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Journal articles on the topic 'Folk media'

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1

Ramesh Jain. "Media vision - folk computing." IEEE Multimedia 9, no. 3 (2002): 96. http://dx.doi.org/10.1109/mmul.2002.1022863.

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Gupta, Vandana. "FOLK MEDIA IN DEVELOPMENT COMMUNICATION." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–4. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3385.

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The human urge to express, communicate, and share something beautiful gave birth to performing arts such as folk and traditional media. Folk performing arts have changed structure continuously over centuries according to the needs of changing situations but without losing their functional relevance to society.
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3

Höivik, Susan, and Kurt Luger. "Folk Media for Biodiversity Conservation." International Communication Gazette 71, no. 4 (2009): 321–46. http://dx.doi.org/10.1177/1748048509102184.

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Vandana, Gupta. "FOLK MEDIA IN DEVELOPMENT COMMUNICATION." International Journal of Research – Granthaalayah, Innovation in Music & Dance :January,2015 (September 5, 2017): 1–4. https://doi.org/10.5281/zenodo.884576.

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Ninety percent of the world's population lives in developing countries and 70% of them live in rural areas. Mass media such as newspapers, television, and the internet still do not effectively reach these people. Moreover, many research studies show that these media do not have the required impact in terms of motivating change and development. In addition, high rate of illiteracy impedes the development of almost 80% of India's population who reside in the rural areas. However, folk arts and traditional media have proved their excellence in bonding and creating affinity in the community as dem
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Sefhera, Boitumelo Neo. "Folk media in the age of social media: Exploring the potentials of folk media for Botswanan development." International Journal of Advanced Mass Communication and Journalism 5, no. 2 (2024): 49–53. http://dx.doi.org/10.22271/27084450.2024.v5.i2a.86.

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Svec, Henry Adam. "FCJ-183 iHootenanny: A Folk Archeology of Social Media." Fibreculture Journal, no. 25 (November 10, 2015): 115–34. http://dx.doi.org/10.15307/fcj.25.183.2015.

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Alam, Jamshed. "Folk Media: Preserving Cultural Narratives in the Modern Era." International Journal of Research Publication and Reviews 5, no. 1 (2024): 2838–40. http://dx.doi.org/10.55248/gengpi.5.0124.0306.

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Valbuena, Victor T. "Using Folk Media in Development Programmes." Media Asia 15, no. 3 (1988): 150–54. http://dx.doi.org/10.1080/01296612.1988.11726286.

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Figà Talamanca, Giacomo. "Frameless Folk Psychology." Információs Társadalom 23, no. 2 (2023): 128. http://dx.doi.org/10.22503/inftars.xxiii.2023.2.8.

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In this paper, I will argue that the rise in hostility and polarization on social media is explainable by taking into account a radical difference between online and face-toface interaction. In everyday offline environments, socially shared and context-dependent norms frame the understanding of other people’s minds based on their behavior. I will argue that, on social media platforms, social cognition is distorted thanks to two deliberate design choices that are a means for financial gain for the platform’s designers: namely, the lack of socially shared norms on these platforms (entailed by wh
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Sentevska, Irena. "All that turban-folk: Orientalism and neo-folk music in Serbia." Bulletin de l'Institut etnographique 68, no. 3 (2020): 641–60. http://dx.doi.org/10.2298/gei2003641s.

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In this paper I look at the ?oriental controversy? of the neo-folk music in Serbia, focusing on the changes in the perception of the longstanding Serbian-Bosnian ensemble Juzni vetar (Southern Wind) in the academic circles, media and various segments of the music industry. The affirmative attitude towards the performers and music legacy of Juzni vetar, which has in recent years gradually entered the media from the alternative (non-commercial) music and art circles, may be observed in the context of the contemporary globalized music industry which constantly challenges orientalist assumptions a
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R, Rijitha, and Nikhil Kumar Gouda. "MEDIATING FOLK MEDIA MESSAGE IN SOCIAL MEDIA: CHALLENGES, ADAPTATIONS, OPPORTUNITIES AND THREATS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 426–36. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.128.

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During the Covid- 19 pandemic, the production of art and its distribution were severely hit worldwide. The folk forms were the worst affected due to various public gathering restrictions. Challenged by the question of survival, the folk artists experimented with the available resources of art production and distribution. Social media being the most affordable and accessible platform of content distribution came to the rescue of many folk artists who disseminated their performances on social media recorded or live. Inspired largely by David Berlo’s Source-Message-Channel-Receiver (SMCR) model o
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Obot, Etimbuk E., Essien E. Ndueso, and Uwem Offon. "Folk Media and the Challenge of Cultural Preservation in Nigeria." Journal of Philosophy, Policy and Strategic Studies (JPPSS) 1 (March 24, 2025): 21–31. https://doi.org/10.5281/zenodo.15472625.

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Abstract This study explores the role of folk media in promoting social change in Nigeria, highlighting its dual function in preserving cultural heritage and stimulating social change. Anchored in Bandura’s Social Learning Theory and Rogers’ Diffusion of Innovations Theory, it examines how folk media transmits values, norms, and innovations through storytelling, music, drama, and other indigenous communication forms. A survey of 400 respondents, including journalists, teachers, traditional leaders, and religious leaders, provided insights into its relevance, integration, and challe
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King, Amy J. "Borderland (Narco) Folk Saints and Texas Media." Journalism and Media 3, no. 2 (2022): 348–61. http://dx.doi.org/10.3390/journalmedia3020025.

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This study investigates and reflects upon the interpretations of (narco) folk saints on the Texas–Mexico border by analyzing their recent representations in local Texan and national U.S. print media. These articles portray the melding of religion and crime to promote anti-immigration ideas and politics in Texas. To understand the connection between culture and crime on the Texas–Mexico border, this essay first delves into each aspect individually, providing their origins and historical context. An analysis of U.S. and Mexican statistics illustrates that many of the societal issues spurring the
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14

Fauteux, Brian. "Understanding Media through the American Folk Revival." TOPIA: Canadian Journal of Cultural Studies 43 (September 1, 2021): 178–82. http://dx.doi.org/10.3138/topia-43-br03.

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15

Evans, Michael R. "Unruly Audience: Folk Interventions in Popular Media." Journal of American Folklore 134, no. 533 (2021): 357–58. http://dx.doi.org/10.5406/jamerfolk.134.533.0357.

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Andung, Petrus Ana, Jakobis Johanis Messakh, and Meryana Micselen Doko. "Disaster Mitigation Communication Model Using Folk Media." Jurnal Komunikasi: Malaysian Journal of Communication 40, no. 4 (2024): 89–106. https://doi.org/10.17576/jkmjc-2024-4004-05.

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The southern people in Thailand are often questioned and given negative connotations by society and the government. The media also portrays stereotypical images of southerners and characterizes them as having a stagnant identity. Most of it is constructed through the eyes of an "outsider," who would present the southern community in a more negative light than a positive one. This study aims to create a participatory communication process among the target youth by establishing a prototype media kit and enhancing pride in the southern identity through participatory action research among junior h
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Powell, Douglas Reichert. "Unruly Audience: Folk Interventions in Popular Media." Soundings: An Interdisciplinary Journal 105, no. 2 (2022): 224–26. http://dx.doi.org/10.5325/soundings.105.2.0224.

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Supratit, Tarafdar. "The Role and Relevance of Traditional Folk Media in a Society." ISSRA Journal of Arts, Humanities and Social Studies 01, no. 01 (2021): 29–31. https://doi.org/10.5281/zenodo.5635542.

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This paper looks at the role of traditional folk media in a society especially in rural areas. The role of traditional media has been very significant since the beginning of history and culture. Traditional folk media have a remarkable impact on rural society because of their acceptable idioms, functional significance and entertainment component. Folk media can overcome the difficulty of language, speech, words and other barriers of communication like understanding, interpretation, attitude and perception. Advantages of folk media are described also in this paper.
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Semeritskaya, Ol'ga Vladimirovna. "The intangible heritage of folk art crafts." Культура и искусство, no. 3 (March 2024): 89–102. http://dx.doi.org/10.7256/2454-0625.2024.3.70042.

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The object of the study is the intangible heritage of Russian folk arts and crafts as a phenomenon of traditional culture. Special attention is paid to the object content of the intangible heritage of crafts, as well as the forms of their preservation and actualization. The research originates from the definition of the concept of the intangible heritage of folk arts and crafts. The concept of the bearer of the intangible heritage of crafts is formulated. The definition of the morphology of the intangible heritage of crafts is based on the analysis of the intangible part of the artistic, indus
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Khan, Nawaz, and Nabam Tadi. "Nyishi Burial System and Aspect of Folk Media." Asian Journal of Research in Social Sciences and Humanities 10, no. 3 (2020): 1. http://dx.doi.org/10.5958/2249-7315.2020.00003.9.

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Phukon, Pranab, and Satyakam Borthakur. "‘Third Theatre’: A Media Closer to the Folk." Asian Journal of Research in Social Sciences and Humanities 5, no. 2 (2015): 148. http://dx.doi.org/10.5958/2249-7315.2015.00032.5.

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22

Kong, Da-hea. "Problematique of Community Media Study in Folk Research." journal of community culture and folklore 3 (March 31, 2022): 65–88. http://dx.doi.org/10.52955/jccf.2022.03.3.65.

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23

Abdulla, Sharifa. "The use of folk media: a contradictory discourse." Research in Drama Education: The Journal of Applied Theatre and Performance 21, no. 4 (2016): 459–64. http://dx.doi.org/10.1080/13569783.2016.1220248.

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24

BEGPIE, G. H. "HEALTH MESSAGES THROUGH FOLK MEDIA A Critical Review." Nursing Journal of India LXXVI, no. 11 (1985): 287–322. http://dx.doi.org/10.48029/nji.1985.lxxvi1103.

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Erdem, B. K. "Use of Folk Culture Products in Social Media Humor." Turkology 4, no. 102 (2020): 125–43. http://dx.doi.org/10.47526/2020/2664-3162.008.

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The rapid exchange of culture, which began with the Industrial Revolution, when technological developments brought people closer to each other in all respects, and with it the consuming structure of society outstripped the producing model of society 20.century. as it is observed. This change has also had an impact on the elements of humor and laughter. The function of laughing has also changed the purposes and facts that make up laughing. One of the important reasons for this change is that the internet-based communication network, which emerged after 1950, created a virtual world that changed
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26

Kumar, Shubham. "How social media helped in popularising and preserving – Khortha folk music." Naad Nartan Journal of Dance and Music 12, no. 1 (2024): 39–42. https://doi.org/10.5281/zenodo.11030619.

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<em>Folk music is an ancient form of Music. This word comes from a German word &ldquo;Volk&rdquo;, it means &ldquo;the people&rdquo;. Every community&nbsp;</em><em>or society in the whole world has their own traditional Folk music whether it is Chile, Germany or India. Especially India has </em><em>a very rich and diverse culture of Folk music. Here I am writing about one of the most famous Folk music of Jharkhand that </em><em>is &ldquo;Khortha&rdquo;. This language is spoken by approximately 1.5 Crores people of Jharkhand. The objective behind writing this </em><em>article is to make society
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Wang, Yunfan, Zixin Zhang, and Wenlei Wu. "Study on the Protection and Transmission of Oral Folk Literature of Oroqen People." Journal of Humanities and Social Sciences Studies 5, no. 3 (2023): 55–59. http://dx.doi.org/10.32996/jhsss.2023.5.3.8.

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Oral folk literature is an indispensable part of the intangible cultural heritage of the Oroqen people. In recent years, the protection and inheritance of Oroqen folk oral literature have achieved some results, but they are still facing challenges due to the extremely small population of this ethnic group and the dying of the ethnic language. This article focuses on the intangible cultural heritage of Oroqen folk oral literature and puts forward sustainable and specific suggestions on its protection and inheritance by summarizing useful experience and analyzing practical difficulties found in
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28

Wabwire, Jonai. "The Influence of New Media Technologies On Nambale Sub County Folklore." JOURNAL OF SOCIAL SCIENCE RESEARCH 14 (August 9, 2019): 3304–12. http://dx.doi.org/10.24297/jssr.v14i0.8191.

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New media technologies have had a tremendous impact on Nambale folk media (folklore) productions. By utilizing the technologies, folklorists have the ability to reach out directly to their fans, which creates a closer community between the two sides. With revolutions in both crowd funding, digital releases, and mobile payment technology, folk media fans also have vastly increased opportunities to consume folk media products such as songs, drama, plays in the ways they wish. Unfortunately, new media technologies have also brought about changes in folk music industry that are not as beneficial t
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Adekaa, Bridget Sewuese, Anthony Igyuve, and Ter Moses Akase. "Radio Broadcasting and the Adaptation of Folk Media in Cultural Promotion at Select Stations of North Central, Nigeria." Journal of Communication 5, no. 1 (2024): 27–39. http://dx.doi.org/10.47941/jcomm.1716.

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Purpose: This study aims to explore the utilization of folk media in Nigeria for radio broadcasting and cultural advocacy, focusing on preserving and advancing cultural heritage in Northcentral Nigeria.&#x0D; Methodology: Employing the Uses and Gratification Theory as a framework, the research utilized a mixed-method approach to gather data.&#x0D; Findings: The findings of the study highlight the importance of enhancing strategies to capture and sustain listener interest in folk media programmes. Incorporating interactive elements, storytelling techniques, or other methods to improve audience
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Nyoman Karmini, Ni. "Folk Story as a Media for Literacy and Education Based on Local Wisdom." International Journal of Science and Research (IJSR) 13, no. 6 (2024): 343–47. http://dx.doi.org/10.21275/mr24603204721.

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Thulla, Foday Yamba Philip, Ayuba Koroma, Samba Moriba, and Ibrahim Mustapha Fofanah. "Folk media: Existence, forms, uses and challenges in Mende indigenous communities of Southern Sierra Leone." Research Journal in Advanced Humanities 3, no. 4 (2022): 13–25. http://dx.doi.org/10.58256/rjah.v3i4.864.

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The study examined the folk media: existence, forms, uses and challenges in the Mende indigenous communities of Southern Sierra Leone. A mixed methods research design of 120 participants was developed, selected from 3 communities with 40 participants in each community. The mixed approach used both quantitative and qualitative research designs in the study. The interviews were initially conducted using interview questions related to the existence of folk media, its use and the challenges it faced in the study area. Three focus group discussions were held in 3 communities, randomly selected on t
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Mukhopadhyay, Bhaskar. "Dream Kitsch — Folk Art, Indigenous Media and `9/11'." Journal of Material Culture 13, no. 1 (2008): 5–34. http://dx.doi.org/10.1177/1359183507086218.

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Stokes, Martin. "The media and reform: Thesazandelektrosazin urban Turkish folk music." British Journal of Ethnomusicology 1, no. 1 (1992): 89–102. http://dx.doi.org/10.1080/09681229208567201.

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Goertzen, Christopher. "The Radiokappleik : Regional Norwegian Folk Music in the Media." Journal of Popular Culture 30, no. 1 (1996): 249–62. http://dx.doi.org/10.1111/j.0022-3840.1996.00249.x.

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Hayes, Matthew, and Lachlan MacKinnon. "Social Media, the Folk, and Bizarre Stories of Nova Scotia." Canadian Journal of Media Studies 16, no. 1 (2018): 76–98. http://dx.doi.org/10.18192/cjmsrcem.v16i1.6456.

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This essay recounts a number of so-called “bizarre” news reports from Nova Scotia, and the reactions to them on social media, as a means of exploring the fruitfulness of a digital history approach to regionalism and the idea of the provincial “Folk.” Such stories might be considered a contemporary manifestation of the Folk - albeit one that is presented through a digital medium that creates opportunities for cultural producers and consumers to enter into conversation about the style, context, and meaning of such representations. The essay is exploratory and offers some tentative conclusions -
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Senniaty Sarira, Faskalia, Anastasia Baan, and Dina Gasong. "Utilization of Digital Media Based on Local Wisdom in Learning Folk Poetry: A Qualitative Study on Junior High School Students." Jurnal Kependidikan Media 13, no. 3 (2024): 69–76. https://doi.org/10.26618/jkm.v13i3.17919.

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Learning folk poetry in Indonesian subjects has its own challenges, especially in instilling a deep understanding to students. This study aims to explore the utilization of local wisdom-based digital media in improving students' understanding of folk poetry. Using a qualitative research approach with a case study method, this research was conducted at SMP Negeri 4 Sesean Satap involving teachers and students as the main participants. Data were collected through observation, in-depth interviews, and analysis of learning documents. The results show that the use of digital media that integrates l
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Zhao, Yan, and Xu Guang Yang. "Research on Digital Media Technology in the Folk Art Design." Advanced Materials Research 926-930 (May 2014): 2550–53. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.2550.

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Digital Media Art and Design is based on a visual art, design, computer graphics and media technology intersect science disciplines of digital media. Meanwhile it is also the product of the combination of the rapid development of information technology and the arts. Through the application of Digital Media Art and Design, it not only brings innovations for modern visual communication art and design but also provides a rich form of expression and communication carriers for the folk art design, which makes it rise from the traditional to the digital level, process level. This kind of design inno
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Bi, Xiaochen. "Reflections on the Dissemination and Development of Ethnic Music Culture in the Context of New Media." Journal of New Media and Economics 1, no. 3 (2024): 124–28. http://dx.doi.org/10.62517/jnme.202410323.

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Modern digital music platforms and social media tools have become the mainstream form of music and culture dissemination. These platforms can optimize the efficiency of folk music dissemination, and at the same time, integrate folk cultural resources to present to people in a three-dimensional way. New media platforms integrate traditional music culture and modern art culture, and lay an important foundation for the globalization of folk music. The article explores the characteristics of ethnic music communication in the context of new media, analyses its main ideas and future development tren
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Plantak, Martina. "Coca-cola, Marlboro, Suzuki: Turbofolk music as a tool of political propaganda during the 1990s in Serbia." Research in Social Change 12, no. 2 (2020): 26–41. http://dx.doi.org/10.2478/rsc-2020-0007.

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Abstract This paper analyzes the relationship and correlation between propaganda and the mass media on the example of turbo-folk music as the most influential cultural model in the 1990s in Serbia. The purpose of this paper is to examine the influence and spread of turbo-folk music through various propaganda techniques and through the mass media. The primary aim of the research is to understand the related propaganda and the media, while the starting hypothesis is that turbo-folk music served the political interests of the ruling elites as a distraction from the gloomy political and economic s
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Rodov, Ilia. "What is “Folk” about Synagogue Art?" Images 9, no. 1 (2016): 49–63. http://dx.doi.org/10.1163/18718000-12340052.

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This publication is a tribute to the memory of the outstanding folklorist and ethnographer Dov Noy, who passed away in 2013. In the scholarly discourse that classifies folklore by modes and media of transmission, synagogue art—as distinct from folk narrative and behavioral lore—is commonly categorized as “visual folklore.” This paper examines the approach of classifying murals and sculptural decoration in east and central European synagogues from the late seventeenth century until the Holocaust as “folk creations.” It suggests a revision of pre-established definitions in the field, in general,
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Kumar, Shubham. "Role of Print Media in Promoting Jharkhand’s Popular Folk Music: “Khortha”." MediaSpace: DME Media Journal of Communication 3, no. 01 (2023): 43–45. http://dx.doi.org/10.53361/dmejc.v3i01.08.

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Amongst the traditional art forms, folk art forms including folk dance and music have been the greatest affected. One such art forms include an indigenous art form named ‘Khortha’ that has its roots and origin in Jharkhand. As a state Jharkhand too has been on the brink, sidelined by the mainstream media. However, whatever little remains of this art form that has managed to survive, the main contributor has been the media. This paper focussed on how books and the newspapers have kept this art form alive since ages and continues to do so.
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Fahimul Fuad, Harissman Harissman, Ary Leo Bermana, and Rias Wita Suryani. "Perancangan Media Informasi Buku Ilustrasi Cerita Rakyat Tapa Malenggang." Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. 2, no. 1 (2025): 234–48. https://doi.org/10.62383/misterius.v2i1.564.

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This design is entitled "Design of Information Media for Illustrated Books of Tapa Malenggang Folk Tales" such as learning media, to be an alternative solution to increase the expansion of information about Batanghari culture, namely the Tapa Malenggang Folk Tales through innovative information media. The solution is presented in the form of an illustrated book about the Tapa Malenggang Folk Tales using dynamic and colorful illustrations. This design method uses 5w + 1H analysis. While the design process includes interviews, field observations, library data, direct questionnaires to schools, a
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Mohanty, Manashi, and Pritishri Parhi. "Folk and Traditional Media: A Powerful Tool for Rural Development." Journal of Communication 2, no. 1 (2011): 41–47. http://dx.doi.org/10.1080/0976691x.2011.11884781.

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Panford, Solomon, Maud Ofori Nyaney, Samuel Opoku Amoah, and Nana Garbrah Aidoo. "Using Folk Media in HIV/AIDS Prevention in Rural Ghana." American Journal of Public Health 91, no. 10 (2001): 1559–62. http://dx.doi.org/10.2105/ajph.91.10.1559.

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Rajan, R. V. "The Use of Folk Media in Advertising and Developmental Communication." Media Asia 18, no. 2 (1991): 73–77. http://dx.doi.org/10.1080/01296612.1991.11726354.

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Firestone, Amanda. "Unruly Audience: Folk Interventions in Popular Media by Greg Kelley." Marvels & Tales 36, no. 2 (2022): 352–54. http://dx.doi.org/10.1353/mat.2022.0023.

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Andung, Petrus Ana, Ermenilda Putri Uding, and Leta Rafael Levis. "Pemanfaatan Kearifan Lokal sebagai Folk Media untuk Komunikasi Krisis Bencana." WACANA: Jurnal Ilmiah Ilmu Komunikasi 23, no. 2 (2024): 391–401. https://doi.org/10.32509/wacana.v23i2.4539.

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Kupang Regency, East Nusa Tenggara (NTT) Province is categorized as a natural disaster-prone area with various threats. Based on BNPB data, Kupang Regency is among the 10 high-risk districts in NTT Province during 2015-2022, with a disaster risk index value of 173.50 in 2022, which has increased by 5.02 compared to 2020. The results of the pre-research found that the communities in Merbaun and Toobaun villages, Kupang Regency have various hereditary local wisdom in managing nature. These local wisdoms are believed to have the potential to become traditional communication tools for disaster mit
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Sipayung, Febri Ridho. "BUKU DODING HALELUYA SEBAGAI SALAH SATU MEDIA PELESTARIAN LAGU RAKYAT SIMALUNGUN DI GKPS SIMALINGKAR." Grenek Music Journal 7, no. 1 (2018): 11. http://dx.doi.org/10.24114/grenek.v7i1.8782.

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This study aims to find out what folk song title Simalungun in Doding book Hallelujah,how is the form of the folk songs and the effectiveness of its conservation through replacementmethod lyrics/poems for the congregation GKPS Simalingkar.This study is based on the theoretical foundation to explain the meaning of HallelujahDoding Books, Media, Preservation, and Folk Songs SimalungunThe method used is descriptive qualitative. The population in this study are allSimalungun folk songs that are in the book Hallelujah Doding the 36 songs and 10 congregationsGKPS Simalingkar. The techniques of Data
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Cici Parida, Nadila Wijayanti Putri, and Sopa Namira. "Analisis Kemampuan Menyimak Cerita Rakyat Melalui Media Audiovisual pada Mahasiswa PBI Universitas Siliwangi." Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya 3, no. 2 (2025): 64–73. https://doi.org/10.61132/semantik.v3i2.1637.

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This study aims to analyze the listening skills of students of the Indonesian Language Education (PBI) study program at Siliwangi University in understanding folk tales delivered through audiovisual media which is considered capable of increasing student involvement and understanding in the listening process because it combines visual and audio elements simultaneously. The method used in this study is descriptive qualitative, with data collection techniques through listening tests. The results of the study indicate that the use of audiovisual media significantly helps students understand the c
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Mirnayati, Mirnayati, and I. Nyoman Yoga Sumadewa. "Perancangan Buku Interaktif Cerita Rakyat Lombok “Monyeh”." Jurnal SASAK : Desain Visual dan Komunikasi 2, no. 2 (2020): 51–58. http://dx.doi.org/10.30812/sasak.v2i2.868.

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Abstract:
Folklore is an oral cultural heritage that needs to be preserved because folklore is part of the cultural wealth of Nusantara. However, the lack of publications makes many folk tales still unknown to the public, especially children. One of the folk tales that are less well known to the public is the folklore from Lombok entitled monyeh. So it is necessary to have a publication media to introduce this folklore, one of which is through interactive books that can attract children to read, so they do not get bored while reading and are more informative.This interactive book of monyeh folk tales is
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