Relevant bibliographies by topics / Focusing on devotional painting

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Focusing on devotional painting'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Focusing on devotional painting.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Focusing on devotional painting"

1

Dr., Komal. "Colors of Devotion: The Role of Drawing and Painting in Indian Religious Art." SIDDHANTA'S INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN ARTS & HUMANITIES 1, no. 4 (2025): 115–25. https://doi.org/10.5281/zenodo.15516895.

Full text
Abstract:
This paper explores the integral role of drawing and painting in Indian religious art as expressions of devotion and spirituality. Indian art is deeply interwoven with religious traditions, where visual forms transcend aesthetic value to serve as tools of worship, instruction, and divine presence. Focusing on their use in temples, festivals, and rituals, this research highlights how paintings and drawings, from intricate temple murals to ephemeral ritual designs like <em>kolam</em> and <em>alpana</em>, convey religious narratives, invite divine blessings, and cultivate spiritual consciousness.
APA, Harvard, Vancouver, ISO, and other styles
2

Meinecke, Gregor Christopher. "Heretical Hebrew." Qui Parle 33, no. 2 (2024): 263–323. https://doi.org/10.1215/10418385-11442450.

Full text
Abstract:
Abstract This article discusses a Christian devotional painting by the Early Renaissance artist Andrea Mantegna. It traces its iconographic traits to illustrate its anti-Jewish implications by focusing on the depiction of an inscribed, pseudo-Hebrew paper crown. This attribute situates Mantegna’s painting within the humanist studies of Hebrew, the Veritas Hebraica, which was a means to access antique sources and to delegitimize Jewish belief. The article further draws a parallel to the burning of heretics, who wore similar crowns when they were condemned. Since Mantegna depicts the Jews with s
APA, Harvard, Vancouver, ISO, and other styles
3

Howe, Emily. "Divine Kingship and Dynastic Display: The Altar Wall Murals Of St Stephen's Chapel, Westminster." Antiquaries Journal 81 (September 2001): 259–303. http://dx.doi.org/10.1017/s0003581500072206.

Full text
Abstract:
Destroyed by fire in 1834, St Stephen's Chapel at the Palace of Westminster was undoubtedly one of the most opulent and enduringly influential English building programmes of the late thirteenth and fourteenth centuries. Focusing on the programme of wall-painting which flanked its high altar, this paper seeks to clarify the royal chapel's importance not only in terms of its stylistic innovation, but as an arena for Edward Ill's kingly image-making. The study explores the ways in which the chapel space was used and the audiences for which its dynastically forward-looking images were intended. Sc
APA, Harvard, Vancouver, ISO, and other styles
4

Schlie, Heike. "Vom Ambo zum Retabel – Das Klosterneuburger Goldschmiedewerk von Nikolaus von Verdun." Zeitschrift für Kunstgeschichte 80, no. 2 (2017): 247–72. http://dx.doi.org/10.1515/zkg-2017-0013.

Full text
Abstract:
Abstract The only signed work by Nicholas of Verdun, the metalwork which adorned the former ambo in the Klosterneuburg Monastery, was integrated into a foldable altarpiece around 1330 and thus transformed into a new medium. Besides being reframed, it was combined with new monumental paintings on the rear side of the triptych. It was not only handled differently and defined spatially in completely different terms, but the precious enamel- and metalwork could be hidden from sight by closing the wings. The added plates of metalwork at the center of the middle panel break up the hieratical and Euc
APA, Harvard, Vancouver, ISO, and other styles
5

Lamb, Rebekah. "Michael O’Brien’s Theological Aesthetics." Religions 12, no. 6 (2021): 451. http://dx.doi.org/10.3390/rel12060451.

Full text
Abstract:
This essay introduces and examines aspects of the theological aesthetics of contemporary Canadian artist, Michael D. O’Brien (1948–). It also considers how his philosophy of the arts informs understandings of the Catholic imagination. In so doing, it focuses on his view that prayer is the primary source of imaginative expression, allowing the artist to operate from a position of humble receptivity to the transcendent. O’Brien studies is a nascent field, owing much of its development in recent years to the pioneering work of Clemens Cavallin. Apart from Cavallin, few scholars have focused on O’
APA, Harvard, Vancouver, ISO, and other styles
6

Sadan, Ronah. "Processing the Raw." Periskop – Forum for kunsthistorisk debat, no. 30 (November 29, 2023): 150–69. http://dx.doi.org/10.7146/periskop.v2023i30.142015.

Full text
Abstract:
In 1883, a late-medieval wall painting of the Last Judgment was discovered under white-wash in the vault of Sædinge Church in Lolland, Denmark, and then quickly covered up again. The painting depicted, in part, a hell scene deemed too offensive to display. A documentary drawing executed upon the painting’s uncovering contains within it the conflicted reception that this scandalous image received within the aesthetic and devotional context of the nineteenth century. Through this case of an image’s uncovering, documentation, and concealment, this article examines various understandings of negati
APA, Harvard, Vancouver, ISO, and other styles
7

Burke, Juan Luis. "From Courtesan to Saint." Latin American and Latinx Visual Culture 3, no. 2 (2021): 29–45. http://dx.doi.org/10.1525/lavc.2021.3.2.29.

Full text
Abstract:
This essay analyzes the viceregal Mexican artist Juan Correa’s painting The Conversion of St. Mary Magdalene, from the late seventeenth century. A depiction of a woman explicitly displaying traits of her sensuality and sexuality in a Mexican viceregal artwork, the painting visually conveys symbolic embodiments of the feminine condition. These embodiments refer to religious penitence, self-reflection, mysticism, and the vita contemplativa. Moreover, I examine the episodic nature of the painting, associating it with feminine devotional practices. The painting’s pictorial configuration apparently
APA, Harvard, Vancouver, ISO, and other styles
8

Monzón Pertejo, Elena. "Devoción y erotismo en la Italia de los siglos XVI y XVII. Re-tratando a la Magdalena penitente." Imafronte, no. 31 (March 16, 2024): 65–77. https://doi.org/10.6018/imafronte.492401.

Full text
Abstract:
The aim of this paper is to analyze the image of the penitent Magdalene in 16th and 17th century Italy, focusing on issues of corporality, sexuality, eroticism and devotion. A diachronic analysis shows the transformations of the penitent saint from her asexual body in the medieval centuries to the sensuality that her figure emanates in Italian Renaissance and Baroque painting. Special attention is paid to the tensions between devotion and eroticism that some of these images generate. Thus, among the objectives is the study of the relationships between form and meaning derived from the analysis
APA, Harvard, Vancouver, ISO, and other styles
9

Fioretti, Giovanna, Cinzia Campobasso, Giacomo Eramo, Alessandro Monno, and Gioacchino Tempesta. "On Devotional Artworks: A Non-Invasive Characterization of Pigments of the Madonna della Croce Wall Painting in Triggiano (Bari, Southern Italy)." Heritage 6, no. 5 (2023): 4263–81. http://dx.doi.org/10.3390/heritage6050225.

Full text
Abstract:
Devotional artworks represent a valuable form of art, as they are evidence of religious worship and the demo-ethno-anthropological, as well as historical-artistic, heritage of a community, which is why they definitely belong to the cultural identity of a geographic area. The Madonna della Croce wall painting is an example of devotional art preserved today in the homonymous church in Triggiano (Bari, Italy). The presented study concerns the characterization of pigments used in the painting. The identification of pictorial materials had the aim of providing a contribution to knowledge about the
APA, Harvard, Vancouver, ISO, and other styles
10

Brüggen Israëls, Machtelt, and Giulia Sara de Vivo. "The Miraculous Madonna of Pistoia in a Devotional Replica of 1490–1500 Attributed to Niccolò di Mariano." Rijksmuseum Bulletin 72, no. 3 (2024): 196–217. http://dx.doi.org/10.52476/trb.19556.

Full text
Abstract:
In this article, it is suggested that a small panel of the Madonna of Humility in the collection of the Rijksmuseum, executed with fifteenth-century woodworking and painting techniques and materials, is a devotional copy of the fresco of the Virgin of Humility in Pistoia that became miraculously active in 1490. Historical, stylistic, and archival evidence suggests the panel is possibly a work by Niccolò di Mariano (act. 1478; d. 1500), perhaps made as a devotional replica not long after the miraculous event.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Focusing on devotional painting"

1

Kugler, Katrena. "Bridging Heaven and Spain: The Virgin of Mercy from the Late Medieval Period to the Age of Exploration." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13246.

Full text
Abstract:
The Virgin of Mercy is a Marian devotional image type recognizable by its portrayal of Mary protecting the faithful with her cloak. This thesis situates the iconography of painted panels within their historical and cultural context in Spain from the late medieval period to the Age of Exploration. I explain the image's origins and introduce its various versions, focusing on three major frequently commissioned subtypes: the Sponsorship of the Virgin, plague commissions, and the Mercedarian's Virgin of Mercy. I present a case study of one famous version of the type, the Virgin of the Navigators,
APA, Harvard, Vancouver, ISO, and other styles
2

Wyatt, Nicholas. "The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/17679.

Full text
Abstract:
My research uses my painting practice as an experimental and investigative tool to test the capacity of practical aesthetics to generate similar or analogous experiences to the non-dualist reception aesthetics of certain key examples of post-Tridentine (1563) Catholic Counter-Reformation devotional imagery, particularly, The Ecstasy of St. Theresa (1647-1652) by Gian Lorenzo Bernini and the Incarnation (1596-1600) by El Greco. I apply an interpretative method to the development of Christian imagery within painting in the post-Reformation period and its relationship to the economic system of mo
APA, Harvard, Vancouver, ISO, and other styles
3

Henderiks, Valentine. "Catalogue critique de l'oeuvre d'Albrecht Bouts et les pratiques de son atelier." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210361.

Full text
Abstract:
La thèse a pour objet d’établir le catalogue critique de l’œuvre d’Albrecht Bouts (1451-55 / 1549). Fils de Dirk Bouts (1410-1420 / 1475), peintre officiel de la ville de Louvain, Albrecht et son frère aîné, Dirk le Jeune (1448 / 1491), héritent de l’atelier de peinture à la mort de leur père. L’œuvre de l’aîné reste très controversée, aucun tableau ne pouvant lui être attribué avec conviction. Il en est autrement du puîné, Albrecht, à qui la paternité du Triptyque de l’Assomption de la Vierge des Musées royaux des Beaux-Arts de Belgique peut être donnée avec beaucoup de vraisemblance. Le corp
APA, Harvard, Vancouver, ISO, and other styles
4

Rabier, Delphine. "La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle." Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2018.

Full text
Abstract:
Cette étude se propose de dégager les liens étroits qui unissent la production picturale des anciens Pays-Bas des XVe et XVIe siècles avec la mystique de Ruysbroeck l’Admirable et la pensée de la Dévotion moderne (devotio moderna). À partir d’un corpus comprenant des oeuvres de Jan van Eyck, Rogier van der Weyden, Petrus Christus, Hans Memling, Hugo van der Goes, le Maître à la vue de Sainte-Gudule, le Maître de 1499, le Maître d’Alkmaar, Jérôme Bosch ou encore Gérard David et Jan Mostaert, l’analyse fait apparaître que peinture et écrits se répondent et se subliment mutuellement. Dans une pre
APA, Harvard, Vancouver, ISO, and other styles
5

Marzullo, Francesca. "Devotional Overdoors in Medieval and Renaissance Italy." Thesis, 2020. https://doi.org/10.7916/d8-kp4s-et89.

Full text
Abstract:
This dissertation offers a wide-ranging examination of the half-length sacred figure over the door in medieval and early Renaissance Italian art. Drawing on a wealth of visual material that has attracted little attention among scholars, it argues that such images played a vital role in the religious lives of their beholders, transforming doorways into sites of devotional experience both within and beyond the church. Depicted incompletely, the holy body joined with the threshold below it to form a synthetic, composite image, one that invited the imaginative and corporeal participation of the vi
APA, Harvard, Vancouver, ISO, and other styles
6

Whateley, Elaine Grace. "The Metaphysics of Space: Painting a Body of Light." Phd thesis, 2015. http://hdl.handle.net/1885/101989.

Full text
Abstract:
This investigation explores an invitation to the metaphysical—to the spiritual—through the visual language of painting. As an abstract painter and a person of faith, abstraction affords me a contemporary, non-prescriptive language for my thesis; above all it offers me the potential to explore space and light as both subject and medium in this project. This research builds on the tradition of Western religious painting—where three-dimensional space is interpreted into two-dimensional space for the purposes of inspiring the viewer to imagine and
APA, Harvard, Vancouver, ISO, and other styles
7

Maratsos, Jessica. "The Devotional Imagination of Jacopo Pontormo." Thesis, 2014. https://doi.org/10.7916/D8CN722C.

Full text
Abstract:
In Italy the first half of the Cinquecento was marked by both flourishing artistic innovation and deep-seated religious uncertainty, the latter revealing itself most clearly in a widespread impetus towards reform. The relationship between these two cultural spheres--long a fraught problem in art historical scholarship--is made visually manifest in the religious works produced by the Florentine painter Jacopo da Pontormo. By re-examining Pontormo's three monumental religious commissions--the Certosa del Galluzzo (1522-27), the Capponi Chapel (1525-28), and the choir of San Lorenzo (1545-1557)
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, Peng-Hua, and 陳芃樺. "A Study of Suzdal Iconic Tradition and Folk Lacquer Painting (Focusing on Palekh)." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/14294078939684365623.

Full text
Abstract:
碩士<br>淡江大學<br>俄羅斯研究所碩士班<br>96<br>In a locality in Central Russia, on the periphery of Souzdal land there existed since 15 Century places where folk artistas produced icon paintings on the basis of the traditional works by ordained monks. Among three main areas (Ivanovo, Palekh, Mstera and Kholuy) where icon works are painted, Palekh has always been the most famous one catering for the wealthy clients. These Souzdal-type icons used to be the most widespread in pre-Revolutionary Russia. In 1922 a Palekh artist, Ivan Golikov, created a new art form being miniature painting of the lacquer box. Th
APA, Harvard, Vancouver, ISO, and other styles
9

Ho, Ka-yi, and 何嘉誼. "The Study of Tai Chin''s Daoism and Buddhism Painting-Focusing on the Six Patriarch of Ch''an." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/upjnfb.

Full text
Abstract:
碩士<br>國立中央大學<br>藝術學研究所<br>96<br>Tai Chin (1388-1462) was one of the leading painters of the Che School. In art history, Tai Chin was proficient in paintings of landscapes, figures, birds and flowers, bamboo and rocks, etc. However, according to earlier Tai Chin studies, we can merely establish the fact that Tai Chin was good at landscape painting and clarify the style used by Tai Chin in his landscape paintings. Furthermore, those earlier studies still did not provide a clear interpretation of Tai Chin’s painting background and did not explain the reason why Tai Chin had been to the nation’s c
APA, Harvard, Vancouver, ISO, and other styles
10

Staniscia, Mélanie. "Étude de la fonction symbolique du paysage dans les tableaux dévotionnels de Giovanni Bellini." Thèse, 2012. http://hdl.handle.net/1866/8528.

Full text
Abstract:
Dans les années 1500, la villa qui se présentait comme une alternative à la ville permettait aux hommes de reprendre contact avec la nature. Cette dernière, qui possédait selon les théoriciens, hommes de lettres, architectes et médecins de l'époque des vertus sacrées et curatives contribuait au bonheur de l'être humain. Alors que les villas se multipliaient dans les campagnes vénitiennes l'on vit apparaître dans les années 1500, une tendance à incorporer la villégiature dans les tableaux de paysage. Les peintres comme Giovanni Bellini avaient recours à la nature pour créer la charge sacrée de
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Focusing on devotional painting"

1

Terayama, Katsujō. Zen brushwork: Focusing the mind with calligraphy and painting. New York, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Flora, Holly. Cimabue and early Italian devotional painting. Frick Collection, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

A, Campbell Peter. Bio-spirituality: Focusing as a way to grow. 2nd ed. Loyola University Press, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nicholas, Dorman, and Seattle Art Museum, eds. Renaissance art in focus: Neri di Bicci and devotional painting in Italy. Seattle Art Museum, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Collection, Frick, ed. Cimabue and early Italian devotional painting: October 3 through December 31, 2006. [Frick Collection], 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

1937-, Bentley James, ed. The tongues of men & of angels: Inspirational poetry & prose from the Renaissance to the Restoration. Little, Brown, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hall, Sarah. Windows on our souls. Novalis, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Aspe, Virginia Armella de. Escudos de monjas novohispanas. Grupo Gusta, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rouen, Université de, ed. Connecteurs divins: Objets de dévotion en représentation dans l'Europe moderne (XVIe-XVIIe siècle). Editions 1:1, 2020.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wollesen, Jens T. Hasten to my aid and counsel...: The answers of the pictures : private devotional panel painting in Italy around 1300. Legas, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Focusing on devotional painting"

1

Valpey, Kenneth R. "Introduction: Bringing Yoga and Animal Ethics Together." In The Palgrave Macmillan Animal Ethics Series. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93361-5_1.

Full text
Abstract:
Abstract This first chapter of Yoga and Animal Ethics begins with a brief explanation of why animal ethics discourse is appropriately coupled with a discussion of yoga. Yoga philosophy is becoming a subject of increasing interest among yoga practitioners, many of whom readily pursue ethical practices that resonate with those stipulated in yoga texts. This book is largely text-based, focusing mainly on two widely known works—the Yoga Sūtra of Patañjali and the Bhagavadgītā, the former representing “classical” Yoga and the latter the early expression of devotional (bhakti) yoga, which is in turn
APA, Harvard, Vancouver, ISO, and other styles
2

Montoya, Alicia C. "Women’s Libraries and “Women’s Books”, 1729–1830." In Gender and Cultural Mediation in the Long Eighteenth Century. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-46939-8_12.

Full text
Abstract:
AbstractDuring the eighteenth century, as the practice of selling books at auction spread throughout Europe, moving beyond its original Dutch origins to the rest of the continent, an increasing number of female-owned libraries were also sold at auction. These sales were accompanied by printed catalogues that, together with widespread discourses about women’s reading, helped construct new images of the female reader. During the same period, a new ideal type of female-gendered library was conceptualized, the bibliothèque choisie, that foregrounded personal reading taste and belles-lettres, and w
APA, Harvard, Vancouver, ISO, and other styles
3

Rudy, Kathryn M. "Chapter 5." In Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0379.05.

Full text
Abstract:
Chapter 5 considers the interplay between the living and the dead within the Christian tradition, focusing on the role of book-centered rituals in mediating this relationship. It underscores the Christian view of death as a gateway to the afterlife, emphasizing the intercessory role played by the living through prayer to aid the souls in Purgatory. The chapter examines the emergence of brotherhoods and the hiring of monastics as professional intercessors, a practice reflected in images, such as the Spes Nostra painting. This chapter also explores the documentation of these practices, particula
APA, Harvard, Vancouver, ISO, and other styles
4

Varnam, Laura. "Sacred and profane: Pastoral care in the parish church." In The church as sacred space in Middle English literature and culture. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781784994174.003.0004.

Full text
Abstract:
This chapter argues that the profane challenge posed by lay misbehaviour and sacrilege in the church paradoxically strengthens sacred space. Sermon exempla from the literature of pastoral care (e.g. Mirk’s Festial, Mannyng’s Handlyng Synne) show how devils and demons assist in the cleansing of the church from profane contamination and the chapter argues for the integral relationship between violence and the sacred, focusing on the punishment of sinners and on the sacrificial blood of Christ, depicted in lyrics and wall paintings. The chapter reassesses the relationship between church art and s
APA, Harvard, Vancouver, ISO, and other styles
5

Nygren, Christopher J. "Titian, Colonna, and the Gender of Pictorial Devotion." In Vittoria Colonna. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723947_ch09.

Full text
Abstract:
Titian made a painting of Mary Magdalene for Vittoria Colonna, perhaps identifiable with a painting in the Pitti Palace. Despite considerable scholarly attention over the last thirty years, scholars have not reached a consensus about most aspects of this exchange. Central to the debate has been the question of nudity: was it possible to have a devotional image that so knowingly exhibits female flesh? Can a painting gleefully subvert the rules of decorum and still discharge its function as a devotional image? Recent scholarship on the visual culture of female spirituality at this time helps ill
APA, Harvard, Vancouver, ISO, and other styles
6

Balafrej, Lamia. "Painting about Painting." In The Making of the Artist in Late Timurid Painting. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474437431.003.0001.

Full text
Abstract:
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used
APA, Harvard, Vancouver, ISO, and other styles
7

Chan, Eleanor. "Painting with Falseness." In Syrene Soundes. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197748206.003.0008.

Full text
Abstract:
Abstract False relations are particularly found in sacred, vocal music; as a result, textuality is key to understanding how they were deployed. This chapter explores the false relation and its relationship to ideas about word painting, chromaticism, and expression, both contemporary and those still adopted in the twenty-first century. It argues that, rather than focusing on individual word groups and types (noun, proper noun, adjective, verb), a more productive reading can be gained by focusing in on phrasing patterns, the structure and semantics of rhetorical tropes, and the burgeoning forms
APA, Harvard, Vancouver, ISO, and other styles
8

Federico Maras, Daniele, Adele Cecchini, and Antonio Giglio. "Etruscan Painting." In A New Etruscan Archaeology. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197582053.003.0009.

Full text
Abstract:
Abstract Central Italy is known in the Classical world as the region where the earliest and broadest evidence for ancient painting is found, with special regard to funerary painting in the hypogean tombs of several Etruscan metropolises (in Tarquinia, Veii, Caere, Vulci, Volsinii, and Chiusi) and the terracotta plaques that decorated private and public buildings in the late Archaic period (especially in Caere). Recent research achievements have changed the current perspective on understanding ancient painting techniques, thus providing new insights into the preparation of walls or mobile suppo
APA, Harvard, Vancouver, ISO, and other styles
9

"Focusing the Gaze in Late Timurid Painting." In Esoteric Images: Decoding the Late Herat School of Painting. BRILL, 2019. http://dx.doi.org/10.1163/9789004398412_004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Introduction." In Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. BRILL, 2019. http://dx.doi.org/10.1163/9789004397606_002.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Focusing on devotional painting"

1

Takai, Toshikazu, Sho Ito, Harunobu Nagino, Yu Kawano, and Koshin Sato. "Statistical measurement condition of rust thickness on weathering steel bridges." In IABSE Symposium, Tokyo 2025: Environmentally Friendly Technologies and Structures: Focusing on Sustainable Approaches. International Association for Bridge and Structural Engineering (IABSE), 2025. https://doi.org/10.2749/tokyo.2025.2893.

Full text
Abstract:
&lt;p&gt;Weathering steel generates a stable rust layer on its surface and is protected from corrosion by delaying the progress of corrosion. Weathering steel bridges can omit painting and reduce maintenance costs. The status of the rust layer is rated for effective maintenance. One of the indicators for the rating is the rust thickness. The actual rust layer is not uniform, and the measured rust thickness varies. Although an average evaluates the rust thickness, the relationship between the average and accuracy is not clear enough. The authors conducted an on-site field survey of weathering s
APA, Harvard, Vancouver, ISO, and other styles
2

Adley, Daniel P., Alison B. Kaelin, Stanford T. Liang, and Chris Lovelace. "Current Trends in Occupational and Environmental Health." In Paint and Coatings Expo (PACE) 2006. SSPC, 2006. https://doi.org/10.5006/s2006-00001.

Full text
Abstract:
Abstract Much of the focus of environmental, health and safety issues in the 1990’s centered on lead. No single hazard occupied the regulatory, public and media spotlight more than lead, and its impact was felt across the entire construction community. As lead fades from the spotlight, other potential hazards begin to emerge. OSHA is considering a comprehensive health standard on hexavalent chromium, the American National Standards Institute is drafting a standard on Hearing Loss Prevention in Construction, EPA and state environmental agencies are focusing attention on asbestos on bridges. The
APA, Harvard, Vancouver, ISO, and other styles
3

Prado, Ana Laura Ferreira. "The body as an artistic medium: From body paintings to tattoos that I have done in my life." In IV Seven International Congress of Health. Seven Congress, 2024. http://dx.doi.org/10.56238/homeivsevenhealth-085.

Full text
Abstract:
The work explores the body as a means of artistic expression, focusing on body painting, tattoos and indigenous graphics as historical and cultural forms of art. It discusses the evolution of tattooing from its origins to its popularization and the cultural resistance behind indigenous graphics. It also addresses sexism in the world of tattooing, highlighting interviews with female tattoo artists about their challenges. The author presents her own experiences with tattoos, emphasizing art as a powerful form of personal expression, culminating in a photo essay that celebrates the body as the pr
APA, Harvard, Vancouver, ISO, and other styles
4

Griza, Ana. "PORTRAITS OF UROŠ II MILUTIN AS А KING AND FOUNDER IN SERBIAN MONUMENTAL PAINTING OF 14TH CENTURY". У Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.649g.

Full text
Abstract:
The present paper seeks to investigate the historical portraits of Milutin on mural paintings in Serbia, highlighting the changes of the ico- nography of royal portrait during the 13th century and the first decades of the 14th century. Due to his favorable political position, the ruler expanded his activity, both in political and artistical areas. It is useful then to touch upon some historical events and political relationship in the period under consideration. Without losing sight on different aspects, I have chosen to focus on the image of Serbian ruler from his childhood, represented on So
APA, Harvard, Vancouver, ISO, and other styles
5

Losq, Juliette. "Layered Visions In The Teleorama: Constructing Spaces Of Ruination Through An Expanded Drawing Practice." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.qpkd6594.

Full text
Abstract:
Abstract This paper examines whether the form of the Teleorama or paper peep show can be used to generate new ways of making and exhibiting drawings of contemporary sites of ruination. The Teleorama will be used as a physical and conceptual vehicle for testing out a diverse range of investigations relating to form and content in drawing practice. Within my practice, paper ruins, inspired by Teleoramas, are constructed and used as maquettes from which to make two-dimensional drawings that are retranslated into large-scale, three-dimensional installations. Through the process of (re) constructio
APA, Harvard, Vancouver, ISO, and other styles
6

Zeng, Lei, and Hong Chen. "A case study of the Shanghai No. 20 tram on cultural bus service design based on the AT-ONE Rule." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003817.

Full text
Abstract:
In the new era environment, the metropolitan public transportation system is constantly evolving. The relevant administrative departments in Shanghai have proposed measures to create cultural buses and build characteristic lines in order to promote Shanghai culture and improve bus service. Using the Shanghai NO.20 tram as an example, this paper investigates how to combine Shanghai culture with tram ride service in order to make the NO.20 tram a distinctive route. The study employed participatory observation and the AT-ONE rule to investigate the entire waiting, boarding, and alighting process,
APA, Harvard, Vancouver, ISO, and other styles
7

Wolfe, Byron, and Seher Erdoǧan Ford. "How Do We Work? Metacognition in Creative and Collaborative Practices." In 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.64.

Full text
Abstract:
constitute best practices for initiatingand maintaining sustainable collaborations?These questions arise regularly within the context of our institution, Tyler School of Art and Architecture, which is part of TempleUniversity in Philadelphia, Pennsylvania. The school includes the departments of Architecture and Environmental Design, Art Education and Community Arts Practices, Art History, Studio Art, and Graphic and Interactive Design. It recently updated its structure and adopted a name that captures its breadth of programs to support cross-disciplinary study and reflect current understanding
APA, Harvard, Vancouver, ISO, and other styles
8

G Wilson, Ryan, Erica Price, and Debra Satterfield. "Rethinking UX Education." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006406.

Full text
Abstract:
The field of User Experience (UX) has evolved rapidly, driven by technological advances, the normalization of Agile methodologies in software design, and the rise of AI. Despite this growth, UX education struggles to keep pace, often prioritizing static concepts or specific tools over the adaptable skillsets required in today’s industry. The gap between classroom learning and real-world application leaves graduates ill-equipped to navigate a dynamic landscape where expectations for UX professionals are broader and more integrated than ever. This paper critiques the current state of UX educatio
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Focusing on devotional painting"

1

Wüthrich, Annik. The Copenhagen Wooden Stela AAd6 from the National Museum of Denmark: An unusual Testimony of the 22nd Dynasty. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/erc_stg_757951_the_copenhagen_wooden_stela_aad6_from_the_national_museum_of_denmark_an_unusual_testimony_of_the_22nd_dynasty.

Full text
Abstract:
The subject of this article is a wooden stela (AAd6) kept in the National Museum of Denmark in Copenhagen. By iconographical and typological criteria, this object is datable to the 22nd Dynasty and probably comes from the Theban area. The stela displays several particularities, among others, one of the longest genealogies preserved on this object type. Alongside a careful investigation of the different iconographical elements and a new translation of the text, this contribution looks into the onomastic and the prosopographical material, examining different titles such as “ḥnk-nw.w-priest in so
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Focusing on devotional painting' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography