A70682.

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Haiku IV für Flöte solo ist eines von mehreren Werken, in denen ich mich mit der japanischen Gedichtform des HAIKU außeinandersetze. Die Struktur 5-7-5, die in der Silbenanzahl dieser Gedichte zu finden ist und die direktheit des Ausdrucks werden auf musikalische Struktur übertragen.

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7

Rezende, Renan Felipe Santos. "A boa expressão ao cantar ou tocar: tradução comentada do Versuch Einer Anweisung Die Flöte Traversiere Zu Spielen de Quantz (extratos)." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8673.

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Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-09-19T19:14:05Z No. of bitstreams: 1 arquivototal.pdf: 4549937 bytes, checksum: dec8aff296db94da24e99c834d2ed8bd (MD5)<br>Made available in DSpace on 2016-09-19T19:14:05Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 4549937 bytes, checksum: dec8aff296db94da24e99c834d2ed8bd (MD5) Previous issue date: 2015-06-23<br>The proposal of this dissertation is a critical translation of five extracts from the Versuch einer Anweisung die Flöte traversiere zu spielen (essay of a method to play the flute), by Johann Joachim Quantz, publi

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8

Bartlitz, Eveline. "„… wer Flöte bläst, kauft doch allemahl von meinen Werken“: Anton Bernhard Fürstenaus Briefkontakte zum Verlag B. Schott’s Söhne zwischen 1819 und 1825." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A20962.

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9

Busch-Salmen, Gabriele. "Aspekte der Bachrezeption in Flötenschulwerken des 19. und 20. Jahrhundert." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38346.

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10

Scott, Lorie Elizabeth. "Gradus ad Parnassum of Modern Flute Technique: An Explication of Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-Elert, with Three Recitals of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and Others." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4931/.

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Gradus ad Parnassum of Modern Flute Technique: An Explication of Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-Elert, with Three Recitals of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and Others

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11

Rodriguez, Jennifer. "Traité de la flûte historique, technique et pedagogique: A Study of René Le Roy's Flute Method." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157581/.

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In 1966, René Le Roy (1898-1985) and his student Claude Dorgeuille co-authored Traité de la flûte historique, technique et pedagogique. This treatise presents the culmination of Le Roy's career as a renowned performer and teacher in both Europe and North America. His approach to the study of music, as presented in the method, diverges from traditional French training, instructing teachers to compose exercises specific to the needs of the student and by using repertoire as source material. Claude Dorgeuille writes of the method, "...the Traité gives an outline analysis of the principal elements

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12

LaCroix, M. Lynne. "Flute recital." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/28872.

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13

Ernoult, Augustin. "Régimes non-stationnaires dans les instruments à embouchure de type flûte." Thesis, Paris 6, 2016. http://www.theses.fr/2016PA066268/document.

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Les modélisations physiques actuelles des instruments de la famille des flûtes permettent de prédire correctement et d'interpréter leurs comportements quasi-stationnaires, c'est à dire les modifications du son induites par des variations lentes, par rapport au temps de réponse de l'instrument, des paramètres de contrôle .Le musicien fait cependant varier constamment ces paramètres pour articuler le discours musical. Au cours des transitoires d'attaques notamment, une variation brusque de la pression d'alimentation induit une mise en oscillation progressive de l'instrument. La naissance du son

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14

Petterson, Jill. "Extended flute techniques in three culturally different solo flute pieces." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12652.

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Includes bibliographical references.<br>Extended playing techniques on the flute have long since captured the interest of flute players and composers alike. Whilst the physical development of instruments from different cultures took place independently of each other, it has been found that to some extent there have been lasting and mutual influences between different flute playing cultures, specifically (for the purposes of this dissertation) with regard to Western, Africa and Asian flutes and flute playing.

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15

Gomes, Dos Santos Junior Osvaldo. "The Flute Inside-Out: Tracking Internal Movements in Flute Playing." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17992.

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Analyses in the past have revealed that flute sound production is a complex procedure involving internal movements of the body. The larynx and pharynx in particular play a crucial role. Some authors, advocate for the abdominal muscles, while others, draw attention to the lips and the oral cavity. However, despite the various studies, the physiology of flute playing is limited by lack of empirically-derived information about what happens when a player carries out musical tasks. The present study is an empirical investigation of the role of the larynx and pharynx in flute playing from the pers

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16

Ryan, Shana Marie. "Master's flute recital." Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/285.

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Reyes, Lidayne. "Graduate Flute Recital." FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/544.

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These extended program notes place the repertoire of my Master’s recital in historical context and analyze the structure. The works discussed are Johann Sebastian Bach’s Sonata in E Minor for Flute and Continuo, BWV 1034; Paul Taffanel’s Andante Pastoral et Scherzettino for Flute and Piano; Sergei Prokofiev’s Sonata for Flute and Piano, op. 94; Aaron Copland’s Duo for Flute and Piano; and Olivier Messiaen’s Le Merle Noir (The Blackbird). I provide an individual essay for each piece, and the entries are chronologically organized according to the composition’s dates. This document aims to give t

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18

Real, Nicolas. "Flute Concerto [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252808.

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Music Performance<br>D.M.A.<br>A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.<br>Temple University--Theses

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19

Kim, Yoon Hee. "THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366280963.

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20

CHANDLER, BETH E. "The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413.

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Chandler, Beth E. "The "arcadian" flute late style in Carl Nielsen's works for flute /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085004413.

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22

Treat, William Phelps. "A survey of flutists and flute activities in eighteenth-century America /." Thesis, Connect to this title online; UW restricted, 1991. http://hdl.handle.net/1773/11423.

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23

Cannon, Angela Renee Fredrickson William E. "A preliminary study of the effectiveness of two breath management exercises on three aspects of flutists' performance duration, breath control, and tone quality /." Diss., UMK access, 2005.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A dissertation in performance, flute." Advisor: William E. Fredrickson. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Includes bibliographical references (leaves 178-183). Online version of the print edition.

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24

Wilcocks, Gerda Reinette. "Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09132007-163345/.

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25

Müller, Anna-Maria. "Intonasie in fluitspel [electronic resource] /." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-09302008-111355/.

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26

Yveborg, Zandra, and Erik Isaksson. "Kundnytta med JDF-flöde." Thesis, Högskolan Dalarna, Grafisk teknik, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2242.

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Examensarbetet har gjorts utifrån Företaget AB där kundnyttan med JDF har utretts. Rapporten presenterar de för- och nackdelar med JDF-flöde som framkommit under projektets gång.Man kan välja att utnyttja JDF på olika sätt. I rapporten har tre hypoteser ställts mot varandra där utnyttjandegraden av JDF kontra för- och nackdelar för kunder och tryckeri presenterats.

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27

Stoltz, Liesl. "The French flute tradition." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7978.

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Bibliography: leaves 131-138.<br>The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument

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28

Bassingthwaighte, Sarah. "Electroacoustic music for flute /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11390.

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Miles, Nancy H. H. "Finding your own speed : how flutists find music groups in which they like to play /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11446.

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30

Paoli, Clément. "La musique de guerre dans l'antiquité grecque et romaine." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100147.

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Cette thèse vise à établir différentes relations et différents liens musicaux, ainsi que des évolutions, dans le cadre de la guerre antique, en d'autres termes, il s'agit d'établir des parallèles entre la musique militaire et d'autres musiques guerrières. Pour ce faire, elle se concentre en priorité sur la musique militaire qui forme le fil conducteur de l'ouvrage. On étudie en particulier beaucoup la musique de trompette, en se posant les questions suivantes : la musique militaire a-t-elle pu être à l'occasion artistique ? A-t-elle pu servir à se détendre ? Quelles sont les constantes et les

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31

Cardoso, Miriam Carmen Diniz Talete. "A flauta no contexto da música de câmara contemporânea portuguesa: os últimos 40 anos." Master's thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/17520.

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O presente trabalho tem como principal objetivo compreender a evolução da música de câmara em Portugal nos últimos quarenta anos, especificamente a música contemporânea portuguesa e perceber o papel da flauta neste contexto. Para tal fez-se primeiramente uma análise do contexto social, político e cultural bem como os seus principais intervenientes. Analisaram-se as instituições que durante muitos anos foram a referência para o estudo da música assim como o papel dos docentes de flauta na divulgação do repertório camerístico português. Definiram-se algumas instituições promotoras de eventos ded

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Raposo, Jessica Ann. "Defining the British Flute School : a study of British flute performance practice 1890-1940." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31472.

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The British Flute School went through dramatic change in the twentieth century, as its leading players adopted elements of the French style of playing. These changes caused tensions that have led to a subjective oral history: a history which depicts two camps of flautists vying for the superior style, with one winner in the end. This document aims to provide a more comprehensive and more accurate history of the British Flute School from 1890 to 1940, and, through this investigation, explore what it means to define a style of playing in terms of both nationality and as a unified school. It will

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Bradstreet, Jennifer. "The Singing Flute: Tone Philosophies from the French Flute School to the Present Day." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20251.

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The Singing Flute is written in four parts and surveys tone philosophies from past to present. It includes four significant flautists. Part I explores the French Flute School teachings of Marcel Moyse (1889-1984); the following three parts document tonal practices of current international flute experts: Philippe Bernold (France, 1960 -), Leone Buyse (USA, 1947 -), and Thies Roorda (Netherlands, 1954 -).

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Davis, John Edward 1954. "The extended alto flute: The history and development of the alto flute, with a study of modern alto flute design and its effect on extended techniques in alto flute repertoire and pedagogical materials." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/288758.

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The purpose of this document is to trace the origin of the modern alto flute from its beginning through Theobald Boehm's design, compare the designs and acoustical qualities of modern alto and c-flutes; identify the various types of extended techniques found in contemporary alto and c-flute repertoire with attention as to how the realizion of these techniques may differ for alto and c-flute; and survey representative works for alto flute that incorporate extended techniques. Chapter I follows the development of larger flutes from examples found in Renaissance-period sources up to the early nin

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Kim, Hyun Kyung. "Incipit for flute and computer." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2599.

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Thesis (D. Mus.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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36

Hodzic, Senad, and Johan Nilsson. "Effektiviserad materialhantering genom förbättrat flöde." Thesis, Jönköping University, JTH, Industrial Engineering and Management, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-9363.

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<p>This examination paper is the final part of the three years long engineering education in industrial engineering and management, with focus on logistics and leadership, at the school of engineering in Jönköping.</p><p>The purpose of this thesis is to investigate the material flow method that is used at the time on an anonymous company and to study which opportunities and problems the company has while trying to become more efficient in its internal material flow process from the storage to the production area.</p><p>The current material flow system that the company uses from the storage to

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Van, Winkle Lisa K. "Sargon's Flute: A Pedagogical Discussion." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1186%5F1%5Fm.pdf&type=application/pdf.

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Michell, Paul. "Twentieth century Czechoslovakian flute music /." Title page, abstract and table of contents only, 1994. http://web4.library.adelaide.edu.au/theses/09MUM/09mumm623.pdf.

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Eklöf, Emil. "Flöde i slitsränna av komposit." Thesis, Luleå tekniska universitet, Institutionen för teknikvetenskap och matematik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-65261.

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På grund av allt hårdare miljökrav från EU och nedläggningen av kärnkraften så kommer vattenkraft, vilket redan spelar en stor roll för dagens energiproduktion, behöva utökas. På grund av detta behövs en hållbarare och billigare lösning på tekniska fiskvägar, vilka idag oftast gjuts i betong. En av lösningarna som företaget Composite Service Europe AB föreslår är att göra detta i komposit, då det är lättare att underhålla och specialdesigna. För att enklare kunna specialdesigna och se så den uppfyller alla krav som ställs så kommer detta examensarbete presentera en simulering av en dessa fiskr

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40

Herring, Judith Ann. "A guide to intermediate-level flute concerti." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/487502.

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There exists a substantial lack of familiarity among flute teachers and music educators with extant publications of pertinent pedagogical flute repertoire at the intermediate level, specifically the concerto. Although readily available, suitable concerti for the important progression of the student from intermediate to the advanced level are often substituted with works too difficult technically and musically. In many situations, introduction and exposure to the concerto genre is virtually overlooked. Therefore, progression from an intermediate to an advanced level is often hampered, and a vit

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Lin, Horng-Jiun. "An Illustrated Basic Flute Repair Manual for Professionals." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211871566.

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42

Manabe, Reiko. "A preliminary manual of phonetics in flute playing." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3315201.

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Thesis (D.M.A.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed Feb. 9, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 17.

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Cameron, Kathleen Anne. "The Evolving Mission and Purpose of the Pittsburgh Flute Club in the Twentieth Century." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258681631.

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Gill, Frances. "Flute Lines: Experiencing Reconstructions Concerning Music." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27479.

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This study elevates the importance of experience, the senses and tacit knowledge in relation to archaeology with a focus on music. With this I take up a thread drawing on theoretical aspects of Polanyi’s ‘Tacit Dimension’ and ‘Ingold’s Lines’. I review paradigms in experimental archaeology and music archaeology, and the subject of reconstruction in both. My case study is of four individuals, whose reconstruction models are connected to artefacts perceived as flutes in the archaeological record and/or notions of prehistoric flutes. Combining the way in which we learn by understanding others’

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Searls, Jesse Patrick. "Rhapsody for Flute and Wind Ensemble." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243905910.

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Ioan, Cristina. "Developing the flute tone through singing." Master's thesis, Universidade de Aveiro, 2007. http://hdl.handle.net/10773/1140.

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Mestrado em Música<br>Este estudo pretende propor um método alternativo para melhorar o som na execução da flauta utilizanto elementos da técnica vocal. É uma pesquisa interdisciplinar que consiste em desenvolver, experimentar e analisar exercícios e métodos para estudar flauta através do canto. ABSTRACT: This music study whants to propose an alternative method for developing the flute tone by using singing techniques. It is a piece of interdisciplinary reasearch consisting in developing, experimenting, and analyzing exercises and methods for practicing flute through singing.

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Bethea, Stephanie. "The flute music of Carl Reinecke /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/11434.

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Toma, Milad, and Paul Tiari. "Integrerade transporter för ett effektivare flöde." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22126.

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Dagens globala affärsmiljö är en tuff bransch med alla konkurrenter som finns på marknaden. Studien har fokus på verksamheter inom distribution- och lagringsbranschen. För företag verksamma inom distribution- och lagringsbranschen så är effektivisering av de logistiska processerna en betydelsefull del i arbetet. Logistik är ett omfattande begrepp som generellt kan ses till största del som läran om effektiva material- och informationsflöden. Inom begreppet logistik finns området transport. Transport är väldigt essentiellt i arbetet kring företags ekologiska fotavtryck och har enligt diverse lit

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Shephard, Eliza. "The Glissando Headjoint." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/393197.

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In 2003, Robert Dick, international flutist and pedagogue, launched the glissando headjoint. This mechanism can be described as a telescoping flute headjoint with metal wings attached to the mouthpiece, which enhance a flute’s ability to bend pitch. The glissando headjoint was built on the inventions of Eva Kingma, Kaspar Baechi and Bickford Brannen. In the last 16 years, the glissando headjoint has failed to become as mainstream as the standard flute headjoint, despite its claimed potential as its replacement. Comparatively nominal repertoire has been written to include its use, and a nonstan

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CHOU, I.-CHUN, and 周怡君. "Paul Hindemith：Sonata für Flöte und Klavier." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/58985374714682662893.

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碩士<br>臺北市立教育大學<br>音樂藝術研究所<br>94<br>Paul Hindemith (1895-1963), one of the most influential German composers of the first half of the 20th century, was a violinist, violist, conductor and educator. Hindemith combined baroque, classical and modern techniques (also called Neo-classicism), into many distinctively modern compositions. This is particularly evident in his flute sonata. Although this piece is not technically challenging, because of his distinctive compositional technique and musical style, the piece is remarkably memorable. The title of this thesis is《An analysis of Paul Hindemith’s f

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