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Dissertations / Theses on the topic 'Flowers in art. ko'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Steiger, Isadora. "Skinny Girls Bleed Flowers, and Other Sick Lies." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1133.

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This short film visualizes the experiences of seven Scripps students who have or have had eating disorders, using interview audio and projected imagery to critique existing media portrayals of eating disorders, as well as humanizing those who actually suffer from them.

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Robertson, Laura. "A Closer Look at Flowers: Exploring Structure and Function in Science and Art." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/762.

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Ghani, Sulaiman Abdul. "The forms and colors of nature on silk /." Online version of thesis, 1987. http://hdl.handle.net/1850/10427.

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Mills, Lori. "Floralware /." Online version of thesis, 1989. http://hdl.handle.net/1850/10924.

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Spickard, Kristen R. "Patterns." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343703458.

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Bashir, Majedah. "Floral images in metal." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/724965.

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This creative project will culminate in a show of twenty-five pieces of metalwork, both wearable and sculptural, using as source material the rich tradition the floral imagery found in Islamic arts. Specifically the pieces will be based on the art of the Persian Gulf area. sources will be floral images as expressed in architectural elements, fabric, tiles, and other related arts or crafts.<br>Department of Art

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Günther, Sabine [Verfasser]. "Untersuchungen zur Art und Häufigkeit von Spontanveränderungen im Auge der ApoE-KO-Maus unter Berücksichtigung diätischer Einflüsse / Sabine Günther." Gießen : Universitätsbibliothek, 2011. http://d-nb.info/1063177545/34.

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Torres, Anita Jacinta. "The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5210/.

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The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora and fauna research on three sets of casta paintings produced between 1750 and 1800: Miguel Cabrera's 17

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Ehne, Sandra. "Dubbeltydigheter i det kvinnliga könets gestaltning : Om Georgia O’Keeffes blomstermålningar och roll som konstnär." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5997.

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Eliasson, Matilda. "En bortglömd värld av blommor : Märta Rudbecks konstnärskap under tidigt 1900-tal." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-429555.

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This thesis rediscovers the Swedish painter Märta Rudbeck (1882–1933). During her lifetime she was an esteemed composer of flower still lifes and portraits. Her forgotten heritage follows those of other female artists, whose legacies are long forgotten. By retracing her life through archives and newspaper articles, a picture of her upbringing, education, career and network affiliations emerges. By using the French sociologist Pierre Bourdieus field theory, the aim of the thesis is to analyse the social, educational, cultural and economic aspects that affected Märta Rudbeck’s life, and how this

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Cochrane, Peter. "The Wild Beasts." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5917.

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The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the ch

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Abi, Nahed Roland. "Les phospholipases A2 au cours de la fécondation et du développement embryonnaire préimplantatoire : mécanismes moléculaires d'action et développement thérapeutique." Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAV031/document.

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La dégradation des fonctions de reproduction masculine dans les dernières décennies, et par suite, la baisse du taux de fertilité chez l'homme a renforcé les démarches de recherche des causes d'infertilité masculine, qu'elles soient génétiques, ou environnementales, mettant en œuvre les perturbateurs endocriniens ou d'autres produits reprotoxiques. Par ailleurs, les traitements palliatifs tels que l'aide médicale à la procréation ne permettent qu'à 1 couple sur deux d'obtenir une grossesse. La recherche vise donc également à définir de nouvelles pistes d'amélioration de ces techniques. Les pho

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Smith, Rachel Suzanne. "What I Lived for." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429805946.

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Stewart, Sally. "Contemporary Kitsch: An examination through creative practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1717.

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This exegesis examines the theoretical concept of contemporary kitsch within a creative practice that incorporates sculptural and installation art. Kitsch is a distinct aesthetic style. Once designated to the rubbish bin of culture, kitsch was considered to be low class, bad taste cheap fakes and copies (Greenberg, 1961; Adorno & Horkheimer, 1991; Calinescu, 1987; Dorfles, 1969). I argue, however, that this is no longer the case. This research critically examines the way in which contemporary kitsch now plays a vital and positive role in social and individual aesthetic life. Although there are

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Tay, SC. "Flowers as symbols and metaphors in Chinese culture." Thesis, 2005. https://eprints.utas.edu.au/22144/1/whole_TaySiewCheng2005_thesis.pdf.

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Chinese floral culture reveals a process of transferring flowers into cultural symbols and artistic metaphors. This transference takes place through juxtaposing verbal art with that of visual expression. Investigating the process of transference and juxtaposition will test three arguments. They include: the possibility of communication; a quest for the idealisation of the Chinese people; and the implementation of social, political and literacy power as a means for fulfilling the ideal Juxtaposition implies contrast and a new relationship and metaphor suggests new insight and dialogue. By inves

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Tsai, Pei-Ching, and 蔡佩青. "The development of Yi-Ko Art in Pei Kang area." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/14382472403777433684.

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碩士<br>國立嘉義大學<br>視覺藝術研究所<br>94<br>The development of Art Yi-Ko in Pei Kang area Abstract The Yi-Ko Art has been brought to Taiwan by the ancestors in China Mainland. It passed and grew for several hundreds years. Initially, it was started and developed in Tainan. Then as the economy centre has moved to north, Yi-Ko Art has also developed in Wan Hua and finally it yields positive result in Pei Kang. In recent years, since the social structure is changing and the economy is not good, the folk art of Yi-Ko Art that is rooted in the temple celebration faces the unprecedented predicament in deve

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CHEN, YU-HSUN, and 陳宥薰. "《Flowers and Mind》-From the Art to Eexplore the Soul and Flowers Combined with the Imagery of Female’s Creation." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/wsru37.

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碩士<br>嶺東科技大學<br>視覺傳達設計系碩士班<br>107<br>This creative research is a comprehensive presentation of the creator's life course and aesthetic experience. Through the creation to express emotions, trust a person's emotion, so that the work and the viewer dialogue. Hopy through the image of painting, form beauty and other ways, to show the natural flowers blooming life tension. In the image of nature, there are full of the vagaries and changes of the world. Only our real face can truly experience and understand the value and value of life. Based on this view, the creator explores the deep mysteries of

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KO, CHENG-HAO, and 柯澄皓. "Metal Art with Cereal Compounds–Creation Descriptions by Ko Cheng-Hao." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/ds2vaf.

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碩士<br>大葉大學<br>造形藝術學系碩士班<br>107<br>Cereal is one of the important categories of food for human beings. Because cereal brings satisfaction for us physically, grains like rice and wheat are recognized as symbols of harvest. A vitality in the cooking procedure of them draws my attention. Joy comes from the expectation of the appetite. Ingredients and cultures support and accompany each other in all time. In Chinese language, the homonyms of “Cake” (Gāo) and “rice cake” (Guì) sound the same as blessing words. Therefore, some products of rice and wheat are seen as mascots to bless each other and

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Tsai, Hui-Ju, and 蔡蕙如. "The Impression Among Flowers－The Art Works of Hui-Ju Tsai." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/79672740181762384014.

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碩士<br>大葉大學<br>設計暨藝術學院碩士在職專班<br>98<br>Art is the embodiment of aesthetic experience. It is the performance of all artists to express the feeling of the beauty no matter what forms it represents. Through creative works’ transformation of received images into visual arts, they bring viewers the feeling of pleasure. Flower is the theme of this research. This research was inspired from the love of flowers, the various postures of flowers and natural beauty. Also, a basis of this research is the essence obtained by exploring the works of past famous painters. This paper intends to use the way of pai

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Yi-Ting, Huang, and 黃依婷. "" Bring Flowers to the Sea " : My Experience with Socially Engaged Art." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/59451371923301086508.

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碩士<br>國立高雄師範大學<br>跨領域藝術研究所<br>103<br>“Human beings” are creatures living in natural environment, and should inhabit with nature harmoniously as well as respect it. However, with the advance and changes of technology, industries along with lifestyles, humans’ materialistic desires expand endlessly like an abysmal hole. We take more resources from nature, and usually, with greater costs. The ecosystem of mountains and sea is no longer the same. Therefore, this study will start the project, “Take Flowers to the Sea,” and engage people in protecting our sea. The project will be carried out by tell

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TSAI, HSIU-NEN, and 蔡秀嫩. "The Art of Pressed Flowers and Plants by Hsiu-Nen Tsai." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/5zsbga.

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碩士<br>國立臺灣藝術大學<br>書畫系造形藝術碩士班<br>106<br>The purpose of this project is to rethink the human-nature relationship, and reflect the fundamentals of life through flowers and plants by pressed flower. Like all the ups and downs in our lives, flowers bloom and wither with cycles of the seasons. Everything in life is art. Even twigs, petals or leaves could be transformed into figures, symbols and concepts of life in an art form of pressed flower . This project is composed of three series: 1. Imagistic series: Inspired by abstractionism, this series reveals the absolute subjectivity from the deep ins

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Lin, Chao Pei, and 林昭佩. "Memories of Flowers and Leaves：Self-interpretation of Lin, Chao-Pei’s Ceramic Art." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/x96q4v.

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碩士<br>國立臺灣藝術大學<br>工藝設計學系碩士班<br>101<br>As for the impact of the busy modern life and environmental change, we have gradually forgotten the happiness brought by nature. In fact, as long as we slow down and walk by, observe the green life around carefully, we will be able to discover the fountain of happiness and get emotional precipitation and moving from them. Through the observation of nature and the external perception of the environment, the author hopes to retrieve the natural beauty and unforgettable beautiful memories accompanied with us in life by art practice. Taking the “leaf”, “flow

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Shieh, Tsuey-Jane, and 謝翠珍. "Dancing Flowers – the Explorations and Creations of Collage Art in Home Decoration." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68357843481025413551.

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碩士<br>華梵大學<br>工業設計學系碩士班<br>100<br>Artistic creation blossoms forth from the accumulated aesthetic experiences of one’s life. Based on the theme of “Dancing Flowers”, the aim of this thesis is to present a variety of visual qualities in the form of a collage created from everyday objects. This thesis examines creations completed between 2010 and 2012. The thesis is divided into five chapters each of which covers several topics. Chapter One includes the introduction, the researcher's motivation, objective, method, procedure, range, and limitations. Chapter Two discusses various theories

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ko, yen-mei, and 柯燕美. "The interactive interpretation between art and community ~~Creative researching by ko ,yen-mei~~." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/mnw33c.

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碩士<br>國立高雄師範大學<br>跨領域藝術研究所<br>97<br>Living at the border of the urban area and the agricultural county, the author of this thesis acknowledges the fact that urbanization causes the business area to trespass into residential area, results in the hustle and bustle of living environments, the disorder in the design of public spaces and facilities as well as air pollution where people feel lost in the cities. Confronted with globalization, which surrounded by images, information, technology, environmental and ecological crisis, people might have expand their cultural activities in terms of content

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"詩般遐想: 花鳥畫的詩意表達". 2012. http://library.cuhk.edu.hk/record=b5549017.

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中國傳統繪畫的詩性表現，可以說是東方特有的審美意趣。就花鳥畫而言，這種表現特質似乎從未被中斷過，直到當代，畫家依然透過對生活細膩的感悟，以各種表現形式，彰顯著這一審美理想，向觀賞者展現其內心的詩意世界。<br>本文將首先分析詩與畫的傳統關係，對於意境的共同追求和表現，透過重新認知中國繪畫傳統這一詩性審美特質，找尋花鳥畫創作的藝術價值和理論依據。<br>再針對詩意表達特質，列舉當代花鳥畫家的作品，看看他們如何透過繪畫語言和內容表現其內在的詩意世界，又是如何傳承審美傳統，如何創新演進。<br>最後思考當下的生活形態和自身的創作路向，希望從日常生活當中，尋找詩意所在，將之變為源源不絶的創作靈感。<br>The poetic expression of traditional Chinese painting is said to be the unique aesthetics of the East. In terms of Chinese flower-and-bird painting, this trait has never been disappeared. Until modern times, painters still highlight this aesthetic ideal, by expressing their delicate sentiment of l

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KO, MEI-CHING, and 柯玫菁. "Simulated Plants in the Clay Kneading Art-The Discoure on Creation by Mei-Ching Ko." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/01506799166505360719.

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碩士<br>國立臺南大學<br>視覺藝術與設計學系視覺藝術教學碩士班<br>105<br>This work, titled “ Simulated Plants in the Clay Kneading Art,” focuses on the implications of the hard-bitten life of plants. Specifically, this work illustrates the indomitable vitality that succulent plants have exhibited in clinging, penetrating, or adhering to various environments over a long lifetime. It studies how to simulate the growth conditions of succulent plants, such as the possible withering or damages sustained in their growth process, by employing clay kneading art. First, clay kneading art can simulate the morphologies of the roots

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Tai, Su-Yu, and 戴素瑜. "The presence of integration of affection and thoughts－Individual research of art creation of flowers." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/70625155627389201180.

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碩士<br>長榮大學<br>視覺藝術研究所<br>96<br>The origin of art production is founded on the incisive affection within people. The authentic art can be shown of its true spirit and cultivation only through the deep digest of its thoughts. The author gets involved with her epitome of daily life, gathering her personal emotions and then connecting it with her most familiar elements of life—the flowers. She expresses herself emotionally through the skills of transforming the emotions, regarding to the flowers, imaging, associating the flowers with her emotions, and integrating herself with the flowers. These sk

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"Flowers Bloom and Fall: Representation of The Vimalakirti Sutra In Traditional Chinese Painting." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14449.

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abstract: The Vimalakirti Sutra is one of the classics of early Indian Mahayana Buddhism. The sutra narrates that Vimalakirti, an enlightened layman, once made it appear as if he were sick so that he could demonstrate the Law of Mahayana Buddhism to various figures coming to inquire about his illness. This dissertation studies representations of The Vimalakirti Sutra in Chinese painting from the fourth to the nineteenth centuries to explore how visualizations of the same text could vary in different periods of time in light of specific artistic, social and religious contexts. In this project,

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Liang-Chih, Ko, and 柯良志. "Contemporary Art Of Calligraphy By Using For Reference Of Grassroots Calligraphy----The Creation Of Exposition By Ko Liang-Chih." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/29259642434723505197.

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碩士<br>國立臺灣師範大學<br>美術學系<br>95<br>When "Grassroots Calligraphy" has been made, many workers began to doubt calligraphy learning "Classical" necessity. In fact there should not be so antagonistic to the concept of creativity is required to address, and the deliberation of the "supplies" to look at. Whether "Grassroots Calligraphy "or classic "Masters Calligraphy", they are creating will be available to the creators of "supplies". Creation of the series of works is "By Using for Reference of Grassroots Calligraphy" as a starting point, by extension, the development of contemporary art of calligrap

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Wu, Clair, and 吳萍康. "s through Cheng Ming''s art of performance Written for Chun Chiang Hwa Yueh Yeh(Spring moon,river,flowers and me)-----Wu PingKang Chinese Song Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/48897027149822448324.

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碩士<br>中國文化大學<br>音樂研究所<br>92<br>Abstract In the past 100 years, Bel canto and the ethnicstyles of Chinese songs are contradict combination in China. But in present age, the ethnic style songs of Chinese have been expended in material, enrich in expressing artistries, and pour into more morden taste on the traditional foundation. The thesis will discuss the possibility about combining with Bel canto and ethnic styles of Chinese songs through theory and pratice. The model is the vocalist Cheng Ming. I wish the study can solve the problem that most the Taiwan vocal

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Lee, Li–Shu, and 李麗淑. "A flower in each poem depicts the hidden mystery of the chosen lady― The Study of Chinese Floral Art from《Dream of the Red Mansions》Official book regarding the representative flowers for the five ladies from noble families." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/26860078647669650182.

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碩士<br>華梵大學<br>中國文學系碩士班<br>105<br>Abstract 2014 marked the 250th anniversary of the death of Cao Xueqin that has seen the establishment of Beijing CaoXueqin Society, The Society of Dream of the Red Chambers, Dream of the Red Chamber Fans Club, etc., in China some years earlier. Redology, the academic study of Cao Xueqin's masterpiece Dream of the Red Chamber, is a mighty current of present-day academic circles, and numerous researchers in this field have given rise to multiple research data. Being a traditional Chinese floral artist with my understanding of flowers and cherishing toward classic

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zhu, cui. "Symbolique florale dans le tableau de Jean-Baptiste Belin de Fontenay Vase d’or, fleurs et buste de Louis XIV (1687)." Thèse, 2012. http://hdl.handle.net/1866/8412.

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Le tableau de Jean-Baptiste Belin de Fontenay intitulé Vase d’or, fleurs et buste de Louis XIV est le morceau de réception que le peintre a présenté à l’Académie royale de peinture et de sculpture en 1687. Malheureusement peu étudié, ce tableau n’en comporte pas moins trois problématiques très intéressantes. Tout d’abord, il rassemble trois genres de peinture dans une seule composition : la nature morte, le portrait et la peinture d’histoire, illustrés respectivement par les fleurs, le buste du roi et la pièce d’armure. L’association de ces trois genres dans un tableau de nature morte e

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Zhu, Cui. "Symbolique florale dans le tableau de Jean-Baptiste Belin de Fontenay Vase d’or, fleurs et buste de Louis XIV (1687)." Thèse, 2012. http://hdl.handle.net/1866/8412.

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Le tableau de Jean-Baptiste Belin de Fontenay intitulé Vase d’or, fleurs et buste de Louis XIV est le morceau de réception que le peintre a présenté à l’Académie royale de peinture et de sculpture en 1687. Malheureusement peu étudié, ce tableau n’en comporte pas moins trois problématiques très intéressantes. Tout d’abord, il rassemble trois genres de peinture dans une seule composition : la nature morte, le portrait et la peinture d’histoire, illustrés respectivement par les fleurs, le buste du roi et la pièce d’armure. L’association de ces trois genres dans un tableau de nature morte

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Jirátová, Kristýna. "Samota uprostřed davu: Charles Baudelaire a umění 20. století a současnosti." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-386502.

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Alone in a Crowd: Charles Baudelaire and 20th-Century and Contemporary Art The dissertation called Alone in a Crowd explores the influence of the poet Charles Baudelaire's personality and work on 20th-century and contemporary art. Due to the field of study, the main focus is on the visual arts, but literature, music, philosophy, and film are also included to a large extent. This dissertation is divided into four substantive chapters. The first chapter, The Inner Message, introduces the poet's life, his family and acquaintances, as well as Baudelaire's poetry collection The Flowers of Evil. The

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JINDRÁKOVÁ, Edita. "Filosofická interpretace děl Marca Chagalla." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-172627.

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This thesis covers the interpretation of life and work of Marc Chagall, jewish painter of 20th century. Goal of the thesis is to highlight symbolic motives of his work, and later on interpret those on selected pieces. The thesis is divided into four parts. First part is devoted to the life of the painter and his jewish origin, which had a significant influence on the character of his work. Second part covers the meaning of symbols in art and religon in general. Third tries to compare Chagall's conveyance with two jewish philosophers of the dialog: E. Lévinas and F. Rosenzweig. Fourth then inte

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