Relevant bibliographies by topics / Folk choreography

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folk choreography'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Folk choreography"

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Hutnyk, Iryna. "Ballet Master's Work of Oleksii Homon in the Context of Folk Stage Choreography of Ukraine." Dance Studies 4, no. 2 (2021): 117–25. https://doi.org/10.31866/2616-7646.4.2.2021.249287.

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The purpose of the article is to identify the personal contribution of choreographer Oleksii Homon to the development of folk and stage choreographic art of Ukraine. Research methodology. To achieve the goal, general scientific methods of theoretical and empirical levels are used: analysis and generalization of scientific and theoretical bases of research, chronological method. Conclusions on the peculiarities of O. Homon’s choreography were made on the basis of the analysis of the revealed complex of sources: choreographic works of the artist, interviews with him, memoirs
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Drach, T. "Folk-modern dance as the method of development choreographic skills for performers in aerial acrobatics and pylon sports." Scientific Journal of National Pedagogical Dragomanov University. Series 15. Scientific and pedagogical problems of physical culture (physical culture and sports), no. 8(153) (August 30, 2022): 42–44. http://dx.doi.org/10.31392/npu-nc.series15.2022.8(153).10.

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Aerial silks and pylon sports are technical and aesthetic directions that help develop the physical qualities of the performer, but it is possible to improve their choreographic skill, which is a component of theperformance, due to the folk-modern classes. Due to the classes in choreography, children and adults improve their performing skills, develop artistry and character, in the process of forming technical qualities. Folk dance develops the performer's acting skills, helps to get acquainted with different types of performance and create a unique national style during the performance of aer
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Petkovski, Filip. "How to Choreograph a Socialist Society?" Arts 13, no. 1 (2024): 15. http://dx.doi.org/10.3390/arts13010015.

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During the existence of Yugoslavia (1945–1991), the leading political ideology of “brotherhood and unity” had to be manifested in all forms of cultural life. Promoting the physically capable body as part of a larger cultural movement, Yugoslavia witnessed the transformation of physical daily regimens into mass bodily spectacles performed at stadiums, called sletovi, demonstrating the power of mass-choreographed discipline. Similarly, Yugoslav choreographers were encouraged to develop a distinct performance aesthetic based on stylization as a rhetoric for modernization, using folk dance as a me
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Na, Risu, and La Gan Chai. "The influence of the history of folk music development on Russian and Chinese folk dances." PHILHARMONICA. International Music Journal, no. 4 (April 2021): 34–53. http://dx.doi.org/10.7256/2453-613x.2021.4.36351.

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The authors consider and analyze the peculiarities of means of dance and plastic expression: pantomime, gestures, choreographic lexics, choreographic pattern, rhythmics, remarks and exclamations. The idea of a combination of a choreographic image and music of Russian and Chinese dances, declared by the authors, is a multi aspect complicated issue which is of a significant scientific interest. The purpose of the research is to reveal the contents of a folk dance stage adaptation which is conveyed with the help of improved means of expression and is an effective tool for the expression of nation
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Pidlypskyi, Andrii, and Oleksandr Aksonov. "Festival and Competition Movement in the Sphere of Folk-Stage Dance in Ukraine Through the Prism of Contemporary Art Studies Thought." Dance Studies 5, no. 1 (2022): 68–77. https://doi.org/10.31866/2616-7646.5.1.2022.261613.

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The purpose of the research is to analyze the current trends in the art-historical understanding of the folk-choreographic festival and competition movement in Ukraine. Research methodology. Methods of analysis and synthesis, comparison, and theoretical generalization are applied. Scientific novelty. The main aspects of consideration of the festival and competition movement in the field of folk-stage choreography of Ukraine in modern Art Studies are revealed. Conclusions. Among the numerous scientific works of domestic theoreticians and practitioners on the problems of
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Narskiy, I. V. "“The Starry Round Dance”: Mastering the Universe by the Means of Folk Choreography in the USSR of the 1960s." Вестник Пермского университета. История, no. 3(54) (2021): 38–47. http://dx.doi.org/10.17072/2219-3111-2021-3-38-47.

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In 1961, Tatiana Ustinova, the choreographer of the famous Pyatnitsky Choir, choreographed “To the Stars”, the first dance on the theme of space exploration in the Soviet repertoire. The suite, in the Russian pseudo-popular style, told of the Russian cosmonaut's encounter with the moon and stars. However, this work remained in the repertoire of the famous chorus for a relatively short time. How to assess the emergence and disappearance of this dance from the point of view of a historian? To answer this question, the choreographic event is placed within the Soviet historical context of the Thaw
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Roi, Yevhenii, and Viktor Lytvynenko. "Syncretism of the Dancing and Theatre Arts, and Its Aspect in the Artistic Structure of the Dramaturgical Outlines of the Scenic Activity." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 66–74. https://doi.org/10.31866/2410-1176.40.2019.172678.

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The purpose of the research is to explore the interrelation between folk dance and theatre arts reproducing the artistic and stage imagery of the play (through archival materials, memories, contemporaries, etc.). It is expressed in the work of the outstanding stage masters – the Ukrainian theatre elders M. Sadovsky, M. Kropyvnytsky, I. Mar’ianenko, P. Saksaganskyi, M. Zankovetska, choreographers H. Nezhinskyi, V. Verhovynets, M. Sobol and others. Methods of the research. There is historical, comparative and art studies, which allow exploring and critically analysing the specifics o
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Blagova, T. "Dynamics of the Concepts Formation of the Profession of Choreographer in Ukraine (on the Material of Creativity of P. Virsky)." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 4(86) (December 21, 2016): 24–29. http://dx.doi.org/10.35433/pedagogy.4(86).2016.24-29.

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The article substantiates the importance of artistic and pedagogical heritage of outstanding Ukrainian choreographer P. Virsky in the development of the choreographic education in Ukraine. Content analysis of the creative legacy of choreographer has compiled the dominant direction of his professional activities which provided the formation and development of folk-stage choreography. Based on personal studio, biographical and bibliographical methods the article clarified the essence of the reform choreography of P. Virsky, its importance in the formation of the concept of Ukrainian choreographe
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KOSTUR, Ivanna, and Nadiya KIPTILOVA. "VASYL PIPASH’ BIOGRAPHICAL AND CREATIVE PATH." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 115–23. http://dx.doi.org/10.30970/vas.23.2022.12200.

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The article systematizes collected data on Vasyl Onufriyovych Pipash, a prominent figure in the field of choreography in Ukraine from the mid-20th to the early 21St century. It explores his contributions as an artist, choreographer, educator in higher education, member of the music society, and artiStic director of choreographic ensembles. The focus goes beyond professional activities to encompass his role in preserving and developing Ukrainian choreographic traditions. The research aims to present the biography and creative path of Vasyl Pipash, a notable figure in Ukrainian choreography from
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Apostol, Snejana. "Some characteristics of the development of choreographic art in Romania and the Republic of Moldova: the values and educational framework." Studia Universitatis Moldaviae. Seria Științe ale Educației, no. 5(165) (July 2023): 190–95. http://dx.doi.org/10.59295/sum5(165)2023_31.

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The given article presents an analytical approach to the evolution of choreographic art in Romania and the Re-public of Moldova. Emphasis is placed on analyzing the evolution of classical stage dance as well as folk dance. It should be noted that the development of choreographic art in Romania was strongly influenced by European choreography. The 19th and 20th centuries were the most significant for the development of Romanian ballet. The most famous classical ballets were staged: Zâna păpușilor, Lacul lebedelor, Priculiciul etc. The fame of Romanian ballet was brought by: Anton Romanowski, Fl
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Dissertations / Theses on the topic "Folk choreography"

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Chi, Alison Tiensung. "Adaptation and choreography of a Chinese folktale, Liang Shanbo and Zhu Yingtai." Diss., Online access via UMI:, 2006.

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Короткевич, Я. С., Н. В. Середа та Н. М. Петрушка. "Гопак як феномен української народної хореографії". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67678.

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Метою даної роботи є дослідження особливостей народного танцю гопак, його різновидів, основних рухів, костюмів. Об’єктом дослідження є український народний танець. Предметом - процес еволюції танцю «Гопак» та засобів його художньої виразності.
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Хіміч, В. Л., та V. L. Khimich. "Підготовка майбутніх учителів фізичної культури до використання засобів народного хореографічного мистецтва у професійній діяльності". Дисертація, Хмельницький національний університет, 2021. http://elar.khnu.km.ua/jspui/handle/123456789/10230.

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У дослідженні здійснено теоретичне узагальнення та вирішено наукове завдання щодо підготовки майбутніх учителів фізичної культури до використання засобів народного хореографічного мистецтва у професійній діяльності. З’ясовано, що актуальність розглянутої проблеми підтверджується змінами вимог суспільства до особистості вчителя фізичної культури, який має бути активним, творчим, прагнути до самовдосконалення. Обґрунтовано основні принципи, закономірності й методологічні підходи підготовки майбутніх учителів фізичної культури до використання засобів народного хореографічного мистецтва у профе
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Liu, Ming-Jen, and 劉明仁. "Manipulate the Hakka elements in the choreography.“Hakka Old Women” choreographed by Hon-wa Folk Dance Troupe is cited as an example." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/d8rkdk.

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碩士<br>國立臺灣藝術大學<br>舞蹈學系<br>101<br>In recent years, Hakka culture has developed rapidly. Many activities are held by the Hakka Affairs Council. Dance in various forms has long been popular in Taiwanese society, but while Hakka history and literature contain many references to Hakka opera and the three-role tea-picking drama, the idea of ‘Hakka dance’ does not exist. Increasingly, however, choreographers, clubs and schools are now engaging in what is termed ‘Hakka dance’ that draws on traditional Hakka elements and symbols including blue-dyed costume, floral printed fabrics, tung oil umbrellas an
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Walker, Christopher A. "Jamaican dance theatre folk origins and contemporary aesthetics /." 2004. http://www.oregonpdf.org.

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Thesis (M.F.A.)--State University of New York College at Brockport, 2004.<br>Includes bibliographical references (leaves 155-157). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.
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Купальна, Дарія Олександрівна, та Dariia Oleksandrivna Kupalna. "Стилізація українського народного танцю". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9800.

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У роботі розглянуто можливі шляхи стилізації українського народного танцю. Висвітлено поняттєво-термінологічний апарат дослідження. Розглянуто становлення та розвиток українського народного танцю. Виявлено основні способи стилізації українського народного танцю. Визначено проблеми стилізації українського народного танцю. Охарактеризовано сучасні тенденції контамінації в процесі стилізації українського народного танцю.<br>The possible ways of grant of style to Ukrainian folk dance are considered in qualifying work. The concept-terminological vehicle of research is reflected. Becoming and develo
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Wong, Jyh-Shyong, and 黃志雄. "“Folks” - A Choreographic Research." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/j8d5pc.

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碩士<br>國立臺北藝術大學<br>舞蹈研究所表演創作組<br>101<br>“Folks” – A Choreographic Research, is a written report based on the graduation choreography of Wong Jyh Shyong entitled “Folks”. As a study on the creative process of “Folks”, this report focuses on ‘Question and Answer’ within its choreographic content and form. Discovering and solving choreographic problems are the process to reveal intention behind choreography, and to seek for its form of expressiveness, which is aesthetically significant for both the choreography and the choreographer. This report is written in four chapters. The first chapter “Int
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Lin, Wei Ting, and 林偉婷. "Exploring into Modernity of The Folk Dance Choreographic Works." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/04187360376637699646.

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碩士<br>臺北市立大學<br>舞蹈學系暨碩士班<br>103<br>This study aimed to explore into modernity of the folk dance works choreographed by two esteemed dancer, Li-Hua Tsai and Chun-Ling Hsiao. There would be two folk dance works mainly discussed in this study. The first one is “Forgetting” in “Rise Like Incense”, the presentation of Taipei Folk Dance Theatre in 2011, which was choreographed by Tsai after her retirement from Taipei Physical Education College (TPEC). The second one is “Moonlight Shouts”, which was choreographed by Hsiao for the annul show of the Department of Dance in TPEC (now is University of Tai
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McCarthy, Leonard Joseph. "The significance of corporeal factors and choreographic rhythms in Jamaican popular music between 1957-1981 (Ska, Rocksteady, Reggae), with an historical and critical survey of all relevant literature dealing with Jamaican folk, religious and popular musics and dance /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR32078.

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Thesis (Ph.D.)--York University, 2007. Graduate Programme in Higher Education.<br>Typescript. Includes bibliographical references (leaves 668-689). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR32078
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Books on the topic "Folk choreography"

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Kisielienė, Laimutė. Lietuvių etninės choreografijos klasifikacija : rateliai: Mokymo priemonė. Vilniaus pedagoginio universiteto leidykla, 2011.

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Tʻatʻaraże, Avtʻandil. Kʻartʻuli xalxuri kʻoreograpʻiis istoriis sakitʻxebi. Tʻbilisis kulturis saxelmcipʻo instituti, 1999.

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Brahim, Bahloul. L' art chorégraphique en Algérie. Office des publications universitaires, 1986.

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Bogdani, Ramazan. Visare etnoreografike: Fshatrat e Tiranës. Akademia e Shkencave e Republikës së Shqipërisë, Instituti i Kulturës Popullore, 2003.

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Henzélyová, Aurélia. Prvé kroky k choreografii l̕udového tanca pre Rómov. Národné osvetové centrum, 2005.

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Martono, Hendro. Koreografi lingkungan: Revitalisasi gaya pemanggungan dan gaya penciptaan seniman Nusantara. Cipta Media, 2012.

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Henzélyová, Aurélia. Prvé kroky k choreografii l̕udového tanca pre Rómov. Národné osvetové centrum, 2005.

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Lonić, Milorad. Koreografija: Tradicionalni ples na sceni. Matica srpska, 2018.

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Bogdani, Ramazan. Koreografí & art i kultivuar. Shtëpia Botuese "Mësonjëtorja,", 1998.

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Bogdani, Ramazan. Koreografí & art i kultivuar. Shtëpia Botuese "Mësonjëtorja,", 1998.

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Book chapters on the topic "Folk choreography"

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Meglin, Joellen A. "White She-Devil in an Otherwise Black Cast." In Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.003.0005.

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Page’s first large-scale ballet, La Guiablesse, is most famous for its casting of a twenty-three-year-old Katherine Dunham. Produced for the 1933 Chicago World’s Fair, A Century of Progress, the ballet featured Page as the She-Devil, opposite an otherwise all-black cast. Later, Page asked Dunham to assume the title role and to restage the ballet for the Chicago Grand Opera; then, the mentor turned the performance rights to the ballet over to her mentee. La Guiablesse was quite a feat of intercultural communication: a Martinique folk tale recorded by Lafcadio Hearn, an immigrant European Americ
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O'Leary, James. "Heightened Realism." In The Middlebrow Musical. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780190265243.003.0003.

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Abstract The middlebrow style attained its most visible exemplar in Rodgers and Hammerstein’s Oklahoma!, and this chapter charts the intellectual background for their collaboration. Rodgers had long worked with Lorenz Hart, who was frustrated that Broadway seemed out of touch with modern audiences. The duo sought to create novel musical theater by experimenting with modern opera and ballet, while retaining their works’ popular-culture appeal. Meanwhile, Hammerstein had been complaining that Broadway had become too lowbrow, and therefore he tried to invoke the higher values of operetta or opera
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Dorf, Samuel N. "“To Give Greece Back to the Greeks”." In Performing Antiquity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190612092.003.0005.

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Eva Palmer Sikelianos, along with her husband, the poet Angehlos Sikelianos, founded the first modern Delphic Festival in 1927 in an effort to revive the ancient Greek rites that had taken place on that spot more than twenty-five hundred years before. This chapter explores Palmer Sikelianos’s choreography, rituals, music, and dramaturgy for her reconstructed Prometheus Bound by Aeschylus in light of her research on ancient Greek culture, conducted in both Paris and modern Greece. Based on silent film records of Palmer Sikelianos’s 1930 festival, her autobiography, her collaborations with Natal
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Kim, Suzy. "Aesthetics of Everyday Folk." In Among Women across Worlds. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501767302.003.0006.

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This chapter covers the most influential figure behind early cultural developments in Korea, the dancer, and choreographer Choe Seung-hui. It highlights the emergence of folk aesthetics as part of a transnational cultural movement. Additionally, the cultural movement is influenced by socialist realism and decolonial aesthetics of everyday life centered on women's activities. The chapter explains how Choe's contributions have been subsumed by official state narratives. It argues how Choe's influence in the creation of basic Korean dance movements was to have a lasting place even if her name was
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Svirskas, Adomas, Bob Roberts, and Ioannis Ignatiadis. "Adaptive Service Choreography Support in Virtual Enterprises." In Agent and Web Service Technologies in Virtual Enterprises. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-648-8.ch004.

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Service Oriented Architecture (SOA) approach in general and the Web services technology in particular enable creation of business applications from independently developed, deployed and owned components called services. A service captures a distinct business function offering some value independently of its usage context. However, it is not enough to have the business functionality of the partners packaged as (Web) services; there is also a need for business-aligned order of interaction between these services a.k.a. business protocols, which can also be reused. The contribution of the chapter
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Iyer, Usha. "Choreographing Architectures of Public Intimacy." In Dancing Women. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938734.003.0003.

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Chapter 2 develops a body-space-movement framework that studies the spaces of dance, the movement vocabularies used, and the resulting construction of star bodies. This framework uncovers the production processes behind the fetishized space of the Hindi film cabaret, an “architecture of public intimacy,” whose spatial and choreographic operations arouse intense sensorial stimulation. Through a focus on cabaret numbers featuring the dancing star Helen, this chapter discusses the cine-choreographic practices that produce a collision of infrastructures, bodies, and spaces. The body-space-movement
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Kinder, Karyna. "THE ART OF DANCING OF VOLYN: THE DYNAMICS OF TRADITIONS AND INNOVATIONS." In Science, technology, and innovation: the experience of European countries and prospects for Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-190-9-13.

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In the complex and contradictory process of social and ethnonational progress of Ukraine, the study of the original creative potentials of the nation becomes especially important not only in the historical and theoretical, but also in the regional aspect. In the domestic research area, we can see the appearance of studies aiming to form a special field of research – the regionics, which is designed to reveal the uniqueness and originality of the cultural environment within a particular local unit. The diverse palette of movements, gestures and poses has a strong ethnic color, reflecting nation
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Shay, Anthony. "Encountering Greek American Soundscapes." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0016.

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In “Encountering Greek American Soundscapes,” respected dance scholar and choreographer Anthony Shay investigates the context of Greek musical performances based on his experiences as a young folk dancer in California from the 1950s to 1970s. After first tracing immigration history and exploring the circumstances in which people listened to music, sang, played musical instruments, and danced in Greece, he then delineates the types of music in several different American contexts, as well as who plays or sings each genre and, who forms the audience. Among the contexts that he notes are church pi
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Sörgel, Sabine. "Baxter, Ivy (1923–1993)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1890-1.

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In the years pre-dating Jamaican independence, Ivy Baxter pioneered a new approach towards dance theatre as a community art form. Along with Beryl McBurnie and Lavinia Williams, she was known as one of the leading figures of Caribbean dance, pioneering what was called bare foot movement in the 1950s. Dissatisfied with the teachings of Eurocentric ballet, Baxter was the first Jamaican dance choreographer to explore the island’s diverse Africanist folk forms and to blend and integrate folk forms with modern expressionist dance of the Sigurd Leeder and Rudolf Laban school. As the founder of Ivy B
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Кondratenko, G. G., and A. S. Plokhotnyuk. ". UKRAINIAN FOLK DANCE IN THE CONTEXT OF EUROPEAN CHOREOGRAPHIC ART OF THE 20TH CENTURY." In PERFORMING ARTS IN THE CONTEXT OF EUROPEAN TRADITIONS: HISTORICAL DEVELOPMENT, CULTURAL ASPECTS AND MODERN TRENDS. Baltija Publishing, 2025. https://doi.org/10.30525/978-9934-26-555-6-6.

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Conference papers on the topic "Folk choreography"

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Kozachuk, O. D. "OUTSTANDING MASTERS OF FOLK AND STAGE CHOREOGRAPHY OF VOLYN." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-130.

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Yang, Qiong, and Lijuan Wu. "Opinions on the Choreography Creation of Yunnan Traditional Folk Dance." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.016.

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LIU, ZINING. "RESEARCH THE AESTHETIC VALUE AND IMAGERY OF THE PLAY "SINGING PRAISE FOR THE LOTUS"." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36084.

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Shanghai Theater Academy's Chinese dance repertoire "Singing and Praising the Lotus" won the third prize in the Ninth Taoli Cup for Chinese National Folk Dance Alevel Youth Group (Women). This dance repertoire has the unique aesthetic value of Chinese folk dance, and as an excellent example of contemporary Chinese dance choreography, it is deeply loved by the audience. Taking the dance "Singing and Praising the Lotus" as an example, this article deeply analyzes the foundation for aesthetic value of dance, carrier, and dance choreography techniques, and also dissects the attributes of dance typ
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Martinsone-Škapare, Katrīne. "The Cultural Heritage of Character Dance Genre in the Education of a Choreographer in Latvia." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2021. http://dx.doi.org/10.22364/htqe.2024.36.

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Research in the fields of culture and arts is an important resource for the development of cultural and creative industries for the creation of new teaching methods, emphasizing the professional aspects of teaching. In professional dance education, teachers’ theoretical and practical skills, alongside their body language, are of utmost importance and are honed to perfection. The study courses are primarily based on the accepted knowledge of history and cultural heritage, preserving these values as a continuation of traditions in the dance industry. The author has chosen the genre of character
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Talpa, Svetlana. "Stage folk dance versus character dance." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.

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In the article, the author’s main objective is to argue the need to study and capitalize on folk stage dance and character dance by comparatively assigning their methodological and aspectual features. For this purpose, the analytical method of approaching the problem is used, as well as the pedagogical aspect. Performing folk dance and character dance exploits the capacity of the mind of both a professional dancer (ballet artists) and of an amateur dancer, by educating the body in order to be aware of each movement performed. From a methodological point of view, the stage folk dance and the ch
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POSTOLACHI, Iulia. "Choregraphic competence – expression of the artistic excellence of primary education teachers." In "Cercetarea pedagogică: exigențe contemporane și perspective de dezvoltare". Materialele conferinţei ştiinţifice internaționale. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.03-04-11-2023.p352-357.

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The article presents the importance of choreographic competence, being one of the most diverse and fascinating forms of human expression, and constantly evolving according to the cultural and historical context. Choreographic competence is not limited to a single form or style, but encompasses a wide range of genres, from traditional and folk dances to contemporary and experimental. Choreographic skill is a powerful way to communicate, express emotions, convey stories and connect people. Overall, the choreographic prowess is an amazing example of teacher creativity and human diversity, illustr
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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БЕРЕСТ, Роман, Александр ПЛАХОТНЮК, and Игорь БЕРЕСТ. "Dance movements and figures in ancient and modern choreographic culture of the population of the Hutsul region." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p165-175.

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The article considers ancient and modern features of folk choreographic art of the population of Hutsul region. Emphasis is placed on the historical and ethnocultural past of the Carpathian region, as well as its interpretation in domestic and foreign written sources, scientific works of famous Ukrainian and foreign researchers of the XIX - XXI centuries, the results of our field research.
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Koroliova, Elfrida. "Director Victor Gherlac’s activity." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.06.

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The shows staged by Victor Gherlac in 1940-1950 corresponded to their time. In the Stefan Batca show, staged just before the outbreak of the war, the foreboding of the war felt. On the eve of Victory Day, the premiere of the spectacular musical comedy One Night in May took place. The show Under the Chestnuts in Prague, staged in the first post-war years, reflected the contrasting visions relevant at the time. The show The Outlaws staged the struggle of the people against the oppressors (which oppressors?) in 1949. In 1950, in the romantic entertainment of the operetta Trembita, people's hopes
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