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Books on the topic 'Foc de Sant Joan'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Martí, Joan Grau i. La nit de Sant Joan. Columna, 1995.

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2

Monfort, Àlvar Monferrer i. La nit de Sant Joan. Generalitat Valenciana, Consell Valencià de Cultura, 2000.

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3

Monfort, Alvaro Monferrer. La nit de Sant Joan. Generalitat Valenciana, Consell Valencià de Cultura, 2000.

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4

Josep M. Torres i Pladellorens. Sant Joan de les Abadesses. Lunwerg, 2013.

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5

Camps, Fernando Martí. Vint caires d'un mateix Sant Joan. 2nd ed. Edicions Nura, 1992.

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6

Dalmau, Xavier Escura i. Les dames del foc: Els Càtars i el Sant Grial. Proa, 2004.

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7

Dalmau, Xavier Escura i. Les dames del foc: Els Càtars i el Sant Grial. Proa, 2004.

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8

Salvà, Macià Tomàs i. El foc de Sant Antoni a Mallorca: Medicina, història i societat. El Tall Editorial, 1996.

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9

Juan, Perucho. Picasso, el cubisme i Horta de Sant Joan. Columna, 1993.

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10

Lluch, Josep Pons. Protocols de les festes de Sant Joan de Ciutadella. Edicions Nura, 1987.

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11

Matas, Arnau Company i. La Guerra Civil a Sant Joan: Cacics i repressors. Edicions Documenta Balear, 1996.

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12

Monfort, Alvaro Monferrer. La peregrinación de Les Useres a Sant Joan de Penyagolosa. Ayuntamiento de Les Useres, Caja Rural "San Felipe Neri,", 1985.

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13

La Toponímia de la costa de Sant Joan de Labritja. Edicions Can Sifre, 1993.

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14

Diplomatari del Monestir de Sant Joan de les Abadesses (995-1273). Fundación Noguera, 2009.

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15

Sellés, Jorge Payá. La traída de las aguas potables a Sant Joan (1930-1938). Ayuntamiento de Sant Joan d'Alacant, 2003.

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16

Esteves, Albert. Sant Joan Despí: Baix Llobregat : guia del patrimoni històric i artístic. Centre d'Estudis i Divulgació del Patrimoni CEDIP, 1999.

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17

Albareda, Montserrat Duran i. Josep Ma. Jujol a Sant Joan Despí: Projectes i obra, 1913-1949. Corporació Metropolitana de Barcelona, Assessoria de Comunicació i Relacions, Servei de Publicacions, 1987.

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18

Clara, Josep. Història gràfica del tren de Barcelona a Sant Joan de les Abadesses. CCG Edicions, 2005.

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19

Gilabert, Dolors Espinet. La veritat crema: Una crònica del tràgic incendi d'Horta de Sant Joan. Pagès Editors, 2010.

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20

Martín, Isabel Tejeda. El arte popular en la fiesta de las "Fogueres de Sant Joan". Generalitat Valenciana, Conselleria dʼEducació i Ciència, 1995.

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21

Carrillo, Miquel Ruiz. Els anys difícils: Guerra i postguerra a Sant Joan Despí, 1931-1959. Ajuntament de Sant Joan Despí, 2002.

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22

Modolell, Josep M. 30 anys d'excavacions arqueològiques a Can Modolell: Del Déu Mitra a Sant Joan. J.M. Modolell, 2004.

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23

Serrabogunyà, Joan Auladell i. El paga-li, Joan: Ball del vano i el ram de Sant Cugat del Vallès. Viena, 1997.

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24

Alavedra, Salvador. El retaule barroc de Joan Monpeó, a Terrassa. Caixa de Terrassa, 1995.

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25

Serra, Josep Varela i. El temps dels Roig: Tres generacions d'una família de la plaça de Sant Joan de Lleida. Pagès editors, 2014.

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26

Perucho, Jesús Alturo i. Diplomatari d'Alguaire i del seu monestir duple de l'orde de Sant Joan de Jerusalem (1245-1300). Fundació Noguera, 2010.

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27

Martinena, Ricardo Ciérbide. Edició crítica dels manuscrits catalans inèdits de l'ordre de Sant Joan de Jerusalem, segles XVI-XV. Fundació Noguera, 2002.

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28

Raurell, Jordi Carreras i. Flora i vegetació de Sant Joan de l'Erm i de la Vall de Santa Magdalena (Pirineus Catalans). Fundació Pública, Institut dʼEstudis Ilerdencs de la Diputació de Lleida, 1993.

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29

Patrimonio eclesiástico y amortización en Valencia: La Catedral y la parroquia de Sant Joan del Mercat, (siglo XVIII). Ajuntament de Valencia, 1993.

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30

(Pierre), Ledrux P., Kontouma-Conticello V, and Durand Georges-Matthieu de, eds. La foi orthodoxe 1-44. Cerf, 2010.

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31

Mariano, Fortuny. Fortuny, 1838-1874: 18 de gener-12 de març, 1989, Centre Cultural de la Fundació Caixa de Pensions, Passeig de Sant Joan, 108-Barcelona. La Fundació, 1989.

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32

Wentworth, Joan. Health Transition Fund Project NA1012: Diabetes Community, home support services for First Nations and Inuit : final report [prepared by Joan Wentworth]. Health Canada, 2001.

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33

Hilary. Contre Constance. Editions du Cerf, 1987.

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34

Palladius. Dialogue sur la vie de Jean Chrysostome. Editions du Cerf, 1988.

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35

Tom, Badgett, ed. Official Sega Genesis and Game Gear strategies, 2ND Edition. Bantam Books, 1991.

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36

Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. Bantam Books, 1992.

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37

Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Prima Publishing, 1992.

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38

(Group), Dagoll Dagom, ed. Nit de sant Joan. Edicions 62, 1996.

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39

Les portes secretes de la nit: Sant Joan. Fundació Bromera per al Foment de la Lectura, 2013.

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40

Canal, Albert Forns. Abans de les cinc som a casa: Premi BBVA Sant Joan 2020. Edicions 62, 2020.

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41

Magdalena, Martínez Almira, and Payá Sellés Jorge, eds. Visitas pastorales a la Parroquia de Sant Joan D'Alacant (S. XVII): Edición parcial. Ajuntament de Sant Joan D'Alacant, 2001.

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42

Companys, Fernando Boneu. El governador Blondel, la placa de Sant Joan i la Font de les Sirenes: Discurs. Reial Academia Catalana de Belles Arts de San Jordi, 1994.

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43

Hicks, Michael. Buildings and Professors. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039089.003.0002.

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This chapter discusses the beginnings of the Mormon Tabernacle Choir. It first considers the construction of the Salt Lake Tabernacle on April 6, 1852, before turning to the schoolhouse that Brigham Young built to provide vocal lessons for as many as 200 children at a time under the direction of David Calder, who championed a modified form of John Curwen's Tonic sol-fa method. Graduates of the Tonic sol-fa classes sang in concerts in the Salt Lake Theater, the dedication of which featured an anthem, “God Bless Brigham Young,” or “The Saints' National Anthem”; this suggested that the Mormons no

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44

Art i cultura als monestirs del Ripollès: Santa Maria de Ripoll, Sant Joan de les Abadesses, Sant Pere de Camprodon : ponències de la 1a. Setmana d'Estudis, sessions del 16 al 18 de setembre de 1992. Associació Amics dels Monestirs del Ripollès, 1995.

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45

Martins, Pedro. Messiânicos & bandoleiros: Identidade, memória e apropriação da terra em um grupo remanescente do Contestado. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-031-1.

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This book presents different approaches of research and participant observation in a rural ethnic group which remained after the "Contestado Movement" (Contestado War). The group is currently settled in the Itajai Valley region (in the state of Santa Catarina, Southern Brazil). The text discusses the process of systematic observation which took place over more than 30 years of contact with the group. The focus in on how this group was formed before the Contestado War, in order to provide a plausible narrative about its path and history over the span of roughly 150 years. As a connecting thread

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46

Larsen, Timothy. John Stuart Mill. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198753155.001.0001.

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John Stuart Mill observed in his Autobiography that he was a rare case in nineteenth-century Britain because he had not lost his religion but never had any. He was a freethinker from beginning to end. What is not often realized, however, is that Mill’s life was nevertheless impinged upon by religion at every turn. This is true both of the close relationships that shaped him and of his own thoughts. Mill was a religious sceptic, but not the kind of person which that term usually conjures up. The unexpected prominence of spirituality is not only there in Mill’s late, startling essay, ‘Theism’, i

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47

Cooper, Stephen, and Clorinda Donato, eds. John Fante's Ask the Dust. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287864.001.0001.

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Eight decades after Ask the Dust first appeared, John Fante’s Ask the Dust: A Joining of Voices and Views shows how and why the once-forgotten novel continues to earn its place among the signal works of twentieth-century world literature in our own moment of the twenty-first. Gathered here are twenty responses to the novel from a wide variety of contributors, both American and Italian, including scholars, journalists, filmmakers, creative writers, translators, archive workers, a musicologist, a choreographer, and an American Indian who discovered the book while incarcerated in a California max

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48

Articles of faith and covenant adopted by the First Congregational Church, in Saint John, New Brunswick, A.D., 1858: Organized A.D., 1844. s.n.], 1987.

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49

Grene, Nicholas. Defining Performers and Performances. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.30.

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One measure of a great performer is his or her capacity to define a major role for a generation. This chapter considers the acting styles and achievement of four such performers in some of their principal parts: Siobhán McKenna from her internationally acclaimed playing of Shaw’s Saint Joan to her last part, as Mommo in Murphy’sBailegangaire; Cyril Cusack as Christy Mahon, the Shaughraun, and Drumm in Hugh Leonard’sA Life; Donal McCann as Frank Hardy in Friel’sFaith Healer, the Captain inJuno and the Paycock, and Thomas Dunne in Sebastian Barry’sThe Steward of Christendom; the tour de force of

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50

Wade, Stephen. Charlie Butler. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0011.

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This chapter describes Charlie Butler's recording of “Diamond Joe.” Butler, convict number 10636, recorded “Diamond Joe” at the Mississippi State Penitentiary at Parchman, Mississippi, in the spring of 1937. Two years later, he sang it again into John Lomax's disc machine. At the time, he left only the barest account of how he learned “Diamond Joe,” and none at all concerning how he came to sing. Vanished, too, are most details about his life. Though he appears in the 1920 state census that positively identifies him and his wife, later searches have proven less conclusive. For one thing, he to

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