Relevant bibliographies by topics / Flower in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Flower in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Flower in art"

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An, Eunsu, and Yong-Mi Jin. "Hair Art Research with Flower Motif." Journal of the Korean Society of Cosmetology 27, no. 2 (April 30, 2021): 400–406. http://dx.doi.org/10.52660/jksc.2021.27.2.400.

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Dubey, Kumud. "PLANT SYMBOLISM IN PAINTING." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 92–94. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3707.

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The great flower artists have been those who have found beauty in truth, who have understood plants scientifically and who have yet seen and described them with eye and hand of the artist. Plants, flowers and other foliage symbolize emotions, ideas and actions. Each plant has its own meaning. Painting art and plant illustration is beneficial for modern society because nature inspiring art and art preserving nature.
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Cheng, Zhibin, and Fuquan Zhang. "Flower End-to-End Detection Based on YOLOv4 Using a Mobile Device." Wireless Communications and Mobile Computing 2020 (September 17, 2020): 1–9. http://dx.doi.org/10.1155/2020/8870649.

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In this paper, a novel flower detection application anchor-based method is proposed, which is combined with an attention mechanism to detect the flowers in a smart garden in AIoT more accurately and fast. While many researchers have paid much attention to the flower classification in existing studies, the issue of flower detection has been largely overlooked. The problem we have outlined deals largely with the study of a new design and application of flower detection. Firstly, a new end-to-end flower detection anchor-based method is inserted into the architecture of the network to make it more precious and fast and the loss function and attention mechanism are introduced into our model to suppress unimportant features. Secondly, our flower detection algorithms can be integrated into the mobile device. It is revealed that our flower detection method is very considerable through a series of investigations carried out. The detection accuracy of our method is similar to that of the state-of-the-art, and the detection speed is faster at the same time. It makes a major contribution to flower detection in computer vision.
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Vanbrabant, Yasmin, Stephanie Delalieux, Laurent Tits, Klaas Pauly, Joke Vandermaesen, and Ben Somers. "Pear Flower Cluster Quantification Using RGB Drone Imagery." Agronomy 10, no. 3 (March 17, 2020): 407. http://dx.doi.org/10.3390/agronomy10030407.

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High quality fruit production requires the regulation of the crop load on fruit trees by reducing the number of flowers and fruitlets early in the growing season, if the bearing is too high. Several automated flower cluster quantification methods based on proximal and remote imagery methods have been proposed to estimate flower cluster numbers, but their overall performance is still far from satisfactory. For other methods, the performance of the method to estimate flower clusters within a tree is unknown since they were only tested on images from one perspective. One of the main reported bottlenecks is the presence of occluded flowers due to limitations of the top-view perspective of the platform-sensor combinations. In order to tackle this problem, the multi-view perspective from the Red–Green–Blue (RGB) colored dense point clouds retrieved from drone imagery are compared and evaluated against the field-based flower cluster number per tree. Experimental results obtained on a dataset of two pear tree orchards (N = 144) demonstrate that our 3D object-based method, a combination of pixel-based classification with the stochastic gradient boosting algorithm and density-based clustering (DBSCAN), significantly outperforms the state-of-the-art in flower cluster estimations from the 2D top-view (R2 = 0.53), with R2 > 0.7 and RRMSE < 15%.
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Rubin, Jay. "The Art of The Flower of Mumbo Jumbo." Harvard Journal of Asiatic Studies 53, no. 2 (December 1993): 513. http://dx.doi.org/10.2307/2719456.

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Wildschut, J., H. Gude, and A. Krikke. "BULBOUS FLOWER PRODUCTION SYSTEMS: STATE OF THE ART." Acta Horticulturae, no. 673 (May 2005): 751–54. http://dx.doi.org/10.17660/actahortic.2005.673.106.

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Cyr, Jeannine. "TSUJIGAHANA: THE FLOWER OF JAPANESE TEXTILE ART. Toshiko Ito." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 4 (December 1985): 185. http://dx.doi.org/10.1086/adx.4.4.27947529.

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Pant, Sangeeta, Anuj Kumar, and Mangey Ram. "Flower pollination algorithm development: a state of art review." International Journal of System Assurance Engineering and Management 8, S2 (April 26, 2017): 1858–66. http://dx.doi.org/10.1007/s13198-017-0623-7.

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Yang, Xue, and Yu Liu. "Textual Research on Henna Art Introduced into Ancient China Through the Silk Road." Asian Social Science 16, no. 9 (August 31, 2020): 21. http://dx.doi.org/10.5539/ass.v16n9p21.

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Since ancient Egypt, henna has been widely used as dyes for women&rsquo;s henna body art. Through the Silk Road, China assimilated cultures of its Western Regions, India, and Persia, such as the henna art. In Ancient China the &quot;garden balsam&quot; is always called &quot;henna&quot;. Nevertheless, they belong to two different kinds of flowers. Folks&rsquo; mixed use of these two kinds of flower names reflects the profound impact of the henna art on Chinese traditional culture of decorative nails. This textual research results revealed that in ancient China the customs of dye red nails are affected by foreign henna art and there were three development stages: the introduction period (from the Western Jin Dynasty to the Tang Dynasty), the development period (in the Song-Yuan Dynasty) and the popularity period (in the Ming-Qing Dynasty).
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LUO, KAIWEN, FUWU XING, and JING TIAN. "Validation of the name Guihaia lancifolia (Arecaceae)." Phytotaxa 298, no. 2 (March 10, 2017): 194. http://dx.doi.org/10.11646/phytotaxa.298.2.10.

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The name Guihaia lancifolia Luo & Xing (2016: 286) was not validly published because more gatherings, K. W. Luo 1509012 (fruit), K. W. Luo 1605035 (flower, ♂) and K. W. Luo 1605036 (flower, ♀), were designated as type (Art. 40.2 of the ICN, McNeill et al. 2012). The name Guihaia lancifolia is validated here by indicating a single gathering, K. W. Luo 1605035 (flower, ♂), as holotype.
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Dissertations / Theses on the topic "Flower in art"

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Harrius, Caroline. "The Repulsive Flower : A material based research about art history, gender and decorative porcelain." Thesis, Konstfack, Institutionen för konsthantverk (KHV), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7239.

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In this project I am investigating my relationship with western traditional porcelain produced between 1700 and 1900 from a gender perspective. While looking at what has been feminine coded within the late history of ceramics I made the horrible realization that I do not value this kind of ceramics. The 21th century Scandinavia with stripped down, clean surfaces, filled with cool people dressed in black leaves little room for romantic, billowy vases decorated with flowers.     I have produced a series of 30 porcelain vases, all decorated in the same way with a botanical pattern. They are installed in an old wooden shelf, packed tightly together. With this installation I want to discuss what part art history has made it to the museums and what parts has been stored away and labelled as tasteless knick knack. How has gender affected this? For some reason all my artistic role models has been male painters and not female ceramicists.
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Ishee, Jeanette Carol. "An Insight into the Poetry of A C Swinburne: Art and the Image of the Poisonous Flower." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625452.

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Holzer, Gillian G. "Modelling the Photoreduction of A Chromium (VI) Pigment in Alfredo Ramos Martínez’s Mural Flower Vendors." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1346.

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One of the most stunning works of art on the Scripps College campus is the mural Flower Vendors(1946). The artist,Alfredo Ramos Martínez, an influential figure in Mexican Modernism, executed the work using a variety of traditional and non-traditional techniques. Prior analysis of the work indicated the use of a wax emulsion medium and established the range of pigments used. Ramos Martínez’s use of lead chromate (chrome yellow, Pb(CrO4)) was unusual in wall painting, and the pigment itself has been shown to photodegrade and darken over time in oil paintings, due to the reduction of Cr(VI) to Cr(III). The Pb(CrO4) in Flower Vendorsdoes not appear to have darkened, raising questions about the stability of lead chromate in a wax-emulsion medium relative to that of oil-based mediums. To better understand the behavior of lead chromate in wax-based mediums, a historical synthesis of lead chromate was recreated, and the pigment was suspended in four different binder matrices: a wax-water emulsion, refined linseed oil, cold-pressed linseed oil, and poppy oil. Each of these paint-binder mixtures wasaged beneath full-spectrum 6500 K LED lights. The relative darkening of the pigments was measured using UV-Vis reflectance colorimetry, and comparisons were made between the mediums.
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Uline-Olmstead, Molly Louise. "THE KNITTED FLOWER PROJECT: ARTS-BASED RESEARCH WITHIN KNITTING COMMUNITIES." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1245270376.

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Grosbusch, Lisa. ""Of course I love you, the flower said" Creation of a visual, fantastic and immersive installation based on classic literature for children." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30254/30254.pdf.

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Le texte suivant est une réflexion sur la création et la théorie derrière mon projet de maitrise appelé ‘Of course I love you, the flower said’. Cette installation, basée sur la littérature classique pour enfants, est composée de plusieurs éléments dont trois cabanes distinctes et un environnement qui les entoure. Cette installation a comme but d’entièrement transformer la salle d’exposition afin de créer une possibilité d’immersion pour le visiteur. Elle est de l’ordre du fantastique et de l’imaginaire et prend son point de départ dans la dualité entre l’enfance et l’état adulte. Chaque cabane présente un diffèrent type d’art à l’intérieur, notamment un surplus de dessins, une muraille et une projection d’images virtuelles. Ainsi chaque forme d’art, l’élément de la cabane et le jardin entourant sont discutés prenant en compte comme ensemble, ils créent l’effet d’immersion désirée.
The following text is a reflection on the creation and theory behind my master’s project titled ‘Of course I love you, the flower said’. This installation, based on classic literature for children, is composed of various elements such as distinct cabins and the environment around them and aims to entirely transform the gallery space in order to create a possibility of immersion for the viewer. The installation itself is of the order of the imaginative and the fantastic and has a starting point in the child-adult duality. Each cabin features a different type of art on the inside, namely a surplus of drawings, a mural and a projected slideshow of virtual images. Hence each of these different art-forms, alongside the element of the cabin and the outside ‘garden’, are discussed with special regards to how together, they achieve the aimed for immersion.
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Nordenskiöld, Annika. "Flower Power : hur kan ett symboliskt stillebenmåleri användas i bildundervisningen för att beröra frågor om liv, död och identitet?" Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3281.

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"I dag präglas samhället av en mångfald uttryck inom bild- och formområdet. I det fria konstnärliga utövandet pågår ett ständigt experimenterande med olika material, tekniker och uttrycksformer. Olika medier påverkar oss genom användning av symboler för att föra fram sina budskap. Därför finns behov av att kunna analysera och tolka bild- och formområdets olika funktioner i dagens samhälle." I min undersökning har jag tagit reda på hur man kan utveckla ett symboliskt måleri genom att låta sig inspireras av Holländska blomsterstilleben från 1600-talet, för att sedan kunna skapa en meningsfull och inspirerande stillebenundervisning i skolan. Jag har valt att utgå från dessa 1600-talsmålningar då det finns en mängd dokumenterad symbolik och historik kring dessa verk, och för att de estetiskt intresserar mig med sin passiva och dekorativa utstrålning. På ett lekfullt sätt har jag undersökt dessa målningars kraft och symboliska betydelse för att sedan förskjuta symboliken i dem och skapa egna konnotationer som betyder något för mig. Då jag främst har fokuserat på gestaltningen i min undersökning har jag kunnat konstatera att mitt bildspråk, min teknik, kompositions och associationsförmåga har berikats betydligt genom att måleriskt ha undersökt dessa religiösa, kulturella och vetenskapliga bilder. Genom att prova på olika uttryck, färg, form, ljus och narration experiment på ett postmodernt sätt har jag också lekt med förskjutningar och därigenom skapat en för mig själv ny typ av narrativa stilleben. Dessa har jag sedan analyserat vilket även finns dokumenterat i denna undersökning. Man kan enkelt utrycka det som att jag har velat ta symboliken från historiska målningar och uppdatera den för en samtida "oinvigd" publik. Jag vill på detta sätt i min undervisning uppmuntra eleverna att ta historien i all sin komplexitet och göra den till sin egen och avdramatisera det "heliga" och i och med detta kanske göra den mer attraktiv och greppbar.
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Choe, Joanne. ""A Balloon Flower": A Study and Interpretive Guide to the Gagok of Jihoon Park." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505167/.

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Jihoon Park (b.1973), a South Korean composer with over 500 compositions spanning multiple genres, is treasured in his motherland as the most noteworthy composer of his generation. This study provides an in-depth introduction of the gagok (Korean art songs) of Park to Western teachers and students of singing, discussing his compositional techniques and their application to the interpretation of his selected songs. Moreover, the introduction to International Korean Phonetic Alphabet (IKPA) to supplement the traditionally used International Phonetics Alphabet (IPA) serves as the foundation and model for further exploration into Korean art song literature by Western scholars.
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Wong, Wai-yi Wendy. "A journey in the valley (Lily) I am a flower of Sharon, a Lily of the valley, as a Lily among thorns.." :btherapeutic art environment for the physically handicapped /." Click to view the E-thesis via HKUTO, 1999. http://sunzi.lib.hku.hk/hkuto/record/B31984915.

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Thesis (M.Arch.)--University of Hong Kong, 1999.
Includes special report study entitled : Therapeutic architecture : the role of therapeutic approach to physical therapy. Includes bibliographical references. Also available in print.
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Freire, Adriana Bomeny. "A arte japonesa e a Ikebana na produção de Toshiro Kawase." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-165315/.

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Esta pesquisa visou possibilitar o conhecimento da Ikebana como uma manifestação estética significativa, integrante da história da arte japonesa e que vem se disseminando pelo mundo. Para compreensão da sua estética, será demonstrado como exemplo o trabalho do artista contemporâneo Toshiro Kawase, o estudo do Zen e suas características. Toshiro Kawase é um artista especializado na arte da Ikebana, e suas obras resultaram em dois livros de âmbito internacional: Inspired Flower Arrangements (1990) e The Book of Ikebana (2000). A arte japonesa é baseada nos sentimentos e na simplicidade de expressão, que motivaram este povo a utilizar a natureza como suporte para executar memoráveis obras de arte. Ao longo da história, no oriente e no ocidente da mesma forma, a beleza das flores adicionou graça e charme na vida das pessoas. A pesquisa analisa a arte japonesa e sua ligação inseparável com a religião, abordando principalmente os aspectos do sagrado, o conceito do belo e a real função do artista de Ikebana.
This research intends to show Ikebana by being an esthetic manifestation of art, that been walking side by side with all stages of Art History. To understand the esthetic of Ikebana, will be demonstrated by example, the contemporary artist Toshiro Kawase, the Zen study and its characteristics. Toshiro Kawase is an artist specialized in Ikebanas Art, and his production inspired two international books: Inspired Flower Arrangements (1990) and The Book of Ikebana (2000). The Japanese art is based on emotions and expression simplicity that motivated this people to use the nature like a support to execute memorable works of art. In all parts of history of the art, in occident and in the orient at the same way, the beauty of flowers added grace and charm in peoples life. The question is: Why do Ikebanas art appeared only in Japan or related to Japanese? This research, analyses the Japanese art and its unbreakable link with religiosity, often the sacred aspect, the definition of beauty and the real functionality of the artist. This research also presents aspects of the principal objective of art, and how to do its communication purposing the perpetuation of his human experiences.
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Robertson, Laura. "A Closer Look at Flowers: Exploring Structure and Function in Science and Art." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/762.

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Books on the topic "Flower in art"

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Eckardt, Brigitte. Pressed flower art. Rozelle, NSW, Australia: Sally Milner Pub., 1994.

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Pressed flower art. Rozelle, NSW: Sally Milner Publishingc1994., 1994.

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Ono, Yoko. Invisible flower. San Francisco: Chronicle Books, 2012.

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Guild, Tricia. Flower sense: The art of decorating with flowers. New York: Rizzoli International Publications, 2008.

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Guild, Tricia. Flower sense: The art of decorating with flowers. New York: Rizzoli International Publications, 2008.

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The art of arranging artificial flowers. New York: Simon and Schuster, 1986.

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(Firm), Jardin-en plus, ed. The art of arranging artificial flowers. London: Century, 1986.

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Borghi, Enrica. Flower power. Nice, France: Musée d'art moderne et d'art contemporain, 2005.

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Flower drawings. Cambridge, U.K: Cambridge University Press, 1997.

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Robba, Emilio. The art of arranging silk flowers. New York: William Morrow, 1998.

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Book chapters on the topic "Flower in art"

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Collective, Raqs Media. "The Double Act of Flower Time 1." In The Routledge Companion to Art in the Public Realm, 155–63. Names: Cartiere, Cameron, editor. | Tan, Leon, editor. Title: The Routledge companion to art in the public realm / edited by Cameron Cartiere and Leon Tan. Description: New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429450471-14.

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Carpreau, Peter. "10. "La fraîcheur qu'offre la nature". Some Remarks on the Evolution of Prices of Flower Still Lifes at Auction during the Eighteenth Century." In Art Auctions and Dealers, 155–68. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00038.

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Garrison, John S., and Kyle Pivetti. "Flower power." In Shakespeare at Peace, 87–111. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Spotlight on Shakespeare: Routledge, 2018. http://dx.doi.org/10.4324/9781315316604-4.

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Ajmera, Ishan, Dov Stekel, Leah Band, and Charlie Hodgman. "Roots or Flowers? Take a Guess." In The Art of Theoretical Biology, 66–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_33.

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Maguire, Eunice Dauterman. "Firm flowers in the artifice of transience." In The Eloquence of Art, 162–87. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Birmingham Byzantine and Ottoman studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351185592-10.

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Rees, Yvonne. "The Art of Floors." In Floor Style, 8–23. Boston, MA: Springer US, 1989. http://dx.doi.org/10.1007/978-1-4684-6626-3_1.

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Faust, James E., and John M. Dole. "The global cut flower and foliage marketplace." In Cut flowers and foliages, 1–47. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789247602.0001.

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Abstract This chapter describes the evolving geography of cut flower and foliage markets, and identifies the factors driving the location of cut flower production. It also identifies the major cut flower species grown and sold internationally followed by descriptions of the production and markets by continent and country. The chapter also diagrams the increasingly diverse and complex ways that flowers are marketed and travel from the growers to the final customers, and then describes the trends that are driving the industry in new directions.
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DeLancey, John O. L., and S. Abbas Shobeiri. "State of the Art Pelvic Floor Anatomy." In Pelvic Floor Disorders, 3–15. Milano: Springer Milan, 2010. http://dx.doi.org/10.1007/978-88-470-1542-5_1.

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Petry, Michael. "A Queer Balance: Power Relations in Homosexual Representations and in Choosing Flowers." In Pornographic Art and the Aesthetics of Pornography, 255–73. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367938_14.

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Mukherjee, Suroopa. "“We Are Flames Not Flowers”: The Inception of Activism." In Surviving Bhopal, 101–29. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106321_6.

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Conference papers on the topic "Flower in art"

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Zhuang, Guicheng, and Han Yan. "The Aesthetic Unconsciousness of Flower Images in Che Yangao's Poem." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.32.

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Wang, Li. "A Study on the Baoxiang Flower Pattern in the Decorative Art of Tibetan Carpets." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.106.

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Li, Qing. "Listen to the Voice of Flower On the Art of Figures in the Ink and Wash Painted by Huang Dan." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.11.

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Aoyama, Tadayoshi, Takeshi Takaki, Takumi Miura, Qingyi Gu, and Idaku Ishii. "Realization of flower stick rotation using robotic arm." In 2015 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS). IEEE, 2015. http://dx.doi.org/10.1109/iros.2015.7354179.

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Loseby, Jessica. "Views from the ground floor ..." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185979.

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"Cover Art." In 2012 Data-Flow Execution Models for Extreme Scale Computing (DFM). IEEE, 2012. http://dx.doi.org/10.1109/dfm.2012.17.

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"Aesthetic Orientation of Contemporary Mogu Flower-bird Painting." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.146.

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Alekseevna, Larissa. "METAPHORIC LANGUAGE OF FLOWERS." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s06.006.

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Liang, Kui. "Color Performance of Chinese Flower-and-Bird Fine Brushwork." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.157.

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Tang, Jie, and Haijun Tang. "The Application of Flower Patterns on Cosmetics Package Design." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.103.

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Reports on the topic "Flower in art"

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French, Erin. Art is the Flower, Life is the Green Leaf. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8281.

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Cheung, Yin-Wong, Menzie Chinn, and XingWang Qian. Are Chinese Trade Flows Different? Cambridge, MA: National Bureau of Economic Research, March 2012. http://dx.doi.org/10.3386/w17875.

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3

Yang, Ping. Design of State-of-the-art Flow Cells for Energy Applications. Office of Scientific and Technical Information (OSTI), January 2018. http://dx.doi.org/10.2172/1418785.

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4

Yang, Ping. Design of State-of-the-art Flow Cells for Energy Applications. Office of Scientific and Technical Information (OSTI), January 2018. http://dx.doi.org/10.2172/1419715.

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5

Cram, Jana, Mary Levandowski, Kaci Fitzgibbon, and Andrew Ray. Water resources summary for the Snake River and Jackson Lake Reservoir in Grand Teton National Park and John D. Rockefeller, Jr. Memorial Parkway: Preliminary analysis of 2016 data. National Park Service, June 2021. http://dx.doi.org/10.36967/nrr-2285179.

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Abstract:
This report summarizes discharge and water quality monitoring data for the Snake River and Jackson Lake reservoir levels in Grand Teton National Park and John D. Rockefeller, Jr. Memorial Parkway for calendar year 2016. Annual and long-term discharge summaries and an evaluation of chemical conditions relative to state and federal water quality standards are presented. These results are considered provisional, and may be subject to change. River Discharge: Hydrographs for the Snake River at Flagg Ranch, WY, and Moose, WY, exhibit a general pattern of high early summer flows and lower baseflows occurring in late summer and fall. During much of 2016, flows at the Flagg Ranch monitoring location were similar to the 25th percentile of daily flows at that site. Peak flows at Flagg Ranch were similar to average peak flow from 1983 to 2015 but occurred eleven days earlier in the year compared to the long-term average. Peak flows and daily flows at the Moose monitoring station were below the long-term average. Peak flows occurred four days later than the long-term average. During summer months, the unnatural hydro-graph at the Moose monitoring location exhibited signs of flow regulation associated with the management of Jackson Lake. Water Quality Monitoring in the Snake River: Water quality in the Snake River exhibited seasonal variability over the sampling period. Specifically, total iron peaked during high flows. In contrast, chloride, sulfate, sodium, magnesium, and calcium levels were at their annual minimum during high flows. Jackson Lake Reservoir: Reservoir storage dynamics in Jackson Lake exhibit a pattern of spring filling associated with early snowmelt runoff reaching maximum storage in mid-summer (on or near July 1). During 2016, filling water levels and reservoir storage began to increase in Jackson Lake nearly two weeks earlier than the long-term average and coincident with increases in runoff-driven flows in the Snake River. Although peak storage in Jackson Lake was larger and occurred earlier than the long-term average, minimum storage levels were similar to the long-term average.
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Catalano, George D., and Walter B. Sturek. A Numerical Investigation of Supersonic Flow Around Aft Bodies. Fort Belvoir, VA: Defense Technical Information Center, September 2001. http://dx.doi.org/10.21236/ada395936.

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7

Forbes, Kristin, Marcel Fratzscher, and Roland Straub. Capital Flow Management Measures: What Are They Good For? Cambridge, MA: National Bureau of Economic Research, January 2015. http://dx.doi.org/10.3386/w20860.

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8

Author, Not Given. Ambient Test Rig (ATR) flow studies: A laminar flow, reduced entrainment electrostatic precipitator. Office of Scientific and Technical Information (OSTI), October 1988. http://dx.doi.org/10.2172/5743565.

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9

Samimy, Mo, Nathan Webb, and Christopher Clifford. Supersonic Inlet Flow Control Using Localized Arc Filament Plasma Actuators. Fort Belvoir, VA: Defense Technical Information Center, May 2011. http://dx.doi.org/10.21236/ada564713.

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10

Balasundaram, Balabhaskar, Sergiy Butenko, Vladimir Boginski, and Stan Uryasev. RECOVERY ACT - Robust Optimization for Connectivity and Flows in Dynamic Complex Networks. Office of Scientific and Technical Information (OSTI), December 2013. http://dx.doi.org/10.2172/1111498.

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