Relevant bibliographies by topics / Fog in fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fog in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Fog in fiction"

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Ignjatović, Sanja, and Marija Budimski. "Fictionality in “Fog on the Barrow-downs”: Myth and Reference." Interlitteraria 29, no. 1 (2024): 95–108. http://dx.doi.org/10.12697/il.2024.29.1.7.

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Exploring fictionality as the link between imagined and referential reality, the paper draws on the theoretic al framework of cognitive narratology in examining the mechanisms on which the creation of myth relies in the narratives introduced at the beginning of J. R. R. Tolkien’s Lord of the Rings, in Chapters 7 and 8 of The Fellowship of the Ring. In the introductory section, the authors review relevant literature pertaining to the manner in which immersion occurs, how analogous links are formed between fiction and reality, and whether the pragmatic dichotomy of the fictional and factual hold
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Evron, Nir. "“Fog-Shaped Men”: The Remnant Figure in Postbellum American Regionalism." Genre 52, no. 3 (2019): 179–205. http://dx.doi.org/10.1215/00166928-7965792.

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This essay isolates, analyzes, and contextualizes a prevalent character type in nineteenth-century American fiction that it calls (following Ina Ferris) the “remnant.” Although remnants appear in the earliest American experiments in fiction, the type becomes truly ubiquitous in postbellum regionalist writing. Depicted as living relics or belated leftovers from superseded cultural epochs, remnants, the essay claims, project the distinctly modern modalities of displacement and ontological insecurity into the regionalist texts they inhabit, thus unsettling the conventional critical readings of th
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Plotz, John. "The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf." Modern Language Quarterly 78, no. 1 (2017): 128–31. http://dx.doi.org/10.1215/00267929-3699823.

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Prorokova, Tatiana. "The sky of our manufacture: the London fog in British fiction from dickens to woolf." Green Letters 23, no. 2 (2019): 199–202. http://dx.doi.org/10.1080/14688417.2019.1616397.

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Manning, Pascale McCullough. "THE HYDE WE LIVE IN: STEVENSON, EVOLUTION, AND THE ANTHROPOGENIC FOG." Victorian Literature and Culture 46, no. 1 (2018): 181–99. http://dx.doi.org/10.1017/s1060150317000389.

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In multiple entries in his notebooks, Robert Louis Stevenson pauses to consider the failure of scientific language to communicate the abstractions that undergird its theoretical models of natural processes. In failing to make the operations of the physical world speak, materialist discourse suffers from a terminological disorder. His diagnosis is sweeping and acerbic: “Scientific language like most other language is extremely unsatisfactory” (“Note Book” 300). In what follows I will argue that over the course of several key essays of the 1880s and his most famous work of fiction, Strange Case
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Голованова, Н. Ю. "The representatives of colour palette in the NOVEL “In the fog” by L.N. Andreev." Актуальные вопросы современной филологии и журналистики, no. 4(39) (February 2, 2021): 101–7. http://dx.doi.org/10.36622/aqmpj.2020.39.4.014.

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Настоящая статья посвящена изучению цветовой лексики в повести Л.Н. Андреева «В тумане» (1902). Целью статьи является выявление специфики цветовых репрезентантов в повести Л.Н. Андреева, их функциональной значимости в художественном тексте. В исследовании представлены причины особого внимания Л.Н. Андреева к цвету, связанные с автобиографическим аспектом творчества: автор занимался таким направлением, как создание автохромной фотографии - особой технологией преобразования и воспроизведения цвета. Основную палитру в творчестве писателя составляют красный, черный, желтый, синий, белый цвета. В к
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Carolyn Miller, Elizabeth. "Jesse Oak Taylor, The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf." Victoriographies 7, no. 2 (2017): 187–90. http://dx.doi.org/10.3366/vic.2017.0274.

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Rubenstein, Michael. "The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf by Jesse Oak Taylor." Modernism/modernity 24, no. 1 (2017): 213–14. http://dx.doi.org/10.1353/mod.2017.0017.

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Borodina, N. A. "Figurative Means of Representing the Milky Way in Russian Fiction of XIX — Early XXI Centuries." Nauchnyi dialog, no. 3 (March 27, 2021): 42–56. http://dx.doi.org/10.24224/2227-1295-2021-3-42-56.

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This article is an analysis of the linguistic means of figurative representation of the Milky Way in the prose works of Russian authors of the XIX — early XXI centuries. It is established that the basis for the creation of metaphorical models, in which the astroobject Milky Way is one of the components, are the similarity of external outlines, parametric indicators, the identity of light and structural characteristics, while the attraction of only perceptual signs significantly limits the possibilities for comparison. It is shown that the length of the stellar system determines its metaphorica
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McMillin, T. S. ""Strangers Still More Strange": The Meaning of Rivers Bedeviled." Review of International American Studies 14, no. 1 (2021): 49–75. http://dx.doi.org/10.31261/rias.10267.

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Steamboats transformed rivers in 19th-century United States, providing what many people considered a kind of mastery over nature. In literature from the period, while most writers marveled at or exulted in that perceived mastery, some questioned the origins of the reputed conquest. Did it result from human ingenuity? divine inspiration? a deal with the devil? Amid all the fog, smoke, and various other vapors associated with the steamboat, vivid stories, compelling dramas, and comic searches for meaning took shape, and no literary work captured the tension informing, uncertainty surrounding, an
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Dissertations / Theses on the topic "Fog in fiction"

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Herrmann, Sebastian M. "Foggy realisms? Fiction, nonfiction, and political affect in Larry Beinhart’s Fog facts and The librarian." Universitätsbibliothek Leipzig, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-206587.

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This paper reads Larry Beinhart’s novel The Librarian (2004) and its nonfiction companion Fog Facts (2005) as a double attempt at writing that is politically invested in representing reality but that nevertheless is openly aware of the postmodern crisis of representation. In this sense, I read both books as indicative of a broad cultural search for forms of writing that engage their readers’ reality without simply attempting to return to a less complicated moment before postmodernism. The paper situates both books within crucial textual contexts: a broad ‘epistemic panic’ about the facts and r
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Herrmann, Sebastian M. "Foggy realisms? Fiction, nonfiction, and political affect in Larry Beinhart’s Fog facts and The librarian." Poetics of politics : textuality and social relevance in contemporary American literature and culture / Sebastian M. Herrmann [Hrsg.] ... Heidelberg : Winter, 2015. S. 133-151. ISBN 978-3-8253-6447-2, 2015. https://ul.qucosa.de/id/qucosa%3A14846.

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This paper reads Larry Beinhart’s novel The Librarian (2004) and its nonfiction companion Fog Facts (2005) as a double attempt at writing that is politically invested in representing reality but that nevertheless is openly aware of the postmodern crisis of representation. In this sense, I read both books as indicative of a broad cultural search for forms of writing that engage their readers’ reality without simply attempting to return to a less complicated moment before postmodernism. The paper situates both books within crucial textual contexts: a broad ‘epistemic panic’ about the facts and r
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Gray, Michael E. "Reading Ineffability and Realizing Tragedy in Stuart Moulthrop's Victory Garden." TopSCHOLAR®, 2012. http://digitalcommons.wku.edu/theses/1188.

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Victory Garden, Stuart Moulthrop’s 1991 classic hyperfiction, presents a nonlinear story of U. S. home front involvement in the First Gulf War in a way that facilitates confusion and mimics a "fog of war" sort of (un)awareness. Using Storyspace to build his complex narrative, Moulthrop incorporates poetry, fiction, historical references, and low-tech graphic novel type elements. Among the graphic components are all-black and all-white screens that function as variables. Overtly, these screens speak of closure and signify unconsciousness; however, their nonverbal role may also be linked to the
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Zeilig, Hannah. "Older people and their families in 1920s popular fiction : fictions of age and their importance for social gerontology." Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313516.

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Capdeville, Emily. "Can't Blame a Girl for Trying." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2362.

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Brogan, Patrick. "Walter's Rules for Getting By." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4343.

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This novella focuses on the lives of Walter, his mother Sabine, and his would-be love Bernadette. Walter is an awkward, unemployed thirty-year-old that still lives at home with his mother pressed into the pursuit of love by an obsession with romance novels. Walter is an outstanding cook and dishwasher but has no other notable talents. He eventually finds a job and manages to lose his virginity but changes little otherwise. The narrative is interested in the failures of family, love, and traditional societal expectations. It is interested in seeing and being seen. It is interested in a path aro
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Maynes-Aminzade, Elizabeth. "Macrorealism: Fiction for a Networked World." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11157.

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Victorian novels were, generally speaking, big. But what forms did their bigness take? Why did a "macro" aesthetic prevail in the mid-nineteenth century? And why, after losing influence in the following century, has it returned in recent years? This dissertation identifies three distinct features - one spatial, one temporal, one intellectual - crucial to that aesthetic. Moreover, it explains why that kind of fiction, which I call macrorealism, has come into fashion at two different historical moments.
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Beltran, Lahoz Pilar. "The fiction of reality : confinement and displacement : an introduction to research." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/345550/.

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This PHD project has been based on 100% studio practice; the original title for the research programme was Between Reality and Fiction and aimed at exploring the construction of reality and truth in our society, a society strictly controlled by the mass media. Whilst developing the first project within this body of research - Isolation (an attempt to contrast a real life experience of a visit to a prison with existing institutional information obtained through second and third hand sources - readings, media, films ...), a range of other more pertinent concepts arose, causing a shift from those
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Greiwe, Teresa. "Do We Mistake Fiction for Fact? : Investigating Whether the Consumption of Fictional Crime-related Media May Help to Explain the Criminal Profiling Illusion." Thesis, Malmö universitet, Malmö högskola, Institutionen för kriminologi (KR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43630.

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The disparity between the ongoing use, the overall positive attitudes towards criminal profiling and the lack of empirical evidence for its validity is also referred to as criminal profiling illusion. Associated risks for society range from misled police investigations, hindered apprehensions of the actual offender(s), and wrongful convictions of innocent citizens to mistrust in the police and their methods. Research on potential explanations to the Criminal Profiling Illusion is still in its infancy but assumes that people receive and adopt incorrect messages favouring the accuracy and utilit
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Burrus, Ann. "Finessing for the Queen of Trumps." VCU Scholars Compass, 1991. http://scholarscompass.vcu.edu/etd/4392.

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Books on the topic "Fog in fiction"

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Fowler, Susi Gregg. Fog. Greenwillow Books, 1992.

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Cooney, Caroline B. Fog. Scholastic, 1989.

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Herbert, James. The fog. Magna Large Print Books, 1993.

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Maclear, Kyo. The fog. Tundra Books, 2017.

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Sauer, Julia L. Fog magic. Troll Associates, 1986.

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Sauer, Julia L. Fog magic. Puffin Books, 1986.

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Daniels, Les. Yellow fog. Robinson, 1995.

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Helmer, Marilyn. Fog cat. Kids Can Press, 1998.

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Bradbury, Ray. The fog horn. Creative Education, 1988.

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Brand, Christianna. Fog of Doubt. Carroll & Graf, 1996.

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Book chapters on the topic "Fog in fiction"

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Courtemanche, Eleanor. "Ripple Effects and the Fog of War in Vanity Fair." In The 'Invisible Hand' and British Fiction, 1818-1860. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230304987_5.

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Morin, Olivier, Alberto Acerbi, and Oleg Sobchuk. "Perché si muore nei romanzi: l’ipotesi della simulazione dell’ordalia." In La narrazione come incontro. Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0045-5.06.

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What is fiction about, and what is it good for? An influential family of theories sees fiction as rooted in adaptive simulation mechanisms. In this view, our propensity to create and enjoy narrative fictions was selected and maintained due to the training that we get from mentally simulating situations relevant to our survival and reproduction. We put forward and test a precise version of this claim, the “ordeal simulation hypothesis”. It states that fictional narrative primarily simulates “ordeals”: situations where a person’s reaction might dramatically improve or decrease her fitness, such
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Francœur, Louise. "Le statut pragmatique du texte de fiction." In Foundations of Semiotics. John Benjamins Publishing Company, 1989. http://dx.doi.org/10.1075/fos.18.36fra.

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Masciandaro, Nicola. "Gourmandized in the Abattoir of Openness." In Leper Creativity. punctum books, 2012. https://doi.org/10.21983/p3.0017.1.12.

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Cyclonopedia is a book that opens Earth to the divini-ty of reality. The intoxicating effect of its theory-fiction terror is to defuse the double, mutual hostage-taking of philosophy and religion, their shared aporet-ic stand-off according to which reality remains the occluded object of fiction and divinity the eclipsed object of theory. Here theory-fiction is not a cool new hybrid capable of synthesizing and rescripting their domains towards an iterable new science or disci-pline. It is not about unifying and resolving their dou-ble truth. Instead the book is a trisonic betrayal that is treac
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Panic-Cidic, Natali. "Digital Fictions: Towards Designing Narrative Driven Games as Therapy." In Mental Health | Atmospheres | Video Games. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462645-008.

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This paper introduces the benefits and possibilities of using digital fiction for narrative-driven games, especially its usage in the project "Writing New Bodies: Critical Co-design for 21st Century Digital-born Bibliotherapy". It addresses body image concerns and consequent psychological problems young women and women identified individuals are facing every day. The goal of "Writing New Bodies" is to develop a narrative-based, interactive story game application that can be used as an intervention method in therapy for body image issues. Digital fiction is an interactive form of storytelling a
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James, Alison. "The Fictional in Autofiction." In Palgrave Studies in Life Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_3.

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AbstractAutofiction and theories of fiction seem to be at odds. Whereas the notion of autofiction capitalizes on a postmodern consensus regarding the fictional status of self-narration, recent theoretical approaches to fiction and fictionality have reaffirmed the distinction between fictional and nonfictional narratives. It is possible to move beyond this impasse, however, by drawing on narratological and rhetorical theories of fictionality to describe the precise forms and degrees of fictionality and fictionalization discernable in works received as autofiction. Different configurations of th
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Charlton, Kenneth. "Historical Fiction." In Handbook for History Teachers. Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-25.

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Reyes, Alfonso. "Literary Fiction." In The New Yearbook for Phenomenology and Phenomenological Philosophy XX. Routledge, 2022. http://dx.doi.org/10.4324/b23070-17.

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Tautiva, Vilmary. "Fact or Fiction." In Curricula for Students with Severe Disabilities. Routledge, 2017. http://dx.doi.org/10.4324/9781315749112-7.

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Bons, Jeroen. "Fact and Fiction." In The Search for a New Alphabet. John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/z.76.07bon.

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Conference papers on the topic "Fog in fiction"

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Christou, Despina, and Grigorios Tsoumakas. "Artificial Relationships in Fiction: A Dataset for Advancing NLP in Literary Domains." In Proceedings of the 9th Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (LaTeCH-CLfL 2025). Association for Computational Linguistics, 2025. https://doi.org/10.18653/v1/2025.latechclfl-1.13.

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Yang, Qisen, Zekun Wang, Honghui Chen, et al. "PsychoGAT: A Novel Psychological Measurement Paradigm through Interactive Fiction Games with LLM Agents." In Proceedings of the 62nd Annual Meeting of the Association for Computational Linguistics (Volume 1: Long Papers). Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.acl-long.779.

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Michel, Gaspard, Elena V. Epure, Romain Hennequin, and Christophe Cerisara. "Improving Quotation Attribution with Fictional Character Embeddings." In Findings of the Association for Computational Linguistics: EMNLP 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-emnlp.744.

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Sadeq, Nafis, Zhouhang Xie, Byungkyu Kang, Prarit Lamba, Xiang Gao, and Julian McAuley. "Mitigating Hallucination in Fictional Character Role-Play." In Findings of the Association for Computational Linguistics: EMNLP 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-emnlp.846.

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Jang, Woori, and Seohyon Jung. "Evaluating LLM Performance in Character Analysis: A Study of Artificial Beings in Recent Korean Science Fiction." In Proceedings of the 4th International Conference on Natural Language Processing for Digital Humanities. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.nlp4dh-1.34.

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Erhart, Tomáš. "The Theory of Genre Worlds in Case of Russian Popular Fiction." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-18.

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In contemporary Russian literature, there is a specific type of genre literature about so-called “podadants”, which is the Russian word for heroes and heroines traveling to other worlds and other times. In addition to this basic motif, this is literature published in mass quantities, usually within special genre editions, which also uses elements of other fantastic genres. One of its branches, working with alternative history, often has a very nationalistic or revanchist subtext. Overall, the “podadants” genre is a complex literary and social phenomenon that cannot be grasped from just one sid
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Corbett, William D., and Frank A. Mozelewski. "Calculating a Target Wet Film Thickness Using Published Volume Solids Data – Fact versus Fiction." In SSPC 2005. SSPC, 2005. https://doi.org/10.5006/s2005-00009.

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Abstract Published percent volume solids data have been used for years by painting contractors, coating manufacturers, and inspectors to calculate the target wet film thickness to apply. This paper explores the reliability of this value (for this purpose) by measuring and calculating actual wet-to-dry ratios, and comparing these values to the manufacturers’ published volume solids for both waterborne and solvent borne industrial coatings.
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Lalić, Ema Luna. "IN DIALOGUE WITH FREGE: HOW HIS CONCEPTS OF SENSE AND REFERENCE INFLUENCED THE PHILOSOPHY OF LITERATURE." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.026l.

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In this paper, I approach Gottlob Frege’s fictional antirealism from the background of the discussion on cognitive value of literature in philosophy of literature, with particular emphasis on Frege’ s influence on Peter Lamarque and Stein Haugom Olsen’s (1994) theory of fiction. I claim that Frege’s writings on fiction do not support the conclusion that we should reject literary cognitivism (the view that literature can provide cognitive benefits). I support this view by providing two lines of argument: 1) a disagreement with respect to the precise nature of Frege’s fictional antirealism resul
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Canizares, Galo. "Stranger than Fiction: Artificial Intelligence, Media, and the Domestic Realm." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.76.

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Alan Kay’s famous soundbite from a 1971 Xerox PARC (Palo Alto Research Center) meeting presents a bizarre chicken and egg paradox. It goes like this: which came first, the science fiction representation of the objector the desire for specific objects themselves? In other words, is the plethora of technological advancements a direct result of anthropomorphic inevitabilities or are we simply trying to realize objects, vehicles, and environments we saw in science fiction representations in the mid-twentieth century? In this paper, I will argue that media and literature are equally as responsible
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Nikolić, Andrijana A. "MOTIVI FANTASTIKE U ROMANU „NA PUTU ZA DARDEL“ SLOBODANA ZORANA OBRADOVIĆA I U PRIPOVJEDNOJ PROZI „ZAPISI IZ HODNIKA VREMENA“ ALEKSANDRA OBRADOVIĆA." In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.113n.

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Slobodan and Aleksandar Obradović (father and son) from Bijelo Polje are authors whose fiction abounds in fantastic motifs ‒ characters’ actions, their ability to travel through time zones, their mythological features and the mission they are devoted to accomplish. Capable inventors, fliers, beings who transcendentally move from place to place require critical judgment ‒ whether contemporary children’s literature is truly in accordance with their age and whether and to what extent a child can identify with or distance from the characters. By combining symbols and fiction, both writers encourag
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Reports on the topic "Fog in fiction"

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Webster, James K. Science Fiction as a Prism for Understanding Geopolitics. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ad1003712.

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STROYKOV, S., and I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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TARAKANOVA, V., A. ROMANENKO, and T. TROITSKAYA. FACTORS AND RISKS OF ENVIRONMENTAL SAFETY OF THE CITIES OF THE MOSCOW REGION. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-2-19-29.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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Young, Beth, Tom Mercer, and Sebastian Groes. An Exploration into the Role of Memory for Fiction – A Scoping Review Protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2025. https://doi.org/10.37766/inplasy2025.4.0035.

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Thoden van Velzen, E. U., and M. T. Brouwer. Reusable packaging in Europe : Between facts and fiction – an informed opinion for Metal Packaging Europe. Wageningen Food & Biobased Research, 2022. http://dx.doi.org/10.18174/568438.

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Whitzel, Chad. Fictional Financial Plan Prepared for Sharon Laynee. Iowa State University, 2022. http://dx.doi.org/10.31274/cc-20240624-727.

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De Abreu, Belinha. Skills for Life: Media Literacy and Critical Thinking. Inter-American Development Bank, 2021. https://doi.org/10.18235/0003779.

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Media literacy education is a tool for combating mis/disinformation in a time where there is so much uncertainty. The lack of credible news means that we are left with news stories driven by propaganda, misinformation, or manipulated content and even fiction or just fallacy. This impacts every person in every situation and influences the conversations, policy, and beliefs whether we are talking about race, gender, economics of poverty, climate, and so much more. This paper takes the reader through explaining the value of this instruction, the process of understanding the key questions of media
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Ksepka, Daniel, and Kristin Lamm. Systematics and Biodiversity Conservation. American Museum of Natural History, 2012. http://dx.doi.org/10.5531/cbc.ncep.0024.

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This exercise uses a fictional group of turtles to demonstrate how to implement cladistic methodology. Using a step-by-step guide, students work to find the most parsimonious cladogram for these fictional turtles. Part I involves delineating characters and building a most parsimonious cladogram based on the distribution of character states, while Part II presents additional challenges by introducing homoplasy. This exercise is designed to familiarize students with the concepts of phylogeny and cladistics, expand their skills of phylogenetic analysis, and use phylogenetic information to determi
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Cook, Loraine, Leo Douglas, and Rose-Ann Smith. Human-Wildlife Conflict: Assessing the Complexity of Stakeholder Perspectives. American Museum of Natural History, 2022. http://dx.doi.org/10.5531/cbc.ncep.0094.

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This collection of case study-based exercises presents a fictional case study of a community facing conflict related to living with carnivores. The activities provide an opportunity for students to explore diverse stakeholder perspectives on living with wildlife, predator conservation, and how interests, values, and needs might vary within a community.
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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world o
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