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Dissertations / Theses on the topic 'Folk Culture'

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1

Murphy, Judith A. "Folk on Tyne : Tyneside culture and the second folk revival, 1950-1975." Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/1731/.

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This thesis explores the nature of the second folk revival in the North East of England. While there have been several major studies of the various national folk revivals during the 1950s, '60s and '70s, there is a paucity of scholarly accounts viewed through a regional lens. This study therefore builds on a common perception of North Eastern regional particularity to establish the ways in which the folk revival as experienced by its members within the region was distinct from that detailed in the literature on the wider (inter-)national folk scene. Using comparative examples drawn from the re
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2

Nyce, Zachary David Robert. "Heartening Folk: Frederic Rzewski's North American Ballads as an Extension of Folk Culture." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1558449012996443.

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3

Noll, William Henry. "Peasant music ensembles in Poland : a culture history /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/11368.

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4

Glăveanu, Vlad Petre. "Creativity and culture : towards a cultural psychology of creativity in folk art." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/415/.

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The present thesis aims to explore creativity as representation, action and cultural participation in the context of a traditional folk art. It develops a cultural psychological approach to the phenomenon, one that considers creativity situated between creators, creations, audiences, and a complex background of norms and beliefs. A tetradic framework is thus formulated trying to capture the dynamic between self and other, “new” and “old” in creative production and in particular their inter-relation through processes of integration, externalisation, internalisation and social interaction. This
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5

Dobler, Robert. "New American Ways of Death: Anxiety, Mourning, and Commemoration in American Culture." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18430.

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The experiences of grief and mourning in response to loss are fundamentally transformative to the self-identity of the mourner, necessitating an array of ritualized behaviors at the communal and individual levels. These rituals of mourning both create a space in which this transformation may take place and provide the structure that can direct that transformation. My focus is on historical and emerging forms of vernacular commemoration, by which I refer to material forms that are created by, acted upon, or in other ways utilized by a person experiencing grief in the service of regaining a sens
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6

Marjenin, Peter A. "The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1412632625.

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7

Gwyndaf, Robin. "Culture in action : studies in Welsh ethnology." Thesis, Bangor University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369399.

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8

Lorensoni, Muryllo Rhafael. "Minhas roupas têm cultura : o Folk na moda contemporânea." Universidade Federal de Mato Grosso, 2013. http://ri.ufmt.br/handle/1/567.

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Encarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008." Electronic version, 2009. http://hdl.handle.net/2100/981.

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Various commentators on punk (e.g. Laing 1985, Frith 1986, Goshert 2000, Reynolds 2005, Webb 2007) have remarked upon an essence or attitude which is much more central to it than any aspects of musical style. Through the analysis of specific recordings as texts, this study aims to deliver on this idea by suggesting that there is an entire generation of musicians working in the independent sphere creating music that combines resonances of folk music with demonstrable punk aesthetics. Given that the cultural formations of folk and punk share many rhetorics of authenticity – inclusivity, communit
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10

McLaughlin, Noel. "Pop and the periphery : nationality, culture and Irish popular music." Thesis, Ulster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326322.

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This thesis seeks to consider the relationship between 'rock' and 'Irishness' • between transnational pop and the nation-state • challenging the 'orthodox' view that Irish rock embodies uniquely Irish characteristics. It is about Irish popular music and identity and is primarily concerned with the relationship between culture and meaning. It argues that the study of popular music as 'text' is important to the more general study of culture (even though the notion of text in popular music is problematic). The thesis seeks to explore how meaning is made in popular music culture across a shifting
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11

Gribble, John. "Verlorenvlei vernacular : a structuralist analysis of Sandveld folk architecture." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/21820.

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A sample of 41 vernacular houses from the Verloenvlei and Lange Vlei valleys in the Sandveld on the Cape West coast, have been subjected to a structuralist analysis of their form. As elements of human material culture these houses represent the physical objectification of invisible culture. They are the products of a culturally dictated mental process of design, and in their form reflect the successful mediation by their creators of a set of binary oppositions common to all human experience. The mental rules that guide this process of design, and therefore account for the physical form of the
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12

Tang, Kai. "Musical Culture of Chinese Floaters." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.

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"Floaters" are a large population of internal migrants in China. Led by a series of urban-based economic policies and the consequent income gap between rural and urban regions, these former peasants left their hometowns, floating temporarily and illegally in the cities for economic opportunities. Without legal immigration status, they are marginalized by local urbanites and are considered by the government as disobedient citizens with the potential to jeopardize the socialist society. This dissertation, drawing on two years' ethnographic and archival research in China, examines the basic cha
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13

Huang, Yue. "BETWEEN POSTMODERNISM AND CHINESE FOLK ART : An Analysis of The Yelang Valley." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-161820.

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14

Koehler, June, and June Koehler. "An Old Art for a New Culture: The Popular and the Avant-Garde in Josep Renau's Nueva Cultura." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12418.

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The Spanish artist Josep Renau (1907-1982) published the propaganda periodical Nueva cultura from 1935 to 1937. Although richly illustrated with cuttingedge graphic design and photomontage, it made use of popular culture with more frequency than might be expected in a left-wing, vanguard publication. This is seen most notably in the March 1937 special edition, published to coincide with a local, popular festival. In the special edition, Renau primarily utilized popular forms of illustration in the layout. Further, by publishing it in the regional language rather than Castilian Spanish,
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15

Brown, Fiona-Jane. "Faith, fear & folk narrative : belief & identity in Scottish fishing communities." Thesis, University of Aberdeen, 2010. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=128257.

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This is a study of folklore in fishing communities using oral narrative as its major source, and analysing the evidence using the methodologies of both oral history and ethnology to illustrate the identity of the group studied. I am particularly concerned with the type of folklore which historian Leonard Primiano describes as ‘vernacular religion’, i.e. rituals and beliefs which demonstrate the religious, spiritual life ‘as lived’ rather than that which is prescribed by the church. The study encompasses fishing communities in the North-East of Scotland, the Outer Hebrides and Shetland, which r
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16

Cobb, Maggie Colleen. "Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6208.

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This dissertation can broadly be summarized as an examination of the construction and maintenance of a specific type of “authentic” American identity through the lens of folk music. Drawing from interpretive perspectives within the sociology of culture and social psychology, social constructionism and symbolic interactionism in particular, I combine ethnographic research with 61 interviews at two different “folk musicians’ festivals” (festivals where attendees, not hired professionals, produce the music). My principal focus at these festivals concerns the various practices and stories surround
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17

Wittmer, Micah. "Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939)." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718725.

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This dissertation explores the portrayal of Negro folk culture in concert performances of the Hall Johnson Choir and in Hall Johnson’s popular music drama, Run, Little Chillun. I contribute to existing scholarship on Negro spirituals by tracing the performances of these songs by the original Fisk Jubilee singers in 1867 to the Hall Johnson Choir’s performances in the 1920s-1930s, with a specific focus on the portrayal of Negro folk culture. By doing so, I show how the meaning and importance of performing Negro folk culture changed over time during this period. My dissertation also draws on Hal
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18

Harper, James. "The role of folk culture in Australia's quest for national identity : a case study." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/36391/1/36391_Harper_1997.pdf.

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In recent years, especially since the release of the cultural policy statement Creative Nation in 1994, the role of Australia's cultural sector in developing the national identity has been a source of public debate. Some commentators have used the metaphor of the quest for self-knowledge to the country's search for identity, and emphasised the importance of the work of artists in expressing this quest. Policy makers have attempted to link this quest more closely with their own arts and other polices. This thesis presents exploratory research into the role played by one particular sector of t
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19

Breschigliari, Juliana Oliveira. "Transmissão e transformação da cultura popular: a experiência do grupo de jongo do tamandaré (Guaratinguetá)." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-03092010-161053/.

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Neste trabalho, procurou-se construir uma aproximação da experiência de um grupo de cultura popular no que diz respeito à transmissão de seus valores e práticas entre as gerações e à transformação deles nesta passagem. Experiência, tal como é compreendida por Benjamin (1985), conta aqui como lente fundamental na medida em que requer do olhar do pesquisador um voltar-se sobre si mesmo, tendo em vista a elaboração do que ele encontra como sua matéria-prima. O trabalho de campo da pesquisa foi feito com o grupo de Jongo do Tamandaré (Guaratinguetá-SP), portador da herança de um ritmo brasileiro d
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20

Lin, Pei-Ying. "Development of curriculum materials to teach American children about the culture of Taiwan through Taiwanese children's songs." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4315.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 10, 2006) Includes bibliographical references.
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Santos, Cibele Lima dos. "Entre rezas e ra?zes: as contribui??es das benzedeiras para o Programa Farm?cia Viva no distrito de S?o Sebasti?o das ?guas Claras ? Nova Lima/MG." UFVJM, 2017. http://acervo.ufvjm.edu.br/jspui/handle/1/1676.

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Francmanis, John Valdis. "The musical Sherlock Holmes : Frank Kidson and the English folk music revival, c.1890-1926." Thesis, Leeds Beckett University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362217.

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23

Somocurcio, Holguin Maria de los Angeles. "Centro Cultural de Danzas Folklóricas en Cusco." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652360.

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El presente trabajo consta de un análisis de la cultura cusqueña y sus manifestaciones inmateriales con el objetivo de plantear un mejoramiento en la difusión y desarrollo de sus costumbres. El folklore peruano es muy vasto y el Cusco alberga gran parte de sus manifestaciones culturales como las danzas folklóricas. Durante la investigación de las necesidades y la problemática de la ciudad, se hace latente el déficit de la infraestructura cultural ante una alta demanda de usuarios locales y extranjeros. Además de un desinterés hacia el poblador local dándole mayor relevancia al turism
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McCann, M. "The past in the present : a study of some aspects of the politics of music in Belfast." Thesis, Queen's University Belfast, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236361.

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French, Katherine Anne. "Enchanted images : the influence of folk culture on the long prose works of Mikhail Bulgakov." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446400.

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Soleri, Daniela. "Developing methodologies to understand farmer-managed maize folk varieties and farmer seed selection in the Central Valleys of Oaxaca, Mexico." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/284781.

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Collaborative plant breeding (CPB) is an approach to crop improvement incorporating close attention to local biophysical and sociocultural environments and interaction between farmers and plant breeders. CPB may have particular potential for improvement in highly stress-prone environments and for low-resource, traditionally based agricultural communities, situations where more conventional approaches have not been effective. However, CPB will require methodological adjustments or innovations relevant to the smaller scale of its target area and its participatory approach. This study investigate
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Hsu, Matthew. "Indie-Folk™: Vintage sensibilities in the 21st century." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/127050/1/Matthew_Hsu_Thesis.pdf.

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This project investigates the indie-folk music scene, characterised by lo-fi and vintage sensibilities evoking the Western colonial 'frontier spirit'—marked by old-timey handmade aesthetics, acoustic instruments and a back-to-basics ethos. Beginning as a niche genre then exploding into mainstream awareness in the 2000s, its popularity grew alongside cultural trends for all things natural, eco-friendly and 'rootsy'. Through interviews with artists, industry practitioners and fans, this research reveals the complexities involved in vintage sensibilities existing in a digitally-connected modern w
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Mora, Pablo. "An encounter between Andean folktale values and biblical values." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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Toupal, Rebecca, Richard W. Stoffle, and Maria Nieves Zedeño. "The Isle Royale Folkefiskerisamfunn: Familier Som Levde Av Fiske- An Ethnohistory Of The Scandinavian Folk Fishermen Of Isle Royale National Park." Bureau of Applied Research in Anthropology, University of Arizona, 2002. http://hdl.handle.net/10150/292657.

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The Bureau of Applied Research in Anthropology (BARA)-University of Arizona ethnographic team (UofA team) contracted with the National Park Service (NPS) Midwest Regional Office in 1998 to conduct an ethnographic and ethnohistoric study of commercial fishing activities at Isle Royale National Park (IRNP). The UofA team, having no connection with Isle Royale National Park, the commercial fishermen or their families who are the focus of this study, provides this report as an independent study of the ethnography and ethnohistory of commercial fishing at Isle Royale. The purpose of this study i
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Mathews-Pett, Amelia. ""Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture." DigitalCommons@USU, 2018. https://digitalcommons.usu.edu/etd/7085.

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This thesis considers, from a folklorist’s perspective, the people in Western society who believe that everyday objects have feelings. It establishes these people as a cohesive group for study, referred to as “people to experience the belief in object sentience,” then analyzes their personal accounts of the experience to find both commonalities and differences. From this analysis and discussion of folkloristic perspectives on belief, the main argument is established: people in this group have generally been marginalized and could benefit from a more careful consideration of their beliefs.
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Burden, Matilda. "Die herkoms en ontwikkeling van die Afrikaanse volksdans." Thesis, Stellenbosch : Stellenbosch University, 1985. http://hdl.handle.net/10019.1/64932.

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Garth, Alan, and edu au jillj@deakin edu au mikewood@deakin edu au kimg@deakin. "A Study of an Australian Rural Music Festival." Deakin University. School of Australian and International Studies, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20040617.152028.

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A social and cultural study of the development of the Port Fairy Folk Festival within the context of the current revival of folk music in Australia. The folk music movement is a social and cultural phenomenon, as well as a musical event.
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Kiszko, Martin Edmund. "The origins and place of the balalaika in Russian culture : its migration to the USA, and the dissemination of balalaika orchestras in America, with particular reference to the Kasura and Kutin collections at the University of Illinois." Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/63aa1b7e-5ac5-4e6e-ab2f-11d611e694be.

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Santiago-Saavedra, Fanny. "The nature of Puerto Rican folk health practices through healers [sic] perceptions and somatic assumptions dissertation /." [Columbus, Ohio] : Ohio State University, 2004. http://www.ohiolink.edu/etd/send-pdf.cgi?acc%5Fnum=osu1092853553.

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Wilkins, Frances. "The old ship of Zion singing in Evangelicalism in North-East and Northern Isles Scottish coastal communities, 1859-2009 /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=25878.

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Souza, Inéia Simas de. "Festival folclórico de Parintins: um olhar sociocultural e educacional." Universidade Federal do Amazonas, 2011. http://tede.ufam.edu.br/handle/tede/4458.

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Balista, Lígia Rodrigues. "Sojeitos da terra: a representação do caipira na dramaturgia de Carlos Alberto Soffredini." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-19032019-112625/.

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Esta tese investiga a representação do caipira na dramaturgia de Carlos Alberto Soffredini. Para isso, analiso quatro peças teatrais que tratam dessa temática: Na carrêra do divino, de 1979, A estrambótica aventura da música caipira, de 1990, Auto de Natal caipira, de 1992, e A madrasta, de 1995. A fim de entender como se construíram essas representações em sua obra, são examinados diversos elementos da cultura popular mobilizados pelo autor, a construção de personagens em cada peça, as escolhas entre recursos dramáticos ou épicos e as variadas fontes de pesquisa utilizadas pelo dramaturgo par
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Hung, Siu-hong Helen. "A better museum experience re-interpreting and re-presenting the house and culture of the Sheung Yiu Folk Museum /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B42220154.

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Wu, You. "Until Death Do Us Unite." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1546.

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The term “ghost marriage” is a loose translation for a Chinese phrase which literally means “netherworld marriage” (冥婚,minghun). It is the marriage which involves at lease one deceased. It has many similarities to an ordinary marriage and yet is fundamentally different. In this thesis, an inscription from an ancient Chinese tomb is transcribed and translated, followed by a discussion on several key terms in the text. Through the examination of the inscription, the vision of the afterlife in ancient China is found to be both a continuation and a separation from this world.
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Boneh, Galia. "Moving from entertainment towards art a new model for creating performance on HIV/AIDS /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1568127991&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Sutton, Matthew D. "The Young, Clean-Cut America: The Hootenanny, Revisited." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2365.

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Vicente, Tamisa Ramos. "Vamos cirandar; políticas públicas de turismo e cultura popular: festivais de ciranda em Pernambuco 1960-1980." reponame:Repositório Institucional da UCS, 2008. https://repositorio.ucs.br/handle/11338/311.

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As pesquisas em Turismo na sua relação com a cultura popular no Brasil possuem basicamente dois enfoques: um em que o turismo é tido como o responsável pela descaracterização das artes populares, e outro em que a atividade turística é vista como instrumento de potencial de valorização, resgate e dinamização da cultura popular de uma comunidade. Esta dissertação visa ponderar criticamente esses dois enfoques a partir do contexto particular da formação das políticas públicas de cultura e turismo, assim como avaliar os desdobramentos dessas políticas junto a cultura popular. No intuito de avançar
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Дильшодова, Гульнора. "Народные праздники и их роль в развитии национальной культуры". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18181.

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В статье описывается происхождение народных праздников и обрядов и их роль в развитии национальной культуры, которая благодаря современности и развитию искусства и культуры определила объективный материал человека. Возрождение народных обрядов было явлением, в котором сыграли свою роль творческая деятельность и ремесла народа.<br>The article describes the origin of folk holidays and rituals and their role in the development of national culture, which, thanks to modernity and the development of art and culture, has determined the objective material of a person. The revival of folk rituals was a
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Jackson-Houlston, Caroline Mary. "Ballads, songs and snatches : the appropriation of, and responses to, folk song and popular music culture in the nineteenth century." Thesis, Oxford Brookes University, 2010. http://radar.brookes.ac.uk/radar/items/9e1ec114-8faf-9eef-65eb-95772b5a8423/1.

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Ballads, Songs and Snatches demonstrates how allusion to folk song and some aspects of popular musical culture were absorbed into the polyphony of discourses in the realist prose of the nineteenth century, and explores the implications of the various transformations that occurred during this process, with an emphasis on the representation of the labouring classes. Wide and deep acquaintance with folk tradition is shown to account for richly dense literary textuaJity, especially in Scott and Hardy, even where they mediate their knowledge tactically. Lack of that knowledge is consonant with weak
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Wang, Shu-Yu, and 汪書毓. "Flower and Folk Culture." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/hw647s.

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碩士<br>國立臺北藝術大學<br>建築與文化資產研究所<br>101<br>China since ancient times is an animistic nation, believing that everything in the universe lives peacefully with a spirit or a soul. With a distinctive history and geography, the folk customs and faith in Taiwan have formed for many different reasons. For instance, in the early times, people could not cope with or explain non-human events, or they were eager to improve their living conditions and quality, but did not know what to do, so they turned to a third party for solutions and physical, mental and spiritual solace. Whatever the result was, they did
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范姜淑雲. "Folk Culture and Metaphor: Plant’s Image of Taiwan’s Hakka Folk Songs." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/38745926610929700691.

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碩士<br>國立臺灣師範大學<br>台灣語文學系<br>100<br>Plant’s image is an major material of Taiwan’s Hakka folk songs, not only representing the content of Hakka folk culture, but also creating the metaphorical language for Taiwan’s Hakka folk songs. The purpose of such language is to reflect all levels from individual life to the dreams, feelings, and wishes of the whole Taiwan’s Hakka population. From the viewpoint of language performance, the plant’s image of Taiwan’s Hakka folk songs is to explain abstract ideas by metaphorical and structural language, and the function of metaphorical language is based on d
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Liu, Chi-yun, and 劉季雲. "The Development of Campus Folk Songs--from Folk Movement to Culture Industry." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/70043106566236993324.

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48

Jamin, Kathryn Rose. "Culturing performance: exploring performance elements in Québec folk culture." Thesis, 2006. http://hdl.handle.net/1828/1999.

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This study explores performance elements in Quebec folk culture events in the context of evaluating the resources needed to construct studies in québécois theatre history for Anglophone students. Using the metaphor of history as a map that charts the landscape of the past and needs many layers of information to do so effectively, resources dealing with Quebec theatre history in English and in French are surveyed and underdeveloped areas are marked for future research. To deal with the unusual circumstance of a very low incidence of theatre practice in Quebec from 1606 until late in the 1800's,
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Yeh, En-Tsz, and 葉恩慈. "Construction and Transformation of Taiwan Campus Folk Songs’ Culture." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/73635025941762344804.

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碩士<br>國立臺灣大學<br>台灣文學研究所<br>96<br>During the 1970s in Taiwan, self-examination was the cultural important direction. All kinds of cultural activities were forced to change or found their new ways of theirs own free will. “The campus folk song” was occurred in this period, it not only represents the spirit in 1970s, but expresses how college youths to establish the independent of culture and the national consciousness. The essay through the campus folk song’s social background, compositional origins and ways, center structure and characters, inherits and transforms of spiritual to discuss the pr
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YU, YIN-CHUN, and 游尹君. "The Creation of "Taiwan Folk Culture in 12 Months "." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/zz3emb.

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碩士<br>國立雲林科技大學<br>數位媒體設計系<br>106<br>As people pay constant regard to the freshness of fashion and technology, they always have existing local consciousness forgotten. However, in recent years, there has been a gradual return of creative historic cultural souvenirs, which has brought many people who have kept up with this trend to access to folk culture. Yet most people have little understanding of traditional culture, and thus when they attempt to approach it, they find themselves in a position of not knowing where to begin. In order to revive this forgotten folk culture and enable the new gen
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