Log in

Relevant bibliographies by topics / Flute with instrumental ensemble / Journal articles

To see the other types of publications on this topic, follow the link: Flute with instrumental ensemble.

Journal articles on the topic 'Flute with instrumental ensemble'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Flute with instrumental ensemble.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Golovashych, E., and I. Tsebriy. "HISTORICAL DEVELOPMENT OF THE ENSEMBLE PLAYING OF THE FLUTE GROUP IN A SYMPHONY ORCHESTRA." Philosophical Horizons, no. 46 (January 16, 2023): 29–39. http://dx.doi.org/10.33989/2075-1443.2023.46.271522.

Full text

Abstract:

The historical features of the playing of the flute group in the symphony orchestra, the ability of soloists-instrumentalists to be performers of a single group and a single whole among the large composition of members of the symphony orchestra are analyzed. The authors substantiate the expediency of the development of instrumental musicians first of all as orchestra players, and then as solo performers. The aim and the tasks: to analyze the historical development of the ensemble playing of the flute group as part of the symphony orchestra. The tasks of the research are the analysis of publica

APA, Harvard, Vancouver, ISO, and other styles

2

STELMASHCHUK, ZINOVIY. "FEATURES OF STUDYING THE EDUCATIONAL DISCIPLINE “INSTRUMENTAL SCIENCE AND METHODOLOGY OF WORKING WITH A CHILDREN’S MUSIC GROUP”: EXPERIENCE AT AN INSTITUTION OF HIGHER EDUCATION." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy 1, no. 2 (2023): 135–44. http://dx.doi.org/10.25128/2415-3605.22.2.17.

Full text

Abstract:

Attention is focused on the importance of improving the quality of music teacher training by achieving the necessary competencies related to music-making technologies on Ukrainian folk instruments in the process of conducting music lessons in secondary schools, managing children's instrumental ensembles in out-of-school education institutions. Work experience while teaching the course «Instrumental science and methods of working with a children's music group» at TNPU is highlighted. The basic conditions that affect the development and process of formation of professional skills and skills of p

APA, Harvard, Vancouver, ISO, and other styles

3

Novosadova, Anna, Nataliia Mozgalova, and Yaroslav Novosadov. "THE FIGURE OF G.P. TELEMAN AS ONE OF THE FOUNDERS OF THE FLUTE REPERTOIRE OF THE BAROQUE ERA." Baltic Journal of Legal and Social Sciences, no. 4 (January 17, 2024): 36–41. http://dx.doi.org/10.30525/2592-8813-2023-4-5.

Full text

Abstract:

The purpose of our article is to determine the role of flute music in the work of one of the most famous composers of the baroque – G. P. Teleman. The methodology of the research consists in the use of a historical approach – when defining the genres of flute music, analysis – the definition of typological features, a comparative method that allows comparing researchers' opinions on the genre features of Teleman's work. The development of instrumental music was closely related to the development of flute performance. Therefore, it is not surprising that composers pay attention to this instrume

APA, Harvard, Vancouver, ISO, and other styles

4

Voon, Chai Yem. "Some Observations on Flute Playing in Malaysia." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (December 4, 2020): 60–80. http://dx.doi.org/10.30819/aemr.6-5.

Full text

Abstract:

Surviving in an environment that seems to be not encouraging music performances for entertainment or for mental contemplation, Malaysian musicians have to strive very hard in order to earn a living. The situation gets worse when it comes to a particular group of musicians who have no choice but share the similar job opportunities. Apparently, the market is not offering enough opportunities for flautists compared to pianists and string instrument players. This eventually leads to a very competitive situation in both the performing and teaching scene. The time frame of this observation reaches b

APA, Harvard, Vancouver, ISO, and other styles

5

Anderson, Julian. "HARMONIC PRACTICES IN OLIVER KNUSSEN'S MUSIC SINCE 1988: PART II." Tempo 57, no. 223 (2003): 16–41. http://dx.doi.org/10.1017/s0040298203000020.

Full text

Abstract:

Songs without Voices, composed in 1991–2, is a set of four pieces for small instrumental ensemble comprising flute, cor anglais, clarinet, horn, piano, violin, viola and cello, lasting about eleven minutes. It follows on naturally from Knussen's Whitman Settings which preceded it, as three of its four movements derive their main melodic lines from purely instrumental settings of Whitman texts from the collection Leaves of Grass. Indeed the first movement's source text, Soon shall the winter's foil be here, is placed by Whitman in the collection immediately after The Voice of the Rain, the fina

APA, Harvard, Vancouver, ISO, and other styles

6

Jankovic-Begus, Jelena. "Chanting of the inner space: on symphonic and concertante works by Milorad Marinkovic." Muzikologija, no. 19 (2015): 83–117. http://dx.doi.org/10.2298/muz1519083j.

Full text

Abstract:

The opus of contemporary Serbian composer Milorad Marinkovic (b. 1976), which encompasses works of choral, chamber, concertante and symphony music, leans towards classical forms of artistic music, Serbian folklore music, and Serbian Orthodox church chant. This paper deals with pieces composed for larger instrumental ensembles: Herojska uvertira (Heroic Overture) for symphony orchestra, Psalmodija (Psalmody) for symphony orchestra, Koncert za klavir i orkestar (Piano concerto) and Mala opera (Little Opera) for chamber ensemble (septet) with prominent soloist parts of flute and clarinet. Special

APA, Harvard, Vancouver, ISO, and other styles

7

Konoval, K. K. "The flute art in Kharkiv: the performing and pedagogical traditions." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 190–201. http://dx.doi.org/10.34064/khnum1-54.12.

Full text

Abstract:

Logical reason for research. The flute art has its own history of development, which is marked by different traditions – the performing, composing, and pedagogical. The mentioned traditions outline the ways of the development of the flute art of the present and the future; they have a certain originality of geographical and cultural orientation. Today, the flute art is the subject of the audience demand, the performing and composing creativity, and has a solid repertoire in various styles and genres of both translations and original compositions in many instrumental compounds, ranging from sol

APA, Harvard, Vancouver, ISO, and other styles

8

Hadžajlić, Hanan. "Composition-Interpretation-Improvisation Processes in XO pt. II by Dino Rešidbegović: Comparative Analysis of two Interpretations." INSAM Journal of Contemporary Music, Art and Technology, no. 1 (December 15, 2018): 56–71. http://dx.doi.org/10.51191/issn.2637-1898.2018.1.1.56.

Full text

Abstract:

The composition XO pt. II for flute with processors, amplified cello, amplified piano and analog sound synthesizers, by Dino Rešidbegović, was published in 2016 as an electroacoustic adaptation of its previous version, XO for undetermined instrumentation. The phenomenon of the notation of both versions, presented through the graphic score, comes from the very idea of/about the composition. The score is divided into nine squares which form a network with incorporated abstract shapes of different colors. In the middle of the score is a chart of a spectral analysis of the composition The Impact o

APA, Harvard, Vancouver, ISO, and other styles

9

SZALAY, Zoltan. "Istvan Pavai: Hungarian Folk Dance Music of Transylvania – Review." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (2022): 193–208. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.19.

Full text

Abstract:

Among the territories of the Carpathian Basin inhabited by Hungarians, Transylvania proved to be the most suitable field for the interethnic research of the music related to choreographic folklore. Most professional musicians in the rural areas, who receive regular or intermittent payment in money or other forms of remuneration, are of Romani ethnicity. The existence of musical instruments in the accompaniment of dances is richly documented since the 15th and 16th centuries. Hungarian ethnochoreology defines three types of musical accompaniments for the dances: rhythmic accompaniment (without

APA, Harvard, Vancouver, ISO, and other styles

10

Shaymukhametova, Liudmila N. "Transcriptions of Musical Texts in Work with Beginning Pianists." Problemy muzykal'noi nauki / Music Scholarship, no. 1 (2024): 126–35. http://dx.doi.org/10.56620/2782-3598.2024.1.126-135.

Full text

Abstract:

The article examines artistic tutorial assignments for transforming the primary authorial musical text in the conditions of ensemble music-making in a piano class. Their goal is the mastery of certain skills of free music-making in the context of the dialogic structures and intonational lexis of baroque music. Examination is made of such universal techniques of artistic transformation as registering and doubling, which were widely used in the 17th and 18th centuries upon the re-exposition of the clavier musical text into various instrumental ensemble textures. The technique of application pres

APA, Harvard, Vancouver, ISO, and other styles

11

Nasibulina, Alisa V. "THE MUSICAL STYLE OF COMPOSER YURI KASPAROV." Arts education and science 2, no. 39 (2024): 137–46. http://dx.doi.org/10.36871/hon.202402137.

Full text

Abstract:

This article is devoted to the musical style of Yuri Kasparov (b. 1955), Russian composer and music teacher, Professor at the Moscow State Tchaikovsky Conservatory, who writes primarily chamber music. Many of his compositions are scored for a chamber orchestra comprising flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, piano, percussion, two violins, viola, cello and double bass (an instrumentation derived from A. Schoenberg’s Chamber Symphony No. 1). His works include over 80 chamber compositions of different genres written for one to 17 instruments. He tends to use non-standard

APA, Harvard, Vancouver, ISO, and other styles

12

PAVLIV, Yarema. "СREATIVE PORTRAIT OF PROMINANT VIOLINIST (IN MEMORY OF SERHIY OREL)". Bulletin of the Lviv University. Series of Arts Studies 280, № 20 (2019): 133–46. http://dx.doi.org/10.30970/vas.20.2019.10646p.

Full text

Abstract:

Serhiy Orel (1952–2017) – an outstanding violinist, original composer, Carpathian folklore interpreter, teacher, organizer of musical work, born in Kolomyia in the family of a choral singing teacher and multi-instrumentalist Stepan Orel. He studied at the Lysenko Musical Institute Branch since the age of six years in Matviy Ruzichner’s violin class. He proved himself as a gifted improviser, while gaining universal academic violin education. In his student days at D. Sichynsky College in Ivano-Frankivsk he began composing music and orchestrating his favourite classical works. He deeply immersed

APA, Harvard, Vancouver, ISO, and other styles

13

Шемет, Л. В. "СУЧАСНИЙ СТАН І ТЕНДЕНЦІЇ РОЗВИТКУ ДИТЯЧОГО НАРОДНО-ОРКЕСТРОВОГО ВИКОНАВСТВА В УКРАЇНІ". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 144–49. https://doi.org/10.5281/zenodo.1807131.

Full text

Abstract:

The significant creative achievements of children’s orchestral performance in the field of domestic folk instrumental art have been a typical feature of recent decades. In this regard, the study of the peculiarities of the children’s folk orchestral performance evolution is of interest in the present. Objectives. The objectives of this study are to provide a theoretical substantiation of the current state and trends of children’s orchestral performance in the folk instrumental art of Ukraine. Methods. The methodological basis of the study comprises the interaction of scientif

APA, Harvard, Vancouver, ISO, and other styles

14

Жуланова, Надежда Ильинична. "Multi-Barrel Flutes in Russian Villages of the North-Western Kama Region. From Unpublished Expedition Materials." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (September 25, 2022): 11–27. http://dx.doi.org/10.26158/tk.2022.23.3.001.

Full text

Abstract:

В статье впервые публикуются ранее неизвестные сведения о бытовании травяных многоствольных флейт в одной из микролокальных групп русских Гайнского района Пермского края. На основании собственных полевых материалов. Рассматриваются материал, способы изготовления реликтового инструмента, особенности его конструкции и строя, анализируется репертуар и устройство наигрышей, взаимодействие партий в ансамбле, формы функционирования, затрагиваются вопросы восприятия народными музыкантами своей инструментальной традиции. Особое внимание уделено автохтонной терминологии (названия инструмента и его част

APA, Harvard, Vancouver, ISO, and other styles

15

Daniliuk, Ya V. "The development of the art of the domra playing in Ukraine in the context of the revival of folk musical-instrumental culture at the turn of the XX–XXI centuries." Aspects of Historical Musicology 18, no. 18 (2019): 120–40. http://dx.doi.org/10.34064/khnum2-18.07.

Full text

Abstract:

Formulation of the problem. The article contains the analysis of the problem of the domra performing development under conditions of strengthening the culture-creating role of folk instrumental art in the late XX – early XXI centuries. The analysis of historical and pedagogical sources ensured the authenticity of the author’s determining the prerequisites for the development of the domra art in the time studied. Among them there are: the deep historical folk and academic traditions of the domra playing, popularity of the amateur and professional domra performing and composer creativity, develo

APA, Harvard, Vancouver, ISO, and other styles

16

Xia, Kun. "A Brief Analysis of Chinese Bamboo Flute Ensemble Art." SHS Web of Conferences 162 (2023): 01013. http://dx.doi.org/10.1051/shsconf/202316201013.

Full text

Abstract:

Bamboo flute is a traditional Chinese instrument. In the long history of China, the performance of bamboo flute has been used to express and transmit emotions, enriching the spiritual world of the Chinese people. Nowadays, with the continuous progress of spiritual civilization construction and the unprecedented enhancement of Chinese national cultural confidence, the development trend of the bamboo flute art has been more clear. This paper makes an in-depth analysis of the development history and characteristics of bamboo flute ensemble and the significance of its practice, and shares the auth

APA, Harvard, Vancouver, ISO, and other styles

17

Hromchenko, Valerii. "Vocal instrumentality as the ethno-cultural feature of V. Martyniuk's composer style (the case of compositions for wind instruments)." Culturology Ideas, no. 20 (2'2021) (2021): 99–106. http://dx.doi.org/10.37627/2311-9489-20-2021-2.99-106.

Full text

Abstract:

The article discloses the instrumental language nature of Dnipro composer Valentina Martyniuk from the perspective of the ethno-cultural features for master's author style. The investigation is being carried out on the basis of compositions for wind instruments, namely "Interview on a given topic" for clarinet solo, Vocalize for flute and piano, as well as Melody for horn (or flute) and piano. The investigation has established the defining foundation of the vocal of the composer's instrumental language to be the phenomenon of folk singing style of artistic instrumental creations. This phenomen

APA, Harvard, Vancouver, ISO, and other styles

18

Meixin, Li. "EVOLUTION OF THE FLUTE REPERTOIRE IN THE WORKS OF GERMAN COMPOSERS IN THE FIRST HALF OF THE XVIIITH CENTURY." Arts education and science 1, no. 34 (2023): 14–21. http://dx.doi.org/10.36871/hon.202301014.

Full text

Abstract:

Until the late XVIIth century, the valveless transverse flute dominated the ensemble works of Western European composers. However, with the rise of new Baroque aesthetics and consequent requirements for the sound of instruments, its role faded away in less than half a century. In this regard, the flute began to evolve rapidly (both constructively and in performing manner) and by the middle of the XVIIIth century it reached extraordinary heights, occupying one of the leading places not only in ensemble practice, but also in solo repertoire. First of all, this became possible due to the gradual

APA, Harvard, Vancouver, ISO, and other styles

19

Gontovaya, Larisa, and Svetlana Kolimbet. "Minimalism and monotimbre flute ensemble in the creativeness of G. Beeftink (on the example of the composition „Birds”)." Музикознавча думка Дніпропетровщини, no. 19 (December 30, 2020): 114–24. http://dx.doi.org/10.33287/222039.

Full text

Abstract:

The purpose of the study includes coverage of the interdependence of the technique of minimalism and the timbre of the ensemble on the example of the work of Herman Beftink, a namely the composition „Birds” for flute, flute-piccolo and alto-flute. In accordance with the purpose, the task of the study is to consider the formation of minimalism in music and its features of development, the role of software and the function of timbres in relation to the tasks in minimalism. A study of the work of modern American composer G. Beftink and the role of the flute and flute ensembles in his art. Researc

APA, Harvard, Vancouver, ISO, and other styles

20

de la Cuadra, Patricio, Augustin Ernoult, Cassandre Balosso-Bardin, and Benoit FABRE. "Playability in flute-like instruments: Investigating the relation between flute making and instrumental control." Journal of the Acoustical Society of America 141, no. 5 (2017): 3874. http://dx.doi.org/10.1121/1.4988664.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Liu, Hongming. "Theoretical Analysis and Practical Exploration of Enhancing Flute Section Ensemble Performance through Positive Interdependence Theory." Arts Studies and Criticism 5, no. 4 (2024): 177. http://dx.doi.org/10.32629/asc.v5i4.2668.

Full text

Abstract:

This paper focuses on the application of Positive Interdependence Theory in flute section ensembles, analyzing its comprehensive effects on the artistic expressiveness, teamwork, and personal growth within the ensemble. The integration of Positive Interdependence Theory with flute section ensembles can strengthen the group’s goal orientation, establish balanced coordination, and promote the achievement of mutual goals. This significantly enhances the team’s understanding of music, increases team cohesion and creativity, and effectively expands individual skills while shaping the team’s cultura

APA, Harvard, Vancouver, ISO, and other styles

22

Terada, Yoshitaka M., Gayathri Rajapur Kassebaum, Vadya Lahari, and Bob Haddad. "South Indian Instrumental Ensemble." Ethnomusicology 38, no. 3 (1994): 559. http://dx.doi.org/10.2307/852132.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Horváth, Katalin. "Teaching Creative Musical Skills: Different Ways of Development in Instrumental Music Education." Képzés és gyakorlat 20, no. 1-2 (2022): 80–97. http://dx.doi.org/10.17165/tp.2022.1-2.8.

Full text

Abstract:

Empirical research provides an opportunity to examine the methods that flute teachers use in music lessons. A questionnaire survey is used to investigate these methods. Research questions are the following: how widespread the use of music creation exercises and games is and how much flute teachers use these exercises in their teaching practice. The research was conducted using the online questionnaire builder Survio and the multivariate scaling method by SPSS to evaluate the results. We expected a low score for creative music creation because of the lack of time and of methodological knowledge

APA, Harvard, Vancouver, ISO, and other styles

24

Newton, Amanda, and Gordon P. Ramsey. "A comparative study of flutes II." Journal of the Acoustical Society of America 156, no. 4_Supplement (2024): A69. https://doi.org/10.1121/10.0035144.

Full text

Abstract:

This is part two of the previous presentation on flute acoustics. This talk will expand on the individual observations of each of the six flutes to include a cross-instrument comparison. Factors used in the comparison include instrument range, material, geometry, and instrument types. Findings conclude that material had the predicted effect on tone and geometry was more significant than predicted. Additional findings and confirmation of these from the NW anechoic chamber will be discussed, as well. These comparative findings are significant as they provide insight into the physics of the sound

APA, Harvard, Vancouver, ISO, and other styles

25

Riikonen, Taina. "Shaken or stirred – virtual reverberation spaces and transformative gender identities in Kaija Saariaho's NoaNoa (1992) for flute and electronics." Organised Sound 8, no. 1 (2003): 109–15. http://dx.doi.org/10.1017/s1355771803001122.

Full text

Abstract:

Kaija Saariaho's NoaNoa for flute and electronics consists of two materials: the live flute part and the electronic component, which can be further divided into real-time and pre-recorded material. The sound mixtures of live instrument, pre-recorded material, and real-time electronics create diverse instrumental positions, which also have effects on the musician's experiences of self and gender. This article examines the live flautist's embodied identity during the real-time reverberation and the pre-recorded part. Different performances of NoaNoa by different performers introduce diverse embo

APA, Harvard, Vancouver, ISO, and other styles

26

Palubinskienė, Vida. "Some Aspects of Schoolchild’s and Students’ Ethnic Identity Development Though Ethnic Instrumental Music." Pedagogika 117, no. 1 (2015): 98–109. http://dx.doi.org/10.15823/p.2015.070.

Full text

Abstract:

One of the basic objectives of contemporary pedagogy is developing youth’s national musical culture. In the course of history, when the idea of Lithuanian independence used to become realistic and tangible, special attention was paid to identity issues. The efforts to sustain and to thoroughly foster our traditions, customs, language and ethnical music had the greatest impact on the development of Lithuanian people’s national awareness. The essential categories characterizing the Lithuanian national identity have been and remained self-awareness, language, customs, folk art, and ethnical instr

APA, Harvard, Vancouver, ISO, and other styles

27

Isaienko, Hanna. "PEDAGOGICAL DIAGNOSTICS OF THE STATE OF FORMATION OF AUDITORY SELF-CONTROL SKILLS OF THE FUTURE ART SCHOOL TEACHER IN INSTRUMENTAL ENSEMBLE CLASSES." Musical art in the educological discourse, no. 9 (2024): 91–98. https://doi.org/10.28925/2518-766x.2024.913.

Full text

Abstract:

The article presents the results of diagnostics of the state of formation of auditory self-control skills of a future art school teacher in instrumental ensemble classes. The criteria (need-reflexive, cognitive-knowledge, perceptual, praxeological) used to monitor the level of formation of the phenomenon under study, indicators specifying these criteria, as well as diagnostic methods were considered. During the diagnosis of the need-reflexive criterion, the following indicators were monitored: the level of positive motivation for the formation of auditory self-control skills of the future art

APA, Harvard, Vancouver, ISO, and other styles

28

Youjie, Wang. "The ways of renewing the genre role of the flute in Jin Ta’s creativity (on the example of Sonata Op. 3 No. 1)." Aspects of Historical Musicology 35, no. 35 (2024): 272–91. http://dx.doi.org/10.34064/khnum2-35.14.

Full text

Abstract:

Statement of the problem. The ways of transformation of the flute creativity of Chinese composers in the 20th –21st centuries are analysed, in particular those of Jin Ta, a flutist and pedagogue, one of the most notable personalities of the musical art of modern China. Not being a professional composer, on today he created at least two opuses in the sonata genre, which marked a new stage in developing the flute art in China. Objectives, methods, and novelty of the research. The purpose of the study is to identify the genre-style paradigm of Jin Ta’s creativity in the context of global transfor

APA, Harvard, Vancouver, ISO, and other styles

29

Winslow, Michael, and Hayley Winslow. "Using the Native American Flute in a Beginning Instrumental Classroom." Music Educators Journal 92, no. 3 (2006): 46–49. http://dx.doi.org/10.2307/3401140.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Сапаралиев, Т. С. "The first instrumental treatises and manuals on the performance of the context of the history of the formation of a transverse flute." Review of pedagogical research 6, no. 5 (2024): 265–73. http://dx.doi.org/10.58224/2687-0428-2024-6-5-265-273.

Full text

Abstract:

на протяжении XVI-XVII веках была создана фундаментальная теоретическая база – больше двухсот трактатов, в которых описаны многочисленные исполнительские, методические и педагогические аспекты флейтового искусства. Корпус трактатов содержит максимально всестороннюю и полную информацию и является сегодня историко-теоретическим фундаментом комплексного подхода к изучению западноевропейского флейтового искусства. В статье исследуется комплекс особенностей западноевропейского флейтового исполнительского искусства XVI-XVII веках как целостного явления и систематизируются представленные в трактатах

APA, Harvard, Vancouver, ISO, and other styles

31

Moon, HyunKyung. "Structuralization and Design of Instrumental Ensemble Classes Using Shared Piano Applying LT Cooperative Learning." Korean Society of Music Education Technology 61 (October 31, 2024): 275–94. http://dx.doi.org/10.30832/jmes.2024.61.275.

Full text

Abstract:

This study structured instrumental ensemble classes based on LT (Learning Together) cooperative learning to improve collaboration skills in music subjects, and designed music classes using Google Chrome Music Lab's Shared Piano. This lesson design using Shared Piano was structured to emphasize the advantages of cooperation and to maximize the learning effects through instrumental ensemble class, one of the collaborative activities of the music subject by applying cooperative learning model. The design of these classes aims to highlight the advantages of cooperation through instrumental ensembl

APA, Harvard, Vancouver, ISO, and other styles

32

Isaienko, Hanna. "Criteria and indicators of levels of formation of auditory self-control skills of the future art school teacher in instrumental ensemble classes." Social pedagogy: theory and practice, no. 2 (2024): 113–18. http://dx.doi.org/10.12958/1817-3764-2024-2-113-118.

Full text

Abstract:

The article analyzes scientific approaches for the development of criteria and indicators of the levels of formation of auditory self-control skills of a future art school teacher in instrumental ensemble classes. The most relevant works of modern scientists, who consider the issue of various types of self-control in the professional training of a teacher of musical disciplines, which are covered in domestic and foreign scientific works, are highlighted. The purpose of the article is formed, which involves the definition of criteria, indicators of the levels of formation of auditory self-contr

APA, Harvard, Vancouver, ISO, and other styles

33

Golovashych, E., V. Skakun, and Y. Kyrychenko. "«ORCHESTRA CLASS» IN THE EDUCATIONAL COMPONENTS SYSTEM OF THE PROFESSIONAL TRAINING OF SECOND-LEVEL HIGHER EDUCATION APPLICANTS MAJORING IN «MUSIC ART»." Aesthetics and Ethics of Pedagogical Action, no. 26 (December 25, 2022): 173–83. http://dx.doi.org/10.33989/2226-4051.2022.26.273175.

Full text

Abstract:

The article deals with the peculiarities of ensemble playing in groups of orchestral instruments as part of an orchestra. The authors of the article show that there are a number of specialized educational institutions in Europe, where performers are divided into orchestral instrumentalists, chamber performers, and soloists. According to these rather specific specializations, there is a considerable list of highly specialized occupations, because not every orchestra player will be able to become a teacher or a performing soloist. Future artists of the orchestra in separate groups of instruments

APA, Harvard, Vancouver, ISO, and other styles

34

KNIAZIEV, Vladyslav. "DEVELOPMENT OF INSTRUMENTAL ENSEMBLE PERFORMANCE SKILLS." Fine Art and Culture Studies, no. 1 (2022): 83–90. http://dx.doi.org/10.32782/facs-2022-1-12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Boespflug, George. "Popular Music and the Instrumental Ensemble." Music Educators Journal 85, no. 6 (1999): 33–37. http://dx.doi.org/10.2307/3399519.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Laksmidewi, Anak Agung Ayu Putri, Ni Putu Ayu Putri Mahadewi, I. Made Oka Adnyana, and I. Putu Eka Widyadharma. "Instrumental Balinese Flute Music Therapy Improves Cognitive Function and Serum Dopamine Level in the Elderly Population of West Denpasar Primary Health Care Center." Open Access Macedonian Journal of Medical Sciences 7, no. 4 (2019): 553–58. http://dx.doi.org/10.3889/oamjms.2019.116.

Full text

Abstract:

BACKGROUND: Musical artwork using Balinese flutes made from bamboo (timing buluh) by Agus Teja Sentosa, S.Sn is a combination of music played with flute as the main instrument which contains certain components resembling music therapy such as in western classical music by Antonio Lucio Vivaldi. AIM: This study aims to determine the improvement of cognitive function and increase in serum dopamine in the elderly after listening to music with Balinese flute as the main instrument. METHOD: The current study allocated 18 subjects in the control group listened to western classical music

APA, Harvard, Vancouver, ISO, and other styles

37

Stashevska, I., and Y. Danilchenko. "R. Dick’s Improvisation “Sliding Life Blues” for Solo Flute (transcriptioned by M. Keeling): Analysis of the Implementation of Modern Performance Techniques." Culture of Ukraine, no. 88 (March 20, 2025): 96–103. https://doi.org/10.31516/2410-5325.088.10.

Full text

Abstract:

The relevance of the topic and statement of the problem. The modern flute, which during its long evolution has undergone considerable changes in its own design, today has a huge sound and timbre expressive potential, which is largely capable of satisfying the broad artistic requirements of composers and performers. This potential lies, on the one hand, in the constructive and organological properties of the flute as a modern academic musical instrument. On the other hand, in the very system of instrumental and performing means of flute art, which today is constantly expanding and consists of a

APA, Harvard, Vancouver, ISO, and other styles

38

Yakovenko, Margarita. "The Genre of Poems in the Flute Repertory(on The Example of the Works by Ch. Griffiths and J. Kolodub)." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(56-57) (December 26, 2022): 183–96. http://dx.doi.org/10.31318/2414-052x.3-4(56-57).2022.278242.

Full text

Abstract:

The essence of the concept "poem" is analyzed in the context of the origins of this genre. The characteristic features of the studied genre are clarified not only from the literary standpoint, but also from the standpoint of the musical-instrumental genre. The relevance of the study of the "poem" genre is highlighted as a type of flute musical work. Its uniqueness and significance in the flute repertoire among diverse flute works is confirmed. Two works of the same genre by American and Ukrainian composers, who are representatives of different composer schools and traditions, but whose works s

APA, Harvard, Vancouver, ISO, and other styles

39

Budi, Noor Sulistya. "PEK BUNG, A TRADITIONAL MUSIC ENSEMBLE IN PANDAK, BANTUL." Jantra. 14, no. 2 (2019): 193–202. http://dx.doi.org/10.52829/jantra.v14i2.97.

Full text

Abstract:

Pek Bung is a traditional music ensemble in Pandak District under Bantul Regency. Pek is the sound of bamboo produced by hitting it with a beater and bung a membranophone, a one-sided membrane drum made of klenthing (a pottery water jar) whose mouth is covered by a membrane made of a piece of inner tube. The sound bung is produced by striking the drum head. Pek Bung is also a multi-timbre ensemble consisting of both traditional and modern instruments, such as klenthing drum, bass bamboo (wind instrument), kenthongan (bamboo chime), maracas, wood guiro shaker, triangle, keyboard, gambang (bambo

APA, Harvard, Vancouver, ISO, and other styles

40

Rickards, Guy. "MARGARET BROUWER, CHEN YI, SADIE HARRISON, MISATO MOCHIZUKI, ONUTE NARBUTAITE, APPARENZE." Tempo 58, no. 229 (2004): 60–66. http://dx.doi.org/10.1017/s0040298204360225.

Full text

Abstract:

MARGARET BROUWER: Lament for violin, clarinet, bassoon and percussion12,4,6,10; Light for soprano, harpsichord, flute, clarinet, violin, cello and percussion1,7,2,5,13,14,11; Under the Summertree for piano8; Skyriding for flute, violin, cello & piano3,13,14,9; Demeter Prelude for string quartet15. 1Sandra Simon (sop), 2Sean Gabriel (fl), 3Alice Kogan Weinreb (fl), 4Jean Kopperud (cl), 5Amitai Vardi (cl), 6Donald McGeen (bsn), 7Jeanette Sorrell (hpschd), 8Kathryn Brown (pno), 9Mitsuko Morikawa (pno), 10Dominic Donato (perc), 11Scott Christian (perc), 12Laura Frautschi (vln), 13Gabriel Bolko

APA, Harvard, Vancouver, ISO, and other styles

41

Palacio-Quintin, Cléo. "Composition interactive : du geste instrumental au contrôle de l’électronique dans Synesthesia 4 : Chlorophylle." Circuit 22, no. 1 (2012): 25–40. http://dx.doi.org/10.7202/1008966ar.

Full text

Abstract:

Depuis les premières compositions de musique mixte dans les années 1950, la synchronisation des parties instrumentales et électroacoustiques des oeuvres fait partie des préoccupations des compositeurs et interprètes. L’utilisation de systèmes interactifs informatisés permet maintenant de relier intimement ces deux univers musicaux. L’auteure démontre ici comment l’utilisation d’un instrument augmente de capteurs électroniques (l’hyper-flute) permet de capter les gestes de l’instrumentiste et ainsi lui donner la possibilité d’interagir avec l’ordinateur.

APA, Harvard, Vancouver, ISO, and other styles

42

v, Radu. "Tango Margareta for flute, clarinet and piano by C. Rusnac – characteristic aspects of language, structure and interpretation." Dialogica. Revistă de studii culturale și literatură, no. 1 (May 2025): 69–72. https://doi.org/10.59295/dia.2025.1.08.

Full text

Abstract:

In this article, the author proposes to analyze the characteristic elements of language and structure of the creation Tango Margareta for flute, clarinet and piano by C. Rusnac. At the same time, the aim is also to elucidate the most important interpretative aspects in order to determine the degree of complexity but also to codify the essential musical idea. The importance of the works in music for clarinet from the Republic of Moldova: the compositional repertoire for clarinet is quite vast and diverse in terms of genre – fantasies, sonatas, trios, etc., but also instrumental composition – cl

APA, Harvard, Vancouver, ISO, and other styles

43

Poslavskyi, Anton. "The Issues of the European Chamber and Ensemble Instrumentalism Evolution." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 86–94. https://doi.org/10.31866/2410-1176.44.2021.235380.

Full text

Abstract:

The purpose of the article is to consider the European chamber and ensemble instrumentalism evolution as a particular type of musical mentality and explore the genre field of radical transformation of traditional methods of composing. Research methodology. The method of historicism was used to reveal the fundamental regularities of chamber and ensemble instrumentalism in the European composers’ works. In addition, the paper uses a general aesthetic method to consider the aesthetic and stylistic phenomenon of instrumentalism, and a musical-analytical method is to study the research object

APA, Harvard, Vancouver, ISO, and other styles

44

Bilova, Yelyzaveta. "Vibraphone in ensemble music of the 21st century (on the example of D. Lazariev’s Trio for flute, vibraphone and piano)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 73, no. 73 (2024): 71–85. https://doi.org/10.34064/khnum1-73.04.

Full text

Abstract:

Statement of the problem. The article examines the issue of ensemble performance with the participation of the vibraphone. Modern ensemble works, where the vibraphone performs in various functions, reflect the versatility and innovation of musical practice of the 21st century. At the same time, the academic branch of chamber music-making with the participation of this instrument still remains insufficiently covered in the musicological sphere. Objectives, methods, and novelty of the research. The purpose of the article is to demonstrate the functioning of the vibraphone in a modern ensemble us

APA, Harvard, Vancouver, ISO, and other styles

45

Wu, Yaowan. "The Importance of Ensemble in Instrumental Music Teaching." Learning & Education 10, no. 8 (2022): 205. http://dx.doi.org/10.18282/l-e.v10i8.3126.

Full text

Abstract:

This proposal focuses on research the importance of ensemble in instrumental music learning with the aim of using the results to stimulate more teachers and students to pay attention to the ensemble approach as a means of study. This paper will investigate the subject through interviews and reviews. In total, eight instrument teachers will be interviewed, four of whom teach instrumental music on a one-to-one basis, and four arrange instrument teaching through ensemble lessons. Initially, all teachers will be asked to complete a questionnaire. Then, they will be interviewed after they have deli

APA, Harvard, Vancouver, ISO, and other styles

46

Kysliak, Bohdan. "Ukrainian folk instrumental ensemble music-making in the historical process." Aspects of Historical Musicology 28, no. 28 (2022): 24–37. http://dx.doi.org/10.34064/khnum2-28.02.

Full text

Abstract:

Statement of the problem. The ensemble is a type of collective musicmaking that dates back to ancient times and is an integral factor in the spiritual life of any nation. For Ukrainian culture, the traditions of the folk-instrumental ensemble have always been important, because they were associated with labor and ceremonial-ritual functions in society, people’s daily life, and secular forms of musical art. The article singles out significant elements of the process of academicization and chamberization of accordion ensembles in order to determine the characteristic features of Ukrainian folk-i

APA, Harvard, Vancouver, ISO, and other styles

47

Jiang, Yiqun. "OPTIMISATION OF CHINESE FOLK INSTRUMENTAL ENSEMBLE LESSONS." Научное мнение, no. 6 (2021): 109–16. http://dx.doi.org/10.25807/22224378_2021_6_109.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Bergee, Martin J., and Melvin C. Platt. "Influence of Selected Variables on Solo and Small-Ensemble Festival Ratings." Journal of Research in Music Education 51, no. 4 (2003): 342–53. http://dx.doi.org/10.2307/3345660.

Full text

Abstract:

With this study, we examined four potential influences on American high school solo and. small-ensemble festival adjudicator ratings—time of day, performing medium (vocal or instrumental), type of event (solo or ensemble), and school size. A total of 7,355 instrumental and vocal events from two consecutive midwestern state solo and ensemble festivals were analyzed. The two festivals, held in 2001 and 2002, employed 75 adjudicators (33 vocal and 42 instrumental). Statistically significant differences were found in the main effects of time of day, type of event, and school size. The averages rat

APA, Harvard, Vancouver, ISO, and other styles

49

Turetzky, Bertram, Douglas Leedy, Erzsebet Szonyi, Jean Chastanet, and Barry Guy. "Canti: Music for Contrabass and Chamber Ensemble [Flute, Guitar, Vibraphone, Marimba, Viola] (1975)." Notes 47, no. 3 (1991): 963. http://dx.doi.org/10.2307/941944.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Plescan, Irina. "Piano trio in the composers’ creation of the Republic of Moldova: historical and theoretical aspects." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 78–83. http://dx.doi.org/10.55383/amtap.2022.2.13.

Full text

Abstract:

The chamber- instrumental ensemble is one of the oldest types of instrumental ensembles in music art, having a rich history. It is vividly represented in the composers’ creative work of different epochs, national schools and styles, ranging from European baroque to modern music. Regarding the whole variety of instrumental compositions in chamber music, the piano chamber-instrumental ensemble occupies the first place, thus, one of the most popular genres of chamber-instrumental ensemble can be considered the piano trio genre. In the present article, the evolution of Moldovan chamber instrumenta

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!