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Books on the topic 'Folk Music Revival'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Revival: A folk music novel. Portsmouth, N.H: Songsmith, 2011.

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2

Munro, Ailie. The folk music revival in Scotland. [Darby, Pa.]: Norwood Editions, 1989.

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3

Munro, Ailie. Democratic muse: Folk music revival in Scotland. Aberdeen: Scottish Cultural Press, 1996.

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4

Munro, Ailie. The democratic muse: Folk music revival in Scotland. Aberdeen: Scottish Cultural Press, 1996.

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5

Munro, Ailie. The democratic muse: Folk music revival in Scotland. Aberdeen: Scottish Cultural Press, 1997.

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6

Performing Russia: Folk revival and Russian identity. New York, NY: RoutledgeCurzon, 2004.

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7

Cohen, Norm. Folk song America: A 20th century revival. Washington, D.C: Smithsonian Collection of Recordings, 1990.

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8

When we were good: The folk revival. Cambridge, Mass: Harvard University Press, 1996.

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9

Fiddling for Norway: Revival and identity. Chicago: University of Chicago Press, 1997.

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10

Paul Clayton and the folksong revival. Lanham, Md: Scarecrow Press, 2008.

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11

Rainbow quest: The folk music revival and American society, 1940-1970. Amherst: University of Massachusetts Press, 2002.

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12

Svec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.

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13

Scully, Michael F. The never-ending revival: Rounder Records and the Folk Alliance. Chicago: University of Illinois Press, 2008.

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14

Scully, Michael F. The never-ending revival: Rounder Records and the Folk Alliance. Chicago: University of Illinois Press, 2008.

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15

Scully, Michael F. The never-ending revival: Rounder Records and the Folk Alliance. Chicago: University of Illinois Press, 2008.

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16

Dicaire, David. The folk music revival, 1958-1970: Biographies of fifty performers and other infuential people. Jefferson, N.C: McFarland & Co., 2011.

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17

Allen, Ray. Gone to the country: The New Lost City Ramblers and the folk music revival. Urbana: University of Illinois Press, 2010.

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18

Which side are you on?: An inside story of the folk music revival in America. New York: Continuum, 2005.

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19

Allen, Ray. Gone to the country: The New Lost City Ramblers and the folk music revival. Urbana: University of Illinois Press, 2010.

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20

Guigné, Anna Kearney. Folksongs and folk revival: The cultural politics of Kenneth Peacock's Songs of the Newfoundland outports. St. John's, N.L: ISER, Institute of Social and Economic Research, 2008.

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21

Memorial University of Newfoundland. Institute of Social and Economic Research., ed. Folksongs and folk revival: The cultural politics of Kenneth Peacock's Songs of the Newfoundland outports. St. John's, N.L: ISER, Institute of Social and Economic Research, 2008.

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22

The remunerated vernacular singer: From medieval England to the post-war revival. Frankfurt am Main: Peter Lang, 2005.

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23

Gregory, Mark. Sixty years of Australian union songs: The Australian folk revival and the the Australian Labour Movement since the Second World War. [Sydney: Mark Gregory, 2007.

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24

Macquarie University. Dept. of Contemporary Music Studies., ed. Sixty years of Australian union songs: The Australian folk revival and the the Australian Labour Movement since the Second World War. [Sydney: Mark Gregory, 2007.

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25

Daonscoil na Mumhan (2005 Coláiste na Rinne). Daonscoil na Mumhan: Imeachtaí 2005. Binn Éadair, Baile Átha Cliath: Coiscéim, 2006.

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26

Molly, Beer, ed. Singing out: An oral history of America's folk music revivals. New York: Oxford University Press, 2010.

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27

Dunaway, David King. Singing out: An oral history of America's folk music revivals. New York: Oxford University Press, 2010.

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28

Folk music revival in Europe. Verlag fur Wissenschaft und bildung, 1996.

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29

British Folk Revival, 1944-2002. Taylor & Francis Group, 2017.

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30

Cohen, Ronald D., 1940- author and Museum of the City of New York, eds. Folk city: New York and the American folk music revival. 2015.

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31

Olson, Laura. Performing Russia - Folk Revival and Russian Identity. Taylor & Francis Group, 2004.

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32

Brocken, Michael. The British Folk Revival: 1944-2002 (Ashgate Popular and Folk Music Series). Ashgate Publishing, 2003.

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33

Brocken, Michael. The British Folk Revival: 1944-2002 (Ashgate Popular and Folk Music Series) (Ashgate Popular and Folk Music Series) (Ashgate Popular and Folk Music Series). Ashgate Publishing, 2003.

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34

Lange, Barbara Rose. Banda and the Slovak Folk Revival. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0005.

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Chapter 4 discusses the Slovak folk revival of the 1990s–2000s with a case study of the musical group Banda. In Slovakia, audiences continued to enjoy styles of staged folklore from the communist era, but revivalists opposed these older styles and were outspoken in rejecting them. The chapter describes how revival folklorism is part of a movement to rediscover and reimagine Slovakia that sprang up in the 1990s; revivalists wanted to expand styles of rural music-making that existed outside communist-era folklore performance. The chapter discusses the mediation of neighboring Hungary’s dance house movement in Slovakia, and outlines the historical conditions that made it challenging to sustain dance house activity. The chapter argues that at the turn of the twenty-first century, revivalists managed artistic tensions and strengthened their reform efforts by becoming skilled neoliberal actors; making the transition from revivalism to a world-music fusion style allowed the musicians of Banda to be independent creatively and economically.

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35

Jabbour, Alan. A Participant-Documentarian in the American Instrumental Folk Music Revival. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199765034.013.021.

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36

1940-, Cohen Ronald D., ed. "Wasn't that a time!": Firsthand accounts of the folk music revival. Metuchen, N.J: Scarecrow Press, 1995.

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37

Cantwell, Robert S. When We Were Good: The Folk Revival. Harvard University Press, 1997.

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38

Roots of the Revival: American and British Folk Music in the 1950s. University of Illinois Press, 2014.

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39

Roots of the Revival: American and British Folk Music in the 1950s. University of Illinois Press, 2014.

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40

Cohen, Ronald D. Rainbow Quest: The Folk Music Revival and American Society, 1940-1970. University of Massachusetts Press, 2002.

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41

Old-time Music And Dance: Community And Folk Revival (Quarry Books). Quarry Books, 2005.

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42

Scully, Michael F. Never-Ending Revival: Rounder Records and the Folk Alliance. University of Illinois Press, 2013.

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43

Wasn't That a Time!: Firsthand Accounts of the Folk Music Revival (American Folk Music and Musicians Series Number 1). The Scarecrow Press, Inc., 1995.

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44

The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young. Scarecrow Press, 2012.

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45

Dazzling Stranger: Bert Jansch and the British Folk and Blues Revival. Bloomsbury Publishing Plc, 2000.

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46

Harper, Colin. Dazzling Stranger: Bert Jansch and the British Folk and Blues Revival. Bloomsbury UK, 2007.

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47

Harper, Colin. Dazzling Stranger: Bert Jansch and the British Folk and Blues Revival. Bloomsbury Pub Ltd, 2001.

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48

The Folk Music Revival, 1958-1970: Biographies of Fifty Performers and Other Influential People. McFarland & Company, 2011.

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49

Mitchell, Gillian. The North American Folk Music Revival: Nation And Identity in the United States And Canada, 1945-1980 (Ashgate Popular and Folk Music Series) (Ashgate Popular and Folk Music Series). Ashgate Publishing, 2007.

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50

Which Side Are You On?: An Inside History of the Folk Music Revival in America. Continuum International Publishing Group, 2006.

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