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Journal articles on the topic 'Folk literature Metamorphosis Metamorphosis in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Dutchak, Violetta. "PRINCIPLES OF LITERATURE AND MUSICAL ART INTERACTION OF THE UKRAINIAN DIASPORA DURING THE XX – EARLY XXI CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1 (December 17, 2020): 186–93. http://dx.doi.org/10.25264/2409-6806-2020-31-186-193.

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The study presents the methodological foundations analysis of the interaction between music and literature of the Ukrainian diaspora in the period of XX – early XXI century. In particular, the article offers an example of analysis of such interaction on the example of Ukrainian diaspora bandura art. Fundamental in the methodological analysis of the art interaction, and in particular literature and music, are the forms of emigrant (diasporic) worldview – conservative (traditional), synthesizing (unifying), and transforming (experimental). They are manifested in various forms of foreign artists’ creative activity – editing (restoration) of ancient genres, their modification and metamorphosis. The concept of “meta-art” was used as the main methodological basis for the music and literature interaction analysis, which is aimed at finding mechanisms for a comprehensive analysis of the Ukrainian diaspora art within the historical stages (according to emigration waves) and within the territorial settlements that found its reflection in figurative-thematic, value-aesthetic, genre, stylistic priorities of artists and interpretation of their ideas and meanings. The levels of literature and musical art interaction are considered by the author of the article on the inclusion samples in the bandura repertoire of various genres arrangements of folklore, religious and spiritual creativity, “shevchenkiana”, and works based on the Ukrainian poems of the XIX – XX centuries. Among the musical and folklore samples are epos (dumas, historical songs), domestic, humorous, lyrical songs, and the latest genres of works of the liberation struggle – songs of Sich riflemen, rebel songs. Among the spiritual and religious works are psalms and chants, kolyadkas and shchedrivkas, as well as religious and liturgical compositions by D. Bortnyansky, A. Hnatyshyn, M. Haivoronsky, M. Lysenko, D. Sichynsky, and other works arranged for bandura ensembles or chapels. Shevchenkiana bandura repertoire includes arrangements of folk songs and author’s works based on T. Shevchenko’s poems for solo bandura players and ensembles, recorded in music editions and sound recordings. Examples of cooperation between composers and poets in bandura art (in particular, H. Kytasty and I. Bahriany) are analyzed separately.

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2

Koehler, Karin. "VALENTINES AND THE VICTORIAN IMAGINATION:MARY BARTONANDFAR FROM THE MADDING CROWD." Victorian Literature and Culture 45, no. 2 (May 5, 2017): 395–412. http://dx.doi.org/10.1017/s106015031600067x.

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The custom of celebrating Valentine'sDay dates back to the Middle Ages. The emergence of Valentine's Day as a commercial holiday, exploited above all by the greeting card industry, is more recent. In Britain, Valentine's Day cards emerged in the eighteenth century. As David Vincent writes,The observance of 14 February underwent a metamorphosis during the eighteenth century which was later to befall many other customs. What had begun as an exchange of gifts, with many local variations of obscure origin, was gradually transformed into an exchange of tokens and letters, which in turn began to be replaced by printed messages from the end of the century. (44)Early examples of pre-printed Valentine's Day stationery and manuals for the composition of the perfect valentine reveal that existing folk customs were swiftly adapted by modern print culture and an increasingly literate population. However, it was the 1840 introduction of Rowland Hill's penny post in Britain, alongside concomitant advances in American and European postal infrastructure, which led to a veritable explosion in the exchange of valentines, moulding the practice into a shape still recognisable today (see Golden 222). Hill not only democratised access to written communication by lowering prices, he also anonymised epistolary exchange. Prepaid stamps and pillar post boxes made it possible to correspond with anyone, anywhere, without giving away one's identity. And while sending an anonymous letter would have been perceived as a violation of epistolary decorum during the remainder of the year, on Valentine's Day it was not only acceptable but, as Farmer Boldwood hints in Thomas Hardy'sFar from the Madding Crowd(1874), expected. The opportunity for anonymous correspondence generated an enthusiastic response.

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3

Hołda, Małgorzata. "The Poetic Bliss of the Re-described Reality: Wallace Stevens: Poetry, Philosophy, and the Figurative Language." Text Matters, no. 10 (November 24, 2020): 423–32. http://dx.doi.org/10.18778/2083-2931.10.23.

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The article addresses the issue of the intimate but troublesome liaison between philosophy and literature—referred to in scholarship as “the ancient quarrel between poets and philosophers.” Its aim is double-fold. First, it traces the interweaving paths of philosophical and literary discourse on the example of Wallace Stevens’s oeuvre. It demonstrates that this great American modernist advocates a clear distinction between poetry and philosophy on the one hand, but draws on and dramatizes philosophical ideas in his poems on the other. The vexing character of his poetic works exemplifies the convoluted and inescapable connections between philosophy and poetry. Second, it discusses various approaches to metaphor, highlighting Stevens’s inimitable take on it. The diverse ways of tackling metaphorical language cognize metaphor’s re-descriptive and reconfiguring character. They embrace e.g., Stevens’s concept of metaphor as metamorphosis, or as “resemblance rather than imitation.” The to date interpretations of Stevens’s poetry in the light of a whole host of philosophies yield important insights into the meaningful interconnections between poetry and philosophy. However, rather than offering another interpretation of his poems from a given philosophical angle, the versatile voices presented here interrogate what poetry consists in.

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4

Dudis, E. "Metamorphosis." Literary Imagination 9, no. 3 (May 26, 2007): 344. http://dx.doi.org/10.1093/litimag/imm013.

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5

Hill, Stanley. "Kafka's Metamorphosis." Explicator 61, no. 3 (January 2003): 161–62. http://dx.doi.org/10.1080/00144940309597794.

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6

Shaland, Irene, and Franz Kafka. "Metamorphosis." Theatre Journal 41, no. 4 (December 1989): 549. http://dx.doi.org/10.2307/3208024.

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7

Bataille, Georges, and Annette Michelson. "Metamorphosis." October 36 (1986): 22. http://dx.doi.org/10.2307/778542.

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8

Gioia, Dana. "Metamorphosis." Hudson Review 49, no. 3 (1996): 424. http://dx.doi.org/10.2307/3852511.

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9

Jowett, John. "Shakespeare's Metamorphosis." Shakespeare 13, no. 4 (October 2, 2017): 318–32. http://dx.doi.org/10.1080/17450918.2017.1402816.

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10

Otterspeer, Willem. "Metamorphosis. Jolles and Huizinga and Comparative Literature." Cahiers d’études italiennes, no. 23 (December 30, 2016): 19–28. http://dx.doi.org/10.4000/cei.3055.

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11

Malhotra, Neeraj, and Kundabala Mala. "Calcific metamorphosis. literature review and clinical strategies." Dental Update 40, no. 1 (January 2, 2013): 48–60. http://dx.doi.org/10.12968/denu.2013.40.1.48.

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12

Schrijvers, Joeri. "Metamorphosis or Mutation?" Angelaki 26, no. 3-4 (July 4, 2021): 162–77. http://dx.doi.org/10.1080/0969725x.2021.1938412.

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13

Masing-Delic, Irene. "Gorky's Tutorship and Zoshchenko's "Metamorphosis"." Russian Studies in Literature 33, no. 2 (April 1997): 49–59. http://dx.doi.org/10.2753/rsl1061-1975330249.

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14

Adkins. "Raphael's Homeric and Biblical Metamorphosis." Milton Studies 62, no. 1 (2020): 78. http://dx.doi.org/10.5325/miltonstudies.62.1.0078.

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15

Rowe, Michael. "Metamorphosis : Defending the Human." Literature and Medicine 21, no. 2 (2002): 264–80. http://dx.doi.org/10.1353/lm.2002.0024.

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16

Rodgers, Barbara Saylor. "The Metamorphosis of Constantine." Classical Quarterly 39, no. 1 (May 1989): 233–46. http://dx.doi.org/10.1017/s0009838800040611.

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Many have written of imperial qualities perceived or publicized, particularly of those attached to the emperor Constantine. Although only a tediously exhaustive volume could do justice to the whole subject, and any essay which does not embrace the whole runs the risk of being faulted for some omission or other, one may yet justify a particular concern. The subject of the present paper is the tension between form and function, which appears nowhere so readily as in a series of similar literary exercises spanning a number of years, and the demonstration that form will always yield to practical necessity. For example, the rise, fall, and rehabilitation of Maximian through seven of the Panegyrici Latini clearly illustrates the many functions of a standard form. Constantine's is a more complicated case which involves two kinds of form and a certain amount of Augustan posturing.

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17

Dowling, Katie. "Metamorphosis in African Artifacts." African Arts 28, no. 1 (1995): 89. http://dx.doi.org/10.2307/3337258.

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18

Lazic, Nebojsa. "The language of literature and the metamorphosis of humanity." Zbornik radova Filozofskog fakulteta u Pristini 45, no. 3 (2015): 3–20. http://dx.doi.org/10.5937/zrffp45-8775.

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19

Frakes, Jerold C. "Race, Representation and Metamorphosis in Middle High German Literature." NOWELE Volume 31/32 (November 1997) 31-32 (November 1, 1997): 119–33. http://dx.doi.org/10.1075/nowele.31-32.11fra.

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20

Van der Vyver, Peet J., Martin Vorster, Casper H. Jonker, and Nicoline Potgieter. "Calcific Metamorphosis - A review of literature and clinical management." South African Dental Journal 75, no. 6 (November 27, 2020): 316–22. http://dx.doi.org/10.17159/2519-0105/2020/v75no6a5.

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21

Grande. "Immigration and Transformation: My Literary Metamorphosis." World Literature Today 93, no. 4 (2019): 78. http://dx.doi.org/10.7588/worllitetoda.93.4.0078.

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22

Petras, James. "The metamorphosis of Latin America's intellectuals." Critique 22, no. 1 (January 1994): 59–67. http://dx.doi.org/10.1080/03017609408413372.

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23

Ramos, Juan Antonio, and Mark McCaffrey. "The Metamorphosis (Franz Kafka)." Callaloo 17, no. 2 (1994): 501. http://dx.doi.org/10.2307/2931771.

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24

Thaddeus, Janice. "The Metamorphosis of Richard Wright's Black Boy." American Literature 57, no. 2 (May 1985): 199. http://dx.doi.org/10.2307/2926062.

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25

Fletcher, Angus, and Bruce Clarke. "Allegories of Writing: The Subject of Metamorphosis." Studies in Romanticism 38, no. 1 (1999): 116. http://dx.doi.org/10.2307/25601379.

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26

Krause, Edith H. "Aspects of Abjection in Kafka’s The Metamorphosis." Lit: Literature Interpretation Theory 30, no. 4 (October 2, 2019): 303–22. http://dx.doi.org/10.1080/10436928.2019.1673022.

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27

Usandizaga Lleonart, Helena. "Revealing Transfigurations: Classical Metamorphosis and Prehispanic Myths in Peruvian Literature." Mitologías hoy 19 (June 15, 2019): 33. http://dx.doi.org/10.5565/rev/mitologias.608.

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28

White-Le Goff, Myriam. "Miranda Griffin, Transforming Tales, Rewriting Metamorphosis in Medieval French Literature." Cahiers de civilisation médiévale, no. 239 (July 1, 2017): 300–303. http://dx.doi.org/10.4000/ccm.5891.

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29

Sun, Minyan. "Reflections on Autoexoticism by Way of Cortazarian Literature." PMLA/Publications of the Modern Language Association of America 132, no. 2 (March 2017): 442–46. http://dx.doi.org/10.1632/pmla.2017.132.2.442.

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The oeuvre of Julio CortÁzar contains many facets of autoexoticism. In this essay, I engage with a few of his works to examine the notion of autoexoticism in two main aspects: first, the transformation of the self into the other self as a form; second, autoexoticists as those whose notion of the self inhabits their own desirous gaze.Textual examples in Cortázar's literature that illustrate the first aspect are ubiquitous. For instance, in his short story “Lejana” we observe the alteration of Alina Reyes into a beggar in Budapest as she envisages with increasing clarity in her diary, while living in Buenos Aires, another self in Budapest. Her obsession with and fervent desire for this other self culminates in a final metamorphosis into it. The metamorphosis is based on the narcissistic reduplication of her self. In other words, through the externalization and exoticization of her self, she assumes an autoexoticist one.

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30

Feldherr, Andrew. "Metamorphosis and Sacrifice in Ovid's Theban Narrative." Materiali e discussioni per l’analisi dei testi classici, no. 38 (1997): 25. http://dx.doi.org/10.2307/40236090.

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31

Žďárek, J., and D. L. Denlinger. "Metamorphosis behaviour and regulation in tsetse flies (Glossina spp.) (Diptera: Glossinidae): a review." Bulletin of Entomological Research 83, no. 3 (September 1993): 447–61. http://dx.doi.org/10.1017/s0007485300029369.

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AbstractThis review examines the recent literature on tsetse (Glossina spp.) metamorphosis behaviour and its regulation. The behavioural events associated with metamorphosis are highly specific and most occur only once during the life of the fly. The review begins with the larva's commitment to metamorphosis and then discusses the behaviour associated with parturition, wandering of the third instar larva, pupariation, pupation and adult eclosion. While certain aspects of tsetse metamorphosis behaviour are common to the higher Diptera, the peculiar reproductive strategy of tsetse has dictated many modifications. Most notable of the tsetse peculiarities are the larva's late commitment to metamorphosis, the contribution by the mother in deciding the onset of the wandering period, the brevity of the wandering period, the involvement of the nervous system in co-ordinating puparial tanning, the tight pack aging of the pupa within the puparium, the long duration of pharate adult development, and the great expansion of the body that occurs following eclosion. A final section discusses the potential for disrupting tsetse metamorphosis.

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32

Heyer, Astrid. "The Bernanosian Metamorphosis of Blanche de la Force." Renascence 48, no. 1 (1995): 25–35. http://dx.doi.org/10.5840/renascence199548118.

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33

Cragg, William E. "Bulwer's Godolphin: The Metamorphosis of the Fashionable Novel." Studies in English Literature, 1500-1900 26, no. 4 (1986): 675. http://dx.doi.org/10.2307/450618.

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34

Cooper, Pamela. "Metamorphosis and Sexuality: Reading the Strange Passions ofDisgrace." Research in African Literatures 36, no. 4 (December 2005): 22–39. http://dx.doi.org/10.2979/ral.2005.36.4.22.

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35

Sokolov, Danila. "Mary Wroth, Ovid, and the Metamorphosis of Petrarch." Modern Language Quarterly 81, no. 1 (March 1, 2020): 1–31. http://dx.doi.org/10.1215/00267929-7933063.

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Abstract The language of arboreal metamorphosis in Lady Mary Wroth’s pastoral song “The Spring Now Come att Last” from Pamphilia to Amphilanthus (1621) may invoke the myth of Apollo and Daphne. However, the Ovidian narrative so central to Petrarchan poetics celebrates the male poet by erasing the female voice. This essay instead explores parallels between Wroth’s poem and the metamorphosis of the Heliades, who turn into poplars while mourning their brother Phaeton in book 2 of the Metamorphoses. Their transformation is predicated on an act of female speech, however precarious and evanescent. This alternative Ovidian scenario offers a model of lyric that capitalizes on the brief resonance that the female voice acquires at the point of vanishing. By deploying it in her song, Wroth not only rewrites Petrarch through Ovid in order to articulate a gendered lyric voice but shows herself a poet attuned to the crucial developments in English lyric of the sixteenth and seventeenth centuries, in particular the complex relationship between the Petrarchan and the Ovidian legacies.

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36

Goonetilleke, D. C. R. A. "Sri Lankan Drama in English: Metamorphosis through Migration." World Literature Today 68, no. 3 (1994): 493. http://dx.doi.org/10.2307/40150363.

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37

Lucking, D. "Translation and Metamorphosis in A Midsummer Night's Dream." Essays in Criticism 61, no. 2 (April 1, 2011): 137–54. http://dx.doi.org/10.1093/escrit/cgr002.

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38

SILBERMAN, LAUREN. "The Hermaphrodite and the Metamorphosis of Spenserian Allegory." English Literary Renaissance 17, no. 2 (March 1987): 207–23. http://dx.doi.org/10.1111/j.1475-6757.1987.tb00933.x.

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39

Byrd, Max. "Pope and Metamorphosis: Three Notes." Modern Philology 85, no. 4 (May 1988): 447–59. http://dx.doi.org/10.1086/391655.

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40

Butterfield, Ardis. "Transforming Tales: Rewriting Metamorphosis in Medieval French Literature by Miranda Griffin." Common Knowledge 26, no. 1 (January 1, 2020): 176–77. http://dx.doi.org/10.1215/0961754x-7900084.

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41

Hodgson, Eleanor. "Transforming Tales: Rewriting Metamorphosis in Medieval French Literature by Miranda Griffin." Mediaeval Journal 6, no. 2 (July 2016): 157–58. http://dx.doi.org/10.1484/j.tmj.5.112772.

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42

Lewis, Liam. "Transforming Tales: Rewriting Metamorphosis in Medieval French Literature. By Miranda Griffin." French Studies 70, no. 3 (May 30, 2016): 420.2–421. http://dx.doi.org/10.1093/fs/knw154.

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43

Koschmal, Walter. "Poetik einer neuen Metamorphose: zu Róža Domašcynas Dichtung." Zeitschrift für Slawistik 66, no. 1 (March 30, 2021): 1–22. http://dx.doi.org/10.1515/slaw-2021-0001.

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Summary The paper characterizes the poetics of the Sorbian poet Róža Domašcyna (*1951). Domašcyna creates diverse methods of metamorphosis in her numerous lyrical works. Different concepts of metamorphosis from Ovid to Goethe as well as concepts of Chinese philosophy are discussed. The novelty of Domašcyna’s concept lies in her language, particularly in the mutation of sound and transformation of all reality. The paper uses “parkfiguren,” a speech composition created together with the composer Harald Muenz, as an example to analyze Domašcyna’s new metamorphosis. It is precisely her extremely uncertain take on metamorphosis that makes this poetic language the language of our present.

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44

Kiernan, Pauline, William Shakespeare, and Gunnar Sorelius. "Shakespeare's Early Comedies: Myth, Metamorphosis, Mannerism." Modern Language Review 91, no. 1 (January 1996): 191. http://dx.doi.org/10.2307/3734016.

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45

Cooper, Pamela. "Metamorphosis and Sexuality: Reading the Strange Passions of Disgrace." Research in African Literatures 36, no. 4 (2005): 22–39. http://dx.doi.org/10.1353/ral.2005.0160.

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46

Mitsi, E. "MYTH AND METAMORPHOSIS IN STEPHEN GOSSON'S SCHOOLE OF ABUSE." English 60, no. 229 (January 18, 2011): 108–23. http://dx.doi.org/10.1093/english/efq034.

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47

Pedot, Richard. "Kafka's Ape? Metamorphosis in Ian McEwan's Short Stories." Comparative Critical Studies 2, no. 3 (October 2005): 411–25. http://dx.doi.org/10.3366/ccs.2005.2.3.411.

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48

Roger, Sarah. "A Metamorphosis? Rewriting in Borges's Translations of Kafka." Comparative Critical Studies 8, no. 1 (February 2011): 81–94. http://dx.doi.org/10.3366/ccs.2011.0009.

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49

McCullough, Dana Compton. "Metamorphosis and Resurrection of Henrietta Lacks." Cultural Studies ↔ Critical Methodologies 20, no. 3 (October 4, 2019): 251–60. http://dx.doi.org/10.1177/1532708619880208.

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In this article, I explore the unique affordances of narrative and performance in creating opportunities to linger with Henrietta Lacks. I first unpack the complexity of the story, as we know it, and tease out some of the significant themes. I focus on the metamorphic nature of Henrietta’s narrative and discuss her life, death, extinction and ressurection situated in racism. Without her knowledge, Henrietta Lacks became a research subject. Scientists erased her identity, wishing to conceal their own improprieties in taking her cells without permission. Although her identity was erased, Henrietta’s cells gained immortality before her physical death, and her story is now reiterated in the work of Skloot and other literature, as though the narrative performed a kind of resurrection. I discuss how cell science thrived in part through leveraging different kinds of erasure and resurrection. Then, drawing on my experiences as an educator exploring Lack’s story with grade 9 biology students, I present a theatrical play that weaves together students’ retelling of the story. I hope this article provides opportunities to linger and contemplate the power of science and its role in metamorphic nature-cultures.

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50

Barroca Filho, Itamir de Morais, and Gibeon Soares Aquino Júnior. "Development of mobile applications from existing Web-based enterprise systems." International Journal of Web Information Systems 11, no. 2 (June 15, 2015): 162–82. http://dx.doi.org/10.1108/ijwis-11-2014-0041.

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Purpose – This paper aims to identify and propose strategies for development of mobile applications from Web-based enterprise systems and introduce a process called Metamorphosis. This process provides a set of activities subdivided into four phases – requirements, design, development and deployment – to assist in the creation of mobile applications from existing Web information systems. Design/methodology/approach – With the aim to provide a background to propose the Metamorphosis process, a systematic review was performed to identify strategies, good practices and experiences reported in the literature about creation of mobile applications. Findings – This paper identifies and proposes strategies for development of mobile applications from Web-based enterprise systems and introduces a process called Metamorphosis. Then, this process is applied for creation of SIGAA Mobile. Originality/value – The originality of this paper is the proposal of Metamorphosis process, that is, a process for development of mobile applications from Web-based enterprise systems.

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