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Relevant bibliographies by topics / Flute piano / Dissertations / Theses

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Dissertations / Theses on the topic 'Flute piano'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Flesher, Eric. "Wandering rocks : for flute, clarinet, violin, cello and piano /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11331.

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2

Gregory, Jason M. "Music for flute and piano and a script for violinist." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3458.

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Music for Flute and Piano is a determinate composition for these two instruments. The technique used consists of serial saturations of pitch and rhythm as a starting point; however, the end result departed from strict adherence to serial procedure toward an intuitive variation of an 'A' and 'B' theme. A Script for Violinist incorporates determinacy and indeterminacy into a score; it is an exploration of violin idioms made 'in the moment,' capturing the many possibilities of bowing, fingering, and timing that become individualized by the performer.

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3

Walker, Julee Kim. "James Wintle's Northwest Miniatures for Flute, Trumpet and Piano (1998): a Performance Guide." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271914/.

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James Wintle's, Northwest Miniatures for flute, trumpet and piano is a unique work in the chamber music repertoire. In addition, the use of auxiliary instruments makes this piece a rarity in the flute and trumpet chamber music repertoire. There are a limited number of resources presently available to performers regarding Northwest Miniatures.This dissertation provides a pedagogical performance guide addressing the inherent challenges for the flutist and this instrumentation and serves as a new resource for performers and scholars of this work. It provides a performance analysis of the piece al

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4

Sharp, Barry Shelton. "Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1751.

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Sizhu was written for the standard Pierrot ensemble though with percussion replacing the singer. This particular ensemble is capable of producing a multitude of colors while maintaining the balance inherent to a chamber group. The Chinese name, si’zhu, is a literal and figurative metaphor for these elements of the ensemble. Literally translated “silk” (sī) and “bamboo” (zhú), the word is a generalization for Chinese classical music developed in the Jiangsu province (Jiāngnán sīzhú) that utilizes strings, or “silk” instruments, and flutes, or “bamboo,” instruments in combination. A typical work

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5

Gimenes, Marilia Gabriela do Nascimento. "Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc177200/.

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Osvaldo da Costa Lacerda (March 23, 1927-July 18, 2011), one of the most significant Brazilian composers of the twentieth century, wrote more than 250 compositions. The purpose of this dissertation is to provide a history and analysis of the Brazilian genres characterized in Osvaldo Lacerda’s, Sonata for Flute and Piano. Written in 1959, the sonata represents traditional Brazilian rhythms within a classical structure and modern harmony. The work provides a basis for the exploration of the embolada, the serestas, and the baião, examples of Brazilian typical song forms and rhythms. Analysis of t

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6

Covey, Richard. ""Songs on the Waves" : a composition for flute, clarinet, trumpet, trombone and piano." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/13549.

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“Songs on the Waves” is a 20 – 21 minute chamber work for flute, clarinet, trumpet, trombone and piano. Each of the four movements draws upon a different specific Canadian maritime folksong, and uses different elements of the traditional music to create its linear, harmonic and textural components. In some instances, the folksongs also inspire the form of the movements, as well as the constituent large and small-scale musical structures. Primarily, the movements seek to capture the essence of the poetic expression found in the folksongs. This is achieved through compositional choices regar

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Cheng, Chien-Wen. "Snow spell an interactive composition for erhu, flute, piano, cello and Max/MSP /." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3989.

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8

Lopez, Matthew Santos. "Aaron Copland's Use of Flute in His Late Style| The Case of Duo for Flute and Piano and Threnodies I and II." Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13426828.

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<p> Aaron Copland is one of the best-known composers from the United States and is often credited with creating a distinctly American style. As a 20th Century composer, he departed from traditional classical compositional techniques and made some contrasting choices of medium when considering ensemble. Copland is recognized for his writings for Orchestra, Film, Theatre, and Ballet, but also wrote chamber works that are both thoughtful and creative. The majority of his chamber works consist of pieces written for piano and voice, however he also used strings, clarinet, and in his later works, fl

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9

Edwards, Peter Ivan Edwards Peter Ivan. "Two explorations in musical objects /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170275.

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Thesis (Ph. D.)--University of California, San Diego, 2005.<br>Includes 2 compositions: Puer natus est nobis (zu irgendeiner Zeit) for full orchestra, and Annicha, for flute, clarinet, and piano. Vita. Includes audio reel tape of compositions (analog, stereo., 7 1/2 ips : 7 in.).

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10

Quiroga, Martin. "Concerto Grosso No. 1." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22747.

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This concerto is the composer’s conversation with the past. In four movements, each one embodies a traditional musical form. The work is a continually transforming kaleidoscope of relentless virtuosity, fanciful flights of harmony and melody, and unapologetic shifts in timbre and texture. Although conceived in four separate movements, the entire work is without intervening pauses. The concerto grosso is scored for flute, violin, piano, and string orchestra, and is approximately twenty-five minutes in duration.

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Porter, Amanda H. "Remnants." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1166400966.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>Document formatted into pages; contains 1 score (36 p.) For soprano and chamber orchestra (flute, bassoon, viola, piano, harp and percussion) Includes bibliographical references.

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Gotō, Yo. "Voci lontani for flute, trumpet, percussion, piano, and string quartet, critical essay and score /." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/etd/all/Aug2004/goto%5Fyo/index.htm.

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Goto, Yo. "Voci Lontani for flute, trumpet, percussion, piano, and string quartet: Critical essay and score." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc5555/.

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This project consists of an original composition, Voci Lontani, and a critical essay about the composition. In this piece, the idea of musical simultaneity is explored. Therefore, the piece focuses on the idea of contrast: between measured rhythms and indeterminate rhythms, between tonality and atonality, and between musics in separate tempos. In order to explore the significance of musical simultaneity, four important compositional concepts-the simultaneous juxtaposition of different musics, polyrhythmic structure, controlled indeterminacy, and quotation-are discussed. Also, several examples

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Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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Broffitt, Virginia. "The Music of Jennifer Higdon: Perspectives on the Styles and Compositional Approaches in Selected Chamber Compositions." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275656288.

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Redcay, Andrea. "Theobald Boehm and the History of the Alto Flute, Including the Facsimile Edition of His Arrangement of Beethoven's Largo From the Concerto for Piano, Op. 15, No. 1 for Alto Flute and Piano (C. 1858), With Three Recitals of Selected Works by Griffes, Telemann, Bartok, Jolivet, Gaubert and Others." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc935677/.

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An historical perspective of Theobald Boehm (1794-1881) and his design of the modem alto flute. Chapters I and II discuss the development of design, playing technique and repertoire of the ancestors of the modem alto flute beginning with the Renaissance consorts detailed in the treatises of Agricola, Praetorius and Mersenne, through the Baroqueflate d'amour and its use in the music of J.S. Bach, to Boehm's alto flute design (c. 1855) and its use in early twentieth-century orchestral and chamber repertoire such as Stravinsky's Le Sacre du Printemps (1911), ending with specific aspects of contem

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Wang, Jing. "Cultural and technical perspectives on Winter landscape." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12212.

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For flute, piano, erhu, and Max/ISP interactive computer music system. Duration: ca. 15:00. System requirements: Adobe Acrobat Reader. Includes notes for performance. Includes bibliographical references (p. 94-96).

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Carrizo, Andrés. "Senseflash." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1182377879.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>Document formatted into pages; contains 1 score (50 p.). For flute, B♭ clarinet, violin, violoncello, percussion and piano. Includes bibliographical references.

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Schryer, Claude. "A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61257.

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Research on the musical language as well as the technical realisation of the tape part to a kindred spirit, for ensemble and tape, was realised at the Electronic Music Studio of McGill University from September, 1984 to September, 1986.<br>The following excerpt from the programme note in the score summarizes the 'spirit' of the composition.<br>"The computer generated sounds on tape form a large body in which instrumental sounds float and from which they appear, like weeds oscillating on a sometimes calm and often turbulent sea of sound.<br>'You're afraid, in the mirror, of the sea, in front of

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Shook, Hannah M. Widor Charles Marie. "An orchestration of Charles-Marie Widor's Romance (from Suite for Flute and Piano, Op. 34) /." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/160.pdf.

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Potts, Elizabeth (Elizabeth Ann). "The Mozart Flute: Old and New Transcriptions of KV. 10-15." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984277/.

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My lecture serves as a critical examination of the Six Sonatas Op. 3, KV. 10-15 by W.A. Mozart. I will engage the variances between the first edition of Op. 3 and those by Joseph Bopp and Louis Moyse edited specifically for the flute in hopes of providing another perspective for students, performers, and pedagogues alike. This study will (1) provide background information regarding the creation of KV. 10-15, (2) include a brief analysis of each sonata, (3) compare adaptions between the first edition, according to NMA, and two modern flute transcriptions, and (4) produce two new transcriptions.

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22

Wang, Jennifer. "Wind in her hair for alto flute, vibraphone, electric guitar, voice, piano, violin, violoncello, and tape /." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1085678411/ucin1085678411.pdf.

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23

Pillman, Laura 1990. "Transcription and Critical Edition of Carl Nielsen's Songs, Op. 4 and 10 for Flute and Piano." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538733/.

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Widely regarded as one of the most significant composers of the late nineteenth and early twentieth centuries, Carl Nielsen and his music have come to define the early twentieth-century musical traditions of Denmark. His original songs for voice and piano are often revered as popular folk tunes and contributed to his status as a national icon. My dissertation explores Nielsen's vocal repertoire through a multipart project that includes transcribing and editing eleven of Nielsen's early songs from Op. 4 (1891) and Op. 10 (1894), originally for voice and piano, for flute and piano. I discuss the

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24

Ruppe, Elizabeth Ambler. "Form and tonality as elements of neoclassical style in two works by Jean Francaix: Divertimento pour flute et piano (1955) and Suite pour flute seule (1963) with three recitals of selected works of Mozart, Widor, Feld, Muczynski and others." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278680/.

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The music of Jean Francaix is well known to those familiar with woodwind chamber literature. His long, successful career began in the 1930s when French composers rejected the excessively chromatic harmonies, intense emotionalism and grandiose proportions of late Romantic music. Embracing the concepts of neoclassicism, economy of means, clarity and objectivity, and a return to diatonicism and formal structures, the new "Classical" music contained the added spice of twentieth-century harmonic techniques including bitonality, modality, and quartal and quintal harmonies. Francaix has written many

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Phillips, Nathaniel Tull. "Horologium du Futur past /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9963667.

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Thesis (Ph. D.--Music)--University of California, San Diego.<br>Vita. For flute, violin, clarinet, violoncello, piano, percussion, and tape. Includes program notes and performance instructions preceding score.

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26

Taher, Cecilia. "Elasticity in three compositions with flute by Boris Blacher." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/320.

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This thesis proposes a new concept of form for Boris Blacher's Divertimento for Woodwinds, Duet for Flute and Piano, and Quintet for Flute, Oboe, Violin, Viola, and Violoncello. In 1950, Blacher began to use systematically varying metric units to provide logic to the apparently arbitrary rhythm of modern music. This practice led the few scholars who have studied his compositions to concentrate on the mathematical organization of metrical units, underestimating other musical elements. This dissertation is based on the idea that it is not the mere disposition of meters, but mostly the interactio

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Chen, Mei-Chu, and 陳美筑. "Analytical of C. P. E. Bach: Sonata for Flute and Piano, Wq. 86. H. Büsser:“Andalucia” for Flute and Piano, Op. 86. E. Schulhoff: Sonata for Flute and Piano." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/49udw3.

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碩士<br>國立清華大學<br>音樂學系所<br>106<br>The full text is the analysis of the concert performance. Altogether divides into three chapters: the first chapter analyzes the Carl Philipp Emanuel Bach∶ Sonata for Flute and Piano in G major¸ Wq. 86; the second chapter analyzes the Henri Büsser：“Andalucia”for Flute and Piano, Op.86; the third chapter analyzes Erwin Schulhoff Sonata for Flute and Piano .This article briefly describes the composer's life, creation background and music analysis and interpretation, hoping that this paper can help readers to have a deeper research and performance practice on thes

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Chang, Hsin-yu, and 張心瑜. "The Analysis and Comparison of “Carmen-Fantasy for Flute and Piano” and “La Traviata-Fantasy for Flute and Piano”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/f2378g.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>102<br>Abstract In this thesis, we mainly focus on the two famous Fantasy for flute, "Carmen" and "La Traviata ". Both of the composers capture the appealing arias in the opera, and use the variation techniques to completely show the beauty of tone and the gorgeous techniques of flute. They finally composed their own Fantasy for flute which are different from the opera. Besides, to understand the development of Fantasy, we also analyze the researches about it. The thesis is divided into six chapters. In Chapter I, we will give an introduction to the motivat

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Slottow, Mackenzie. "Master's thesis recital (flute)." 2011. http://hdl.handle.net/2152/17033.

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Sonata in E major BWV 1035 / Johann Sebastian Bach -- Suite for flute and piano, op. 34 / Charles-Marie Widor -- Sonatine for flute and piano / Walter Gieseking -- Fractus III: Aerophoneme for flute and supercollider / Eli Fieldsteel.<br>text

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"Mel Bonis: Six Works for Flute and Piano." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.18008.

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abstract: The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new e

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31

Jelle, Lisa A. "The flute and piccolo music of Martin Amlin: An introduction, discussion, and analyses of the Sonata for Flute and Piano; "Trio Sonatina" for flute, clarinet, and piano; and Sonata for Piccolo and Piano." Thesis, 2000. http://hdl.handle.net/1911/19514.

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The compositional style of music for flute and piccolo by Martin Amlin is examined through formal and harmonic analyses and through interviews with the composer and the musicians most closely associated with the works, flutist Leone Buyse and piccoloist Zart Dombourian-Eby. Amlin's compositional style as represented in these pieces may be described as combining characteristic twentieth-century American driving rhythms and perpetual motion, symmetry on multiple levels, and a unique blend of French use of color and phrasing. Complex rhythms and constantly-shifting meters and timbres give the mus

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Siegel, Merrie R. "Samuel Zyman's Concerto for Flute and Small Orchestra and Sonata for Flute and Piano." Thesis, 2000. http://hdl.handle.net/1911/19556.

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The compositional style of Samuel Zyman's two flute works, Concerto for Flute and Small Orchestra and Sonata for Flute and Piano , is examined through formal and stylistic analyses, as well as interviews with the composer and with the flutist who commissioned both works, Marisa Canales. The two Neo-Romantic works make use of clear formal structures, such as sonata allegro and rondo forms. These traditional structures are greatly expanded, mainly through the use of highly active and extended development sections. Rhythmic drive is an essential element of both of these works. These aspects, alon

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Huang, Shih-ting, and 黃詩婷. "Bird Calls”in the Repertoire of Solo Flute and Piano/Shih-Ting Huang flute recital." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/47001010900625095222.

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碩士<br>東吳大學<br>音樂學系<br>95<br>There are lots of works whose titles are birds’ names in flute repertoire. This thesis focuses on 3 works based on compositions of bird calls. They are：Concerto in D major（op. 10/3, “Il Gardellino”）, composed by Antonio Vivaldi（1678-1741）, Nightingale serenade for flute and piano（op.447）,composed by Wilhelm Popp（1828-1903）, and the second movement of Sonata for flute and piano“La Flûte de Pan”（Op.15）, composed by Jules Mouquet（1867-1946）. Although these three works are composed in different eras, the titles of them are all relative to birds’ names. This thesis analy

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"A New Piano Reduction of the Nielsen Flute Concerto." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.55658.

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abstract: The purpose of this research is to create a new piano reduction of Carl Nielsen’s Flute Concerto. Danish composer Carl Nielsen was born in 1865 and died in 1931. His compositional focus on orchestral writing made him renowned for his symphonies and concerti for flute and clarinet. Today his concerti are often performed by both professional musicians and students. The first published piano reduction of the Flute Concerto was issued in 1952 by the composer’s son-in law, Emil Telmányi, who was a Hungarian violinist and conductor. This reduction was published by Samfundet til Udgivelse

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Lai, Yu-ling, and 賴禹伶. "Aaron Copland’s Duo for Flute and Piano: A Research and Interpretation / Yu-Ling Lai Flute Recital." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/76310837511419766905.

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碩士<br>東吳大學<br>音樂學系<br>95<br>Aaron Copland(1900~1990)is a well-known American composer, conductor, educator and musical criticism in twentieth century. He devoted his whole life to develop American music, and his music work of “Americanism” still influenced deeply and extensively from the time to present. In the trends of the times background and the courage to try various skills in composing, the creative style of Copland is highly changeable. Moreover, the most abundant period of creation is in the thirties and forties, and the main of that is simple music lexicon. This kind of work has simpl

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Cheng, I. Shih, and 史正怡. "The Expressive Nature of Feld's Sonata for Flute and Piano." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/19299708986636757756.

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Minaux, Francois. "Doctoral thesis recital (flute)." 2011. http://hdl.handle.net/2152/16458.

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Foliage op. 8 for flute and piano / Daniel Carr -- Sonata in A minor "Arpeggione" for flute and piano / Franz Schubert -- Around, awry for flute doubling picc. and organ / Ethan F. Greene -- Fantasiestucke op. 73 for alto flute and piano / Robert Schumann -- Sonata in A minor for flute and piano / Cesar Franck.<br>text

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Chiang, Ting-yi, and 江亭儀. "The Analysis and Interpretation ofFirst Sonata for Flute and Piano byBohuslav Martinu/ Ting-yi Chiang Flute Recital." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/41558394589453833085.

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碩士<br>東吳大學<br>音樂學系<br>98<br>Bohuslav Martinue (1890-1959) was a representative composer and an outstanding educationist as well in Czech in the 20th century. He grew up at the time when the history was moving from the 19th century to the 20th century during which politics, society, culture and art were all in turbulence. Such situation brought him some impact on his multiple and innovative styles or forms upon creation. Martinue lived in a foreign country and was unable to return to his hometown for most of his life due to the transitions of the environment. Therefore, his works often revealed

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Wang, Shang-Fang, and 王上芳. "The Analysis and Interpretation of Mouquet’s Sonata for Flute and Piano, “La Flute de Pan” , Op.15." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/00809634438401536633.

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Su, Allie Yuying. "Doctoral thesis recital (collaborative piano)." 2010. http://hdl.handle.net/2152/11600.

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7 variations on "Bei Mannern, welche Liebe fuhlen" from Die Zauberflote, WoO 46 / Ludwig van Beethoven -- Poeme elegiaque, op.12 / Eugene Ysaye -- Marchenbilder, op.113 / Robert Schumann -- Sonata, op.23 / Lowell Liebermann<br>text

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Barkoskie, Alvez Theodore. "Rasgueado for flute, clarinet in Bb, violin, cello, percussion and piano." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-12-4822.

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"Rasgueado” is an expansion of a chorale from an earlier work I composed for brass quintet. It is based on a seven measure progression that appears in many several different variations throughout the work. Traditionally, this form is known as a passacaglia, which has origins in Spain and Italy. In Spain, the pasacalle, is a rasgueado, or strummed interlude between dances or the verses of a song. I choose to name this piece “Rasgueado” since parts of the piece are loosely based on the idea of the passacaglia and since the piece opens and closes with the strumming of the cello.<br>text

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Tsai, Wei-Ko, and 蔡維格. "A Study of Darious Milhaud’s Flute and Piano Sonatina, Opus 76." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/17782538357036405200.

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碩士<br>國立中山大學<br>音樂學系研究所<br>103<br>Darious Milhaud (1892-1974) was a French composer who is also known as Les Six and one of important representatives of Neoclassicism. He received his music education from Paris Conservatoire. His diversity of music styles are influenced by traveling many countries through World War I and World War II. Milhaud composed Flute and Piano Sonatina, Opus 76 in 1922. In this time, right after World War I, which impacted by different music styles from diverse places. The piece shows Milhaud’s jazz music style and also influenced by Late Romantic Music. This study is d

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Wang, Bing-Cheng, and 王稟程. "Analysis and Interpretation of Francis Poulenc's Sonata for Flute and Piano." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/69696299060878563744.

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碩士<br>國立臺灣藝術大學<br>音樂學系<br>99<br>This dissertation contains five chapters. The first chapter displays the frame and the aspect of the research by revealing the purpose of selecting the topic, the range of the study, and the methods used to complete the dissertation. The second chapter introduces the composer, Francis Poulenc (1899-1963) who was active in the twentieth century. Poulenc is a representative of French Neoclassicism. His most famous compositions are the chamber music. The Sonata for Flute and Piano is one of his well-known creation which is also a very important repertoire of flutes

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Lee, Tzu-Jung, and 李姿蓉. "A Study of Liebermann’s Sonata for Flute and Piano Op. 23." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80227659921135294253.

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碩士<br>國立臺南藝術大學<br>鋼琴伴奏合作藝術研究所<br>99<br>Lowell Liebermann, born in 1961, is one of the most active and sought after composers in the United States. Over the recent years, there are researches on many of his compositions gradually. The Flute Sonata, Op. 23 is his first composition for flute and piano. It consists of Libermann’s typical and traditional writings in terms of musical structures, which are also integrated with modern techniques. The objective of this thesis is to better understand Libermann’s compositional philosophy. This thesis is organized as follows: Chapter 1 introduces Op. 23 a

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Chen, Yu Han, and 陳毓涵. "A Study of Flute and Piano , Op.94 by Sergei Prokofiev." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/33524494658558206222.

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Urase, Nanako. "Master's thesis recital (collaborative piano)." 2009. http://hdl.handle.net/2152/11625.

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Duo concertante pour clarinette et piano / Darius Milhaud -- Suite paysanne hongroise for flute and piano / Bela Bartok -- Danse espagnole / Fritz Kreisler -- Jurame / Maria Grever -- Sonata for violin and piano in A minor, op.23 / Ludwig van Beethoven -- Marche miniature viennoise ; Schon Rosmarin / Fritz Kreisler -- Dein ist mein ganzes Herz / Franz Lehar<br>text

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Ming, Huang Chun, and 黃俊銘. "The Analysis and Interpretation of Frank Martin Ballade for Flute and Piano." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/64762280811386874714.

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碩士<br>輔仁大學<br>音樂研究所<br>99<br>Martin (Frank Martin, 1890-1974) was an important composer in the 20th century. Besides composing, simultaneously he was also a pianist and a harpsichordist. Although he was Swiss, Martin also set his foot in France, Holland and Germany. Such experience presented diversified and integrable creation techniques in Martin's works. Ballade for Flute and Piano is the work which is quite popular in the flute concert programs. Although he utilized the brief musical forms, the rhythmic motives and the speed changes, the entire piece presents the dramatic tensity. This

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Li, An-Chun, and 李安鈞. "A Research and Interpretation ofPhilippe Gaubert’s Troisieme Sonate for Flute and Piano." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/84004686270458736992.

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碩士<br>東吳大學<br>音樂學系<br>100<br>When talking about Philippe Gaubert (1879-1941), people tend to see him as a composer. However, he reached the climax of his musical career as a conductor. Even prior to that, Gaubert kicked start his musical career as a flutist. Besides that, his contributions to flute performing, flute teaching and composing, especially his creations of flute pieces are certainly not negligible. This thesis aims to probe into Gaubert’s “Troisieme Sonate for Flute and Piano”, which he created for both flute and piano. The thesis includes five chapters. The first chapter is

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Li, Ruei-Ying, and 李瑞瑩. "A Study and Analysis on Jindřich Feld’s Sonata for Flute and Piano." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/4z32rz.

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碩士<br>國立中山大學<br>音樂學系研究所<br>102<br>Jindřich Feld is one of 20th-century’s well-known Czech composers of classic music, and his compositions are recognized to have tonally based on harmonies, clarity of form, strong rhythmic pulsation and instrumental virtuosity. His work, “Sonata for flute and piano” was a masterpiece completed in 1957, in a clear-cut musical form with distinct rhymes, and instrumental virtuosity. This work was appraised as the best flute composition in the twenty century by National Flute Society in 2000, which has been a very popular choice for flute performance. This ess

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LIAO, WEN-HSUAN, and 廖文瑄. "Analysis and Interpretation of Sonata for Flute and Piano by Otar Taktakishvili." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/x948qq.

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碩士<br>國立臺灣藝術大學<br>音樂學系<br>105<br>Otar Taktakishvili （1924-1989）is a composer and conductor the former Georgian Soviet Socialist Republic. He devoted his life to the revitalization of Georgian musical heritage and musical education. Due to this, he contributed greatly to the development of Georgian ethnic music. This dissertation examines one of the most renowned pieces written by Taktakishvili— the “Sonata for Flute and Piano.” The three-movement work contains many elements of folk songs. The first movement is in classical sonata form. It features evocative and melodic lines that express the

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