Relevant bibliographies by topics / Folk art, india

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Folk art, india'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Folk art, india"

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Sharma, Bhanu Dev. "Folk Art: The Modern Form of Prehistoric Indian Art." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 180–84. https://doi.org/10.31995/rjpss.2025.v50i01.024.

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This research paper explores the evolution of Indian folk art as a modern manifestation of prehistoric Indian art. It examines how early humans used pictorial representations as a means of expression in the absence of a written language, leading to the development of various folk art traditions over time. By analyzing prehistoric cave paintings and their transition into established folk art forms such as Madhubani, Warli, Gond, and Bhil paintings, this study highlights the continuity of artistic expression in India. The research underscores the significance of simple lines, symbolic imagery, a
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Pandey, Anjali. "SOME REPESENTATIVE FOLK ART OF INDIA." International Journal of Research -GRANTHAALAYAH 8, no. 3 (2020): 348–56. http://dx.doi.org/10.29121/granthaalayah.v8.i3.2020.169.

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Indian folk art has its own recognition in universal context. It transmits from generation to generation having their own experience. Religious ceremonies and ritual acts are necessary for achieving psychological refinement. The folk culture moves around the elements of nature. The shapes are often symbolic and come out from their observations in simple pictorial language. The ritual paintings are generally created on wall, paper, cloth, and floor. The figures of human beings, animal, along with the daily life scene, mythological and rituals are created in rhythmic pattern with regional essenc
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Dr, Anjali Pandey. "SOME REPESENTATIVE FOLK ART OF INDIA." International Journal of Research - Granthaalayah 8, no. 3 (2020): 348–56. https://doi.org/10.5281/zenodo.3742954.

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Indian folk art has its own recognition in universal context. It transmits from generation to generation having their own experience. Religious ceremonies and ritual acts are necessary for achieving psychological refinement. The folk culture moves around the elements of nature. The shapes are often symbolic and come out from their observations in simple pictorial language. The ritual paintings are generally created on wall, paper, cloth, and floor. The figures of human beings, animal, along with the daily life scene, mythological and rituals are created in rhythmic pattern with regional essenc
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Thakur, Meenakshi. "MITHILA- A GLOBALIZED ART FORM." International Journal of Research -GRANTHAALAYAH 5, no. 2 (2017): 208–12. http://dx.doi.org/10.29121/granthaalayah.v5.i2.2017.1725.

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India has long been a focal point of art. From the traditional to the contemporary, India is fast developing itself as a key destination for those who love art. India is marked by its rich traditional heritage of Tribal/Folk Arts and Culture. Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, c
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Dr., Meenakshi Thakur. "MITHILA- A GLOBALIZED ART FORM." International Journal of Research -GRANTHAALAYAH 5, no. 2 (2017): 208–12. https://doi.org/10.5281/zenodo.345668.

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India has long been a focal point of art. From the traditional to the contemporary, India is fast developing itself as a key destination for those who love art. India is marked by its rich traditional heritage of Tribal/Folk Arts and Culture. Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, c
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Pandey, Shalini. "Synchronization of Folk Art in Modern Indian Dress: A Review." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 1 (2022): 82–85. http://dx.doi.org/10.31305/rrijm.2022.v07.i01.011.

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India is a diverse country with a vast array of art forms and cultures, which serves as a distinctive identity for its region of origin. Together they contribute to the rich heritage of this country. This study is an attempt to bring together the various efforts made by the entrepreneurs, researchers, educational institutions, designers, organizations and craftsmen of this India to preserve, promote and revitalize Indian folk art through their aptitudes. It is expected to be beneficial for Indian folk art costume revivalists, designers, students and all those who are working in this field or w
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BHARATHI, Ramaiah Krishna, and Mysore Nagarajan MAMATHA. "Folk Music: An integral part of everyday life in Southern Karnataka." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (2020): 29–38. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.3.

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"India inherits a rich culture and heritage with vivid art forms such as music, dance, architecture, sculpture and painting. It is found from the history in India more than sixty-four forms of art have been identified and nurtured till date. Indian music has greater precedence in the world. Music in primitive days marked their beginning with natural language and sound. Music was considered a means for communicating the feelings and emotions. Thus, the natural way of expressing the music gave rise to folklore which imitated the daily activities through songs sung naturally in native language wi
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Jhuma, Bandyopadhyay. "Non-Traditional Security & Rural Cultural Development by Tribes." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 1 (2018): 102–8. https://doi.org/10.5281/zenodo.1318898.

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The Paper is on the study of cultural history of India specially contributed by the tribal people. The present scenario is little different as the tribal have been facing a security threat. The cultural history of India is marked by its rich traditional heritage of tribal, folk arts and culture. Since the days of remote ancient period, the diversified art & cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal, folk art and culture forms ha
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Lee nomi. "Iconic Representation and Characteristic of India Folk Art ‘Rangoli'." Journal of Korea Design Forum ll, no. 41 (2013): 89–98. http://dx.doi.org/10.21326/ksdt.2013..41.008.

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Ritesh Ranjan, Ritesh Ranjan. "Folk Art and Nationalism in the 20th Century India." International Journal of Mechanical and Production Engineering Research and Development 10, no. 3 (2020): 2743–48. http://dx.doi.org/10.24247/ijmperdjun2020258.

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Dissertations / Theses on the topic "Folk art, india"

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Woolf, Rachel 1988. "Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248444/.

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Born in 1927 in Bombay, Vanraj Bhatia is an Indian composer of music for concerts, film, television, opera, meditation, and commercial jingles. His musical style is unique, stemming from his training in both Western and North Indian classical, or Hindustani, music. Little is known about Vanraj Bhatia in the Western classical world, and in India he is recognized primarily as a composer of film music. This dissertation aims to bring awareness of Vanraj Bhatia's significance as a Western classical composer, focusing on uncovering the cross-cultural influences of his only solo flute piece, Night M
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Millar, Eve. "Dung, divinity and democracy tracing the cow in Indian folk art, ritual and the work of Sheela Gowda." Thesis, 2004. http://hdl.handle.net/1828/1069.

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In the 1990s internationally renowned Indian artist Sheela Gowda exchanged oil paint for cow-dung. This dramatic shift occurred in response to the rise in Hindu fundamentalism and as way to voice her distress at the violence of the Hindu / Muslim riots. From a eurocentric art-historical perspective, adopting cow-dung to create art may seem like a radical move, but in India it is a material rich in multi layered histories and one resonating with ritual, economic and gendered subtexts and overtones. This thesis analyzes Gowda's multi-coded artworks in an attempt to render more visible an artist
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Books on the topic "Folk art, india"

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Prakash, K. Rajasthani folk art: Traditional art from India. English Edition Publishers & Distributors (India), 2003.

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Pandey, S. P. Folk culture in India. Serial Publications, 2005.

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Lehri, M. S. Indi-folk: Folk and tribal designs of India. Super Book House, 2009.

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Akademi, Kerala Lalitha Kala, ed. Native art of India. Kerala Lalithakala Akademi, 2011.

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Tana, Pradumna. Folk designs from India in color. Dover Publications, 1987.

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Centre for Cultural Resources and Training (India). Living traditions: Tribal and folk paintings of India. Centre for Cultural Resources and Training, Ministry of Culture, Government of India, 2017.

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Home of Folk Art (Gurgaon, India). A catalogue of Indian folk & tribal art in the collection of Home of Folk Art, museum of folk, tribal & neglected art. Home of Folk Art, 1990.

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1922-, Dhamija Ram, ed. Sixty years of writing on art & crafts in India: From Roopa-lekha, 1928-1988. Sterling Publishers, 1988.

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Tagore, Siddharth. Arts of the earth: Folk and tribal art of India. Art & Deal, 2010.

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Shabari (Emporium : Chhattīsgarh, India). Crafting tradition into art. Shabari, Chhattisgarh State Emporium, 2004.

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Book chapters on the topic "Folk art, india"

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Morales-Harley, Roberto. "5. Sanskrit Authors Adapting Greco-Roman Texts." In The Embassy, the Ambush, and the Ogre. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0417.05.

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Lastly, Chapter 5 discuses two main conclusions. On one hand, general influences appear as plausible, particularly regarding the adaptation techniques (the ways in which each tradition turns their epic into theater). Therefore, “Greco-Roman motifs” (literary motifs from the Greco-Roman world that would have made it into India) must at least be considered – alongside “Folk motifs” and “Indo-European motifs” – when comparing these literatures. On the other hand, specific borrowings would have also been possible for the adapted elements (the themes coming to the theater from each epic), consideri
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Sambhani, Rinki, and Saurabh Tewari. "Dots and Lines: Indian Folk and Tribal Art Inspired Activities for Kids." In Design for Tomorrow—Volume 1. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0041-8_58.

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Franco, F. Merlin, Magne Knudsen, and Noor Hasharina Hassan. "Case Studies in Biocultural Diversity from Southeast Asia—Traditional Ecological Calendars, Folk Medicine and Folk Names." In Case Studies in Biocultural Diversity from Southeast Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-6719-0_1.

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AbstractBiocultural diversity refers to the dynamic interrelationship between the Earth’s biological, cultural, and linguistic diversity. The concept draws strength from the fact that biodiversity-rich regions of the world are also rich in cultural and linguistic diversities. This volume adds to scholarship in biocultural diversity with case studies from geographical Southeast Asia. The chapters presented in the volume, based on research in Brunei Darussalam, Indonesia, Malaysia, the Philippines, and Northeast India demonstrate i) how traditional ecological calendars and calendar keepers serve
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Rimas, Juozas, and Juozas Rimas Jr. "Voice and Sound." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_6.

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AbstractThe principles of rhetoric were transferred from vocal music to instrumental music. Song is an extension of speech, while instrumental music is the transfer of song to an instrument (A. Maceina). Pursuit of song-like instrumental expression (“thinking in terms of song”—C. P. E. Bach) is one of the most important forms of musicality. If the externality of the instrument disappears, in this virtuosity the foreign instrument appears as a perfectly developed organ of the artistic soul (G. Hegel).Discovering a love of singing in his teens, the author developed a vocal orientation. Later, in
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Kronenberg, Florian. "Lipoprotein(a)." In Prevention and Treatment of Atherosclerosis. Springer International Publishing, 2021. http://dx.doi.org/10.1007/164_2021_504.

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AbstractLipoprotein(a) [Lp(a)] is an atherogenic lipoprotein with a strong genetic regulation. Up to 90% of the concentrations are explained by a single gene, the LPA gene. The concentrations show a several-hundred-fold interindividual variability ranging from less than 0.1 mg/dL to more than 300 mg/dL. Lp(a) plasma concentrations above 30 mg/dL and even more above 50 mg/dL are associated with an increased risk for cardiovascular disease including myocardial infarction, stroke, aortic valve stenosis, heart failure, peripheral arterial disease, and all-cause mortality. Since concentrations abov
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Mather, E. Cotton, and P. P. Karan. "The Geography of Folk Art in India." In India: Cultural Patterns and Processes. Routledge, 2019. http://dx.doi.org/10.4324/9780429048678-9.

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Manuel, Peter. "South Asia." In Popular Musics Of the Non-Western World. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195063349.003.0007.

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Abstract The South Asian subcontinent, comprising India, Pakistan, Bangladesh, Nepal, Bhutan, and Sri Lanka, encompasses a great diversity of musical cultures and styles. The multitude of folk music traditions reflect the linguistic, ethnic, class, regional, and religious diversity of the South Asian population, now surpassing one billion. The South Asian aristoc­racies sustain two "Great Traditions" of art music, the Hindustani, or North Indian, and the Karnatak, or South Indian.
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Nair, Lakshmi R. "Indian Folk Art Form Grooms and Improves Education With Personalized Learning Methods." In Integrating Personalized Learning Methods Into STEAM Education. IGI Global, 2025. https://doi.org/10.4018/979-8-3693-7718-5.ch017.

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The chapter investigates the intricacies and complexities involved in the making of an art form kathakali from India known for its unique formation process and exposition procedure. It unravels its mysteries involved in the exceptional personalized learning methods born out of them. The chapter discusses the various nuances in merging personalized learning methods with education, each in a selected singular appropriate method. It refers to a much refined and reformed process. It focuses on whetting of learner's comprehension skills to evolve befitting solutions to education problems producing
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Kapuria, Radha. "Introduction." In Music in Colonial Punjab. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867346.003.0001.

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Abstract Undivided Punjab is a telling focus of investigation, given its geographical location—connecting the heartlands of north India with the frontiers of Central Asia—and its inhabitants’ embrace of both the popular and elite domains of music in a way that challenges the familiar trajectory of Indian music’s embourgeoisement and nationalization under colonialism. This chapter prompts a reassessment of Punjab’s regional identity, given its familiar stereotyping as the land of ‘rustic’ culture, by focusing especially on the lesser-known history of Hindustani classical or rāgadārī music in th
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Chatterji, Roma. "Reality Effects and Oral Modes of Entextualization." In The Oxford Handbook of Global Realisms. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197610640.013.26.

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Abstract This chapter explores the possibility of extending “realism” to disciplines beyond art and literary criticism. The notion of the “real” is important in subjects as far apart as folk art, oral literature, and ethnography. But it can have different meanings depending on the context in which it occurs and the kinds of interactions that it may be said to be associated with. The chapter argues that the term “reality effect” may be more useful to describe the emergent quality of everyday interactions and whatever the real may connote in non-Western cultures that anthropologists generally st
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Conference papers on the topic "Folk art, india"

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Rani, Usha. "“Creative Expression of Native Folk Art”(Folk women of Northern India)." In 2nd International Conference on Modern Research in Social Sciences. Global, 2019. http://dx.doi.org/10.33422/2nd.icmrss.2019.09.614.

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Kumar, Manivendra, and Dr Ananya Ghoshal. "Theatre as a Catalyst for Social Change: Understanding Habib Tanvir as a Reformist Playwright in ‘Charandas Chor’ (1975)." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-015.

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Post-independence canon of Indian theatre is marked by a paradigmatic shift in the reformist agendas of the playwrights. Some playwrights used the method of proscenium plays, while others relied on street or folk theatre to present the socio-cultural turbulences of the time. Habib Tanvir is one reformist playwright of the period whose works can be traced at the intersections of proscenium and rural/folk theatre. Tanvir’s plays are considered milestones in the amalgamation of Indian folk theatre arts and the contemporary perspective of the world. Scholars such as Katheryn Hansen and Javed Malli
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Mouli, T. Sai Chandra. "Sustaining Folk Literature: A Study." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.7-7.

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Folk literature is integral to all languages. Verbal and nonverbal forms of folk literature are all pervasive. Verbal forms include proverbs, riddles, lullabies, tales, and ballads, among others. The nonverbal form encompasses dances, games, toys, and objects comprising ethnic designs and flavors. A community’s outlook is shaped by these forms. By and large, folk literature in South Indian languages is performance-oriented, and music is an essential component of the same. The written form has a greater status than the oral presentation. Thus ‘highbrow’ or classical literature enjoys greater st
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Jain, Nitesh Kumar, Parth Chauhan, Hitisha Vinodbhai Dadlani, et al. "Multi-Fold Increase in Production Through Polymer Flooding Application in Viscous Oil Active Aquifer Driven Reservoir of Mehsana Asset, India." In SPE EuropEC - Europe Energy Conference featured at the 84th EAGE Annual Conference & Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214379-ms.

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Abstract K Sand of Field N is highly permeable and has variation in viscosity ranging from 5cP to 120cP. K sand has been producing since 1969 and has recovered about 34%. It produces with strong edge water drive mechanism. The primary recovery is about 20-22% where viscosity is 50 to 120cP, produces oil with 90% Water cut. The early rise in water cut was because of water fingers due to adverse mobility ratio. The poor areal sweep has affected the primary recovery which necessitated the application of suitable EOR. The Polymer EOR scheme was conceptualised to address adverse mobility ratio and
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Piewmoh, Watcharapong, and Pitsanupong Kanjanapayont. "Fracture Characterisation and Basement Reservoir Potential of Phra Wihan Formation in Southern Part of Uttaradit Province, Northern Thailand." In International Petroleum Technology Conference. IPTC, 2023. http://dx.doi.org/10.2523/iptc-22845-ms.

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Abstract This research describes the characterization of fractures in the Mesozoic sandstones Phra Wihan Formation exposed at the southern part of Uttaradit province, Northern Thailand. Fracture characterization of outcrop analog is important to determine potential of subsurface reservoir. The methodology using field study and petrography analysis to determine the relationship of fractures and other structures such as bedding plane and fold geometry. In addition, microstructure analysis can be analoged to the potential of reservoir. The Phra Wihan Formation composed of thick quartz arenite san
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Mouli, T. Sai Chandra. "Towards Understanding Identity, Culture and Language." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-8.

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Knowledge of self is at the core of all human endeavours. In the quest identity assumes significance. It acquired greater relevance and respect on account of Postcolonial concerns. ‘Class’ emerged as the basis of a person’s identity. Subsequent to liberation of colonies from alien rule, postcolonial concerns gained ground. Focus on indigenous ways of life adds new dimension. Social, cultural, psychological and economic structures became the basis of one’s own view of identity. These dynamics are applicable to languages that flourished, perished or are on the verge of extinction. In India, regi
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Gangsar, Purushottam, and Rajiv Tiwari. "Analysis of Time, Frequency and Wavelet Based Features of Vibration and Current Signals for Fault Diagnosis of Induction Motors Using SVM." In ASME 2017 Gas Turbine India Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/gtindia2017-4774.

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This paper presents a comparative analysis of the time, frequency and time-frequency domain based features of the vibration and current signals for identifying various faults in induction motors (IMs) using support vector machine (SVM). Four mechanical faults (bearing fault, unbalanced rotor, bowed rotor and misaligned rotor), and three electrical faults (broken rotor bars, stator winding fault with two severity levels and phase unbalance with two severity levels) are considered in the present study. The proposed fault diagnosis consists of three steps. In the first step, the vibration in thre
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Taluru, Danteswara Rao, and Rajendra Prasad Uppara Allabanda. "Application of Data Analytics in Gas Turbine Engines." In ASME 2019 Gas Turbine India Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gtindia2019-2557.

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Abstract In recent years, Aerospace technology has seen a paradigm shift towards Data analytics. Design, manufacturing, aftermarket and operations found importance of data analytics in reducing cost. Manufactures are developing Data Analytic based tools which help in optimizing their processes and reduce lead time. Engine, aircraft manufactures along with airliners are working together to improve customer experience. This paper, covers topics related to engine manufactures point of view. Engine manufactures can apply data analytics in concept initiation, concept optimization, preliminary, deta
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Maithel, Sameer. "Improved burnt clay brick masonry: lowering upfront embodied carbon, improving thermal comfort and climate resilience of new housing in the Indo-Gangetic Plains." In Comfort at The Extremes 2023. CEPT University Press, 2024. http://dx.doi.org/10.62744/cate.45273.1190-452-461.

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The urban residential building footprint is expected to increase four-fold during 2020-2050 in the Indo-Gangetic Plains region of India. The business-as-usual construction technology of RCC frame with solid burnt clay brick as the walling material use large quantities of steel, concrete and solid brick and is highly resource and carbon intensive. The region produces 110-140 billion solid burnt clay bricks per year. Brick production is associated with large energy consumption, carbon dioxide emission, air pollution and degradation of agricultural land. The study presents an innovative new burnt
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Bartha, A., M. Ali, F. H. Siddiqui, et al. "Integrated Charge Assessment in Nashpa Block Area of Kohat Fold and Thrust Belt of Pakistan." In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23837-ms.

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The main goal of the 2D basin and petroleum systems modeling (BPSM) study was to understand the petroleum systems elements and processes in Nashpa Block Area of Kohat Fold and Thrust Belt (FTB) of Pakistan, including generation potential of presumed source rocks, timing relationship between hydrocarbon charge and trap formation, role of the faults in hydrocarbon migration and accumulation, uncertainties related to input parameters, and last but not least to support the risk matrix concept to increase the confidence in assigned risk values. The area of interest (AOI) of the 2D BPSM study is loc
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Reports on the topic "Folk art, india"

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Shukla, J. P., and Anupma Verma. Community Leave No One Behind: Handbook For Practitioners. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/slh.2021.015.

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Community-Leave No One Behind (CLNOB) is a new participatory approach to identify both challenges and solutions in community's journeys towards ODF-S. It has been designed to be integrated into Phase II of the Swachh Bharat Mission-Grameen (SBM-G). The government of India has issued the guidelines for Phase II of SBM-G, of which one of the guiding principles is ensuring that no one is left behind. CLNOB demonstrates a way to achieve this goal. It encourages communities to identify gaps in sanitation coverage and use and promote actions they can take themselves. The purposes of this handbook ar
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Clark, Donald L., Stefan M. Kirby, and Charles G. Oviatt. Geologic Map of the Rush Valley 30' X 60' Quadrangle, Tooele, Utah, and Salt Lake Counties, Utah. Utah Geological Survey, 2023. http://dx.doi.org/10.34191/m-294dm.

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The Rush Valley 30' x 60' quadrangle extends southwest and west from the greater Salt Lake City–Provo metropolitan area with land use varied between public, military, Indian reservation, and private. This 1:62,500-scale geologic map will aid the proper management of land, water, and other resources. The map area lies within the eastern Basin and Range Province. Mountain ranges are composed of unexposed basement rocks overlain by exposed Neoproterozoic through Triassic rocks that are about 10.4 miles (16.8 km) thick, and by numerous Tertiary sedimentary and volcanic units (~47 to 20 Ma). The in
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