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Relevant bibliographies by topics / Flute with instrumental ensemble

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Academic literature on the topic 'Flute with instrumental ensemble'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Flute with instrumental ensemble"

1

Golovashych, E., and I. Tsebriy. "HISTORICAL DEVELOPMENT OF THE ENSEMBLE PLAYING OF THE FLUTE GROUP IN A SYMPHONY ORCHESTRA." Philosophical Horizons, no. 46 (January 16, 2023): 29–39. http://dx.doi.org/10.33989/2075-1443.2023.46.271522.

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The historical features of the playing of the flute group in the symphony orchestra, the ability of soloists-instrumentalists to be performers of a single group and a single whole among the large composition of members of the symphony orchestra are analyzed. The authors substantiate the expediency of the development of instrumental musicians first of all as orchestra players, and then as solo performers. The aim and the tasks: to analyze the historical development of the ensemble playing of the flute group as part of the symphony orchestra. The tasks of the research are the analysis of publica

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STELMASHCHUK, ZINOVIY. "FEATURES OF STUDYING THE EDUCATIONAL DISCIPLINE “INSTRUMENTAL SCIENCE AND METHODOLOGY OF WORKING WITH A CHILDREN’S MUSIC GROUP”: EXPERIENCE AT AN INSTITUTION OF HIGHER EDUCATION." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy 1, no. 2 (2023): 135–44. http://dx.doi.org/10.25128/2415-3605.22.2.17.

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Attention is focused on the importance of improving the quality of music teacher training by achieving the necessary competencies related to music-making technologies on Ukrainian folk instruments in the process of conducting music lessons in secondary schools, managing children's instrumental ensembles in out-of-school education institutions. Work experience while teaching the course «Instrumental science and methods of working with a children's music group» at TNPU is highlighted. The basic conditions that affect the development and process of formation of professional skills and skills of p

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Novosadova, Anna, Nataliia Mozgalova, and Yaroslav Novosadov. "THE FIGURE OF G.P. TELEMAN AS ONE OF THE FOUNDERS OF THE FLUTE REPERTOIRE OF THE BAROQUE ERA." Baltic Journal of Legal and Social Sciences, no. 4 (January 17, 2024): 36–41. http://dx.doi.org/10.30525/2592-8813-2023-4-5.

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The purpose of our article is to determine the role of flute music in the work of one of the most famous composers of the baroque – G. P. Teleman. The methodology of the research consists in the use of a historical approach – when defining the genres of flute music, analysis – the definition of typological features, a comparative method that allows comparing researchers' opinions on the genre features of Teleman's work. The development of instrumental music was closely related to the development of flute performance. Therefore, it is not surprising that composers pay attention to this instrume

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Voon, Chai Yem. "Some Observations on Flute Playing in Malaysia." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (December 4, 2020): 60–80. http://dx.doi.org/10.30819/aemr.6-5.

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Surviving in an environment that seems to be not encouraging music performances for entertainment or for mental contemplation, Malaysian musicians have to strive very hard in order to earn a living. The situation gets worse when it comes to a particular group of musicians who have no choice but share the similar job opportunities. Apparently, the market is not offering enough opportunities for flautists compared to pianists and string instrument players. This eventually leads to a very competitive situation in both the performing and teaching scene. The time frame of this observation reaches b

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Anderson, Julian. "HARMONIC PRACTICES IN OLIVER KNUSSEN'S MUSIC SINCE 1988: PART II." Tempo 57, no. 223 (2003): 16–41. http://dx.doi.org/10.1017/s0040298203000020.

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Songs without Voices, composed in 1991–2, is a set of four pieces for small instrumental ensemble comprising flute, cor anglais, clarinet, horn, piano, violin, viola and cello, lasting about eleven minutes. It follows on naturally from Knussen's Whitman Settings which preceded it, as three of its four movements derive their main melodic lines from purely instrumental settings of Whitman texts from the collection Leaves of Grass. Indeed the first movement's source text, Soon shall the winter's foil be here, is placed by Whitman in the collection immediately after The Voice of the Rain, the fina

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Jankovic-Begus, Jelena. "Chanting of the inner space: on symphonic and concertante works by Milorad Marinkovic." Muzikologija, no. 19 (2015): 83–117. http://dx.doi.org/10.2298/muz1519083j.

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The opus of contemporary Serbian composer Milorad Marinkovic (b. 1976), which encompasses works of choral, chamber, concertante and symphony music, leans towards classical forms of artistic music, Serbian folklore music, and Serbian Orthodox church chant. This paper deals with pieces composed for larger instrumental ensembles: Herojska uvertira (Heroic Overture) for symphony orchestra, Psalmodija (Psalmody) for symphony orchestra, Koncert za klavir i orkestar (Piano concerto) and Mala opera (Little Opera) for chamber ensemble (septet) with prominent soloist parts of flute and clarinet. Special

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Konoval, K. K. "The flute art in Kharkiv: the performing and pedagogical traditions." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 190–201. http://dx.doi.org/10.34064/khnum1-54.12.

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Logical reason for research. The flute art has its own history of development, which is marked by different traditions – the performing, composing, and pedagogical. The mentioned traditions outline the ways of the development of the flute art of the present and the future; they have a certain originality of geographical and cultural orientation. Today, the flute art is the subject of the audience demand, the performing and composing creativity, and has a solid repertoire in various styles and genres of both translations and original compositions in many instrumental compounds, ranging from sol

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Hadžajlić, Hanan. "Composition-Interpretation-Improvisation Processes in XO pt. II by Dino Rešidbegović: Comparative Analysis of two Interpretations." INSAM Journal of Contemporary Music, Art and Technology, no. 1 (December 15, 2018): 56–71. http://dx.doi.org/10.51191/issn.2637-1898.2018.1.1.56.

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The composition XO pt. II for flute with processors, amplified cello, amplified piano and analog sound synthesizers, by Dino Rešidbegović, was published in 2016 as an electroacoustic adaptation of its previous version, XO for undetermined instrumentation. The phenomenon of the notation of both versions, presented through the graphic score, comes from the very idea of/about the composition. The score is divided into nine squares which form a network with incorporated abstract shapes of different colors. In the middle of the score is a chart of a spectral analysis of the composition The Impact o

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SZALAY, Zoltan. "Istvan Pavai: Hungarian Folk Dance Music of Transylvania – Review." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (2022): 193–208. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.19.

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Among the territories of the Carpathian Basin inhabited by Hungarians, Transylvania proved to be the most suitable field for the interethnic research of the music related to choreographic folklore. Most professional musicians in the rural areas, who receive regular or intermittent payment in money or other forms of remuneration, are of Romani ethnicity. The existence of musical instruments in the accompaniment of dances is richly documented since the 15th and 16th centuries. Hungarian ethnochoreology defines three types of musical accompaniments for the dances: rhythmic accompaniment (without

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Shaymukhametova, Liudmila N. "Transcriptions of Musical Texts in Work with Beginning Pianists." Problemy muzykal'noi nauki / Music Scholarship, no. 1 (2024): 126–35. http://dx.doi.org/10.56620/2782-3598.2024.1.126-135.

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The article examines artistic tutorial assignments for transforming the primary authorial musical text in the conditions of ensemble music-making in a piano class. Their goal is the mastery of certain skills of free music-making in the context of the dialogic structures and intonational lexis of baroque music. Examination is made of such universal techniques of artistic transformation as registering and doubling, which were widely used in the 17th and 18th centuries upon the re-exposition of the clavier musical text into various instrumental ensemble textures. The technique of application pres

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Dissertations / Theses on the topic "Flute with instrumental ensemble"

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Burkhardt, Rick. "Pipeline : for voice, bass flute, cello, and percussion /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236631.

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Weirmeir, Jude Thomas. "Aspic trails : [for soprano, flute, and 'cello : 2004-06 : opus -1] /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236632.

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Greene, Adam. "A breath between : a double concerto for flute and violin with small ensemble /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099906.

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Thesis (Ph. D.--Music)--University of California, San Diego, 2003.<br>Vita. For flute and violin with ensemble of clarinet, violin, viola, violoncello, piano, oboe, bassoon, and double bass. Performance instructions precede score.

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Gutierrez, Jason. "The Prayer of Daniel: for flute (with alto flute), clarinet (with bass clarinet), violin, cello, doumbek, percussion, piano, bass-baritone voice, and men's chorus." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/gutierrez%5Fjason/index.htm.

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May, Andrew Emerson Ralph Waldo. "Vanishing : a composition for ensemble and computer /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9984809.

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Thesis (Ph. D.--Music)--University of California, San Diego.<br>Vita. For flute (piccolo), piano, percussion (1 performer), 2 violas, 2 violoncellos, and computer. Includes technical notes and instructions for performance preceding score.

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Hodges, Glen J. (Glen John). ""Eyre," a Three Movement Instrumental Work for Small Chamber Ensemble." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503921/.

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"Eyre" is a composition of approximately sixteen minutes duration for an instrumental ensemble consisting of two flutes, oboe, B𝄭 clarinet, bassoon, guitar, and cello. It is inspired by a large seasonal lake basin in South Australia of the same name. The piece is divided into three movements; the first is fast and quasi sonata-allegro form without the recapitulation; the second is slow and through-composed; and the third, essentially the missing recapitulation from the first movement. Much of the motivic material for the piece is derived from the initial progression of triads. Harmonic and mel

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Deyoe, Nicholas Oberg Deyoe Nicholas Oberg Deyoe Nicholas Oberg Deyoe Nicholas Oberg. "A simultaneity of conflicting modes of expression." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453674.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Accompanying disc is DVD-ROM, and includes sound files for 2nd and 3rd compositions. The 1st work for flute and violin, 2nd for 15 instruments, 3rd for tenor saxophone and piano. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Durations: ca. 14:00, ca. 15:00, ca. 15:00.

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Chan, Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok Chan Sze-rok. "Inspired by the Hindu tradition compositions and reflections /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37933966.

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吳俊凱 and Chun Hoi Daniel Ng. "Original compositions for young musicians." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212608.

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Schulze, Lukas Andreas Schulze Lukas Andreas. "Sluggo ; and Elwaseem /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236633.

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Thesis (Ph. D.--Music)--University of California, San Diego, 2006.<br>First work for 2 flutes, 2 clarinets, violoncello, and piano; 2nd for oboe and violin solo with 2 trumpets, horn, trombone, crotales, vibraphone, and percussion. Vita. With sound recording (1 sound disc : digital ; 4 3/4 in.) containing thesis works.

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Books on the topic "Flute with instrumental ensemble"

1

Mamlok, Ursula. Stray birds: Soprano, flute (piccolo, alto flute) and violoncello. C.F. Peters, 1990.

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Crumb, George. Federico's little songs for children: [for] soprano, flute (piccolo, alto flute, bass flute) and harp. C.F. Peters, 1987.

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Schickele, Peter. The Boston wonder: Suite for narrator, flute, and piano. Elkan-Vogel, 1990.

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Coghlan, Michael. The properest day: S.A.T.B., flute and piano ; It was a lover and his lass : T.B., flute and piano ; Under the leaves so green : S.A.T.B. and piano ; Orpheus with his lute : S.A. unison choir or solo voice, flute and piano ; Spring round : S.A.T.B., flute and piano. G.V. Thompson Music, 1996.

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Chaminade, Cécile. Portrait: Valse chantée : soprano voice, flute & piano. Classical Vocal Reprints, 1998.

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Warshauer, Meira. A time to blossom: Flute, cello, soprano, piano. Hildegard Pub. Co., 1995.

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Hindemith, Paul. Die junge Magd: For alto voice, flute, clarinet, and string quartet, op. 23, no. 2. Masters Music Publications, 1998.

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Swift, Richard. Second concerto for piano and chamber ensemble (1980). J.B. Elkus & Son], 1994.

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9

Cage, John. Fourteen: For piano solo with flute/piccolo, bass flute, clarinet, bass clarinet, horn, trumpet, two percussion, two violins, viola, 'cello, and contrabass. Henmar Press, 1990.

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Bauer, Ross. Ritual fragments: Soprano, flute (piccolo, alto), clarinet (bass clarinet), violin, violoncello, percussion, and piano. C.F. Peters, 1996.

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Book chapters on the topic "Flute with instrumental ensemble"

1

Colwell, Richard J., and Michael P. Hewitt. "Flute." In The Teaching of Instrumental Music, 6th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003406891-19.

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Flute." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-16.

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Colwell, Richard J., and Michael P. Hewitt. "Jazz Ensemble." In The Teaching of Instrumental Music, 6th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003406891-15.

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Feldman, Evan, and Ari Contzius. "Large Ensemble Set-Up." In Instrumental Music Education. Routledge, 2020. http://dx.doi.org/10.4324/9780429028700-14.

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Feldman, Evan, and Ari Contzius. "Large Ensemble Set-Up." In Instrumental Music Education, 4th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003366157-16.

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Jazz Ensemble." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-13.

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McCallum, Wendy, and Carolyn Gwyer. "Choral and Instrumental Music Ensemble Participation." In Encyclopedia of Quality of Life and Well-Being Research. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_1896.

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McCallum, Wendy, and Carolyn Gwyer. "Choral and Instrumental Music Ensemble Participation." In Encyclopedia of Quality of Life and Well-Being Research. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17299-1_1896.

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Giray, Selim, and Michael Hanawalt. "Ensemble Setup and Common Terminology." In Fundamentals of Instrumental and Choral Conducting. Routledge, 2025. https://doi.org/10.4324/9781003290377-7.

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Oludare, Olupemi E. "Yoruba Traditional Instrumental Ensemble and Indigenous Knowledge Systems." In Pathways to Alternative Epistemologies in Africa. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-60652-7_12.

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Conference papers on the topic "Flute with instrumental ensemble"

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González, Yubiry, and Ronaldo Prati. "Characterization of the sonority associated to woodwinds instruments through spectral analysis." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10452.

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The sonority is one of the definitions widely used by musicians when trying to define the color or timbral balances associated with individual or groups of instruments , such as for ensembles or orchestras. This definition obeys to subjective musical parameters associated with "color balance", "sound amplitude", among others. In the field of musical acoustics, it is well known that the sounds coming from musical instruments depend on several acoustic physical parameters such as Intensity, Frequency, and the number of harmonics, as well as other aspects including, association with its manufactu

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Samoylova, Nailya. "Instrumental Ensemble in Russian Music - Timbre Innovations." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.27.

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Heavner, Tracy. "JAZZ PEDAGOGY: INCORPORATING AUTHENTIC JAZZ ARTICULATIONS INTO SOLO AND JAZZ ENSEMBLE PERFORMANCE / FLUTE PERFORMANCE." In 36th International Academic Conference, London. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.036.016.

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Stochanska, M. P. "INSTRUMENTAL ACCOMPANIMENT AS A PARITY CONSTITUENT IN BANDURISTS’ ENSEMBLE CREATIVE WORK." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-121.

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Shahid, Abdul, Danny Diamond, James McDermott, and Mathieu D'Aquin. "Ensemble Machine Learning Models for Root Note Detection in Irish Instrumental Dance Music." In 2023 31st Irish Conference on Artificial Intelligence and Cognitive Science (AICS). IEEE, 2023. http://dx.doi.org/10.1109/aics60730.2023.10470685.

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Isaienko, H. P. "Peculiarities of ensemble-instrumental training of the future music teacher in institutions of higher education." In INTERACTION OF THE EXPERIENCE OF POST-YUGOSLAV AND UKRAINIAN AREAS: CULTURAL, LINGUISTIC, LITERARY, ARTISTIC, HISTORICAL, AND JOURNALISTIC ASPECTS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-393-4-24.

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Sabharwal, Sanket Rajeev, Arianna Musso, Matthew Breaden, Eva Riccomagno, Antonio Camurri, and Peter E. Keller. "Analyzing directionality of influence among ensemble musicians using Granger Causality." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.10.

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In small musical groups, performers can seem to coordinate their movements almost effortlessly in remarkable exhibits of joint action and entrainment. To achieve a common musical goal, co-performers interact and communicate using non-verbal means such as upper-body movements, and particularly head motion. Studying these phenomena in naturalistic contexts can be challenging since most techniques make use of motion capture technologies that can be intrusive and costly. To investigate an alternative method, we analyze video recordings of a professional instrumental ensemble by extracting trajecto

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Hanganu, Dumitru, and Svetlana Badrajan. "Aspects of the treatment of the technical-expressive and interpretative means of the trumpet in the Concert Study by Alexandr Sochireanschii and Oleandra by Vladimir Slivinskii." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.05.

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The instrumental chamber music works by composers from the Republic of Moldova are rich and diverse, both in terms of the musical genres addressed and the instruments required, either for the ensemble or solo parts. The trumpet, an instrument with wide technicalinterpretative and expressive possibilities, offers composers an ample opportunity for harnessing its potential. The two works, which we will analyze from an interpretive point of view – “The Concert Study” for trumpet and piano (in B) by Alexandr Sokireanski (1977) and “Oleandra” for trumpet and piano (in B) by Vladimir Slivinski (1979

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Vyshpinska, Yaryna. "Formation of Creative Personality of Students Majoring in «Preschool Education» in the Process of Studying the Methods of Musical Education." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/38.

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The body of the article goes on to discuss the creative models of a student’s personality’s development in the process of mastering the course «Theory and methods of musical education of the preschool children». In general, the teacher's profession accumulates a big number of opportunities for the creative improvement of a would-be teacher's personality. All types of activities used while working with children in the process of mastering the artistic competencies (like fine arts, modeling, designing, appliqué work or musical activities) require not only technical skills, but also sufficient cr

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Soffientini, S., P. Panfili, A. Ferrari, et al. "Optimize Computational Throughput of Reservoir Simulation Workflows in a GPU Based High Performance Computing Environment." In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-24004-ms.

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Abstract Decision making workflows in the energy industry require the capability to simulate hundreds if not thousands of models in a practical timeframe. In this paper we show how these capabilities can be achieved by exploiting top-class high performance computing resources available on premise. A GPU reservoir simulator can maximize the efficiency and effectiveness of computational kernels for solving partial differential equations and phase equilibria on modern devices, hosting thousands of floating-point units with an unprecedented memory bandwidth. It incorporates functionalities to mode

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