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Journal articles on the topic 'Folk dancing, european'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Kokanović Marković, Marijana. "Dance in the Salons: Waltzes, Polkas and Quadrilles in Serbian Piano Music of the 19th Century." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 133 (March 21, 2022): 120–33. http://dx.doi.org/10.31318/2522-4190.2022.133.257328.

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As public events, balls had an important role in social life among the Serbs in the Habsburg monarchy in the 19th century. They were organised by the aristocracy and citizens, various associations and ethnic groups. The most prestigious were the so-called “nobles”, id est aristocratic balls, while the civil ones were less elegant. A repertoire of dances was to some extent conditioned by the type of the ball. Waltz, polka and gallop were very popular at civil balls, as well as stylised Serbian folk dances, such as kolo. At noble balls, on the other hand, besides waltzes, polkas and gallops, it

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Đorđevic, Nenad, and Slavoljub Uzunović. "Niševljanka as a small town originated urban folk dance." Fizicko vaspitanje i sport kroz vekove 9, no. 1 (2022): 117–34. http://dx.doi.org/10.5937/spes2201120d.

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The subject of this paper are city (small town) folk dances in a broader sense and Niševljanka folk dance as a town game in a narrower sense. The aim of the paper was to describe Niševljanka as a town folk dance. The basic task is to write down the music, rhythm and technique of the dance. In the available literature dealing with the systematization and division of folk dances, city folk dances are nowhere to be found as a special type of dance. Maybe rightly so, since they can be traced back to the traditional, original dances. However, given the conditions and time of the origin of these dan

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Kovács, Nóra. "The Paradox of Authenticity." Tánc és Nevelés 2, no. 1 (2021): 153–57. http://dx.doi.org/10.46819/tn.2.1.153-157.

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The book on the Slovakian authentic folklore movement by the American scholar Joseph Grim Feinberg working in the Czech Republic is a special treat for those interested in dance anthropology. It is always inspiring to look at social and cultural phenomena about the East-Central European region through the eyes of a researcher who is an outlander; this applies to the realm of music and dance, too. The title suggests two fundamental issues that may be interesting and important for Hungarian readers acquainted with the world of folk dancing. One of them is the authenticity of folk-dance related p

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Neycheva, L. "Болгарская национальная идея в фортепианной музыки Б. Бартока и Д. Лигети". Proceedings. College Dobrich VIII (25 грудня 2015): 5–16. https://doi.org/10.5281/zenodo.10033051.

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The article is dedicated to explanation of the Bulgarian phenomenon in the 20th century music based on Thracian ancient roots of Bulgarian dancing culture. The «new barbaric» feature of irregular rhythms of Bulgarian folk music in fast tempos of western European music of the 20th century including a number of piano works by B. Bartok and D. Ligeti became a renovating feature that was revealed through actualization of historic memory about Eastern European sources of the musical culture of the west. B. Bartok was the first to discover super national importance of the Bulgarian folklore feature

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Narskiy, I. V. "FICTION IN "AUTHENTICITY" SUBSTANTIATION: HOW THE SOVIET CHOREOGRAPHERS SUBSTANTIATED FOLK CHARACTER OF THEIR WORKS." UKRAINIAN CULTURAL STUDIES, no. 1 (4) (2019): 61–67. http://dx.doi.org/10.17721/ucs.2019.1(4).12.

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Over the decades, starting from the late 1930’s, soviet journalistic reportage about professional and mainly amateur folk dance groups from central European regions of the USSR and Siberia, Ukraine, Transcaucasia and other parts of the Soviet Union were full of reports about choreog- raphers’ "ethnographic expeditions" down the country and their desire to "learn from the people" dance technique. Why did "field collection" of the choreographic material hold a prominent place and deserve special mention in the stories about amateur folk dance arts? Weren’t numerous stories about folk trips the i

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Marcelli, Andrea Mattia, Francisco Sousa, Josélia Fonseca, Leonor Sampaio da Silva, Marxiano Melotti, and Susana Goulart Costa. "The Unknown Carnival of Terceira Island (Azores, Portugal): Community, Heritage, and Identity on Stage." Sustainability 14, no. 20 (2022): 13250. http://dx.doi.org/10.3390/su142013250.

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Terceira Island hosts a Carnival that enjoys unique features in the landscape of European folklore. It involves a major share of the resident population, it takes place on stages scattered all over the island, and it involves a blend of dancing, music, and acting. This paper presents the preliminary results of a collaborative project between native and foreign scholars, with the activist goal of providing Terceira’s Carnival with visibility in order to ensure its preservation. Documentary evidence and fieldwork activities undertaken in 2020 provide grounds to interpret Terceira’s Carnival as a

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7

MARTYNENKO, O., R. PAVLENKO, and D. ILIN. "UPDATING OF THE CONTENT OF TEACHING FOLK-STAGE DANCE AT HIGH EDUCATIONAL INSTITUTIONS OF UKRAINE." Scientific papers of Berdiansk State Pedagogical University Series Pedagogical sciences 1, no. 2 (2022): 252–62. http://dx.doi.org/10.31494/2412-9208-2022-1-2-252-262.

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The article reveals the relevant aspects of the professional training of applicant of the first level of training within the higher education in specialty 024 «Choreography» which have been caused by the beginning of the military actionі in Ukraine. The publication actualizes the updating of the educational components which are oriented on the formation of readiness of the future choreographers for the teaching Folk-Stage dance within educational institutions of various types. The authors underlined the importance of the determination and highlighting of Ukrainian folk-dancing culture in the c

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Sokolova, Alla. "The Origins of the Genre of the English Masque." Culturology Ideas, no. 17 (1'2020) (2020): 89–98. http://dx.doi.org/10.37627/2311-9489-17-2020-1.89-98.

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This paper aims to analyze the scientific works of leading British researchers to identify the origins of the stages of the formation of the English Masques genre, the influence of continental culture on the Masques genre, understanding the specific features of the first prototypes of the Masques, as well as the “early” Tudor Masques, including the Masques of the times of Henry VIII and Elizabeth І. Research methodology. Twenty-one publications by leading English scholars on this subject are considered, including archival data and historical choirs. The materials of the scientific literature a

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Kasyanova, Olena. "Polyfunctionality of Dance Scenes in Opera Performance." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(58) (March 28, 2023): 112–28. http://dx.doi.org/10.31318/2414-052x.1(58).2023.284761.

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Peculiarities of the interpretation of dance scenes in today's opera performances are considered depending on their functional purpose. The specific characteristics of dance varieties are clearly marked: folk, characteristic, ballroom, classical, modern; methods of their application in accordance with the performance of dramatic tasks in the opera. Differences in the interpretation of ballet acts/paintings/scenes and dance numbers in musical and theatrical performances are outlined. The evolutionary changes of entertainment dance are considered depending on the design paradigm: from the creati

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10

Filatova, Tetiana. "Guitar music by Heitor Villa-Lobos: genre traditions of Brazilian choro." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 141 (November 28, 2024): 96–116. https://doi.org/10.31318/2522-4190.2024.141.319210.

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The relevance of the article is to consider Brazilian guitar music as an important component of the modern South American repertoire. On the example of choros of famous composer Heitor Villa-Lobos connections with the folklore traditions of the country, Afro-Brazilian, AfroCuban primary and derivative patterns of the genre have been revealed. The main objective of the study is to discover in H. Villa-Lobos's guitar music metrorhythmic and intonation-melodic archetypes of the Brazilian choro genre as an essential component of the southeastern regions of the country. The novelty of the article c

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11

Ting, Liu. "Aesthetic principles of interpretation of early arias in the vocalist’s concert repertoire: air de cour." Aspects of Historical Musicology 27, no. 27 (2022): 73–96. http://dx.doi.org/10.34064/khnum2-27.05.

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Statement of the problem. Nowadays, there has been a high demand for historically informed performance, including in the educational process. However, a young performer often faces not only technical problems, but also a lack of understanding of the performance style. So, the relevance of the topic of the article is caused by urgent needs of modern concert and stage practice related to historically oriented performance as well as by the task of modern music education to introduce the Baroque styles into the educational process of vocal performers. The article offers the experience of musicolog

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12

Stetsiuk, R. A. "Saxophone in jazz: aspects of paradigmatics." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 177–99. http://dx.doi.org/10.34064/khnum1-53.11.

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Objectives, methodology and innovation of the study. The research aim is to identify of specifics of the saxophone “image” in light of esthetical and communicative paradigms of jazz. The paradigmatic approach to the objects of musical composition, including the art of jazz, allows reviewing the most general aspects of its development, including varietal instrumental (in particular, saxophone) stylistics. The appearance and strengthening of the position of saxophone in jazz that took place in the first decades of the 20th century heralded the general flourishing of this type of instrumental art

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13

Гороф'янюк, Інна. "Традиційний родильний текст подолян: анатомічний і вербальний коди обрядового тексту". Наукові записки Вінницького державного педагогічного університету імені Михайла Коцюбинського. Серія: Філологія (мовознавство), № 39 (23 січня 2025): 97–107. https://doi.org/10.31652/2521-1307-2024-39-09.

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The topicality of the paper is conditioned by the need to learn the Ukrainian linguistic world-image, identification of verbal means that preserve the collective cultural code. Dialectal worldview is one of the varieties of verbal worldview, which reflecting the peculiarities of the regional worldview, represents the features of the speakers’ spiritual and material worlds perception, imprinted in the language. A dialect text is a reliable source for researching a dialectal worldview specifically and All-Ukrainian one in general. The aim of the article is to conduct the ethnolinguistic analysis

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14

Djumbaeva, Maqpal, and Qızjibek Djumbaeva. "THE BASICS OF CHOREOGRAPHY ABOUT SINGING AND DANCING." March 17, 2025. https://doi.org/10.5281/zenodo.15037735.

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15

A., Aristidou. "Safeguarding our Dance Cultural Heritage." March 24, 2022. https://doi.org/10.2312/egt.20221055.

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Folk dancing is a key aspect of intangible cultural heritage that often reflects the socio-cultural and political influences prevailing in different periods and nations; each dance produces a meaning, a story with the help of music, costumes and dance moves. It has been transmitted from generation to generation, and to different countries, mainly due to movements of people carrying and disseminating their civilization. However, folk dancing, amongst other intangible heritage, is at high risk of disappearing due to wars, the moving of populations, economic crises, modernization, but most import

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16

Aristidou, Andreas, Efstathios Stavrakis, Panayiotis Charalambous, Yiorgos Chrysanthou, and Stephania Loizidou Himona. "Folk Dance Evaluation Using Laban Movement Analysis." August 24, 2015. https://doi.org/10.1145/2755566.

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Motion capture (mocap) technology is an efficient method for digitizing art performances, and is becoming increasingly popular in the preservation and dissemination of dance performances. Although technically the captured data can be of very high quality, dancing allows stylistic variations and improvisations that cannot be easily identified. The majority of motion analysis algorithms are based on ad-hoc quantitative metrics, thus do not usually provide insights on style qualities of a performance. In this work, we present a framework based on the principles of Laban Movement Analysis (LMA) th

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17

Aristidou, Andreas. "Virtual Dance Museum: the Case of Greek/Cypriot Folk Dancing." August 30, 2021. https://doi.org/10.5281/zenodo.7588455.

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In this paper, we have designed and developed a virtual dance museum to provide the technological tools that allow for widely educating the public, most specifically the youngest generations, about the story, costumes, music, and history of our dances. The holistic documentation of our intangible cultural heritage creations is a critical necessity for the preservation and the continuity of our identity as Europeans. In that direction, we have employed a specially designed relational database schema that holistically structures the information within the database, and is ideal for archiving, pr

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18

Малацай, Л. В. "ИННОВАЦИОННЫЕ ТЕХНОЛОГИИ РАЗВИТИЯ НАВЫКА КАНТИЛЕННОГО ПЕНИЯ У МЛАДШИХ ШКОЛЬНИКОВ В ПРОЦЕССЕ ОСВОЕНИЯ ПЕСЕН-ВАЛЬСОВ". Бизнес. Образование. Право, № 3(60) (28 серпня 2022). https://doi.org/10.25683/volbi.2022.60.374.

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В настоящее время при обилии разного рода методической и нотно-музыкальной литературы повсеместно констатируется факт снижения уровня вокально-хоровой подготовки детских коллективов общеобразовательных школ. В семьях утрачена традиция пения родителями народных песен, на которые с давних времен опирались методики постановки и развития голоса отечественных музыкантов-педагогов. Альтернатива привлечения внимание детей к песням лирического протяжного характера видится авторами в аудиовизуальном восприятии вальсов отечественных и зарубежных композиторов через обращение к опыту знакомства детей в до

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19

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont

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20

Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge

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21

Scantlebury, Alethea. "Black Fellas and Rainbow Fellas: Convergence of Cultures at the Aquarius Arts and Lifestyle Festival, Nimbin, 1973." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.923.

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All history of this area and the general talk and all of that is that 1973 was a turning point and the Aquarius Festival is credited with having turned this region around in so many ways, but I think that is a myth ... and I have to honour the truth; and the truth is that old Dicke Donelly came and did a Welcome to Country the night before the festival. (Joseph in Joseph and Hanley)In 1973 the Australian Union of Students (AUS) held the Aquarius Arts and Lifestyle Festival in a small, rural New South Wales town called Nimbin. The festival was seen as the peak expression of Australian countercu

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