Relevant bibliographies by topics / Folk revival

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Folk revival'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Folk revival"

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Cohen, Norm. "The Folk Revival: Revisited, Revived, and Revised." Journal of American Folklore 103, no. 410 (1990): 514. http://dx.doi.org/10.2307/541611.

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Nahachewsky, Andriy. "Folk Dance Revival Strategies." Ethnologies 30, no. 1 (2008): 41–57. http://dx.doi.org/10.7202/018834ar.

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Abstract Ethnochoreologists are now more open to the study of folk dance revival groups, though they still lack common terminology or conceptual frameworks. Based upon the motivations and priorities of their participants, dance groups can be identified as “Enjoyers,” “Preservers,” “Presenters,” “Creators,” or perhaps “All-stars.” Several examples show how each of these strategies may impact on the organizational structures, dance forms and other aspects of the groups’ activities. These conceptual categories are presented with the suggestion that they may be useful for researchers, government p
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Deswal, Neerja. "Indian Folk Theatre : History and Relevance of its Revival." Journal of National Development 31, no. 1 (2018): 173–78. http://dx.doi.org/10.29070/31/57450.

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Marino, Michael. "Folk City: New York and the Folk Music Revival." Popular Music and Society 41, no. 1 (2017): 93–94. http://dx.doi.org/10.1080/03007766.2018.1377918.

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Shapiro, Anne Dhu, and Ailie Munro. "The Folk Music Revival in Scotland." Notes 44, no. 4 (1988): 718. http://dx.doi.org/10.2307/941030.

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Truten, Jack, and Ailie Munro. "The Folk Music Revival in Scotland." Ethnomusicology 30, no. 2 (1986): 359. http://dx.doi.org/10.2307/852027.

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Buchan, David, and Ailie Munro. "The Folk Music Revival in Scotland." Jahrbuch für Volksliedforschung 31 (1986): 178. http://dx.doi.org/10.2307/848339.

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Adelt, Ulrich. "Folk City: New York and the American Folk Music Revival." Journal of American History 104, no. 1 (2017): 243–44. http://dx.doi.org/10.1093/jahist/jax104.

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Tischler, Barbara L., and Robert Cantwell. "When We Were Good: The Folk Revival." American Historical Review 102, no. 4 (1997): 1260. http://dx.doi.org/10.2307/2170804.

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Wigzell, Faith, and Laura J. Olson. "Performing Russia: Folk Revival and Russian Identity." Modern Language Review 102, no. 1 (2007): 299. http://dx.doi.org/10.2307/20467270.

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Dissertations / Theses on the topic "Folk revival"

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Carpenter, Lisa. "Folk into Art: John Fahey, Modernism and the American Folk Revival." W&M ScholarWorks, 2017. https://scholarworks.wm.edu/etd/1516639659.

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John Fahey’s music holds a distinct place in the mid-century folk revival--distinct because he is difficult to fit in with traditional narratives of the revival. John Fahey created a unique musical style through incorporation of traditional American music with classical music forms. His musical “quotations” and renditions of American blues, folk, ragtime, Protestant hymns, and parlor songs did not merely revive traditional music, but gave it new form and newfound respect in order to further artistic exploration. Fahey was a musical modernist, infusing tradition with the new. Fahey’s work can b
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Murphy, Judith A. "Folk on Tyne : Tyneside culture and the second folk revival, 1950-1975." Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/1731/.

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This thesis explores the nature of the second folk revival in the North East of England. While there have been several major studies of the various national folk revivals during the 1950s, '60s and '70s, there is a paucity of scholarly accounts viewed through a regional lens. This study therefore builds on a common perception of North Eastern regional particularity to establish the ways in which the folk revival as experienced by its members within the region was distinct from that detailed in the literature on the wider (inter-)national folk scene. Using comparative examples drawn from the re
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Lorenz, Stephen Fox. "Cosmopolitan Folk| The Cultural Politics of the North American Folk Music Revival in Washington, D.C." Thesis, The George Washington University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3615789.

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<p> This dissertation looks at the popular American folksong revival in the Washington, D.C., metropolitan region during the Cold War and Civil Rights era. Examination of folk revival scholarship, local media reports and cultural geography, and the collected interviews and oral histories of Washington area participants, reveals the folk and blues revival was a mass mediated phenomenon with contentious factions. The D.C. revival shows how restorative cultural projects and issues of authenticity are central to modernity, and how the function of folksong transformed from the populist, labor orien
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Brocken, Michael. "The British folk revival : an analysis of folk/popular dichotomies from a popular music studies perspective." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266140.

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Taylor, Allan. "Song, songwriting and the songwriter in the English folk song revival." Thesis, Queen's University Belfast, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333855.

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Mitchell, J. Y. "Subterranean bourgeois blues : the second English folk revival, c. 1945-1970." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1428635/.

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This thesis explores the folk revival phenomenon in England, through an original examination of its place in the social and political history of the country after the Second World War. Although its roots stretched back to the early twentieth century, the post-war English folk revival significantly occurred in the context of the nation’s de-industrialisation, and exposed tensions between, on the one hand, a nostalgic lament for a fast-disappearing working class life, and a ‘forward-looking’ socialist vision of working-class culture. The original contribution to knowledge of this project lies in
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McLaughlin, Noel. "Pop and the periphery : nationality, culture and Irish popular music." Thesis, Ulster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326322.

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This thesis seeks to consider the relationship between 'rock' and 'Irishness' • between transnational pop and the nation-state • challenging the 'orthodox' view that Irish rock embodies uniquely Irish characteristics. It is about Irish popular music and identity and is primarily concerned with the relationship between culture and meaning. It argues that the study of popular music as 'text' is important to the more general study of culture (even though the notion of text in popular music is problematic). The thesis seeks to explore how meaning is made in popular music culture across a shifting
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Gogan, Claire Marissa. "To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73681.

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Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to "revive" thi
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Ord, Matthew David. "Sound recording in the British folk revival : ideology, discourse and practice, 1950-1975." Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3720.

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Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into mu
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McKinney, Rebecca. "Old tunes for new times : contemporary Scottish nationalism and the folk music revival." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/22476.

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This thesis examines the complex of relationships between the contemporary drive for Scottish self-determination and the performance of Scottish folk and traditional music. The central argument of this work revolves around A.P. Cohen's (1996) notion of personal nationalism, which posits that individuals make the concepts of nation and nationalism relevant to themselves through daily experience and practice. Rather than examining or attempting to define Scottish nationalism as an internally homogeneous movement, this thesis focuses upon the ways in which various types of nationalist sentiment a
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Books on the topic "Folk revival"

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Revival: A folk music novel. Songsmith, 2011.

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Munro, Ailie. The folk music revival in Scotland. Norwood Editions, 1989.

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Cohen, Norm. Folk song America: A 20th century revival. Smithsonian Collection of Recordings, 1990.

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When we were good: The folk revival. Harvard University Press, 1996.

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Munro, Ailie. Democratic muse: Folk music revival in Scotland. Scottish Cultural Press, 1996.

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Performing Russia: Folk revival and Russian identity. RoutledgeCurzon, 2004.

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Paul Clayton and the folksong revival. Scarecrow Press, 2008.

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Munro, Ailie. The democratic muse: Folk music revival in Scotland. Scottish Cultural Press, 1996.

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Munro, Ailie. The democratic muse: Folk music revival in Scotland. Scottish Cultural Press, 1997.

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Ruta, Saliklis, and Elvehjem Museum of Art, eds. Sacred wood: The contemporary Lithuanian woodcarving revival. Elvehjem Museum of Art, University of Wisconsin--Madison, 1998.

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Book chapters on the topic "Folk revival"

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Wiseman-Trowse, Nathan. "Folk Revival and Folk Rock." In Performing Class in British Popular Music. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594975_6.

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Brocken, Michael. "Gendered folk mythologies." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-7.

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Brocken, Michael. "The business of folk." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-5.

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Brocken, Michael. "The inherent morphology of folklore and folk song." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-1.

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Brocken, Michael. "A selective consideration of folk literature in relation to the first edition of The British Folk Revival." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-2.

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Brocken, Michael. "The folk built environment and the development of ‘thirdspace'." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-8.

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Brocken, Michael. "New folk media in the social sphere." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-6.

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Brocken, Michael. "Folk, blues and self-directed learning with the post-WWII Britain media." In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-4.

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Brocken, Michael. "The aesthetics and practicalities of revivalism: a conservative-socialist-recorded sound ‘revolution'?" In The British Folk Revival, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003307242-3.

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Williams, Joseph. "Epistemologies of Identity in England's Folk Revival." In England's Folk Revival and the Problem of Identity in Traditional Music. Routledge, 2022. http://dx.doi.org/10.4324/9780367648145-4.

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Conference papers on the topic "Folk revival"

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Magomedrasulovna, Kishova Fatima. "ABOUT THE REVIVAL OF THE TRADITIONAL CULTURES IN CUBACI." In Folk arts and crafts of the Russian Federation. ALEF, 2019. http://dx.doi.org/10.33580/978-5-00128-340-9-2019-130-134.

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Castro-Beltran, Hector Manuel, and J. J. Sanchez-Mondragón. "Filtered correlations in the Jaynes-Cummings resonance fluorescence." In OSA Annual Meeting. Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.ws8.

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Atomic inversion revivals are the first evidence of the quantum character of the radiation, predicted by the Jaynes–Cummings model, that are experimentally measurable in cavity quantum electrodynamics.1 We propose another test by studying the two time photon correlations between spectrally resolved components of resonance fluorescence spectrum of the coherent Jaynes–Cummings model. The spectrum raises from spontaneous emission between adjacent energy many folds, whose splitting is given by the Rabi frequency for every Fock state. This originates sideband discreteness that can be observed when
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Kosanovic, Nada, and Suncica Vjestica. "SUSTAINABLE VILLAGES." In Sixth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/limen.2020.399.

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Despite the fact that we live in a country where the farmers' associations are created among the first on the Old Continent, and where one of the first Institute for Nature Protection is created, statistics warn us that the demise of several hundred Serbian villages and thus the emptying of strategically important areas of the state of Serbia today, is a serious development problem. In this paper an analysis of the rural, age and educational structure of the population, in rural areas of the Republic of Serbia, has been performed. The authors believe that the situation is not hopeless and poin
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MAȚOI, Ecaterina. "TEHREEK-E-LABBAIK PAKISTAN (TLP): A RISING EXTREMIST FORCE, OR JUST THE TIP OFA LARGER RADICALISED ICEBERG IN THE AFPAK REGION?" In SCIENTIFIC RESEARCH AND EDUCATION IN THE AIR FORCE. Publishing House of “Henri Coanda” Air Force Academy, 2022. http://dx.doi.org/10.19062/2247-3173.2021.22.26.

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As if Afghanistan’s recent takeover by the Taliban was not a sufficiently significant development in the AfPak region, reports indicate that Pakistan’s largest sect, the Barelvi, becomes increasingly militant and aggressive by the day. Since another important movement for the history of Pakistan - the Deobandi - has generally dominated the violence scene in Pakistan starting with the Soviet invasion of Afghanistan, this trend within the Barelvis is a rather new one, and deserves extensive attention keeping in mind the recent regional developments. Taking a brief look at the history of the regi
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Tang, Xueqing, Ruifeng Wang, Zhongliang Cheng, and Hui Lu. "Rich-Gas Condensate Huff and Puff Process in High-Volume, Watered-Out, and Highly Viscous Heavy Oil Wells, Case Study in Iraq." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205742-ms.

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Abstract Halfaya field in Iraq contains multiple vertically stacked oil and gas accumulations. The major oil horizons at depth of over 10,000 ft are under primary development. The main technical challenges include downdip heavy oil wells (as low as 14.56 °API) became watered-out and ceased flow due to depleted formation pressure. Heavy crude, with surface viscosities of above 10,000 cp, was too viscous to lift inefficiently. The operator applied high-pressure rich-gas/condensate to re-pressurize the dead wells and resumed production. The technical highlights are below: Laboratory studies confi
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