Relevant bibliographies by topics / Folk poetry, Bosnian

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Academic literature on the topic 'Folk poetry, Bosnian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Folk poetry, Bosnian"

1

Karatsuba, Myroslava. "Typological Comparisons of Folk Poetry of the Ukrainians and Southern Slavs at the Figurative-Lexical Level." Slov'ânsʹkij svìt, no. 21 (December 30, 2022): 23–38. http://dx.doi.org/10.15407/slavicworld2022.21.023.

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The focus of the study proposed below is on important issues related to the identification of the common features of folk poetry of separate southern Slavs, in particular, Serbian, Croatian and Bosnian, and Ukrainian folk poetry, as well as individual works of art with a folklore component (for instance, Vila-Posestra by Lesya Ukrainka). It is, in particular, about the characteristic features of folk-poetic works at the level of imagery, poetics, and indicative lexical patterns. Common to folk poetry of the Southern Slavs and Ukrainians, especially when it comes to works of love or social natu
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2

HODŽIĆ, Jasmin. "LITERAL AND FIGURATIVE LANGUAGE IN POETRY - THE EXAMPLE OF TRADITIONAL BOSNIAN FOLK POEM: “ALI-PAŠA NA HERCEGOVINI”." Lingua Montenegrina 7, no. 1 (2011): 89–99. https://doi.org/10.46584/lm.v7i1.208.

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This paper contains a contrastive analysis of different versions of the traditional Bosnian folk poem “Ali-paša na Hercegovini”, with a special emphasis on the newest version, hereby presented to public. In particular, the analysis is aimed at the linguistic aspect of creating the poetic expression, i.e. stylistic aspects of figurative language, using irony and metaphor for illustration.
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3

Rebihić, Nehrudin. "Poetry and Dramatic Work of Alija Nametak." Društvene i humanističke studije (Online) 8, no. 2(23) (2022): 241–58. http://dx.doi.org/10.51558/2490-3647.2023.8.2.241.

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In the Bosnian-Herzegovinian literary field, Alija Nametak established himself as a storyteller and novelist, but not as a poet and playwright. In this paper, for the first time, the poetic and stylistic-formational features of Nametak's poetry published from 1925 to 1932 in the magazines Jugoslovenska njiva, Književnik and Novi Behar are fully presented. His youthful poetry, stratified into an intimate and social thematic-motive register, flirts with contemporary modernist and avant-garde poetic tendencies, which we find in the poetry of Muse Ćazim Ćatić and Hamza Huma. The second part of the
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4

Rebronja, Semir. "Uzrit motifs of love and love longing in Bosniak and Serbian romanticists." Zbornik radova Islamskog pedagoškog fakulteta u Zenici (Online), no. 21 (December 15, 2023): 399–421. http://dx.doi.org/10.51728/issn.2637-1480.2023.399.

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Created in the 7th century, Uzrit love poetry or desert love poetry is inspired by love. It is named after the tribe to which poet Džemil (Ğamīl), one of the most famous love poets, belonged. In these poems, a lover spends his whole life in longing and absence, yearning for his beloved one. At the end of the 19th and the beginning of the 20th century, European romanticists sang and composed songs following, among others, Uzrit poets. Thus, Heinrich Heine sang the song Der Azra, writing down the Arab tradition of the Banu ʻUzra (Banū ʻUḏra) tribe that "for love lose their heads and die when the
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5

Andrić, Marta, and Azra Abadžić Navaey. "THE TURKISH LANGUAGE IN THE POETRY COLLECTION COMPILED BY MIHO MARTELINI FROM DUBROVNIK." Dil Araştırmaları, October 11, 2024. http://dx.doi.org/10.54316/dilarastirmalari.1466566.

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In the library of the National Museum of Bosnia and Herzegovina in Sarajevo there is a manuscript poetry collection compiled by Miho Martelini from Dubrovnik. The collection was compiled in Dubrovnik in 1657 and consists of two volumes containing poems composed in Croatian, Turkish, and Italian. All of the poems were written down in Italian Latin script, except for one poem in both Croatian and Turkish, which was written down in Bosnian Cyrillic script. The eighteen Turkish poems in this collection all belong to the genre of Turkish folk poetry. This paper analyses the characteristics of the T
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Talam, Jasmina, and Irena Miholić. "Voices from the Past: Musical Tradition of Bosnia and Herzegovina Through the Research of Matija Murko." Primerjalna književnost 48, no. 2 (2025). https://doi.org/10.3986/pkn.v48.i2.10.

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Matija Murko is one of the most significant foreign researchers of Bosnian folk music. In 1909, he conducted the first field research in Bosnia and Herzegovina. Since he was unable to obtain adequate recording equipment, Murko took notes in the field and kept detailed records of his observations. He received a grant from the Balkan Commission of the Royal Academy of Sciences in Vienna to study epic poetry in Croatia and Bosnia and Herzegovina during the summers of 1912 and 1913. In 1912, he made the first phonograph recordings in northwestern Bosnia. The following year, in 1913, he continued h
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7

ALBAYRAK, Hakan. "A STUDY OF OZANTÜRK'S EPIC OF "TURNALAR" IN TERMS OF NATIONALISM THEORIES." Karadeniz Uluslararası Bilimsel Dergi, December 15, 2022. http://dx.doi.org/10.17498/kdeniz.1190167.

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Various theories have emerged as a result of evaluations and studies on nationalism. Among these theories, "primordial theory", "modernist theory" and "ethno-symbolist theory" came to the fore. Primordial theory argues that nations come from the same lineage and share a common religion, language, culture and history. In this theory, there are “naturalistic”, “biological” and “cultural” perspectives. According to modernist theory, nationalism is a social necessity of that period. In this theory, nationalism is evaluated together with the modernization process, which affects social, political an
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Books on the topic "Folk poetry, Bosnian"

1

Vranić, Semir, and Zanin Berbić. Zaboravljeno blago: 100 bosanskih narodnih pjesama sa notnim zapisima. Buybook, 2021.

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2

Gunić, Vehid. Sevdalinke. Planjax, 2003.

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3

Bašić, Husein. Zeman kule po ćenaru gradi: Muslimanske epske narode pjesme iz Sandžaka : antologija. "FI Grafik", 1991.

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Gunić, Vehid. Sevdalinke o gradovima. Bošnjak, 1997.

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5

Buturović, Đenana, and Kosta Hörmann. Narodne pjesme Bošnjaka u Bosni i Hercegovini: Sabrao Kosta Hörmann, 1888-1889. Svjetlost, 2001.

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Husić, Sead. Tradicionalno i subverzivno u usmenoj poeziji bošnjaka: Studija o petoj rukopisnoj knjizi Muslimanske narodne pjesme Muharema Kurtagića. Bošnjačka zajednica kulture "Preporod", 2022.

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Kunić, Mirsad. Usmeno pamćenje i zaborav: Krajiška epika i njeni junaci. Centar za kulturu i obrazovanje Tešanj, 2012.

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8

Suljkić, Hifzija. Islam u bošnjačkoj narodnoj poeziji. Bemust, 1998.

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Bradarić, Smajl O., and Nirha Efendić. Narodne umotvorine: (iz Dervente i okolice). Slavistički komitet, 2018.

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Suljkić, Hifzija. Islam u bošnjačkoj narodnoj poeziji. R & S, 2003.

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Conference papers on the topic "Folk poetry, Bosnian"

1

Dokmanović, Radoslav P. "PRIPOVETKA „MUSTAFA MADŽAR” U SVETLU MUSLIMANSKE EPSKE POEZIJE." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.077d.

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This paper explores the ethical aspects of modelling Mustafa Madžar as a national hero in Ivo Andrić's story, and the extent to which the sense of his heroism aligns with or differs from the Muslim epic tradi- tion. Mustafa Madžar is highlighted for his exceptional warrior skills and merits, earning him symbolic and representative meaning, and in addition, he is historically contextualized through the epic battles near Banja Luka, Russia, Hungary, and Slavonia, all prominent themes in Muslim oral poetry. The analysis therefore draws on relevant folk epic poems, such as "Battle under Banja Luka
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