Relevant bibliographies by topics / Folk Harp

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Folk Harp'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Folk Harp"

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Weidensaul, Jane B., and David Watkins. "Folk Songs; For Voice(s) and Harp (Or Piano)." Notes 45, no. 2 (1988): 397. http://dx.doi.org/10.2307/941381.

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Wikström af Edholm, Klas. "Mungigan i Sverige." Rig 106, no. 2 (2023): 86–102. http://dx.doi.org/10.61596/rig.v106i2.16111.

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An overall view of the history of the Jew’s harp in Sweden has been lacking up to the 2020s. Previous research has mainly been focussed upon the Medieval period, but less upon the Post-Medieval use of the instrument. I will therefore give an up to date and summarising picture of this subject here, also reviewing literary references and characterisations of the instrument. The other main focus of this article is the ideo-historical perception of the instrument. Besides being a common instrument in (folk)music, a change in the perception of the instrument developed during the middle of the ninet
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Tsyrenov, Chingis Tsybikdorzhievich, and Nomin' Dondokovna Tsyrenova. "Daurian jew’s harp: a little-known musical instrument." Genesis: исторические исследования, no. 12 (December 2021): 346–52. http://dx.doi.org/10.25136/2409-868x.2021.12.37159.

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This article examines the little-studied in the Russian scientific ethnographic and musicological literature Daurian traditional musical instrument mukulien (Chinese 木库莲), which is classified as jew’s harp. The goal of this article lies in determination of its role in modern spiritual culture of the Daurians, as well as characterization of the key stages of the history and evolution of mukulien, including the description of constructive peculiarities based on the material of folk legends and modern Chinese ethnographic research. The scientific novelty
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D.G.V. "A Harper's Celtic Folk Song BookA Harper's Celtic Folk Song Book, ScottishIrish, and SongsWelsh Folk and Tunes (Lever Harp, with and without Vocals). Mary K. Lloyd. Afghan Press, 2002, $15." American String Teacher 53, no. 3 (2003): 120. http://dx.doi.org/10.1177/000313130305300346.

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Yeremchuk, Anastasiya Sergeevna. "Variation as the Dominant Factor in the Form Creation of I. Stravinsky’s Cycle “Four Russian Songs for Soprano, Flute, Harp and Guitar”." Pan-Art 2, no. 1 (2022): 15–22. http://dx.doi.org/10.30853/pa20220004.

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The research aims to substantiate that I. Stravinsky’s creative work is still relevant and innovative today in terms of updating the means of musical expression, searching for original timbre combinations, interpreting the features of Russian folklore in the modern musical language. The paper analyses I. Stravinsky’s cycle containing four Russian songs “Four Russian Songs for Soprano, Flute, Harp and Guitar” based on folk verses. The scientific novelty of the research lies in identifying the basic principle for the development of all elements of I. Stravinsky’s musical language, i.e. variation
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Särg, Taive. "Millise lauliku lapsepõli? Laulu „Kui ma olin väiksekene” allikatest ja autoritest." Keel ja Kirjandus 67, no. 12 (2024): 1088–116. https://doi.org/10.54013/kk804a2.

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The childhood of which songster? On the origins and authors of a beloved song Keywords: folklore, ethnomusicology, choral music, runosong, orality and literacy One of the most iconic and seminal musical works of Estonian culture, the song Lauliku lapsepõli (“Childhood of the Songster”), often referred to by its opening words, “Kui ma olin väiksekene” (“When I Was Little”), was composed on the basis of Estonian folk songs in collaboration between Aino Tamm (1864–1945), one of the first professionally trained Estonian singers, and Miina Härma (1864–1941), the first Estonian female composer. The
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Khaninova, Rimma M. "Yatha in Kalmyk folklore and lyrics of the 20th century: the poetics of a musical instrument." Монголоведение (Монгол судлал) 16, no. 3 (2024): 610–27. https://doi.org/10.22162/2500-1523-2024-3-610-627.

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The article examines the poetics of the musical instrument ‘yath’ (yatha) in Kalmyk folklore and lyrics of the 20th century. The purpose of the article is to study the tradition of this Kalmyk musical instrument in the aspect of its reflection in the works of Kalmyk poets. Materials and methods. The Kalmyk epic “Dzhangar”, Kalmyk folk tales, Kalmyk folk songs, as well as Mongolian legends, poems by B. B. Sangadzhieva, S. L. Baidyev, E. N. Lidzhiev of the 1960s – early 1970s were used as materials. Comparative and comparative, historical and functional methods, as well as the method of descript
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Солдатова, Галина Евлампьевна. "Facultative phono-instruments of the Ob Ugrians." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 4 (December 25, 2019): 44–56. http://dx.doi.org/10.26158/tk.2019.20.4.004.

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Статья посвящена малоизученной области интонационной культуры хантов и манси - факультативным фоноинструментам. Все фоноинструменты обских угров можно разделить на две группы. К первой относятся музыкальные и/или ритуальные инструменты: арфа, цитра, лютня, бубен, варган. Вторая группа включает звуковые орудия, применяющиеся в обрядах, оленеводстве, а также бытовые предметы, приспособленные для звукоизвлечения. Факультативные фоноинструменты не используются в музыкальной практике с эстетической целью, не имеют репертуара, их звучание в ритуале не регламентировано, изготовить их может непрофесси
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Yan, Zheng. "THE CHINESE ERHU INSTRUMENT IN RUSSIA." Arts education and science 2, no. 39 (2024): 175–81. http://dx.doi.org/10.36871/hon.202402175.

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The sound of the Chinese folk instrument erhu, which belongs to the ancient string-bow family of the Huqin family, is distinguished by a special timbre resembling a human voice. In the XXth century, especially in its second half, Chinese composers began to willingly include erhu in the orchestra with European instruments, and in various ensembles, namely: erhu — flute, erhu — harp, erhu — piano. In the last century, the tradition of creating solo compositions for the erhu began to take shape, as the blind musician Abing (Hua Yanjun, 1893–1950) wrote pieces for this instrument. He owns one of t
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Gavin Douglas. "Mahagitá Harp and Vocal Music of Burma, and: Nai Htaw Paing Ensemble: Mon Music of Burma, and: Princess Nicotine: Folk and Pop Music of Myanmar (Burma) (review)." Journal of American Folklore 123, no. 487 (2009): 113–16. http://dx.doi.org/10.1353/jaf.0.0115.

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Dissertations / Theses on the topic "Folk Harp"

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Lanier, S. C. "Playing with time : 'storying' the folk harp in California." Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411363.

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Green, Rachel Kay, and Rachel Kay Green. "Alberto Ginastera's Harp Concerto, Op. 25: A Synthesis of Argentine Nationalism and Neo-Expressionism." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625590.

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The Harp Concerto, Op. 25 by Alberto Ginastera holds an important place in the harp repertoire, as it is one of the longest and most virtuosic concerti, and yet even the most prominent Ginastera scholars have not included it in their analyses. This study examines Ginastera's musical styles and how they are combined in the Harp Concerto to create a piece that both portrays Ginastera’s Argentine heritage and appeals to an international music audience through the use of contemporary compositional techniques. The overarching styles used in the Harp Concerto are Argentine Nationalism and Neo-Expre
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Rodriguez-Rios, Lizary. "Twentieth-century Spanish composers for the harp: A study of Spanish folk elements in selected solo harp works of Jesus Guridi, Gerardo Gombau and Victorino Echevarria." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/284326.

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The purpose of this document is to examine the Spanish folk elements used in original compositions for the harp written by the Spanish composers Jesus Guridi, Gerardo Gombau and Victorino Echevarria. The document demonstrates that the harp is particularly suitable to convey the essence of the rhythmic, harmonic and melodic elements of traditional Spanish folk music. Spanish composers, particularly Jesus Guridi (Viejo Zortzico) Gerardo Gombau (Apunte Betico) and Victorino Echevarria (Capricho Andaluz), adapted elements of Spanish folk music such as cante jondo to create original nationalistic m
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Heredos, Rosemary M. "Medieval Minstrels and Folk Balladeers: An Analysis of Orfeo in Celtic Music and Literature." Kent State University Honors College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1462977417.

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Ludvigson, Emma. "Från åkerbruk och fäboddrift : Den svenska vokala folkmusiken nu och då, har sångsättet förändrats?" Thesis, Karlstad University, Division for Ingesund College of Music, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4843.

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<p>Arbetet behandlar sättet att sjunga folkvisan från bondesamhället till modern tid. Mitt syfte är att ta reda på om sättet att sjunga folkvisan har förändrats genom åren, vidare vill jag undersöka hur folksången har förändrats och vad det beror på. Jag har intervjuat fem kvinnor som alla är verksamma folksångerskor, använt mig av litteraturstudium och lyssnat till arkivinspelningar. I mitt arbete har jag kommit fram till att folksången har förändrats under årens lopp. En skillnad som blev tydlig för mig är att sångarna förr generellt sjöng på ett mer osentimentalt sätt och att sångarna i dag
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Rasmussen, Jonas. "Folk i allmänhet har taskig smak En studie av vanliga läsares kvalitetsvärdering av skönlitteratur." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20483.

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The aim of this study is to investigate ordinary readers&apos; evaluation of quality in literature. The main issue is which criteria ordinary grown-up readers use when they are defining their likes and dislikes in literature. The analysis is based upon qualitative interviews with six readers, two men and four women, between 21 and 59 years of age. The study is hermeneutic. Since theoretical works concerning evaluation of literature among ordinary readers are sparse, the philosopher of arts and religion Hugo A. Meynell&apos;s theories about quality in literature have been used in order to defin
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Hild, Walett Oliver, Emmanuel Berlin, Johan Larsson, et al. "Investigating the function of GroES with hard-to-fold proteins in vivo." Thesis, Linköpings universitet, Kemi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-154170.

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The use of molecular chaperones can increase the yield of correctly folded proteins. This is especially needed in the expression of proteins non-native to the host organism. This study set out to investigate the function of the chaperone GroES; a component in the GroE-system. The function of this chaperone has only been studied alone in vitro. Here we lay ground to further studies on GroES and its ability to act alone in vivo. GroES was expressed from a plasmid and characterized through its potential to increase the amount of correctly folded proteins. Characterization was mainly done by fluor
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Grotli, Åslaug Johanne Bjørnstad. ""Jeg forstår folk bedre rett og slett" : En kvalitativ intervjustudie av langtidseffekter for ledere som har vært gjennom lederutviklingskurs." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for voksnes læring og rådgivningsvitenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-15035.

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Lederutviklingsprogram virker det til at det er mange som gjennomfører i dagens samfunn. Fokuset på å skape gode ledere synes å være stort. Det dette studien vil se nærmere på er hvilke mulige langtidseffekter det å ta et lederutviklingsprogram vil kunne gi. Jeg har valgt en kvalitativ tilnærming til spørsmålet om hva det er deltakere ved et relasjonsledelseskurs opplever at de tar med seg videre av kunnskap og erfaringer. Analysen av dataene førte fram til tre hovedkategorier. Disse er egenopplevd verdi av relasjonsledelseskurset, fasilitering av utviklingsprosessen og påvirkninger på vedvare
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Ahlin, Linnea, Carola Honkanen, and Susanne Karlsson. "”De är ju som vanligt folk, de har inte svar på allting” : En kvalitativ studie om familjehemsföräldrars upplevelser av socialtjänstens stöd." Thesis, Örebro universitet, Akademin för juridik, psykologi och socialt arbete, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-14096.

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Syftet med studien var att undersöka familjehemsföräldrars upplevelser av stödet de fick från en kommuns socialtjänst. Centrala frågor bestod utav hur familjehemsföräldrarna upplevde tillgängligheten av stödet och det emotionella stödet de fick från socialtjänsten samt hur stödet från socialtjänsten upplevdes i kontakt med den placerades nätverk. I studien har tio familjehemsföräldrar från fem familjehem i en mindre kommun i mellansverige intervjuats om deras upplevelser av stödet de får från socialtjänsten. Det är en kvalitativ studie som utgår ifrån utvecklingsekologisk teori samt systemteor
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Tholcke, Ida. "”Den seriösare heterosexuella mannen som har en homosexuell läggning.” : en studie om maskulinitet, manlig sexualitet & representation i tv-serien Queer as folk." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-106753.

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<p>Purpose/Aim: This study is an analysis of the view on masculinity, male sexuality and creation of identity with the television series Queer as folk as a base. The analysis is partly based on a semiotic analysis of the representation of masculinity and male sexuality from an episode of the chosen television series Queer as folk, and partly based on a thematic analysis of focus group discussions with young men with different sexualities.</p><p>Material/Method: This study is based on focus group interviews and a semiotic and thematic analysis. The focus groups consisted of three men in three d
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Books on the topic "Folk Harp"

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Seeger, Pete, Arlo Guthrie, Ronnie Gilbert, and Holly Near. Harp. Redwood Records, 1985.

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Brown, Jeremy H. Folk harp design and construction / by Jeremy H. Brown. Musicmaker's Kits, 2003.

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Sileas. Beating harps. Green Linnet, 1988.

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Woods, Sylvia. Teach yourself to play the folk harp: First book in a series. 5th ed. Woods Music and Books, 1985.

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Kleňha, Jiří. Das Harfenspiel in Böhmen: Die Geschichte der Wandermusikanten aus Nechanitz. Granit, 2002.

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Kleňha, Jiří. Harfenictví v Čechách: Historie vandrovních muzikantů z Nechanic. Granit, 1998.

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Clark, Nora Joan. The story of the Irish harp: Its history and influence. North Creek Press, 2003.

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Moloney, Colette. The Irish music manuscripts of Edward Bunting (1773-1843): Introduction and catalogue. Irish Traditional Music Archive - Taisce Cheol Dúchais Éireann, 2000.

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Ferrier, Claude. El arpa peruana. Biblioteca Nacional del Perú, 2003.

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Brenner, Klaus-Peter. Die kombinatorisch strukturierten Harfen- und Xylophonpattern der Nzakara (Zentralafrikanische Republik) als klingende Geometrie: Eine Alternative zu Marc Chemilliers Kanonhypothese. Holos-Verlag, 2004.

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Book chapters on the topic "Folk Harp"

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Read, Colin L. "A Hard Fork in the Bitcoin Philosophy." In The Bitcoin Dilemma. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09138-4_15.

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Roberge, Paul T. "Lexicalizing vernacular architecture in the Cape Dutch Vernacular." In Investigating West Germanic Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/sigl.8.08rob.

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Afrikaans has hybrid compounds that pair Khoekhoe and Dutch roots to denote indigenous flora and cultural items, e.g., ghwarrieboom ‘guarri tree’. Afrikaans hart(e)beeshuis ‘wattle and daub house’ falls within this compound type, even though it looks straightforwardly Dutch hart(e)bees(t) ‘species of African antelope’ + huis ‘house’. Lexicalization of hybrid harbeeshuis took place in the Cape Dutch Pidgin as a term for a shelter or dwelling with water-resistant roof, with a cognate of Nama xaribe ‘wipe away (water)’ as the first term of the compound. White pastoralists adopted this style of ve
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Migone, Andrea, Alexander Howlett, and Michael Howlett. "Procuring Advanced Weapon Systems and Platforms: Four Types of Procurement Considered." In Procurement and Politics. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25689-9_2.

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AbstractMajor weapon systems and platforms, by nature, tend to be extremely complex and long-term purchases, incorporating cutting edge technology that is both developmentally complex and very expensive, often only being developed as the platform is built, put into service and updated, as has often been the case with new generations of fighter aircraft and warships. It is also the case with such systems that, like a hydroelectric dam or nuclear reactor, they cannot be acquired piecemeal but must be purchased and constructed all in one piece. This complexity, high costs and the lack of severabi
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Bjarkum, Sondre, Maximilian Stiegler Chadoyan, Fausto Orsi Medola, and Frode Eika Sandnes. "Selecting the Right Tool for the Task: A Hard-Soft Cake Eating Experiment with a Spoon and Fork." In Human Systems Engineering and Design III. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58282-1_53.

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Takabe, Hideaki. "Theoretical Model of Dense Plasmas." In Springer Series in Plasma Science and Technology. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-45473-8_8.

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AbstractIn the dawn of quantum mechanics, scientists had challenged to formulate the equation of many-electron system, such as atom and solid matter, just after the success of Schrodinger equation to explain a hydrogen atom. It is found, however, that a system of multi-electron requires the self-consistent treatment of exchange interaction stemming from Pauli exclusive principle.In 1930s, Hartree and Fock has derived the equation with use of Slater determinant. It is called Hartree-Fock (HF) equation. This is the equation for many-electron system and if we can solve it, almost exact solution i
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Karlsberg, Jesse P. "Selectively Staging the “Beloved Community”." In The Oxford Handbook of Community Singing. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197612460.013.37.

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Abstract Folk festival organizers and Black and white Sacred Harp singers collaborated to present community singing from The Sacred Harp tunebook (1844) at the Newport Folk Festival in 1964 and the Smithsonian Festival of American Folklife in 1970 and 1976. As they planned and executed these events, singers and organizers worked at cross purposes in ways that revealed their competing priorities and divergent understandings of race, place, and politics. At these events, organizers characterized the presence of Black and white singers together as serving civil rights protest and later as evidenc
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Campbell, Murray, and Clive Greated. "Stringed keyboard instruments." In The Musician’s Guide to Acoustics. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198165057.003.0008.

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Abstract There are three distinct types of stringed keyboard instruments in common usage, the clavichord, the harpsichord and the piano. These have their origins in the dulcimer and the psaltery which originated about a thousand years ago and are closely related to the harp. Both of these early instruments consist of strings of varying length stretched on a frame over a soundboard. They have no mechanical action, the strings being plucked on the psaltery and struck with light hammers or beaters, held one in each hand, in the case of the dulcimer. Various forms of dulcimer are used today in sch
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Hayes, John. "Sacramental Expressions." In Hard, Hard Religion. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635323.003.0005.

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This chapter looks closely at a related group of practices and beliefs: grave decoration, Christmas lore, folk sermons, baptism, and praying spots. It traces the New South practice of decorating graves with household objects to African cultural practices, and New South Christmas lore (and related lore) to legends circulating in modernizing England. Connecting these with other practices and oral forms common among folk Christians, it shows that they all display a strong sacramental impulse—the longing to manifest the sacred in tangible, material ways. While the dominant religious culture wrough
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Hayes, John. "The Ethics of Neighborliness." In Hard, Hard Religion. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635323.003.0006.

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Beginning with a close analysis of the life and musical oeuvre of “Blind” Willie Johnson, this chapter explores the ethical vision of folk Christianity. It argues that folk Christians confronted the potential downward spiral they faced (a “culture of poverty”) with an ethic of non-retaliatory, self-giving “neighborliness.” This ethic was expressed in indirect ways, in song and proverb, and a crucial part of the ethic was to name tangible destructive forces as personified evil. Middle-class observers either did not see this ethic, or looked with condescension at what they regarded as primitive
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Hayes, John. "Singing of Death—and Life." In Hard, Hard Religion. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635323.003.0003.

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This chapter explores New South folk songs of personified Death, with special focus on the Lloyd Chandler composition “Conversation with Death”—its geographic scope, probable spread over time, and broad community of appropriators. The roots of “Conversation with Death” are traced to the late medieval Dance of Death, and the song is interpreted as articulating a medieval/modernist vision. Folk songs of Death are shown to be strikingly different from the songs of death in the dominant religious culture, where death is a release and the focus is on life after death as one’s true home. In contrast
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Conference papers on the topic "Folk Harp"

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Smart, Anthony E. "Folk wisdom in optical design." In International Laser Science Conference. Optica Publishing Group, 1986. http://dx.doi.org/10.1364/ils.1986.thd1.

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Successfully implementing a complex or sophisticated optical system usually requires more than a knowledge of optical design and ability to use contemporary software codes. To create excellent systems also requires experience above and beyond what may be learned from textbooks. It is these hard-won lessons that may be described by the colloquialism folk wisdom. It can be valuable to be aware of the warnings embedded in apparent partiality or opinions offered without apparent justification. Many times a warning may be disregarded without apparent consequences: on other occasions raising a quest
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Shelby, Renee, Shalaleh Rismani, and Negar Rostamzadeh. "Generative AI in Creative Practice: ML-Artist Folk Theories of T2I Use, Harm, and Harm-Reduction." In CHI '24: CHI Conference on Human Factors in Computing Systems. ACM, 2024. http://dx.doi.org/10.1145/3613904.3642461.

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Wilson, David J., R. Burt Dedmon, W. W. Montgomery, and C. E. Craven. "Doppler Signatures of Hard Targets." In Coherent Laser Radar. Optica Publishing Group, 1987. http://dx.doi.org/10.1364/clr.1987.tha4.

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Monostatic coherent doppler signal-to-noise (S/N) ratio measurements were made with a 15 watt, continuous wave, homodyne 10.6 micrometer ladar. The path from the ladar to the target was 30m horizontal with a single fold of the beam to maximize path length. The beam was focused at the target through the 25cm aperture Schwartzchild telescope. Attenuation at the folding mirror was used to reduce power on the target and attenuate the returned beam to prevent saturation of the detector preamplifier circuit.
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Andrews, David W., Alex Avila, Jared Butler, Spencer P. Magleby, and Larry L. Howell. "Kirigami-Based Deployable Transcrease Hard Stop Models Usable in Origami Patterns." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-98056.

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Abstract Stopping origami in arbitrary fold states can present a challenge for origami-based design. In this paper two categories of kirigami-based models are presented for stopping the fold motion of individual creases using deployable hard stops. These models are transcrease (across a crease) and deploy from a flat sheet. The first category is planar and has behavior similar to a four-bar linkage. The second category is spherical and behaves like a degree-4 origami vertex. These models are based on the zero-thickness assumption of paper and can be applied to origami patterns made from thin m
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Hajian, George. "Hard Working Covers." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.87.

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“… A good archaeological report not only informs us about the strata from which findings originate, but also gives an account of the strata which first had to be broken through.” (Walter Benjamin. Excavation and Memory, ca. 1932. Analog materials are fundamental to my research. As part of my art practice, I tear, cut, rip, fold, and glue together printed images of the masculine performance and the male body to un-masc and reveal its fragility. During the making process what’s usually left behind is a jumble of non-representational refuse—mainly text, backgrounds, and devices used on a page, in
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Hendriks, F. "Thousand-fold scale-up of the oil-air interface in fluid dynamic bearings of hard disk drives." In INTERMAG 2006 - IEEE International Magnetics Conference. IEEE, 2006. http://dx.doi.org/10.1109/intmag.2006.376333.

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ALTUNTAS, UMUT, DEMIRKAN COKER, and DENIZHAN YAVAS. "ENHANCING INTERFACIAL TOUGHNESS IN 3D-PRINTED SOFT-HARD INTERFACES BY FUSED FILAMENT FABRICATION." In Structural Health Monitoring 2023. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/shm2023/36727.

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We proposed a facile strategy for architecting the interface morphology to create tougher and stronger interfaces in additively manufactured multi-material polymer composites in this study. A sutural interfacial morphology between two dissimilar polymer phases PLA (hard) and TPU (soft) is designed and fabricated by the fused filament fabrication technique. The interfacial toughness measurements by the double cantilever beam test reveal a linear correlation between the interfacial toughness and protrusion amplitude. The proposed interfacial architecture can result in up to a 16–18-fold increase
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Li, De-Jun, Murat U. Guruz, and Yip-Wah Chung. "Ultrathin CNx Overcoats for 1 Tb/in2 Hard Disk Drive Systems." In STLE/ASME 2001 International Joint Tribology Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/trib-nano2001-108.

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Abstract Carbon nitride films were grown on silicon and hard disk substrates using pulsed dc magnetron sputtering in a single cathode deposition system. Substrates were mounted on a specially designed rotating holder that allowed 45° tilt angle and substrate rotation about the surface normal up to 20 rpm. AFM scans over 10×10 μm2 showed that 50 nm thick CNx films prepared under optimum substrate bias conditions have r.m.s. surface roughness almost four times lower than those prepared without substrate tilt and rotation. We observed a two-fold reduction in corrosion damage for hard disk substra
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Yoshikawa, Masataka, Yoshinobu Mandai, Yosuke Hiraoka, Harunobu Oonishi, and Tadao Toda. "AMPUTATION LEVEL OF DENTAL PULP FOR HARD TISSUE FORMATION WITH TETRACALCIUM PHOSPHATE / TWO-FOLD CONCENTRATION OF MCILVAIN’S BUFFERED SOLUTION." In Proceedings of the 12th International Symposium on Ceramics in Medicine. WORLD SCIENTIFIC, 1999. http://dx.doi.org/10.1142/9789814291064_0075.

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Yang, Chenxiao, Qitian Wu, Jipeng Jin, Xiaofeng Gao, Junwei Pan, and Guihai Chen. "Trading Hard Negatives and True Negatives: A Debiased Contrastive Collaborative Filtering Approach." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/327.

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Collaborative filtering (CF), as a standard method for recommendation with implicit feedback, tackles a semi-supervised learning problem where most interaction data are unobserved. Such a nature makes existing approaches highly rely on mining negatives for providing correct training signals. However, mining proper negatives is not a free lunch, encountering with a tricky trade-off between mining informative hard negatives and avoiding false ones. We devise a new approach named as Hardness-Aware Debiased Contrastive Collaborative Filtering (HDCCF) to resolve the dilemma. It could sufficiently e
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Reports on the topic "Folk Harp"

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Wogensen, Lotta. Möjligheternas bibliotek : lärande i det livslånga biblioteket. Malmö University, 2021. http://dx.doi.org/10.24834/maulib/2021/11.

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Bibliotek från olika sektorer – om det så är skol-, folk-, sjukhus- eller högskolebibliotek – vilar på en gemensam värdegrund där demokratisk kunskapsdelning och fri åsiktsbildning är centrala värden. Trots det sker det sällan kompetensöverföring och utbyte mellan personal i de olika sektorerna. Genom medel för kompetensutveckling från Region Skåne har åtta bibliotekarier från olika bibliotekssektorer haft möjlighet att lära känna varandras verksamheter och målgrupper. Projektet Möjligheternas bibliotek undersöker hur bibliotekarier genom ett ökat samarbete och en fördjupad kunskap om andra ty
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Lane, L. S., and S. Zhao. Bedrock geology, Mount Huley and Mount Harbottle, Yukon, NTS 116-G/15 and 16. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/329451.

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This map encompasses two 1:50 000 scale map areas at the southw estern margin of Eagle Plain sedimentary basin, in the northern Canadian Cordillera. The eastern part is underlain by the Upper Cretaceous Park in, Fishing Branch, Burnthill Creek , and Cody Creek formations of the Eagle Plain Group, w here shale and sandstone beds dip gently eastw ard to northw ard. The w estern part of the map contains three large anticlinesyncline pairs trending north-northw est-south-southeast that expose Low er Cretaceous W hitestone R iver Formation lying unconformably on Paleoz oic strata of Middle Devonian
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Bhutiani, Rakesh. Environmental Justice and Policy: A Global Imperative for a Fairer, Greener Future: An Urgent need 2025. Rakesh Bhutiani, 2025. https://doi.org/10.36953/rbb.13072025.

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“Environmental justice is not just about the environment-it about people. It’s about dignity. It’s about equity.” The damage we do to the planet does not land evenly. Dark smoke hangs over busy, low-income neighbourhoods, while coastlines that poor island families call home slowly slip below wave after wave. Too often, those who did the least to cause the problem feel the blow first and hardest. That imbalance sits at the heart of environmental justice. It says that caring for nature and caring for people must walk hand in hand. When a new mine opens, a highway stretches through a community, o
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