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Journal articles on the topic 'Folk literature, Latin American'

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1

Krasovskaya, N. V. "Magic Realism as a Way of Representing the Conceptual Metaphor Code of Latin America." Izvestiya of Saratov University. Philology. Journalism 9, no. 2 (2009): 14–18. http://dx.doi.org/10.18500/1817-7115-2009-9-2-14-18.

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Magic realism is an original area of Latin American Literature of the 20th century which possesses a peculiar conceptual system of its own. The «miraculous» reality of the continent is represented in the works within magic realism through a combination of reality elements and fantastic and mythological motifs. The writers deliberately choose and modify folk and mythological substratum of Indian and Black cultures in order to reveal and proclaim the cultural identity of Latin America. Polysemanticism, excessive imagery and the symbolic language of the text are the consequences of the new way of
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2

Kornev, V. A., and O. V. Murashkina. "The Gaucho Archetype in the Artistic Culture of Latin America." Язык и текст 11, no. 1 (2024): 65–73. http://dx.doi.org/10.17759/langt.2024110106.

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<p>The article examines the role of representatives of a specific ethnic group of inhabitants of the South American steppes-Pampas — pastoralists-Gaucho nomads in the formation, formation and development of national Spanish-American literature based on its genres such as oral folk art, lyrical and epic poetry, drama, realistic and psychological novel. The existence of this ethnic type can be traced back to 1775, but the process of turning a Spanish shepherd into a half-breed Gaucho is still largely unclear. The formation of Gaucho literature can serve as an example of the emerg
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3

Morinaka, Eliza Mitiyo. "Agnes Blake Poor e os poemas Pan-American." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 127–52. http://dx.doi.org/10.5007/2175-8026.2019v72n2p127.

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The considerations and arguments of this article were developed based on the information printed in Diário de Notícias, a newspaper from Salvador, Bahia, in Brazil, which states that Agnes Blake Poor was the first North-American woman to translate Brazilian literature into English. Poor edited the anthology Pan-American Poems (1918) that brought a collection of Latin-American poems in English translation. Brazil is represented by Gonçalves Dias, Bruno Seabra, the Portuguese Francisco Manuel de Nascimento, and a gypsy folk-song. Using the theoretical and methodological tools from Descriptive Tr
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4

Bianchi Bustos, Marcelo Emilio. "La literatura folklórica en el aula del profesorado: Una manera de recuperar la tradición por medio de la poesía y de la narración." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 6, no. 1 (2017): 29–35. https://doi.org/10.37819/humanrev.v6i1.840.

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The literature of folk tradition takes on special importance in the initial education. For that reason we decided to develop a project with the teaching students who were in the initial level so that they understand its importance and that, later on, they were able to apply a series of knowledge and strategies in the classroom. We theorized about the importance of narration and/or reading of diverse narrative and poetic texts of oral tradition of Latin American origin so that they could access the different cultures that today coexist in many of the gardens of Buenos Aires as a product of immi
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5

Bianchi Bustos, Marcelo Emilio. "La literatura folklórica en el aula del profesorado: Una manera de recuperar la tradición por medio de la poesía y de la narración." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 6, no. 1 (2017): 29–35. https://doi.org/10.37819/revhuman.v6i1.840.

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The literature of folk tradition takes on special importance in the initial education. For that reason we decided to develop a project with the teaching students who were in the initial level so that they understand its importance and that, later on, they were able to apply a series of knowledge and strategies in the classroom. We theorized about the importance of narration and/or reading of diverse narrative and poetic texts of oral tradition of Latin American origin so that they could access the different cultures that today coexist in many of the gardens of Buenos Aires as a product of immi
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6

Peacock, Andrew G. "Recuerdo De Huautla: An Odyssey of Inner Space." I. IDEOLOGIE/DEVELOPPEMENT / IDEOLOGY/DEVELOPMENT 1, no. 2 (2021): 20–24. http://dx.doi.org/10.7202/1077824ar.

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The contemporary literature on social change in Latin America reflects a perception of folk and modern systems as incompatible, even antagonistic entities. Consistent with this view, change in Indian communities is seen as following one of two basic forms; towards (i) assimilation into the national political, economic and social systems, or (ii) the development of isolationist subcultures. This paper explores the process by which communities, and consequently the individuals thereof, become characterized as traditional and conservative with respect to development. The varied, often opposing vi
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7

Ramirez-Barradas, Herlinda. "El corrido del narcotráfico como descendiente del folclor popular hispano / The drug trafficking ballad and its link to the Spanish popular poetry." TEJUELO. Didáctica de la Lengua y la Literatura. Educación 26 (July 25, 2017): 143–62. http://dx.doi.org/10.17398/1988-8430.26.143.

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Resumen: El artículo es una revisión de los corridos sobre el narcotráfico que en las últimas décadas han invadido el mercado nacional de México y algunas partes de Estados Unidos. En primer lugar se presenta dimensión sensacionalista de la poesía popular y, a partir de los estudios de Julio Caro Baroja. Después, se hacen conexiones entre el romance vulgar y los narcocorridos que, a pesar de los siglos que los separan, presentan una visión similar del delincuente común a quien el pueblo admira por sus despliegues de bravura y coraje. El rastreo permite concluir que el narcocorrido no surge com
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8

Maganini, Andressa Dias, Sarah Vasconcellos Souza, and Luli Hata. "A REPRESENTAÇÃO DA IMAGEM SIMBÓLICA DOS MITOS INDÍGENAS NAS LENDAS BRASILEIRAS." Colloquium Socialis 8, no. 1 (2024): 1–11. https://doi.org/10.5747/cs.2024.v8.s176.

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The project focuses on investigating the consolidation of symbolic images of indigenous mythology in Brazilian legends, especially those that were massively published in books aimed at children. In particular, the characters Curupira and Iara, widely publicized as derived from indigenous culture and known to the public, were the characters chosen for this attack. The objective was to verify whether these characters actually belong to indigenous mythology and, later, whether the visual record corresponds to the image present in the myth. Once the analysis was done, the next stage consisted of c
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9

Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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10

Kaup, Monika. "“¡Vaya Papaya!”: Cuban Baroque and Visual Culture in Alejo Carpentier, Ricardo Porro, and Ramón Alejandro." PMLA/Publications of the Modern Language Association of America 124, no. 1 (2009): 156–71. http://dx.doi.org/10.1632/pmla.2009.124.1.156.

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Cuba assumes a special place in the genealogy of the latin American Baroque and its twentieth-century recuperation, ongoing in our twenty-first century—the neobaroque. As Alejo Carpentier has pointed out (and as architectural critics confirm), the Caribbean lacks a monumental architectural baroque heritage comparable with that of the mainland, such as the hyperornate Churrigueresque ultrabaroque of central Mexico and Peru (fig. 1). Nevertheless, it was two Cuban intellectuals, Alejo Carpentier and José Lezama Lima, who spearheaded a new turn in neobaroque discourse after World War II by popula
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11

Dewan, Michael C., Abbas Rattani, Rania Mekary, et al. "Global hydrocephalus epidemiology and incidence: systematic review and meta-analysis." Journal of Neurosurgery 130, no. 4 (2019): 1065–79. http://dx.doi.org/10.3171/2017.10.jns17439.

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OBJECTIVEHydrocephalus is one of the most common brain disorders, yet a reliable assessment of the global burden of disease is lacking. The authors sought a reliable estimate of the prevalence and annual incidence of hydrocephalus worldwide.METHODSThe authors performed a systematic literature review and meta-analysis to estimate the incidence of congenital hydrocephalus by WHO region and World Bank income level using the MEDLINE/PubMed and Cochrane Database of Systematic Reviews databases. A global estimate of pediatric hydrocephalus was obtained by adding acquired forms of childhood hydroceph
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12

Salas, Daniel A., Paulina Criollo, and Angel D. Ramirez. "The Role of Higher Education Institutions in the Implementation of Circular Economy in Latin America." Sustainability 13, no. 17 (2021): 9805. http://dx.doi.org/10.3390/su13179805.

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Circular economy (CE) describes a sustainable alternative approach to the current linear economy system. It is a growing topic among scholars, practitioners, and decisionmakers; it encompasses several concepts related to sustainability and requires the synergy of multiple actors for success, including higher education institutions (HEIs) as one of the most relevant ones. Current CE is based mostly on experiences in Global North developed countries, where the concept has gained great attention and has already influenced policies and strategies. However, CE in Latin American countries (LA countr
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13

Worowounga, Xavier, Rami Rahmani, Armel-Frederic Namkona, et al. "Metabolites Profiling of Manilkara mabokeensis Aubrév Bark and Investigation of Biological Activities." International Journal of Analytical Chemistry 2022 (May 28, 2022): 1–14. http://dx.doi.org/10.1155/2022/4066783.

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Manilkara mabokeensis Aubrév is a tree that belongs to the Sapotaceae family, native to the tropical forest in Latin America, Asia, Australia, and Africa. The bark of this species is used as traditional medicine to treat diseases. The present study is the first phytochemical investigation on M. mabokeensis Aubrév bark in terms of phytochemical composition and bioactivity. Among the different extracts, ethyl acetate (EtOAc) exhibited the highest values of total phenolic content (TPC), total flavonoid content (TFC), condensed tannin content (CTC), and reducing sugar content, as well as a high an
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14

Ptashenko, Serhii. "Song and dance genre specifics in works for button accordion by the composers of the Department of Folk Instruments of Ukraine of Kharkiv I. P. Kotlyarevsky National University of Art." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, no. 59 (2021): 67–82. http://dx.doi.org/10.34064/khnum1-59.05.

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Recent years have provoked an increasing interest in button accordion arts of Ukraine therefore a great demand for button accordion performance based on song and dance genre features is to be of great importance. Our research work deals with the embodiment of the song and dance genres features in academic button accordion art. The above-mentioned phenomenon has led to the appropriate systematization of their transformations in the musicological viewpoint therefore is stated to be very novel. This systematization is revealed from stylization to various arrangements, further transcriptions, fant
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15

Maria, Mureșan. "THE ALLOHISTORIES OF MAGIC REALISM FRANZ ROH AND THE MAGIC REALIST MODE." Incursions Into The Imaginary 15, no. 2 (2024): 149–66. https://doi.org/10.29302/inimag.2024.15.2.5.

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History as narrative, turning away from the material universe and folding in upon itself in an act of language, is further understood as a matter of tropes by Hayden White (Metahistory, 1975) and of determinism by Ferguson, but not a determinism of causes and effects in the progress of mankind through time; this determinism is actually the set of rules and constraints governing the making of stories:” the teleology of the traditional narrative form” (Ferguson 1997: 65). Yet can we say that the fiction falling under the headings of historiographic metafiction or magical realism, where there is
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16

Kofman, A. F. "Latin American Folklore: Roots, Genres, Uniqueness." Cuadernos Iberoamericanos 11, no. 3 (2023): 164–83. http://dx.doi.org/10.46272/2409-3416-2023-11-3-164-183.

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Latin American folklore is a heterogeneous phenomenon, encompassing different levels, which has been determined by the historical conditions of its formation, existence and evolution. The so-called folklore criollo, which dates back to the Spanish folk poetry brought by the Spaniards to America during the colonial period, is an important part of the Latin American folklore. The specific character of historical and socio-economic circumstances that influenced the formation of the folklore criollo, explain its relatively late formation, as well as the transformation and reinterpretation of the o
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17

Standish, Peter, and Verity Smith. "Encyclopedia of Latin American Literature." Modern Language Review 93, no. 3 (1998): 866. http://dx.doi.org/10.2307/3736587.

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18

Woods, Richard D., and Verity Smith. "Encyclopedia of Latin American Literature." Hispania 81, no. 1 (1998): 107. http://dx.doi.org/10.2307/345475.

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19

Woodbridge, Hensley C., and David William Foster. "Handbook of Latin American Literature." Hispania 71, no. 1 (1988): 96. http://dx.doi.org/10.2307/343218.

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20

Ghosh, Ritwik. "Marxism and Latin American Literature." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 208. http://dx.doi.org/10.24113/ijellh.v8i4.10539.

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In the aftermath of the collapse of the U.S.S.R Marxism remains a viable and flourishing tradition of literary and cultural criticism. Marx believed economic and social forces shape human consciousness, and that the internal contradictions in capitalism would lead to its demise.[i] Marxist analyses can show how class interests operate through cultural forms.[ii] Marxist interpretations of cultural life have been done by critics such as C.L.R James and Raymond Williams.[iii]
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21

McMurray, George R., David William Foster, and David William Foster. "Handbook of Latin American Literature." Chasqui 23, no. 2 (1994): 176. http://dx.doi.org/10.2307/29741154.

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22

Dinneen, Mark. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 57, no. 1 (1995): 428–32. http://dx.doi.org/10.1163/2222-4297-90000755.

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23

Dinneen, Mark. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 58, no. 1 (1996): 462–69. http://dx.doi.org/10.1163/22224297-90000120.

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24

Dinneen, Mark. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 59, no. 1 (1997): 461–68. http://dx.doi.org/10.1163/22224297-90000187.

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25

Dinneen, Mark. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 60, no. 1 (1998): 341–48. http://dx.doi.org/10.1163/22224297-90000246.

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26

Dinneen, Mark. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 61, no. 1 (1999): 366–72. http://dx.doi.org/10.1163/22224297-90000307.

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27

J.E.H. "Latin American Literature and Art." Americas 44, no. 2 (1987): 234. http://dx.doi.org/10.1017/s0003161500073879.

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28

GLEDSON, JOHN. "LATIN-AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 48, no. 1 (1987): 491–98. http://dx.doi.org/10.1163/22224297-90002810.

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29

GLEDSON, JOHN. "LATIN-AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 50, no. 1 (1989): 459–66. http://dx.doi.org/10.1163/22224297-90002960.

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30

BROOKSHAW, DAVID. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 52, no. 1 (1991): 426–30. http://dx.doi.org/10.1163/22224297-90003111.

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31

DINNEEN, MARK. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 54, no. 1 (1993): 407–13. http://dx.doi.org/10.1163/22224297-90003257.

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32

DINNEEN, MARK. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 55, no. 1 (1994): 471–76. http://dx.doi.org/10.1163/22224297-90003331.

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33

DINNEEN, MARK. "LATIN AMERICAN STUDIES: BRAZILIAN LITERATURE." Year’s Work in Modern Language Studies 56, no. 1 (1995): 494–99. http://dx.doi.org/10.1163/22224297-90003409.

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34

Fernández, Adán Alejándro. "The Precedent for Vernacular and Multilingual Liturgies in the Catholic Church in Latin America." Religions 16, no. 5 (2025): 586. https://doi.org/10.3390/rel16050586.

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This paper examines the emergence of vernacular liturgies in Latin America, particularly through the incorporation of folk music in Nicaraguan Masses following the Second Vatican Council (Vatican II). In response to the Romanization of the Catholic liturgy in the nineteenth century, folk songs in local languages became a form of theological and cultural resistance, offering an alternative to the Latin-dominated liturgical tradition. Despite Vatican disapproval of certain Mass settings due to their non-traditional texts, these vernacular liturgies transcended their missionary origins, enriching
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35

Lindell, Kristina, Johannes Wilbert, and Karin Simoneau. "Indexing Folk Literature of South American Indians." Asian Folklore Studies 54, no. 1 (1995): 119. http://dx.doi.org/10.2307/1178221.

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36

Layera, Ramón. "Latin American Literature in English Translation in the Latin American Literary Review." Translation Review 36-37, no. 1 (1991): 60–66. http://dx.doi.org/10.1080/07374836.1991.10523519.

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37

Palleiro, María Inés. "Argentinian Folktales in the Latin American Context: Collections and Belief Narratives." Фолклористика : часопис Удружења фолклориста Србије 6, no. 2 (2021): 33–60. http://dx.doi.org/10.18485/folk.2021.6.2.3.

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38

Manuel, Peter. "From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55, no. 2 (2002): 311–36. http://dx.doi.org/10.1525/jams.2002.55.2.311.

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Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular
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39

March, Kathleen N., and Naomi Lindstrom. "Women's Voice in Latin American Literature." World Literature Today 64, no. 4 (1990): 616. http://dx.doi.org/10.2307/40146907.

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40

Columbus, Claudette Kemper. "Latin American Literature and the Critics." Latin American Research Review 25, no. 1 (1990): 253–58. http://dx.doi.org/10.1017/s0023879100023323.

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41

Vieira, Else R. P. "Latin American Literature and Post-structuralism." Hispanic Research Journal 21, no. 6 (2020): 726–28. http://dx.doi.org/10.1080/14682737.2020.1949888.

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42

Salper, Roberta L. "Women's Voice in Latin American Literature." Revista Iberoamericana 57, no. 154 (1991): 413–15. http://dx.doi.org/10.5195/reviberoamer.1991.4899.

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43

Carroll, Patrick J. "Recent Literature on Latin American Slavery." Latin American Research Review 31, no. 1 (1996): 135–47. http://dx.doi.org/10.1017/s0023879100017787.

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44

Lyon, Ted, and David W. Foster. "A Handbook of Latin American Literature." Rocky Mountain Review of Language and Literature 42, no. 1/2 (1988): 83. http://dx.doi.org/10.2307/1347444.

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Johnson, Harvey L., and Naomi Lindstrom. "Women's Voice in Latin American Literature." Hispania 74, no. 2 (1991): 328. http://dx.doi.org/10.2307/344833.

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Ferreira-Pinto, Cristina, David William Foster, David William Foster, David William Foster, and David William Foster. "Cultural Diversity in Latin American Literature." Revista de Crítica Literaria Latinoamericana 23, no. 45 (1997): 214. http://dx.doi.org/10.2307/4530905.

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47

Liscano, Juan, Jorge Luis Borges, and Juan Liscano. "National Identity in Latin-American Literature." Diogenes 35, no. 138 (1987): 41–60. http://dx.doi.org/10.1177/039219218703513803.

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48

Freeland, Gregory. "The Latinization of Latin American literature." History of European Ideas 20, no. 1-3 (1995): 61–69. http://dx.doi.org/10.1016/0191-6599(95)92925-k.

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49

López-Calvo, Ignacio. "Asian Religiosity in Latin American Literature." International Journal of Latin American Religions 2, no. 1 (2018): 104–16. http://dx.doi.org/10.1007/s41603-018-0034-9.

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50

Lindstrom, Naomi, and David William Foster. "Cultural Diversity in Latin American Literature." World Literature Today 68, no. 3 (1994): 541. http://dx.doi.org/10.2307/40150402.

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